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DigiTech GNX4 Guitar Processor Price: 499.00 Retail Price: 799.00 DIGIGNX4 Gigasonic The GNX4 is a full-featured multi-modeling floor effects processor. This unit does not replace the GNX3, It just takes the award-winning workstation GNX3 to the next level. The GNX4 contains digital 8-track recorder, MIDI drum machine, mp3 player, Pro-Tracks Plus software, Lexicon Pantheon reverb plug-in. Digital 8-track recorder —If you want to capture that magic riff, just press the record footswitch and save the moment onto the Compact Flash memory card for transfer later to computer. MIDI drum machine--- It has a vast library of high quality kits and patterns or you can use your own MIDI files. Plus, it can even play back your favorite MP3s. Download lessons from guitar magazines or play along with songs you uh, bought legally from one of those authorized download sites. Professional reverbs from Lexicon--- For the finishing touch, process your work through world-class Lexicon reverbs courtesy of the Pantheon reverb plug-in. With 35 factory presets, 6 reverb types and a simple yet powerful user interface, Pantheon is an indispensable tool for your GNX4-based recording setup. Features ? Guitar multi-modeling recording workstation 15 guitar amp and 10 bass amp models Distortion stompbox modeling Hypermodel?creation-unlimited tones Built-in 8-track digital recorder 6 channels of audio streaming via USB (record 4, playback 2) MP3 Playback High quality mic preamp with 48V phantom power Stereo line inputs Built-in MIDI Drum machine Compact Flash memory storage XLR and 1/4 in. stereo outputs with Speaker Compensation 80 User/80 Factory Presets 24-bit A/D/A converters Recorder remote control via optional GNXFC Boatloads of bundled software As a performing guitar processor, the GNX4 is unmatched in its class. At the heart of the GNX4 is DigiTech's multi-modeling amp and cabinet modeling engine, where the sky is the limit on the number of amp and cabinet models that are available. Combine your favorite amp tone with studio quality effects processing, including the legendary Whammy?and you have an unparalleled processing device. Connect to both your onstage amp and the house mixer using both the XLR and 1/4 in. outputs and find out what a huge sound really is. When you are ready to record, so is the GNX4. Thanks to USB connectivity and the included Pro Tracks Plus?recording software, hands-free recording has been taken to the next level. Just press the record footswitch and stream four channels of 24-bit audio to the computer while playing two channels back, all with zero latency monitoring. A high-quality mic input with true +48V phantom power and stereo line inputs let you professionally capture virtually any audio source with ease. For the finishing touch, process your work through world-class Lexicon?reverbs courtesy of the Pantheon?reverb plug-in provided with both Pro Tracks Plus?recording software for PC and BIAS Deck SE?recording software for Mac. If you are out jamming with the band, the built-in 8-track recorder can capture the magic riffs that come out of nowhere and save the moment onto the Compact Flash memory card for transfer to the computer later. The GNX4 also features an advanced MIDI drum machine, providing a vast library of high quality drum kits and patterns to help craft your music with. You can even use your own MIDI files to playback the GNX4's drums. When not playing drums, the GNX4's drum machine playback engine can play back your favorite MP3s for something cool to rehearse with or for live performance. Included Software Pro Tracks?Plus Lexicon?Pantheon?Reverb Plug-in Cakewalk?Pyro Express for CD burning BIAS?Deck?3.5 SE Mac Recording X-Edit?Editor-Librarian Specifications ? 24-bit analog-digital Delta Sigma converters Compact Flash Type I compatible card MIDI compatible Drum Machine 11 simultaneous Effects 80 User, 80 Artist Presets, 80 more User with optional CF card Guitar Input: 1/4 in. unbalanced Mic Input: XLR balanced with phantom power Line Inputs: Two 1/4 in. TRS Footswitch Connector: 1/4 in. stereo TRS Line Outputs: - Two 1/4 in. Balanced - Two XLR Balanced Headphone Output: 1/4 in. Stereo MIDI: In, Out, Thru USB: 1.1

M-Audio BX5A Monitor & SBX Bundle Price: 499.00 Retail Price: 699.00 9900-40785-009900-40790-00 Gigasonic M-Audio Studiophile BX5A Monitor M-Audio has introduced the Studiophile BX5a , updated version of the company's BX5. The BX5a refines M-Audio's highly acclaimed BX5 near-field reference monitors, renowned for packing a lot of punch for their size. The 5" low-frequency driver cone is crafted from Kevlar, an extremely resilient material typically found in much more expensive monitors. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver incredible fidelity and durability. The 1 in . high-frequency drivers' magnetically shielded natural silk domes produce crisp top end while still being gentle on the ears. The 70-watt bi-amped power and expertly tuned crossovers round out an incredible sounding pair of reference monitors with a footprint small enough to fit just about anywhere. M-Audio's new BX5a employs Kevlar for low-frequency driver construction. The same material used in bulletproof vests, Kevlar's high resilience makes it ideal for use in speaker cones -- although it is typically reserved for monitors with higher price tags than the BX5a . Needless to say, Kevlar represents a significant improvement over the polypropylene and paper used in most monitors for this price. Active monitors have a distinct advantage over unpowered monitors, in that the built-in power amps are designed specifically to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high -- and low-frequency drivers are asked to deliver only the frequencies they are more efficient at reproducing. Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX 5a is magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.M-Audio Studiophile SBX Subwoofer Bass Management While M-Audio's BX8s and BX5s offer as much bass response as you'll find in any monitors of similar size, the addition of an SBX subwoofer puts 120 watts behind those low frequencies that you can really feel. In fact, so many consumers have subwoofers that you're not really mixing accurately without having a sub yourself. M-Audio's unique Stereo Bass Management System splits the signal at the variable crossover frequency, routing everything below to the sub and everything above to the satellites. The SBX is so affordable that it also makes an excellent companion to other monitors from stereo to full surround setups. About Stereo Bass Management When subwoofers are added to many systems, all frequencies are routed to both the main monitors and the sub. The sub typically has a low-pass filter to roll off the highs (as do the BX8s and BX5s). The problem is that both the main monitors and the sub are still trying to put out the same low frequencies, thereby compromising fidelity. Enter our Stereo Bass Management System. The SBX accommodates the stereo outputs from your mixer, and your main monitors then connect to outputs on the sub as satellites. The SBX's internal crossover network splits the signal at a user-defined crossover frequency (50-180Hz), routing everything below it to the internal sub and everything above it to the satellites. This significantly improves fidelity because the components aren't tripping over each other to reproduce the same frequencies and each only has to deliver frequencies to which it is ideally suited. Bundle Include: Brand New M-Audio Studiophile BX5A Brand New M-Audio Studiophile SBX Subwoofer

M-Audio Studiophile BX8A Monitor Price: 499.00 Retail Price: 599.00 9900-40786-00 Gigasonic Over the years, Studiophile reference monitors have earned a great reputation with recording professionals around the world. The BX8a updates our critically acclaimed BX8 near-fields. Topping the improvements list are our 8" curved Kevlar low-frequency drivers-a technology usually reserved for monitors bearing a higher price tag. Of course, they're coupled with our time-proven high-temperature voice coils and damped rubber surrounds for durability and fidelity. Magnetically shielded 1" natural silk domes give the BX8s a high-end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 Watts of bi-amplified power for optimal frequency handling by each driver. Hear for yourself why Studiophiles have become standard issue"" reference monitors. Kevlar LF drivers To insure a lifetime of service, we constructed the BX8a's 8"" low-frequency driver from woven Kevlar-the same material bulletproof vests are made from. (Kevlar is typically reserved for more expensive monitors.) Our engineers also created a curved conical design that improves room dispersion. High-damping rubber surrounds insure that the cone reaches exactly its optimal excursion for accurate reproduction. And our high-temperature voice coils guarantee that your monitors will deliver full performance no matter how many hours you use them. Silk-dome HF drivers with FerroFlow™ Our high-frequency domes are made from natural silk to counter the ringing that is inherent in the stiffer metallic materials common to other monitors. M-Audio's FerroFlow™ technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage. Bi-amped efficiency Active (powered) monitors allow designers to optimize amplification for other components such as speakers and cabinets. And by using two separate power amps and a finely tuned crossover, the BX8a's bi-amped design insures that both the high- and low-frequency drivers are each sent only the frequencies they reproduce most efficiently. Rear-ported cabinet design The BX8a's cabinet is integrally designed with its other components for optimal performance-right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design eliminates the turbulence and resulting distortion caused when front ports project low frequency waves in the same path as the speakers' direct signal. Features two-way studio reference monitors stylish design 130 Watts of bi-amplified power 8"" low-frequency drivers with: curved Kevlar cones high-temperature voice coils damped rubber surround 1"" natural silk high-frequency drivers magnetically shielded XLR balanced and 1/4"" balanced/unbalanced inputs volume control power indicator Specifications frequency response: 40Hz-24kHz crossover frequency: 2.2kHz crossover filter network: 4th-order Linkwitz-Riley amplifier type: class AB monolithic low-frequency amplifier power: 0 Watts RMS into 4 ohms (woofer) at 0.5% (-46 dB) THD high-frequency amplifier power: 60 Watts RMS into 6 ohms (tweeter) at 0.5% (-46 dB) THD maximum signal-to-noise (dynamic range): > 100dB (typical A-weighted) polarity: positive signal at + input produce outward LF cone displacement input impedance: 20k ohms balanced,10k ohms unbalanced input sensitivity: 85 mV pink noise input produces 90dBA output SPL at one meter with volume control at maximum power: factory programmed for either 115V ~50/60Hz or 230V ~50/60Hz protection: RF interference, output current limiting, over temperature, turn-on/off, transient, subsonic filter, external mains fuse cabinet: vinyl-laminated MDF (enclosure natural Helmholtz resonance frequency: 30 Hz) size: 12"" x 10"" x 15""; 30.48cm x 25.4cm x 38.1cm weight: 26.4 lbs./unit; 11.97 kg. "

M-Audio Ozone & Ableton Live 5.0 Bundle Price: 499.00 Retail Price: 799.00 9900-40809-009910-41321-00 Gigasonic M-Audio Ozone Controller Keyboard The M-Audio Ozone is a new mobile tool that can change the way you make music. This was the reason behind the design of the revolutionary Ozone—an all-in-one keyboard, MIDI control surface, mic preamp, USB audio interface and USB MIDI interface that's no bigger than a laptop . Combined with your computer and software like Reason and Live, M-Audio Ozone provides a complete personal mobile studio from input to output. The Ozone provides a built-in 16-channel USB MIDI interface, a 25-note keyboard with full-sized keys, 8 assignable MIDI controller knobs, pitch and mod wheels, sustain pedal jack, and 2 MIDI outs (one from computer, one from Ozone). The Ozone comes with a 24-bit/96kHz audio interface, stereo out, XLR mic input with built-in preamp and phantom power, an instrument in stereo aux in, stereo headphone out, and a direct monitor switch for zero-latency monitoring. M-Audio Ableton Live 5.0 Music Production Software Ableton Live 5.0 is M-Audio's biggest development effort since the initial release of Live in 2001. This upgrade is designed to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Winner of countless industry awards, Live integrates loop-based and linear production methodologies¡ªincluding unique virtual instruments and effects¡ªtogether in a single interface for unparalleled creative freedom. Live 5 brings your acoustic, electronic and virtual instruments¡ªas well as your digital audio recordings and MIDI sequences¡ªtogether in a single interface with unparalleled ease of use. Ableton Live 5 also comes with clip freezing, MP3 support, incredible new beat-synced effects, launchable arrangement locators, Mackie Control support and much more. Live 5 is a complete music production system and also work perfectly with Pro Tools M-Powered. If you haven't experienced Live 5, you owe it to yourself to see what all the buzz is about. Your music will never be the same. The Live 5 feature set extends each aspect of Live - from creation to production to performance - while making the program easier and even more fun to use.

Sony UWP-C1 Wireless Mic System 6264 Price: 499.00 Retail Price: 699.00 sony-uwp-c1-6264 Gigasonic The Sony UWP-C1 is a complete UHF wireless lavalier system including a camera-mountable receiver, body-pack transmitter and omni-directional lavalier microphone. Both transmitter and receiver feature 188 user selectable, PLL synthesized UHF frequencies, resulting in plenty of frequency options when experiencing interference. The camera-mountable receiver features a space-diversity design represented with dual antennas. The design stabilizes reception and minimizes RF interference by selecting the stronger of the 2 incoming receptions for output. In addition the antennas swivel for achieving even stronger reception. The receiver features a stereo mini jack output with monitor volume control. An LCD display provides channel & frequency information, battery life, RF-input level, audio-output status and accumulated operating time. The receiver operates on 2-AA batteries for up to 6 hours and it's compact design and included shoe-mount adapter allows easy mounting to most camcorders. The body-pack transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. Like the receiver, the body-pack transmitter also features 188 selectable UHF frequencies and operates up to 6 hours on two-AA size alkaline batteries. The transmitter features an LCD display and a 3.5mm input jack which accepts the output of any lavalier microphone equipped with a 3.5mm mini output. The system is supplied with a omni-directional lavalier microphone with a signal response suitable for any application. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Space Diversity Receiver The receiver features a space diversity design which simply chooses the strongest signal between the dual incoming signals, then sends that signal to output. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Omni-Directional Lavalier A high-quality Omni-directional lavalier microphone provides the sonic quality needed to handle professional and non-professional applications. Specifications ? PLL Synthesized System To achieve stable transmission and reception. Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up

Sony UWP-C1 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-c1-6668 Gigasonic Sony UWP-C1/6668 UHF Synthesized Wireless Microphone System. Consists of a lavalier microphone, bodypack transmitter and portable tuner. Suitable for a wide range of applications, from news gathering and interviews to talk shows and conferences. The lavalier microphone is supplied with a microphone windscreen and microphone-holder clip. The bodypack transmitter is supplied with a belt clip. The portable tuner is supplied with a microphone stand adapter, screw adaptor, shoe-mount adaptor for mounting on a camcorder and microphone cable (3-pole mini-plug/XLR type). Features ? Consists of a lavalier microphone, bodypack transmitter and portable tuner Suitable for a wide range of applications, from news gathering and interviews to talk shows and conferences The lavalier microphone is supplied with a microphone windscreen and microphone-holder clip The bodypack transmitter is supplied with a belt clip The portable tuner is supplied with a microphone stand adapter, screw adaptor, shoe-mount adaptor for mounting on a camcorder and microphone cable (3-pole mini-plug/XLR type) Specifications ? PLL Synthesized System To achieve stable transmission and reception. Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up

Sony UWP-C2 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-c2-6668 Gigasonic The Sony UWP-C2 is a complete UHF wireless Handheld system including a camera-mountable receiver, handheld transmitter / uni-directional microphone. Both transmitter and receiver feature 188 user selectable, PLL synthesized UHF frequencies, resulting in plenty of frequency options when experiencing interference. The camera-mountable receiver features a space-diversity design represented with dual antennas. The design stabilizes reception and minimizes RF interference by selecting the stronger of the 2 incoming receptions for output. In addition the antennas swivel for achieving even stronger reception. The receiver features a stereo mini jack output with monitor volume control. An LCD display provides channel & frequency information, battery life, RF-input level, audio-output status and accumulated operating time. The receiver operates on 2-AA batteries for up to 6 hours and it's compact design and included shoe-mount adapter allows easy mounting to most camcorders. The Handheld transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. Like the receiver, the handheld transmitter also features 188 selectable UHF frequencies and operates up to 6 hours on two-AA size alkaline batteries. The transmitter features an LCD display, providing frequency & channel information, battery life, total usage time and more. Features ? Consists of handheld microphone and portable tuner Suitable for news gathering and for use in PA systems The handheld microphone is supplied with a microphone holder and screw adaptor The portable tuner is supplied with a microphone stand adaptor, screw adaptor, shoe-mount adaptor for mounting on a camcorder, belt clip and microphone cable (3-pole mini-plug /XLR-type) The portable tuner is supplied with a microphone stand adaptor, screw adaptor, shoe-mount adaptor for mounting on a camcorder, belt clip and microphone cable (3-pole mini-plug /XLR-type) Specifications ? PLL Synthesized System To achieve stable transmission and reception. Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up.

Sony UWP-S1 Wireless Mic System 6264 Price: 499.00 Retail Price: 699.00 sony-uwp-s1-6264 Gigasonic The Sony UWP-S1 is a UHF wireless Lavalier microphone system consisting of a body-pack transmitter, uni-directional lavalier microphone and half-rack / table-top mountable diversity receiver. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The half-rack receiver features a Space Diversity design represented with dual swivel antennas. This feature stabilizes reception by selecting the strongest of dual incoming signals, then sending the chosen signal to output. The end result is clear reception and longer range due to minimal interference and drop-out. The unit features a XLR output and 1/4" Phone outputs and is capable of both mic and line-level signal. A stereo headphone jack with separate volume adjust is located on the front panel. An LCD display provides frequency & channel information, battery life and usage time. A green LED illuminates when RF-input is received. The AC/DC power supply is included. . The body-pack transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The body-pack transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display and a 3.5mm input jack which accepts the output of any lavalier microphone equipped with a 3.5mm mini output. The system is supplied with a uni-directional lavalier microphone with a signal response suitable for any application. Features ? Consists of a lavalier microphone, bodypack transmitter and half-rack-size tuner Suitable for use in PA systems Supplied with a microphone windscreen and holder clip, transmitter belt-clip and tuner AC/DC adapter Specifications ? PLL Synthesized System To achieve stable transmission and reception. Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up

Sony UWP-S1 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-s1-6668 Gigasonic The Sony UWP-S1 is a UHF wireless Lavalier microphone system consisting of a body-pack transmitter, uni-directional lavalier microphone and half-rack / table-top mountable diversity receiver. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The half-rack receiver features a Space Diversity design represented with dual swivel antennas. This feature stabilizes reception by selecting the strongest of dual incoming signals, then sending the chosen signal to output. The end result is clear reception and longer range due to minimal interference and drop-out. The unit features a XLR output and 1/4" Phone outputs and is capable of both mic and line-level signal. A stereo headphone jack with separate volume adjust is located on the front panel. An LCD display provides frequency & channel information, battery life and usage time. A green LED illuminates when RF-input is received. The AC/DC power supply is included. . The body-pack transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The body-pack transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display and a 3.5mm input jack which accepts the output of any lavalier microphone equipped with a 3.5mm mini output. The system is supplied with a uni-directional lavalier microphone with a signal response suitable for any application. Features ? Consists of a lavalier microphone, bodypack transmitter and half-rack-size tuner Suitable for use in PA systems upplied with a microphone windscreen and holder clip, transmitter belt-clip and tuner AC/DC adapter Specifications ? PLL Synthesized System To achieve stable transmission and reception. Avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. Space Diversity Reception System Reduces the occurrence of reception interruptions (signal dropout). Tone Squelch Circuitry Prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off. Simultaneous Multi-Channel Operation Users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system set-up

Sony UWP-S2 Wireless Mic System 6264 Price: 499.00 Retail Price: 699.00 sony-uwp-s2-6264 Gigasonic The Sony UWP-S2 is a UHF wireless handheld microphone system consisting of a uni-directional handheld microphone / transmitter and half-rack / table-top mountable diversity receiver. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The half-rack receiver features a Space Diversity design represented with dual swivel antennas. This feature stabilizes reception by selecting the strongest of dual incoming signals, then sending the chosen signal to output. The end result is clear reception and longer range due to minimal interference and drop-out. The unit features a XLR output and 1/4" Phone outputs and is capable of both mic and line-level signal. A stereo headphone jack with separate volume adjust is located on the front panel. An LCD display provides frequency & channel information, battery life and usage time. A green LED illuminates when RF-input is received. The AC/DC power supply is included. The handheld transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display providing channel and frequency information, battery life, usage time and more. The handheld microphone / transmitter features a uni-directional capsule with a signal response suitable to handle any application. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Space Diversity Receiver The receiver features a space diversity design which simply chooses the strongest signal between the dual incoming signals, then sends that signal to output. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Capsule A high-quality uni-directional capsule provides the sonic quality needed to handle professional and non-professional applications. Specifications ? System Type of System: Rack / Desk Top Mountable UHF Synthesized Wireless Microphone System RF Carrier Frequency Range: Operates on Channel 62 (758 MHz to 782 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Half Rack, Space Diversity, Crystal-Controlled PLL Synthesizer Type of Outputs Balanced XLR Unbalanced 1/4" Phone Headphone Monitoring: 1/4" Phone Power Requirements: DC 9.0V Power Supply Included Battery Type/Approx. Life: A/C power only Display: LCD Display & LED Display Mounting Options: Half-rack mountable using appropriate hardware Antenna Type: (2) 1/4 Wave Wire Dimensions: 8.35 x 1.73 x 8.23" (212 x 44 x 209mm) (W x H x D) Weight Approx.: 2 lb 14 oz (1.3 kg) Transmitter Type of Transmitter: Crystal-Controlled UHF PLL-Synthesized Handheld Transmitter Type of Input Connector: No handheld transmitter with built-in microphone Type of Microphone: Dynamic Polar Pattern: Uni-directional Interchangeable Mic Heads: No Battery Type/Approx.: Life Single AA-Size (LR6) Alkaline Battery, Up to 6 Hours Mute Switch: No Level Control: Microphone level control Antenna Type: Miniature 1/4 Wave Length Helical Antenna Display: LCD Display Dimensions: 2.05 x 9.45" (52 x 240mm) Weight: Approximately: 10.66 oz. (300 g) (with Battery)

Sony UWP-S2 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-s2-6668 Gigasonic The Sony UWP-S2 is a UHF wireless handheld microphone system consisting of a uni-directional handheld microphone / transmitter and half-rack / table-top mountable diversity receiver. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The half-rack receiver features a Space Diversity design represented with dual swivel antennas. This feature stabilizes reception by selecting the strongest of dual incoming signals, then sending the chosen signal to output. The end result is clear reception and longer range due to minimal interference and drop-out. The unit features a XLR output and 1/4" Phone outputs and is capable of both mic and line-level signal. A stereo headphone jack with separate volume adjust is located on the front panel. An LCD display provides frequency & channel information, battery life and usage time. A green LED illuminates when RF-input is received. The AC/DC power supply is included. The handheld transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display providing channel and frequency information, battery life, usage time and more. The handheld microphone / transmitter features a uni-directional capsule with a signal response suitable to handle any application. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Space Diversity Receiver The receiver features a space diversity design which simply chooses the strongest signal between the dual incoming signals, then sends that signal to output. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Capsule A high-quality uni-directional capsule provides the sonic quality needed to handle professional and non-professional applications. Specifications ? System Type of System: Rack / Desk Top Mountable UHF Synthesized Wireless Microphone System RF Carrier Frequency Range: Operates on Channel 66 (782 MHz to 806 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Half Rack, Space Diversity, Crystal-Controlled PLL Synthesizer Type of Outputs Balanced XLR Unbalanced 1/4" Phone Headphone Monitoring: 1/4" Phone Power Requirements: DC 9.0V Power Supply Included Battery Type/Approx. Life: A/C power only Display: LCD Display & LED Display Mounting Options: Half-rack mountable using appropriate hardware Antenna Type: (2) 1/4 Wave Wire Dimensions: 8.35 x 1.73 x 8.23" (212 x 44 x 209mm) (W x H x D) Weight Approx.: 2 lb 14 oz (1.3 kg) Transmitter Type of Transmitter: Crystal-Controlled UHF PLL-Synthesized Handheld Transmitter Type of Input Connector: No handheld transmitter with built-in microphone Type of Microphone: Dynamic Polar Pattern: Uni-directional Interchangeable Mic Heads: No Battery Type/Approx.: Life Single AA-Size (LR6) Alkaline Battery, Up to 6 Hours Mute Switch: No Level Control: Microphone level control Antenna Type: Miniature 1/4 Wave Length Helical Antenna Display: LCD Display Dimensions: 2.05 x 9.45" (52 x 240mm) Weight: Approximately: 10.66 oz. (300 g) (with Battery)

Sony UWP-X1 Wireless Mic System 6264 Price: 499.00 Retail Price: 699.00 sony-uwp-x1-6264 Gigasonic The Sony UWP-X1 is a UHF wireless Lavalier microphone system consisting of a body-pack transmitter, uni-directional lavalier microphone and tuner-module receiver for the Sony MB-806A tuner base, SRP-X700P or SRP-X351P mixer/amplifiers. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The Sony tuner-module receiver interfaces with the MB-806A base unit or SRP-X700P and SRP-X351P mixer-amplifiers. Up to six tuner-modules can be used simultaneously with the MB-806A, up to 2 modules in either mixer. A comprehensive LCD screen display channel and frequency information, plus audio output status and RF input level. RF squelch control virtually eliminates ambient noise and unwanted signals from other wireless microphone systems. The body-pack transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The body-pack transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display and a 3.5mm input jack which accepts the output of any lavalier microphone equipped with a 3.5mm mini output. The system is supplied with a uni-directional lavalier microphone with a signal response suitable for any application. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module id designed to interface with compatible Sony base units such as the MB-806A receiver unit, SRP-X700P and SRP-X351P mixer/amplifiers. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Lavalier A high-quality uni-directional lavalier microphone provides the sonic quality needed to handle professional and non-professional applications. Specifications ? System Type of System: Rack / Desk Top Mountable UHF Synthesized Wireless Lavalier System RF Carrier Frequency Range: Operates on Channel 62 (758 MHz to 782 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Space Diversity, Crysatl-Controlled PLL Synthesizer Type of Outputs: No designed to interface with compatible Sony base units Headphone Monitoring: No Power Requirements: DC 9.0V Battery Type/Approx. Life: not applicable - draws power via base unit Display LCD: Operating channel number/frequency, audio-output status, RF-input level LED: RF-input status Mounting Options: Interfaces directly to MB-806A base unit or SRP-X700P / SRP-X351P mixer/amplifiers Antenna Type: 1/4 wave length wire Dimensions: 2.23 x 1.00 x 4.76" (56.6 x 25.5 x 121.0mm) W x H x D Weight Approx.: 5.3 oz (150g) Transmitter Type of Transmitter: Crystal-Controlled UHF PLL-Synthesized Body Pack Transmitter Type of Input Connector: Mini Microphone Connector (3.5mm) Type of Microphone: Lavalier Polar Pattern: Body-pack transmitter not handheld Interchangeable Mic Heads: compatible with any microphone features a mini (3.5mm) connection Battery Type/Approx. Life: Single AA-Size (LR6) Alkaline Battery, Up to 6 Hours Mute Switch: No Level Control: Microphone level control Antenna Type: Miniature 1/4 Wave Length Helical Antenna Display: LCD Display Dimensions: 2.48 X 3.94 X 1.06" (63 x 100 x 27mm) WxHxD Weight: Approximately: 4.9 oz. (140 g) (with Battery)

Sony UWP-X1 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-x1-6668 Gigasonic The Sony UWP-X1 is a UHF wireless Lavalier microphone system consisting of a body-pack transmitter, uni-directional lavalier microphone and tuner-module receiver for the Sony MB-806A tuner base, SRP-X700P or SRP-X351P mixer/amplifiers. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The Sony tuner-module receiver interfaces with the MB-806A base unit or SRP-X700P and SRP-X351P mixer-amplifiers. Up to six tuner-modules can be used simultaneously with the MB-806A, up to 2 modules in either mixer. A comprehensive LCD screen display channel and frequency information, plus audio output status and RF input level. RF squelch control virtually eliminates ambient noise and unwanted signals from other wireless microphone systems. The body-pack transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The body-pack transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. Their is an LCD display and a 3.5mm input jack which accepts the output of any lavalier microphone equipped with a 3.5mm mini output. The system is supplied with a uni-directional lavalier microphone with a signal response suitable for any application. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module id designed to interface with compatible Sony base units such as the MB-806A receiver unit, SRP-X700P and SRP-X351P mixer/amplifiers. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Lavalier A high-quality uni-directional lavalier microphone provides the sonic quality needed to handle professional and non-professional applications. Specifications ? System Type of System: Rack / Desk Top Mountable UHF Synthesized Wireless Lavalier System RF Carrier Frequency Range: Operates on Channel 66 (782 MHz to 806 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Space Diversity, Crysatl-Controlled PLL Synthesizer Type of Outputs: No designed to interface with compatible Sony base units Headphone Monitoring: No Power Requirements: DC 9.0V Battery Type/Approx. Life: not applicable - draws power via base unit Display LCD: Operating channel number/frequency, audio-output status, RF-input level LED: RF-input status Mounting Options: Interfaces directly to MB-806A base unit or SRP-X700P / SRP-X351P mixer/amplifiers Antenna Type: 1/4 wave length wire Dimensions: 2.23 x 1.00 x 4.76" (56.6 x 25.5 x 121.0mm) W x H x D Weight Approx.: 5.3 oz (150g) Transmitter Type of Transmitter: Crystal-Controlled UHF PLL-Synthesized Body Pack Transmitter Type of Input Connector: Mini Microphone Connector (3.5mm) Type of Microphone: Lavalier Polar Pattern: Body-pack transmitter not handheld Interchangeable Mic Heads: compatible with any microphone features a mini (3.5mm) connection Battery Type/Approx. Life: Single AA-Size (LR6) Alkaline Battery, Up to 6 Hours Mute Switch: No Level Control: Microphone level control Antenna Type: Miniature 1/4 Wave Length Helical Antenna Display: LCD Display Dimensions: 2.48 X 3.94 X 1.06" (63 x 100 x 27mm) WxHxD Weight: Approximately: 4.9 oz. (140 g) (with Battery)

Sony UWP-X2 Wireless Mic System 6264 Price: 499.00 Retail Price: 699.00 sony-uwp-x2-6264 Gigasonic The Sony UWP-X2 is a UHF wireless Handheld microphone system consisting of a handheld transmitter with uni-directional microphone head and tuner-module receiver for the Sony MB-806A tuner base, SRP-X700P or SRP-X351P mixer/amplifiers. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The Sony tuner-module receiver interfaces with the MB-806A base unit or SRP-X700P and SRP-X351P mixer-amplifiers. Up to six tuner-modules can be used simultaneously with the MB-806A, up to 2 modules in either mixer. A comprehensive LCD screen display channel and frequency information, plus audio output status and RF input level. RF squelch control virtually eliminates ambient noise and unwanted signals from other wireless microphone systems. The handheld transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. A comprehensive LCD display provides channel, frequency, battery life, and RF information while the cardioid head effectively minimizes noise at the off axis sections of the microphone. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module id designed to interface with compatible Sony base units such as the MB-806A receiver unit, SRP-X700P and SRP-X351P mixer/amplifiers. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Cardioid Microphone Head The cardioid polar pattern provides higher gain before feed back by minimizing noise and ambiance at the off-axis sections. Specifications ? System Type of System: Wireless Handheld Microphone System RF Carrier Frequency Range: Operates on Channel 62 (758 MHz to 782 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Crystal-controlled PLL synthesizer Type of Outputs: No outputs - interfaces with the MB806 or compatible Tuner Base Headphone Monitoring: No outputs - interfaces with the MB806 or compatible Tuner Base Power Requirements: DC 9.0V Battery Type/Approx.: Life Powered Via Tuner Base Display LCD: Operating channel number/frequency, audio-output status, RF-input status LED: RF-input status Mounting Options: Interfaces with the MB806 or compatible Tuner Base Antenna Type: 1/4 wave length wire Dimensions: 2.23 X 1.00 X 4.76" (56.6 X 25.5 X 121.0mm) (W x H x D) Weight: Approx. 150g Transmitter Type of Transmitter: Crystal-controlled PLL Synthesizer handheld transmitter Type of Input Connector: No inputs, capsule is fixed on the transmitter Type of Microphone: Dynamic Polar Pattern: Uni-directional (cardioid) Interchangeable Mic Heads: No Battery Type/Approx. Life Approx.: 6 hours with Sony AA-size alkaline (LR6) batteries Mute Switch: No Level Control: Audio attenuator: adjustment range 0 to 21 dB (in 3 dB steps) Antenna Type: 1/4 wave length wire Display LCD: Operating channel number/frequency, attenuator level, RF-output level (high/low), audio-input status, RF-output status, transmitter battery status, and accumulated operating time LED: Power status Dimensions: 2.05 x 9.45" (52 x 240mm) (capsule diameter x length) Weight: Approx. 300g (10.6 oz) including batteries

Sony UWP-X2 Wireless Mic System 6668 Price: 499.00 Retail Price: 699.00 sony-uwp-x2-6668 Gigasonic The Sony UWP-X2 is a UHF wireless Handheld microphone system consisting of a handheld transmitter with uni-directional microphone head and tuner-module receiver for the Sony MB-806A tuner base, SRP-X700P or SRP-X351P mixer/amplifiers. The system operates via UHF channels and features 188 user selectable frequencies, providing plenty of options when interference is present. The Sony tuner-module receiver interfaces with the MB-806A base unit or SRP-X700P and SRP-X351P mixer-amplifiers. Up to six tuner-modules can be used simultaneously with the MB-806A, up to 2 modules in either mixer. A comprehensive LCD screen display channel and frequency information, plus audio output status and RF input level. RF squelch control virtually eliminates ambient noise and unwanted signals from other wireless microphone systems. The handheld transmitter features selectable RF-output level. Users are able to choose from 5mW output, which is suitable for simultaneous multi-channel operation or 30mW output for long distance transmission. The transmitter is capable of operating up to 6 hours on two-AA size alkaline batteries. A comprehensive LCD display provides channel, frequency, battery life, and RF information while the cardioid head effectively minimizes noise at the off axis sections of the microphone. Features ? UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module id designed to interface with compatible Sony base units such as the MB-806A receiver unit, SRP-X700P and SRP-X351P mixer/amplifiers. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Cardioid Microphone Head The cardioid polar pattern provides higher gain before feed back by minimizing noise and ambiance at the off-axis sections. Specifications ? System Type of System: Wireless Handheld Microphone System RF Carrier Frequency Range: Operates on Channel 66 (782 MHz to 806 MHz) Overall Frequency Response: 50 Hz to 18 kHz Signal-to-Noise Ratio: 60 dB (A-Weighted) # of Channels: 188 # Of Simultaneous Systems: 16 Receiver Type of Receiver: Crystal-controlled PLL synthesizer Type of Outputs: No outputs - interfaces with the MB806 or compatible Tuner Base Headphone Monitoring: No outputs - interfaces with the MB806 or compatible Tuner Base Power Requirements: DC 9.0V Battery Type/Approx.: Life Powered Via Tuner Base Display LCD: Operating channel number/frequency, audio-output status, RF-input status LED: RF-input status Mounting Options: Interfaces with the MB806 or compatible Tuner Base Antenna Type: 1/4 wave length wire Dimensions: 2.23 X 1.00 X 4.76" (56.6 X 25.5 X 121.0mm) (W x H x D) Weight: Approx. 150g Transmitter Type of Transmitter: Crystal-controlled PLL Synthesizer handheld transmitter Type of Input Connector: No inputs, capsule is fixed on the transmitter Type of Microphone: Dynamic Polar Pattern: Uni-directional (cardioid) Interchangeable Mic Heads: No Battery Type/Approx. Life Approx.: 6 hours with Sony AA-size alkaline (LR6) batteries Mute Switch: No Level Control: Audio attenuator: adjustment range 0 to 21 dB (in 3 dB steps) Antenna Type: 1/4 wave length wire Display LCD: Operating channel number/frequency, attenuator level, RF-output level (high/low), audio-input status, RF-output status, transmitter battery status, and accumulated operating time LED: Power status Dimensions: 2.05 x 9.45" (52 x 240mm) (capsule diameter x length) Weight: Approx. 300g (10.6 oz) including batteries

Casio PX110 Keyboard with Free Stand Price: 499.00 Retail Price: 699.00 CASIPX110 Gigasonic The Privia is the revolutionary digital piano that makes it possible for just about anyone to experience the joys of playing the piano. Stylish, compact, and priced for affordability, the Privia provides authentic piano sound and feel in your room or just about anywhere else. Scaled Hammer Action Keyboard for authentic grand piano feel Lower notes play relatively heavier than higher notes, just like the keys on a grand piano. Selectable touch sensitivity even lets you configure the keyboard for a light touch that makes it possible for your fingers to really fly when they need to. Stereo-sampled Tri-element ZPI Sound Source A Stereo-sampled Tri-element ZPI sound source includes seperate waveforms for strong key pressure, medium key pressure and light key pressure, which accentuates the differences between the sounds produced by each. Multiple stereo-samples are also taken of tones produced by an acoustic grand, from the low range to the high range. Notes remain natural sounding and realistic from the moment a key is pressed until the note decays, providing you with sound quality that is virtually identical to that of an acoustic grand piano. 64-note polyphony helps to ensure you never lose notes due to damper pedial operation. High-quality, versatile tone, with layer and split In addition to grand piano tones, the Privia also includes strings, pipe organ, and other tones. A Layer feature allows simultaneous play of two tones, and a Split feature lets you split the keyboard between two different tones. Features ? ZPI Sound Source with tri-element 32-Note Polyphonic 11 Tones 20 Rhythms MIDI In/Out 8 Digital Effects, Brillance, Pedal Effects and DSP Layer and split 60 Built-in Songs 1 Song, 2-Track Song Memory Specifications ? Number of Keys 88 hammer action Polyphony 32 Lighted Keys Not Available Touch Sensitive Yes Mic Terminal with Volume Control Not Available Preset Tones/User Tones 11/- Stereo Sampled Piano Tones Yes Rhythms 20 Split/Layer Yes Auto Harmonize Not Available Digital Effects/Reverbs 8 Synthesizer Function Not Available Drawbar Organ Function Not Available Digital Equalizer Not Available Auto Accompaniment Yes Registration (set-ups) Not Available One-touch Preset Not Available Tunes 60 Song Expansion Not Available Song Controller Yes (Play/Stop only) Lesson Function off part Song Memory (tracks x songs) 2 x 1 Pitch Bender Not Available Modulation Not Available Tuning and Transpose Yes Flash ROM Not Available Metronome Not Available Mixer Function Not Available SMF Player Not Available SmartMedia Card Slot Not Available Floppy Disk Drive Not Available TV Connectivity Not Available Display Not Available MIDI/General MIDI MIDI Internet Data Expansion System Not Available Terminals Headphones 2 Phones/Output Not Available Pedals 2 Line In Not Available Line Out Not Available Mic In Not Available USB Port Not Available MIDI In/Out Yes Speakers 12cm x 6cm (oval) x 2 Batteries Not Available AC Adapter AD-12 (Included)

M-Audio Ozonic MIDI Controller Price: 499.00 Retail Price: 599.00 9900-40835-00 Gigasonic The Ozonic from M-Audio is a completely integrated audio/MIDI FireWire production and performance tool designed to streamline making music with your computer. Ozonic combines a keyboard and full audio/MIDI interface in a package that's compact enough to take with you anywhere. The Ozonic features a professional synth-action keyboard and built-in analog inputs, including a single XLR microphone input with phantom power. The built-in audio interface with mic/instrument preamps and headphone monitoring lets you work with loops and layer your own vocals, guitars and more. Ozonic is your answer to getting the most from your music software. Features ?/td> Audio 4 x 4 analog I/O with --mic input with phantom power (XLR) --instrument input (1/4?TS) --stereo line inputs (1/4?TS) --2 pairs of outputs (1/4?TRS and TS) with volume sliders Headphone level knob with stream select/merge control Direct hardware monitoring with level control Flexible software routing of any input pair to any output pair Dual concentric gain control knob with signal/clip indicators Powered via FireWire bus or 12V DC adapter MIDI 37-note, full-size, velocity-sensitive, synth-action keyboard with assignable aftertouch 1 x 1 MIDI I/O 40 assignable MIDI controllers including: --joystick --8 MIDI controller knobs --9 MIDI controller sliders with drawbar mode --9 MIDI buttons --pitch and mod wheels --aftertouch --sustain pedal input --expression pedal input --20 non-volatile memories 5 transport control buttons +/- octave and +/- transpose buttons All MIDI controllers fully programmable to MIDI controller number and unique MIDI channel Controller mute function mutes controller output to avoid parameter jumps SysEx memory dump; compatible with Enigma editor/librarian software (included) for managing and storing unlimited setups MIDI controller assignments: --MIDI controller number --RPN/NRPN --pitch bend --GM/GM2/XG SysEx messages MIDI button assignments: --note on; note off; note on/off toggle --MIDI CC on/off toggle --program, bank LSB, bank MSB presets --MIDI Machine Control functions --GM/GM2/XG SysEx messages Specifications ?/td> Dimensions: 25.5" x 9.5" x 3" in 64.7 x 24.1 x 7.6 cm Weight: 6.9 lbs. / 3.1 kg Compatibility: WDM, ASIO2, GSIF2, MME, Core Audio Minimum system requirements (Mac): Mac OS X 10.2.8 or 10.3.4 Minimum system requirements (PC): Windows XP (SP 1 or SP 2)

Audix DP2 Microphone Drum Package Price: 499.00 Retail Price: 899.00 AUDIDP2 Gigasonic The Audix DP2 Professional Drum Microphone Package is an American made instrument microphone, is designed to fill the specific needs of artists and engineers for both studio and live applications. Each microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The compact size, in conjunction with the newly designed D-vice gooseneck clip, allows for quick and easy set up and perfect mic placement. This DP2 Package Features: D-1 with bright contoured response for added presence and sparkle on your snare and symbols; 2 D-2s with warm, contoured response add bottom and punch for toms and floor toms; and D-4 with extended frequencies below 100Hz for bass. 4 D-Flex adjustable drum mic clips keep them all right where you want them. Protect the set with the included contoured foam-lined metal case. Don't compromise the sound of your drums. The D series mic packages will reproduce the sound of your drums exactly how you want your audience to hear them. The advantage of Audix's D Series application-specific systems is attractive. First, there's ease of use: rather than endlessly moving mics around and tweaking EQ to get the appropriate sound out of an all-purpose mic, application-specific mics require little or no EQ. Second, focusing the applications means that the mic can be optimized to perform better on its intended instrument than a general-purpose mic and can also lower the cost of the mic while maintaining performance. This is especially the case for kick and bass mics. Diaphragms can be made differently than conventional dynamic mics, thereby greatly extending low-frequency response and lifespan. Features ? D1 Microphone Features: The D1 Requires little Or No Eq and provides Great Results When Close Micing Techniques Are Employed. Frequency Response: 46 Hz-18 kHz : Polar Pattern: Hypercardiod: Output Inmpedance: 250 Ohms: Off - Axis Rejection: >30 db : Transducer: Dynamic VLM Ty D2 Microphone Features: The D2 Is Designed To Capture The Warmth and Punch Of Instruments With Upper Mid- Bass. Frequency Response: 44 Hz-18 kHz : Polar Pattern: Hypercardiod: Transducer Type: Dynamic VLM (Very Low Mass Diaphagm) Type B Output: Impedance: 250 Ohms: D4 Microphone Features: The D4 extends down to 63Hz! a remarkable feat for a microphone of This size and versatility. Frequency Response: 38 Hz-19 kHz : Polar Pattern: Hypercardiod: Output Impedance: 200 Ohms: Off - Axis Rejection: >30 db : Transducer Type: Dynamic VLM Type D Common Features: Durable Dent Resistant Spring Steel Grille: 144db SPL: Tight Pattern Control: Highest Level Of Gain Before Feedback: "MADE IN THE USA"

Sony ECM-88B Lavaliere Microphone Price: 495.00 Retail Price: 550.00 sony-ecm-88b Gigasonic The ECM-88B is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. This lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. The ECM-88B offers extremely low handling noise with unparalleled high sound quality. The ECM-88B comes with a DC-78 power supply and it has a cable length of 8.2 feet. This model is best suited for wired lav mic applications. However; with the DC-78 power supply disconnected, the ECM-88B's 4-pin (SMC9-4P) connector can also be used with Sony WRT-822B and WRT-8B wireless mic body-pack transmitters. Other ECM-88 Series models include: the ECM-88BC; supplied with a 4-pin connector (SMC9-4P) optimized for wireless mic use (cable length 3.9 feet); the ECM-88BPT pigtail version (without connector), and the ECM-88FPT beige-colored pigtail version (without conector). Features ? Omni-directional dual-diaphragm design with unparalleled sound quality Ultra-compact microphone capsule with a flat-and-wide frequency response Extremely low cable handling noise Water-resistant design Capsule type: Electret condenser Frequency response: 20 Hz ~ 20 kHz Sensitivity: -52 dB +/- 2 dB (when used in conjunction with the DC-78), 0dB = 1 V/Pa. @ 1 kHz Output impedance: 100-Ohms +/- 20% Dynamic range: 99 dB or more Signal-to-noise ratio: 68 dB or more (1 kHz, 1Pa.) Inherent noise: 26 dB SPL or less (1kHz, 1 Pa.), 0dB SPL = 20u Pa Wind noise: 45 dB SPL or less (when using the supplied windscreen), 0dB SPL = 20u Pa Induction noise from external magnetic field: 5 dB SPL or less (when used with the DC-78), 0dB SPL = 20u Pa Maximum input sound pressure level: 125 dB SPL, O dB SPL = 20u Pa Cable length: 8.2 feet Output connector: ECM-88B: SMC9-4P 4-pin on microphone Supplied with DC-78 Power Supply Unit for XLR output connection Power requirements: ECM-88B 4-pin connector: DC 1.1 to 10.0 V. ECM-88B with DC-78 Power Supply connected: Two-way powering -- battery operation (using an AA-size alkaline battery) or external DC operation (12 to 48 V) Dimensions: 5/32" x 5/32" x 11/16" Specifications ? Supplied Accessories: ECM-88B Microphone Horizontal Holder clip Vertical Holder clip Double metal clip Urethane windscreen DC-78 power supply Carrying case Operating instructions

Emu 1616M Laptop Audio Interface Price: 489.99 Retail Price: 699.00 EMU1616M Gigasonic The new 1616M Laptop Digital Audio System from E-MU is the most potent and convenient laptop audio system ever created, offering the same powerful DSP effects, zero-latency monitoring and mastering-grade 24-bit/192kHz A/D and D/A converters of E-MU's best selling PCI Digital Audio Systems. The E-MU CardBus card can be used standalone for its DSP power and studio-quality headphone amp/line output, or plugged into the MicroDock M for a total of 16 inputs and 16 outputs plus two sets of MIDI I/O. E-MU's Laptop Digital Audio Systems ship with ASIO2 and stereo WDM drivers for Windows XP and 2000, as with the new E-MU Production Tools Software Bundle including E-MU's Proteus X LE software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many more - everything you need to create, record, edit, master and burn your music.Features Mastering grade 24-bit/192kHz converters -- the same A/D converters used in Digidesign's flagship ProTools HD 192 I/O Interface delivering an amazing 120dB signal-to-noise ratio The ultimate portable system - for recording, editing, mixing and virtual instruments -- use the E-MU 02 CardBus Card alone for its hardware-accelerated effects and premium stereo headphone/line output or together with the MicroDock for complete analog and digital I/O flexibility Hardware-accelerated effects -- over 600 standalone and E-MU Power FX VST plug-in effects with no CPU overhead Patch Mix DSP zero-latency hardware mixing and monitoring -- with super-flexible patch bay -- no external mixer needed Ultra-portable MicroDock offers 16 inputs/16 outputs plus MIDI I/O -- everything from balanced analog and turntable inputs to ADAT and S/PDIF (switchable to AES/EBU) 2 E-MU XTC studio-grade, ultra-low noise preamps (-127dBu EIN) with analog soft limiter -- Mic/Line and true Hi-Z inputs via Neutrik connectors, 48V phantom power and 60dB of gain Compatibility with most popular audio/sequencer applications -- ultra-low latency 24-bit/192kHz ASIO 2.0 and Stereo WDM drivers E-MU Production Tools Software Bundle - includes Cakewalk Sonar LE, Steinberg Cubase LE and Wavelab Lite, Ableton Live Lite 4 for E-MU, IK Multimedia AmpliTube LE and T-RackS EQ, Minnetonka diskWelder Bronze, SFX Machine LT, plus E-MU's Proteus X LE Desktop Sound Module -- everything you need to create, record, edit, master and burn is in the box I/O Configuration: 2 E-MU XTC Ultra-low Noise Mic/Line/Hi-Z Preamps with Soft Limiter and 48V Phantom Power (-129dBu EIN) 4 x 1/4 in. Balanced Inputs 6 x 1/4 in. Balanced Outputs Turntable Input (w/ground lug and hardware RIAA preamp) 24-bit/192kHz ADAT In/Out (switchable to S/PDIF) 24-bit/192kHz coaxial S/PDIF Out (switchable to AES/EBU) 2 sets of MIDI In/Out Stereo 1/8 in. Speaker Outputs (configurable from stereo to 5.1) 2 Stereo Headphone/Line Outputs (one on card, one on MicroDock M) All Digital Audio Systems ship with the following Effects Plug-ins: Stereo Reverb Lite Reverb Compressor Leveling Amp Chorus Flanger Phase Shifter Frequency Shifter Distortion Speaker Simulator Rotary Speaker Auto-Wah Vocal Morpher 1-Band Para EQ 1-Band Shelf EQ 3-Band EQ 4-Band EQ Mono Delay 100 Mono Delay 250 Mono Delay 500 Mono Delay 750 Mono Delay 1500 Mono Delay 3000 Stereo Delay 100 Stereo Delay 250 Stereo Delay 500 Stereo Delay 750 Stereo Delay 1500 Specifications General Sample Rates: 44.1, 48, 88.2, 96, and 176.4, 192 kHz from internal crystal or externally supplied clock (no sample rate conversion) Bit Depths: 24 bit I/O, 32 bit processing CardBus Card Specification Form factor: PCMCIA Type II Bus-Mastering DMA subsystem reduces CPU usage E-MU E-DSP 32-bit DSP with 67-bit accumulator (double precision w/ 3 headroom bits) Hardware-accelerated, 32 channel mixing and multi-effects processing Zero-latency direct hardware monitoring w/effects ASIO 2.0, Stereo WDM/MME/DirectSound Drivers EDI (E-MU Digital Interface) proprietary 64 channel audio link over CAT-5 cable Anti-Pop speaker protection minimizes noise during power on/off Ultra-low jitter clock subsystem: < 1ns in PLL mode (44.1 kHz, Opt. S/PDIF Sync) Combo Microphone Preamplifier/Hi-Z/Line Inputs (2) Type: E-MU XTC combo mic preamp and Hi-Z/line input w/ Soft Limiter Gain Range: +60dB Frequency Response (min gain, 20Hz-20 kHz): +0.0/-0.1dB Stereo Crosstalk (1 kHz min gain, -1dBFS) : < -115dB Hi-Z Line Input: Input Impedance: 1Mohm Max Level: +18dBV (20.2dBu) Dynamic Range (A-weighted, 1 kHz, min gain): 112.5dB Signal-to-Noise Ratio (A-weighted, min gain): 112dB THD+N (1 kHz at -1dBFS, min gain): -102dB (.0008%) Microphone Preamplifier: Input Impedance: 1.5Kohms Max Level: +6dBV (+8.2dBu) EIN (20Hz-20 kHz, 150 ohm, unweighted): -127dBu Signal-to-Noise Ratio (A-weighted, min gain): 112.5dB THD+N (1 kHz at -1dBFS, min gain): -103dB (.0007%) Phantom Power: 48V Soft Limiter: 5dB max compression (software selectable) Analog Line Inputs (4) Type: servo-balanced, DC-coupled, low-noise input circuitry A/D Converter: PCM1804 Level (Software Selectable): Professional: +4dBu nominal, 20dBu max (balanced) Consumer: -10dBV nominal, 6dBV max (unbalanced) Frequency Response (20Hz-20 kHz): +0.0/-.03dB Dynamic Range (1 kHz, A-weighted): 112dB Signal-to-Noise Ratio (A-weighted): 112dB THD+N (1 kHz at -1dBFS): -102.5dB (.0007%) Stereo Crosstalk (1 kHz at -1dBFS) : < -120dB Analog Line Outputs (6) T ype: balanced, AC-coupled, 2-pole low-pass differential filter D/A converter: CS4392 Level (software selectable): Professional: +4dBu nominal, 20dBu max (balanced) Consumer: -10dBV nominal, 6dBV max (unbalanced) Frequency Response (20Hz - 20 kHz): 0.0/-.06dB Dynamic Range (1 kHz, A-weighted): 112.5dB Signal-to-Noise Ratio (A-weighted): 112.5dB THD+N (1 kHz at -1dBFS): -98dB (.0012%) Stereo Crosstalk (1 kHz at -1dBFS) : < -115dB Headphone Amplifier (2 Stereo: MicroDock and Card) Type: linear power amplifier D/A converter: CS4392 (dock), AK4396 (card) Gain Range: 85dB Maximum Output Power: 50mW (dock), 20mW (card) Output impedance: 22ohms Frequency Response (20Hz-20 kHz): +0.0/-0.07dB Dynamic Range (A-weighted): 112dB (dock), 115dB (card) Signal-to-Noise Ratio (A-weighted): 112dB (dock), 115dB (card) THD+N (1 kHz, max gain): 600ohm load: -92dB (dock), -96dB (card) Stereo Crosstalk (1 kHz at -1dBFS, 600 ohm load) : < -100dB Phono Input (Stereo) Type: RIAA equalized phono input Maximum Level: Professional: 60mV RMS Consumer: 15mV RMS Input Impedance: 47Kohm Frequency Response (20Hz - 20 kHz): +0.1/-0.3dB Signal-to-Noise Ratio (15mV RMS unbal input, A-weighted): 96dB THD+N (1 kHz, 15mV RMS input): -88dB (.004%) Stereo Crosstalk (1 kHz at -1dBFS) : < -80dB Digital I/O S/PDIF: 2 in/2 out coaxial (transformer coupled) 2 in/2 out optical (software switched with ADAT) AES/EBU or S/PDIF format (software selectable) ADAT: 8 channels, 24-bit @ 44.1/48 kHz 4 channels, 24-bit @ 88.2/96 kHz (S-MUX compatible) 2 channels, 24-bit @ 176.4/192 kHz MIDI: 2 in, 2 out Synchronization Internal crystal sync at 44.1, 48, 88.2, 96, 176.4, 192 kHz External sample rate sync via ADAT (44.1 - 192 kHz) Optical S/PDIF (44.1 - 96 kHz) Coaxial S/PDIF (44.1 - 192 kHz) Retail Box Contents E-MU 02 CardBus Card E-MU MicroDock EDI (E-MU Digital Interface) cable (1 meter) Universal power adapter MIDI breakout cable CardBus Card carrying case Quick Start installation guide E-MU Digital Audio Systems CD-ROM Windows 2000 and XP Drivers E-MU Patch Mix DSP E-MU Power FX E-MU E-DSP Effects Library Owner's Manual and Tutorials E-MU Production Tools Software Bundle CD-ROM Cakewalk SONAR LE Steinberg Cubase LE Ableton Live Lite 4 for E-MU Steinberg Wavelab Lite IK Multimedia AmpliTube LE IK Multimedia T-RackS EQ Minnetonka diskWelder BRONZE SFX Machine LT E-MU Proteus X LE (over 1000 sounds included) Minimum System Requirements Intel or AMD processor - 1 GHz or faster Intel, AMD or 100% compatible motherboard & chipset Microsoft Windows XP (SP 2) or 2000 (SP4) 256MB System RAM 900MB of free hard disk space for full installation Available Type II CardBus slot (PCMCIA slot)* CD-ROM/CD-RW or DVD-ROM drive required for software installation XVGA Video (1024 X 768) *Simultaneous input/output channel count may vary depending on the PCMCIA controller in your system. Compatible Laptop Systems *Laptop IBM ThinkPad T40 (X5650) Compaq Presario 2100 (X5628) Dell Inspiron 600m (C13102) Laptop HP Pavilion zv5000 1.5 GHz IBM ThinkPad T23 1.2 GHz IBM ThinkPad A22P Pentium III 933MHz Laptop Dell Latitude (X5502) Laptop Sony Viao PCG-V505EX NEC VERSA LXI (X5138) Laptop HP pavilion N5310 Intel Celeron 750MHz (X5140 Toshiba A75 (X5953) P4 2.8 GHz Laptop PCMCIA Controller Texas Instruments CardBus RACEway O2 Micro OZ 6912/711E0 O2 Micro 0Z711ECI Smart Card Bus TI PCI-1520 TI PCI-1420 TI PCI-1450 TI PCI-1420 Ricoh R/RL/RT/RC/5C475(II), R5C520 TI PCI-1450 TI PCI-1420 ENE Technology CD-1410 Known Incompatibilities ENE Tech CB1411 Ricoh R5C476(II) Ricoh R5C475(II)

Emu 1820M Interface with 2 Preamps Price: 479.00 Retail Price: 599.00 EMU1820M Gigasonic The E-MU 1820M-- the flagship of E-MU's line of Digital Audio Systems, comes with 24-bit/192kHz converters, hardware-accelerated effects and mixing, comprehensive sync options and seamless compatibility with your favorite PC audio/sequencer software. E-MU's Digital Audio Systems deliver everything needed to create professional-quality music on yourcomputer at a price that will change your expectations of desktop recording forever. No other audio solution available offers the performance, flexibility and value of the E-MU 1820M. E-MU Systems has teamed up with the Creative Advanced Technology Center, a world leader in ASIC and algorithm development for PC audio, to develop the new line of Creative Professional hardware interfaces that stand toe-to-toe with the most advanced and expensive audio systems in the world. All three Digital Audio Systems are shipping with the new Power FX software update, giving users the ability to run over 600 hardware-accelerated effects as VST plug-ins for Cubase and other applications. Power FX also introduces E-MU's first expansion plug-in, with new reverb and delay effects. Features Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign?s flagship ProTools?HD I/O Interface Flexible connectivity with 18 audio inputs and 20 outputs, 32 channels of MIDI I/O, Word Clock, SMPTE and MTC sync, plus a FireWire?port for seamless integration with your entire studio Two premium TFPro? mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards and microphones straight into your system E-DSP 32-bit Multi-effects Processor offers you over 16 simultaneous hardware-accelerated studio-grade effects with no CPU overhead - plug-in architecture allows you to add new effects as needed 32 Channels of zero latency Hardware Mixing/ Monitoring with super-flexible virtual patchbay - no external mixer needed Full compatibility with most popular audio/sequencer applications with ultra-low latency WDM, DirectSound?and ASIO?2.0 Drivers Powerful software studio package I/O Configuration Two TFPro Mic/Line/Hi-Z preamps (w/48V phantom power) Six 1/4 in. Balanced Inputs Eight 1/4 in. Balanced Outputs Turntable input (w/ground lug and hardware RIAA preamp) 24-bit/192kHz ADAT In/Out (switchable to S/PDIF) 24-bit/96kHz coaxial S/PDIF In/Out (switchable to AES/EBU) 24-bit/96kHz optical S/PDIF Out (switchable to AES/EBU) Two sets of MIDI In/Out Four stereo 1/8 in. Speaker Outputs (configurable from stereo to 7.1) Stereo Headphone Output Firewire?Interface E-MU's new Digital Audio Systems deliver everything you need to produce audio on a PC with professional results - 24-bit/192kHz converters, hardware-accelerated effects and mixing, comprehensive sync options and seamless compatibility with your favorite PC audio/sequencer software. E-MU Systems has teamed up with the Creative Advanced Technology Center, a world leader in ASIC and algorithm development for PC audio, to develop the new line of Creative Professional hardware interfaces that stand toe-to-toe with the most advanced and expensive audio systems in the world. All three Digital Audio Systems ship with a PCI card that features ADAT, S/PDIF and FireWire?interfaces, as well as connectivity to a family of internal and external I/O and sync options. Whether you are recording full-blown productions or running virtual instruments on a dedicated computer, E-MU's Digital Audio Systems deliver everything needed to create professional-quality music on your PC at a price that will change your expectations of desktop recording forever. Specifications General Sample Rates: 44.1, 48, 96, 192kHz from internal crystal or externally supplied clock (no sample rate conversion) Bit Depth: 16 or 24 bits PCI Bus-Mastering DMA subsystem reduces CPU usage Zero-latency direct hardware monitoring w/effects Analog Line Inputs (6) Type: Servo-balanced, DC-coupled, low-noise input circuitry Level (software selectable): -Professional: +4dBu nominal, 20dBu maximum (balanced) -Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: +/- .05dB, 20Hz - 20kHz THD+N (1kHz at -1dBFS): -110dB (.0003%) SNR (A-weighted): 120dB Dynamic Range (1kHz, A-weighted): 120dB Stereo Crosstalk (1kHz at -1dBFS): < -115dB Common-Mode Rejection (60Hz): > 40dB Analog Line Outputs (8) Type: Balanced, low-noise, 3-pole low-pass differential filter Level (software selectable): -Professional: +4dBu nominal, 20dBu maximum (balanced) -Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: 0.0/-.35dB, 20Hz - 20kHz THD+N (1kHz at -1dBFS): -105dB (.0006%) SNR (A-weighted): 120dB Dynamic Range (1kHz, A-weighted): 120dB Stereo Crosstalk (1kHz at -1dBFS): < -115dB Combo Microphone Preamplifier/Line Inputs (2) Type: TFPro?combination microphone preamp and line input Frequency Response: +0.8/-0.1dB, 20Hz - 20kHz Stereo Crosstalk (1kHz min gain, -1dBFS): < -120dB Line Input: -Gain Range: -12 to +28dB -Max Level: +17dBV (19.2dBu) -THD+N (1kHz at -1dBFS, min gain): -94dB (.002%) -Dynamic Range (A-weighted, 1kHz min gain): 100dB -SNR (A-weighted, min gain): 100dB -Input Impedance: 10K ohm -Common-mode Rejection Ratio (60Hz): > 40dB Microphone Preamplifier: -Gain Range: +10 to +50dB -Max Level: -12dBV (-9.8dBu) -THD+N (1kHz at -1dBFS, min gain): -95dB (.0018%) -SNR (A-weighted, min gain): 100dB -Input Impedance: 330 ohms -Common-mode Rejection Ratio (60Hz): > 80dB Headphones (stereo) Type: Linear power amplifier Frequency Response: +0.0/-0.35dB, 20Hz - 20kHz THD+N (1kHz, max gain): -33 ohm load: -70dB (0.032%) -600 ohm load: -85dB (0.006%) SNR (A-weighted): 112dB Dynamic Range (A-weighted): 117dB Stereo Crosstalk (1kHz at -1dBFS, 600 ohm load):< -100dB Maximum Output Power: 500mW Output Impedance: 22 ohms Gain Range: 85dB Phono Input (stereo) Type: RIAA equalized phono input Frequency Response: +/-0.5dB, 50Hz - 20kHz THD+N (1kHz, 10mV RMS unbal input): -76dB (.015%) SNR (10mV RMS unbal input, A-weighted): 90dB Stereo Crosstalk (1kHz at -1dBFS): < -80dB Maximum Level: -Professional: 80mV RMS -Consumer: 20mV RMS Input Capacitance: 220 pF Input Impedance: 47K ohm Digital I/O S/PDIF: -2 in/2 out coaxial (transformer coupled) -2 in/3 out optical (software switched with ADAT) -AES/EBU or S/PDIF format, switchable under software control ADAT: -8 channels, 24-bit @ 44.1/48kHz -4 channels, 24-bit @ 96kHz (S-MUX compatible) -2 channels, 24-bit @ 192kHz Firewire: -400 Mbps 1394a port (6-pin) -Compatible with DV cameras, storage peripherals, etc. MIDI: 2 in, 2 out Synchronization Internal Crystal Sync at 44.1, 48, 96, 192kHz External Sample Rate Sync: -ADAT -S/PDIF (opt. or coax) -Word clock (75 ohm termination, switchable) Minimum System Requirements Genuine Intel?Pentium?III or AMD®K6®class processor or higher operating at 500MHz or faster Intel?AMD®or 100% compatible motherboard & chipset 128MB System RAM 500MB of free hard disk space for full installation Windows?2000 SP 4, Windows?XP SP 1 or greater PCI 2.1 compliant slot for E-MU?1010 PCI card Adjacent PCI slot for Sync daughter card CD-ROM or DVD-ROM drive required for software installation XVGA Video (1024 X 768)

Sony WRU-806B Receiver Price: 450.00 Retail Price: 550.00 sony-wru-806b Gigasonic The WRU-806B(CH) is a PLL-synthesized UHF, diversity Tuner module for use in the MB-806A. For Faster Service, Please Make Sure You Specify Desired Channel 62/64 or 66/68 Features ? Single Channel Space Diversity Receiver Module 188 PLL_Synthesized user-slectable frequencies within a 24 mHz range 6 Units can be installed in a 1U high frame (MB-806A) AF, RF, and transmitter battery indication Frequency, channel & Group display Space diversity reception Auto-channel set feature Also available on channels 62/64 (62-65) & 66/68 (66-69) Specifications ? Receiving Frequency: (62/64) 758 MHz to 782 MHz- 188 selectable channels; (66/68) 782 MHz to 806MHz- 188 selectable channels Oscillator: Crystal controlled PLL synthesizer Type of Reception: 110KF3E Reference Deviation: +/- 5kHz Selectivity: More than 60dB Surious Rejection: More than 70dB Frequency Range: 100Hz to 15KHz Signal-to-noise Ratio: More than 60 dB (A-weighted) Harmonic Distortion: Less than 1.0% RF Muting Level: 30dBu Audio output level: 0dBm (+/- 16 kHz deviation @ 1kHz modulation), -20dBm (+/- 5kHz deviation @ 1kHz modulation) Current Consumption: 500mA Operating voltage: 9VDC Dimensions (WxHxD): 2 1/4" x 1 1/16" x 4 7/8" Mass: Approx. 5.7 oz.

M-Audio Firewire 1814 MIDI Interface Price: 449.99 Retail Price: 749.00 9900-40736-00 Gigasonic The FireWire 18/14 is an 18-in, 14-out audio interface complete with ADAT Light pipe for multi-channel communication with other digital devices. It features 8 x 4 analog I/O at up to 24-bit/96kHz, and boasts 192 kHz on the first two inputs and all four outputs. Channels 1 and 2 also include high-quality microphone/instrument preamps. S/PDIF optical digital I/O provides 2-channel PCM, as well as pass-through of surround-encoded AC-3 and DTS material. An elastic internal mixing allows input and output routing, with an aux bus for effects send or monitor mix. A front-panel momentary switch allows DJ-style headphone auditioning between two convertible sources. Two headphone amplifiers, assignable level controller, S/PDIF coaxial/optical digital I/O, 1 x 1 MIDI I/O, and BNC word clock connectors for synchronization to other digital devices are some other features. Features 18-in/14-out FireWire Audio/MIDI Interface w/ ADAT Light pipe I/O 8 x 4 24-bit/96kHz analog I/O (1/4 TS) or 2 x 4 24-bit/192kHz analog I/O 8 x 8 ADAT Light pipe I/O with S/MUX support for 4-channel 96kHz operation Digital S/PDIF (optical/coaxial) I/O w/ 2-channel PCM Digital out supports pass-through of AC-3/DTS surround-encoded content Dual mic/instrument preamps (Neutrik XLR/ 1/4" TS) with input level controls, 20dB pad, phantom power and signal LEDs Dual stereo headphone outputs with individual level controls (1/4" TRS) Flexible software-controlled mixing of hardware and software I/O Aux sends on all channels; aux out assign allows dedicated headphone mixes and sends to external fx User-assignable front-panel level control (output, input, software return, aux send) Near zero-latency hardware direct monitoring Low-latency ASIO software direct monitoring Momentary switch for A/B cueing 2 software-assignable headphone sources or ASIO Monitoring on/off 1 x 1 16-channel MIDI I/O Word clock I/O (BNC) for sync with external devices Power on/off switch with indicator LED Powered via FireWire bus (requires 6-pin FireWire connection) or included DC power adapter 2 convenient high-bandwidth FireWire ports Rugged steel construction Specifications Line inputs (TS) 1-8 frequency response: +/- 0.1 dB, 22Hz to 22kHz dynamic range: 105dB, A-weighted signal-to-noise ratio: -105dB, A-weighted THD+N: "

Steinberg WaveLab 6 Price: 449.99 Retail Price: 699.99 502020870 Gigasonic WaveLab 6 is the all-in-one solution for professional mastering, high resolution stereo and multi-channel audio editing, audio restoration, sample design and complete CD/DVD Audio production. WaveLab 6 offers over 120 new features and improvements including the outstanding new Spectrum Editor, full integration of outboard effect processors and hardware remote controllers, a new loudness-corrected SmartBypass system, outstanding DIRAC time stretch and pitch shift technology, Bob Katz?K-System Metering and many more. Features Sample accurate audio editor with crystal-clear audio processing at up to 384 kHz and 32 bit floating point resolution Stereo and multi-channel non-destructive editing with versatile clip grouping over multiple lanes and video support Redbook compatible CD mastering and DVD-Audio authoring Quality EQs, dynamics and effects included (VST and DirectX plug-in support) Powerful audio restoration tools Useful metering and analyzing tools Support of a multitude of different audio file formats (WAV, AIFF, SD II, AU, MP3, MP2 (M.U.S.I.C.A.M.), RAW, Windows Media 9, etc.) and resolutions (8/16/20/24/32 bits with up to 384 kHz) and W64 and RIFF 64 file formats, AES-31 import and export of projects Neuer Spektrum-Editor WaveLab 6 offers an advanced new Spectrum Editor with its sonogram view. This exciting new editing tool allows ultra-fine surgical editing of the audio file's frequency information, allowing a range of procedures such as the complete removal of unwanted noises or frequency ranges. This exceedingly flexible editor employs highest quality linear phase filters and offers many exciting new sound replacement options including cut and paste of an audio file's background ambience to another part of the file or plug-in processing on selected frequencies. DIRAC Time Stretching and Pitch Shifting DIRAC is one of the most advanced algorithm for the manipulation of audio material available on the market today. DIRAC Time Stretching and Pitch Shifting provide excellent quality, high performance and perfect fidelity. Master Section The enhanced master section now features SmartBypass, a time-saving new facility for assessing how a plug-in alters sound textures by compensating for loudness changes induced by the plug-in. Master Section presets can now be associated and stored independently within each audio file or an Audio Montage. New Audio Processors New set of audio processors including Crystal Resampler, a professional sample rate converter providing exceptional transparency and preservation of the frequency content up to 384 kHz. Audio Montage The powerful Audio Montage environment has been upgraded even further with WaveLab 6, offering new functions such as new fade editing features, batch processing and extended import and export options. Audio File Handling Extended audio file handling and manipulation system including file sizes bigger than 2 GB, improved performance and batch renaming Metering Tools WaveLab 6 has many new tools with a strong focus on psycho-acoustic treatment and monitoring of the audio signal. K-System metering, a very smart loudness corrected bypass tool, a loudness normalizer and a loudness distribution display support the user to achieve the best sounding results. Software/Hardware Integration WaveLab 6 integrates seamlessly into your existing studio environment, including full integration of outboard gear. External hardware effect units can be used like plug-ins in the master section. WaveLab 6 also now features remote controller support via MIDI, so that many WaveLab features can now be used even more intuitively through a tactile control surface, further speeding up workflow. Requirements Minimum System Requirements:CPU: AMD / Pentium 3 or above, 500 MHz256 MB of RAM10 GB of free hard disk space for DVD AudioWindows XP, Windows 2000Display: 24 bit required for DVD-A (menu creation)ASIO compatible audio hardware with at least 8 channelsMicrosoft DirectX 9 for video operations Recommended System Requirements: CPU: AMD / Pentium 4, 2 GHz 512 MB of RAM 10 GB of free hard disk space for DVD Audio Windows XP Display: 24 bit required for DVD-A (menu creation) ASIO compatible audio hardware with at least 8 channels Microsoft DirectX 9 for video operations

Echo Layla 3G PCI Audio Interface Price: 449.00 Retail Price: 629.00 ECHL3G2 Gigasonic Layla3G is the third generation of Echo's flagship PCI-based multitrack digital recorder. The original Layla premiered seven years ago to critical acclaim, including a TEC award nomination. It is the perfect center for any professional studio. Layla3G has all you need: 2 universal inputs with mic preamps, 6 balanced analog inputs, 8 balanced analog outputs, and a stereo headphone output. ADAT lightpipe, optical and coaxial S/PDIF, and MIDI are included as well. Layla3G is compatible with PCI-X (3.3 or 5 volt) motherboards and Power Mac G5 computers, as well as older systems. Since then Echo has been perfecting the art of making high quality recording products at affordable prices. Now you can get all of the features of the Layla24 for a new low price, but with better converters and dual mic preamps!! Features Hardware Features2 auto-sensing universal inputs (mic/guitar/line):Meters, trim knobs, phantom power, & channel inserts 6 balanced 1/4 in. analog inputs: 113dB (A-weighted) dynamic range+4dBu / -10dBV nominal levels 8 balanced 1/4 in. analog outputs:114dB (A-weighted) dynamic range+4dBu / -10dBV nominal levels S/PDIF I/O (coax & optical) at 24-bit/96kHz ADAT optical digital I/O MIDI I/O Stereo headphone output with volume knob Sync via word, S/PDIF, ADAT, or MTC Supports full duplex 16 channel in, 16 channel out operation Rack-mountable single space breakout box Heavy-duty aluminum case 15 ft. cable to connect to PC PCI bus mastering interface:Bus poweredWorks with PCI-X (3.3/5 volt) & Power Mac G5 A/D & D/A converters in external breakout box 56-bit / 100mHz DSP for digital mixing Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software:Low latency ASIO 2.0GSIF 2.0 (Gigastudio 3 w/ low latency MIDI)WDM kernel streaming modeCoreAudio & CoreMIDI Surround sound support:5.1 & 7.1 output w/ delay managementAC3, DTS, & WMA9 output over S/PDIF SuperChannel resource sharing: split I/O between multiple applications PureWave mode for bit-accurate digital I/O System RequirementsMac System RequirementsMac OS X (10.2 or later)G4 or better processor (Power Mac G5 compatible)256 MB RAM (512 MB recommended) PC System requirements:Windows ME/2000/XPGenuine Intel Pentium or AMD Athlon CPUMotherboard with Intel, AMD, Via, or NVIDIA chipset256 MB RAM (512 MB recommended) Free Audio Software Included Tracktion, hailed as the easiest to use professional recording and MIDI production software in the world, is a radical new type of music production software - giving you a clean, intuitive, and clutter-free interface without losing professional features like drag-and-drop editing, a built-in sampler, VST plug-in support, track freezing and more... all right at your fingertips. Over twenty-five plug-ins, including Final Mix! Specifications Analog Input 2 Neutrik Universal connectors for balanced TRS or XLR 6 Balanced TRS connectors Accepts unbalanced signals Frequency response: 10Hz-20kHz, ?.1dB Dynamic range: 113dB A-weighted THD+n:

Edirol FA101 Firewire Audio Interface Price: 449.00 Retail Price: 695.00 EDIFA101 Gigasonic Edirol's first Firewire audio interface-- FA-101, is a smashing 10x10 audio interface, capable of 24-bit/96 kHz at a full 10 channels in & out. The Edirol FA-101 can record and monitor all 10 channels in full duplex - phenomenal audio power for the studio musician at the same time. The FA-101 also offers 6 channel recording & playback at 24-bit/192kHz for performance at DVD-A quality in addition to 10x10 24-bit/96kHz performance. Portable interface with FireWire power: The portable musician will love that the FA-101 draws its power completely from the Firewire bus - there is no need for an electrical hookup. Portability with no limitation means you'll be able to take the FA-101 to any kind of performance to record multi-track audio. Performance DJ will rely on the FA-101's rugged metal chassis to allow him to pound the clubs without worrying about the state of his audio interface. Phantom power, TRS and digital inputs: The two Phantom-power XLR/TRS combo jacks offer quality mic preamps for an extraordinarily clean recording with studio condenser mics or dynamic stage mics. The back of the FA-101 hosts a number of 1/4" TRS balances inputs & outputs: 6 inputs and 8 outputs. The front-mounted S/P DIF optical I/Os transfer audio to & from other digital devices and the built-in MIDI interface allows a synthesizer or controller keyboard to be connected to the FA-101 for sequencing directly into a software program. Plenty of I/O connections to handle a whole band: Invest in for getting FA-101 only if you are looking for an audio interface capable of synchronized multi-channel recording on your computer at the premier quality and fireware .All of your band's hardware can be routed through the Edirol FA-101 to output to monitors while at the same time you record the show! During the break, burn CDs to sell on the spot. Features 10x10 24-bit/96kHz Audio performance 6x6 24-bit/192kHz Audio Performance FireWire Bus-Powered Direct Monitoring Low-latency Driver Support Native Support in Mac OS X (10.3.4 or later) 2x Phantom Power Mic Preamps 8x8 balanced analog I/O S/P DIF Optical I/O MIDI I/O Specifications Number of audio record/playback channels (up to 96 kHz) full duplex record: 10 channels Number of audio record/playback channels (up to 96 kHz) full duplex playback: 10 channels Number of audio record/playback channels (192 kHz) full duplex record: 6 channels Number of audio record/playback channels (192 kHz) full duplex playback: 6 channels Signal processing, PC interface: 24-bit Signal processing, AD/DA conversion: 24-bit (linear) Sampling frequency, digital output: 44.1 / 48 / 88.2 / 96 kHz Sampling frequency, digital input: 44.1 / 48 / 88.2 / 96 kHz Sampling frequency, AD/DA conversion: 44.1 / 48.88.2 / 96 / 192 kHz Frequency response, 96.0 kHz: 20 Hz to 40 kHz (+0 / -2 dB) Frequency response, 88.2 kHz : 20 Hz to 40 kHz (+0 / -2 dB) Frequency response, 48.0 kHz: 20 Hz to 22 kHz (+0 / -2 dB) Frequency response, 44.1 kHz: 20 Hz to 20 kHz (+0 / -2 dB) Nominal input level, input jack 1-2 (XLR type): -50 to -10 dBu Nominal input level, input jack 1-2 (1/4 in. TRS phone type): -35 to +4 dBu Nominal input level, input jack 3-6: +4 balanced Nominal input level, input jack 7-8: -10dBu to +4dBu (balanced) Nominal output level, output jack 1-8: +4 dBu (balanced) Signal to noise ratio (A-weighted, typical), output: 108 db (typ.) Signal to noise ratio (A-weighted, typical), input: 102 db (typ.) Residual noise level when input is terminated with 1 k ohms, main volume at 0 db, input sens at +4 dbu, direct monitor volume in Out1/2 position, IHF-A typ., balanced: output Jack 1-2 98 dBu Interface: FireWire (IEEE1394) Digital input/output: optical type (conforms to IEC60958) MIDI: in/out Front panel connectors: Input jack 1-2 (XLR/TRS combo) XLR type (balanced/phantom power +48V) TRS type (balanced) Headphones jack (stereo 1/4 in. phone type) Digital in connectors (optical type) Digital out connectors (optical type) Rear panel connectors: Input jack 3-8: TRS phone type (balanced) Output jack 1-8: TRS phone type (balanced) MIDI connectors (in, out) FireWire connector Power supply: AC adapter Dimensions: 8 5/8 (W) x 5 7/16 (D) x 1 7/8 (H) inches Accessories: owner's manual, driver CD-Rom, AC-adapter, 6 to 4 FireWire cable, 6 to 6 FireWire cable System Requirements Macintosh OS: Mac OS X 10.3.4 or 10.3.3 with Firewire update Computer: Apple Macintosh series with on-board Firewire CPU/clock: Power PC G3/800MHz, G4/700MHz Power PC G4/1.2GHz or higher recommended for 192kHz Memory(RAM): 256MB or more Display/colors: 800x600 or higher Windows OS: Microsoft Windows XP Home Edition/ XP Professional Computer: Windows XP-compatible PC equipped with an IEEE 1394/FireWire port CPU/clock: Pentium, Celeron, or Pentium compatible processor 900MHz or higher. Pentium IV/2GHz or higher recommended for 192kHz Memory(RAM): 256MB or more Display/colors: 800x600 or higher/65,536 colors (16 bit high color) or more.

Alesis MultiMix 12 Firewire Mixer Price: 449.00 Retail Price: 699.00 ALESFW12 Gigasonic The Alesis MultiMix FireWire 12 Mixer is part of the new line of MultiMix mixers featuring FireWire data connectivity. The MultiMix FireWire Series includes 3 different tabletop mixers, all featuring exclusive DICE II FireWire technology. Allowing for transfer of multiple audio data streams from mixer to PC using a standard IEEE-1394 interface, these mixers provide lightening fast connectivity to a wide range of PC-based audio production applications.The MultiMix FireWire mixers are compact mixers featuring low noise analog electronics, 100 studio-grade 28 bit digital effects, and rock-solid construction. The mixer features high-gain mic/line preamps, phantom power, auxiliary send/returns, and on-board effects engine including reverbs, delays, chorus, flanging, 3-band EQ per channel with high/low shelving and mid band pass/reject.Additional features of the MultiMix FireWire series include separate 1/4 in. balanced main and monitor outs, headphone out, integrated FireWire port to transfer audio directly between the mixer and your computer, and 24-bit stereo simultaneous input/output over a FireWire 1394 connection. Plug and play operation is available under Windows XP and Mac OSX. The FireWire mixers also come bundled with Cubase LE recording software. With the MultiMix FireWire Series Alesis has made multi-track recording to PC a viable and affordable possibility for the modern artist/producer. Features Compact, affordable 12 channel analog mixer and Multi-channel FireWire audio computer interface 4 high-gain mic/line (XLR and 1/4 in. balanced) inputs with phantom power, 2 stereo balanced 1/4 in. line inputs, aux send (can sent to onboard or external effects), stereo aux return. 100 28-bit onboard preset effects including reverbs, delays, chorus, flanging, pitch, and multieffects 3-band EQ per channel with high/low shelving and mid bandpass/reject Separate 1/4 in. balanced main and monitor outs, headphone out 24-bit, 44.1/48 kHz operation with high-end A/D and D/A conversion through integrated FireWire audio interface using next-generation Dice II FireWire chip Compatible with Mac OSX and Windows XP Steinberg Cubase LE included Specifications Dimensions & Weight 13.0" x 13.4" x 3.2" (W x H x D) 331mm x 340mm x 80mm7.4 Lbs./3.4 Kg.(excluding power supply)

Sony CUE-672 Shotgun Microphone Price: 449.00 Retail Price: 555.00 sony-cue-672 Gigasonic With a wide variety of applications in news-gathering, sports events and interviews, the Sony CU-E672 is an electret shotgun microphone capsule designed for use with the WRT-847B modular handheld UHF transmitter. Features ? Extreme directional response, minimizes off-axis pickup. Electret element for clear sound, excellent transient response and wide frequency response. Uses similar casule design from ECM-672 shotgun microphone! Supplied windscreen helps reduce wind noise & popping Ideal for use in In-field video and film production and ENG Module works with WRT-847B. Specifications ? Element Type Electret Condenser Directivity Hypercardioid Maximum Sound Pressure Level (SPL) 120dB Frequency Response 50 Hz - 16 kHz Dimensions 1.5" x 6.875" (38.1 x 174.625mm) Weight 5.3 oz. (150.2 g)

Sony PTHTMDG2 Oxford Plug-In Price: 439.99 Retail Price: 495.00 sony-pthtmdg2 Gigasonic The Oxford Transient Modulator plug-in for Digidesign's Pro Tools TDM systems is an application that allows the dynamic level of signals to be modified by manipulating the transients in the program material over time. The effect is to bring transient events in the program forwards, or push them into to the background - the attacks of instruments can be accentuated or softened depending on the settings of the plug-in. The application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic instruments. This process is easily achieved with the Oxford Transient Modulator because its purpose-designed adaptive processing acts on differential information in the program. Meaning, the overall long-term program level is minimally affected and sensitivity to control parameters is drastically reduced. The HD version includes RTAS and Audiosuite formats in addition to the TDM version. Features ? Increase overall modulation potential by the reduction of very short peaks Adaptive processing acts on differential information in program material Radically change the dynamics of instruments Accenuate or flatten attacks and transients Increase or reduce the effects of ambience Product rounded and dynamic percussive effects

Sony PTHINFLG2 Oxford Plug-In Price: 439.99 Retail Price: 495.00 sony-pthinflg2 Gigasonic The PTH-INFLG2 Inflator software for Digidesign's ProTools TDM systems. Sony's Oxford Inflator plug-in software provides users with the ability to increase apparent loudness for almost any recording without significant loss of quality or audible reduction of dynamic range. The software plug-in also avoids damaging increases in peak signal levels and can bring power, presence and warmth to recorded material with a subtlety and musical character reminiscent of tube systems. Features ? Increase the loudness of almost any recorded material Creates warmth, character and dynamic excitement, similar to that of analog systems Provide virtual headroom above digital maximum so percussive peaks can pass without causing signal overload Create artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and "in your face" fatness, to outright saturation distortion modeling Operates in two modes - direct and band split - for maximum flexibility and artistic creativity

Edirol UA-101 10x10 USB 2.0 Audio Interface Price: 429.99 Retail Price: 599.00 UA-101 Gigasonic The high-speed and half-rack USB audio interface UA-101 designed to turn your USB 2.0 ready computer into a powerful digital audio workstation. The UA 101 is the most-powerful compact audio interface and is built to offer low latency and extraordinary steadiness. No other computer connection is required to get a full 10 inputs and 10 outputs at 24-bit/96k. Features 40-bit Internal Processing All Balanced I/O Built-In Limiter Dedicated Monitor Output Hi-Speed USB (USB 2.0) and Full-Speed (USB 1.1) compatible Included Signal Router/Mixer Application Specifications 10-channel performance using Usb 2.0 (Hi-Speed Usb) Windows OS: Microsoft®Windows®XP Home SP1/XP Professional SP1 OS update is required (Microsoft Knowledgebase ID 822603) Microsoft®Windows®XP Home SP2/XP Professional SP2 Computer: Windows XP compatible computer equipped with a USB 2.0 (Hi-SPEED USB) port CPU/Clock: Pentium®III, Pentium?, Pentium®M Processor 1.2 GHz or higher UA-101 may not perform to its full specs when used with Celeron®Processors. Memory(RAM): 256 MB or more Two channel full-duplex recording / playback performance is capable. Input 3-8 and output 3-8 ports don't work. 44.1 and 48 kHz sampling rates are applicable. UA-101 may not perform to its full specs when used with Celeron?Processors. 2-channel performance at 44.1kHz or 48kHz, using USB1.1 PC OS: Microsoft(r) Windows(r) XP Home/XP Professional/Me/2000/98SE Computer: Windows XP/Me/2000/Me compatible computer equipped with a USB 1.1 (Full-SPEED) port CPU/Clock: Pentium(r), Celeron(r) or Intel compatible processors / 600 MHz or higher Memory(RAM): 128 MB or more Mac OS: Mac OS X 10.2 or later, Mac OS 9.x Computer: Apple Macintosh series with on-board USB port CPU/Clock: PowerPC G3/400 MHz or higher Memory(RAM): 128 MB or more 256 MB or more is recommended in Mac OS X

Sony PTLREVG2 Oxford Plug-In Price: 424.00 Retail Price: 530.00 sony-ptlrevg2 Gigasonic The Sony Oxford Reverb plug-in for Pro Tools LE systems is a highly flexible reverberation generator, providing the user with the highest technical and sonic performance coupled with artistic and creative facility. Features ? Real-time continuous control of virtually all parameters Dual independent paths for both 'Early Reflections' and 'Reverb Tail' Each reverb path type can be used independently or in combination Separate displays for early reflections and reverb tail Over 100 realistic, useful presets for music & post-production Includes 5-band parametric EQ

M-Audio Audiophile 192 and M-Audio Pro Tools M-Powered 7 Bundle Price: 419.00 Retail Price: 499.00 9900-40768-00MPOWERED7 Gigasonic M-Audio Audiophile 192 64-Bit PCI Audio Interface The Audiophile 192 Digital Card Interface--the newest member of the popular Delta line. It continues the legacy of M-Audio's industry-standard Delta audio card line. As one of the world's most popular audio cards, the Audiophile 192 features high-definition 192kHz sampling rate, balanced analog I/O, digital I/O and an amazing signal-to-noise ratio. The digital I/O supports surround-encoded AC-3 and DTS pass-through when used with Windows XP and Mac OS X computers, so you can listen to surround audio from DVDs and encoded tracks from your audio software. The Audiophile 192 comes with many useful functions. The separate balanced 1/4" TRS monitor outputs can be routed to a mixer or powered speakers, whichever you need in your studio. In addition, input and output routing can be controlled via included software to provide maximum flexibility for your recording setup. The Audiophile 192, as with all Delta cards, offers you rock-solid drivers and seamless integration with your favorite Mac and PC applications - and even the ability to combine multiple Delta cards in one system. And since M-Audio is always ahead of the pack, this world-class card is also compliant with PCI 2.2 and 64-bit audio drivers so you're ready to take advantage of next-generation platforms and software. The Audiophile 192 represents a new benchmark in audio performance that's as good as it gets for music production, mastering and critical listening. M-Audio Pro Tools M-Powered 7 Production Software Pro Tools M-Powered 7 software lets you enter the world of Pro Tools while using unique hardware options from M-Audio to professionally produce your music tracks. This groundbreaking combination for Windows XP and Mac OS X lets you customize the compact mobile multi-channel studio of your dreams, while providing session compatibility with countless Pro Tools-equipped project and professional studios around the world. As easy to use as it is powerful, Pro Tools M-Powered 7 software includes many of the same features that top studios rely on to produce Grammy?winning albums and Academy Award?winning film sound. Together, M-Audio hardware and Pro Tools M-Powered 7 software deliver the seamless workflow of moving sessions. Produce with the Industry Standard—Anywhere, Anytime The combination of M-Audio gear and Pro Tools M-Powered 7 lets you work anywhere, anytime with the industry standard in music production software. You can open sessions created in Pro Tools M-Powered 7 software with any Windows XP- or Mac OS X-based Digidesign Pro Tools TDM or LE system, giving you unprecedented production options for your music. Seamlessly collaborate with other musicians using Pro Tools M-Powered 7 or Pro Tools LE systems. Easily take your projects to a Pro Tools/HD-equipped recording studio to have it mixed by a pro. Or take your pro studio projects home or on the road with you—even use them as backing tracks on stage. With Pro Tools M-Powered 7, owners of most M-Audio interfaces instantly become members of the largest community of digital audio workstation users in the world. Professional Recording, Editing and Mixing Pro Tools M-Powered 7 software allows M-Audio hardware enthusiasts to easily enter the powerful recording, editing, and mixing features of Pro Tools. With up to 32 simultaneous tracks of 16- or 24-bit digital audio, and support for up to 96kHz sample rates, Pro Tools M-Powered 7 is an ideal companion for M-Audio interfaces and audio interface keyboards—whether you're recording solo or entire bands. Once you've finished your recording, you can fine-tune your performances with Pro Tools' unmatched nondestructive editing tools. Shape sounds, compose parts, and add effects with RTAS instrument and effects plug-ins. Create polished mixes with professional mixing features and full mixer automation. Automatically analyze and tighten percussion tracks with Beat Detective LE. With Pro Tools M-Powered 7, you've got the tools you need to create professional mixes wherever you want to take your music. ReWire for Ableton Live Fans of Ableton Live will love Pro Tools M-Powered 7's ability to accept Live's output stream via ReWire for further mixing and processing. You get the best of both worlds—Ableton Live's incredibly fluid real-time writing, production and remixing environment along with the industry standard in tracking, editing and mixing. Control Surfaces If you want the tactile feel of a pro console while enjoying the benefits of a personal or project studio, Pro Tools M-Powered 7 supports both Digidesign's Command/8 and M-Audio's ProjectMix I/O. Both give you control over the software's MIDI functionality. ProjectMix I/O even incorporates a built-in 10 x 10 FireWire audio interface complete with 8 preamps so you don't need any extra gear. Flexible and Portable—More Choices for You A variety of M-Audio PCI and FireWire hardware interfaces are compatible with Pro Tools M-Powered 7 software, giving you more choices in where, when and how you work. For high-fidelity I/O in a PCI-based system, our entire Delta line is compatible with Pro Tools M-Powered 7—from the personal 2-channel Audiophile 2496 and Audiophile 192 cards all the way up to the 10 x 10 Delta 1010. For Pro Tools recording on the go, our compatible USB products range from the pocket-size Transit to the MobilePre USB with dual preamps, Fast Track USB (2-in, 2-out), and Fast Track Pro (4 simultaneous in-out). M-Audio bus-powered FireWire interfaces like our FireWire 410 (4-in/10-out) and FireWire 1814 (18-in/14-out) provide even more I/O and higher sampling rates, letting you easily put together a multi-channel studio-to-go. All-In-One Gear for Guitarists, Keyboardists and Producers One of the benefits of Pro Tools M-Powered 7 is that you can harness the creative power of specialized M-Audio production hardware. The Black Box not only gives guitarists killer amp modeling, unique beat-synced effects and inspiring drum patterns—it serves as a Pro Tools M-Powered-compatible audio interface for Mac and PC. Keyboardists and electronic music producers also benefit from our Ozone and Ozonic, both of which integrate a keyboard, MIDI control surface, audio/MIDI interface, mic/instrument preamp and headphone monitors. Integrated MIDI Sequencing Most M-Audio audio interfaces also support MIDI—and Pro Tools M-Powered 7 software's fully integrated MIDI sequencer allows you to record, edit, and mix up to 256 MIDI tracks alongside your audio tracks. Launch your favorite instru ment plug-in to get the sound you want. Engage loop recording to quickly develop a multi-layered drum pattern, then use Groove Quantize to give it the right feel. Switch to MIDI Step Input to lay down a difficult passage. With M-Audio interfaces and Pro Tools M-Powered 7, your MIDI composing options are wide open. Plug-ins Galore Pro Tools M-Powered 7 software not only provides access to award-winning Pro Tools software—you're also instantly able to take advantage of a variety of RTAS and AudioSuite plug-ins designed by the recording industry's largest professional third-party developer community. Track with powerful host-based vintage instruments like GForce's Oddity and Minimonsta. Add spice with Wizoo's Latigo and Darbuka virtual percussionists. And polish your mixes with affordable effects and mastering plug-ins like iZotope Ozone and Spectron that surpass even expensive hardware. Pro Tools M-Powered 7 also includes more than 30 DigiRack and Bomb Factory plug-ins right out of the box, including EQ, dynamics, delay, reverb, and many more.

M-Audio Keystation Pro 88 Controller Price: 399.99 Retail Price: 599.00 9900-40830-00 Gigasonic The Keystation Pro 88 from M-Audio is designed specifically to let you perform, program and mix music directly with your computer. It is an 88-key hammer-action USB MIDI controller with great features. Regardless of whether you're a seasoned pro or just ready to take your music to the next level, our 88-key hammer action is so expressive that you simply won't want to stop playing it. The Keystation Pro 88 offers 59 assignable controls that deliver more than enough tactile command over your favorite soft synths and digital audio sequencers like Reason and Live.The Keystation Pro 88 also delivers a pitch wheel, and a modulation wheel, plus sustain pedal and controller pedal inputs that are all fully assignable as well. 10 memory locations store your controller settings, and the included Enigma editor provides unlimited storage. It unifies everything you need to experience the full potential of your virtual studio —and at a price and weight lighter than you'd expect . Features ?/td> 88-key hammer-action, velocity-sensitive keyboard 24 MIDI-assignable rotary controllers 22 MIDI-assignable buttons 9 MIDI-assignable Alps faders MIDI-assignable pitch bend and modulation wheels MIDI-assignable foot switch and foot pedal inputs Controllers assignable to MIDI controllers, notes, transport controls, program changes (including LSB and MSB), sys-ex, and RPN/NRPN Independent MIDI channel assign for all controllers Four keyboard zones for layers and splits Multiple dynamic velocity curves Large custom LCD displays controller number, assigned controller, edit icons and edit values 10 memory locations for saving all controller assignments Sys-ex memory dump transmits the complete memory contents for backup purposes Free Enigma editor software for unlimited storage +/- 11 semi-tone transposition Dedicated buttons allow program and bank changes on the fly Control Mute function mutes the output of all controllers so you can position them to the desired value before tweaking Snap Shot button transmits all current controller settings Fader Drawbar mode reverses the faders for realistic operation of organ emulators such as NI B4 MIDI In port MIDI Out port can drive external MIDI gear or be used as USB to MIDI Out interface General MIDI 1 and 2 compatible USB class compliant—no drivers required for Windows XP or Mac OS X Drivers also included for Windows 98SE, ME, 2000, XP and Mac OS 9 Powered via USB bus (cable included) or optional 9V power supply Lightweight for its features—only 47 lbs. Specifications ?/td> Size (L x W x H): 57 x 13 x 5.9 in. Weight: 47 lbs Compatibility MME Mac OS X Core MIDI Minimum System Requirement (PC) Windows 98SE / Me / 2000 (SP4) / XP (SP1) Minimum System Requirement (Mac) OS 9.2.2 with OMS 2.3.8 (included) OS X 10.1.5 or greater * native USB port required; G3/G4 accelerator cards not supported

Line 6 PODxt Live Guitar Amp Price: 399.99 Retail Price: 559.00 LINE990600605 Gigasonic The Line 6 PODxt LIVE Floorboard Amp Modeler -- an uncomplicated, gig-ready tone machine that's portable and adaptable to different real world stage and recording environments. Whether you use it as the ultimate multi-effects pedal, a PODXT direct recording miracle, a powerhouse preamp, or a creative signal-processing tool, PODXT Live delivers! The PODxt LIVE comes with 84 pro quality stompbox and studio effects, 36 legendary and classic Amp Models, plus 24 Cab and 4 Mic Models, Vetta II amp and storable to 128 programmable channels. From models of classic stompboxes, amps, cabs, and mics, to studio effects and synth filters, PODXT Live combines pro features and tones in one rugged, stage-ready package. At the center of PODxt Live is an incredible gathering of over 80 must-have stompbox and studio effects models. This handpicked collection of hits from our award-winning PODxt, stompbox modelers and Vetta II will give you rich and deliciously detailed tones at the touch of a footswitch. Effects can be positioned in front (stompbox-style) and behind (studio-post) the Amp and Cab models, giving you organic and dynamic tones normally available in only the most high-end guitar stage rigs. PODxt Live features 36 classic and modern amp models and 24 cab models, all run through 4 incredibly precise and dynamic microphone model options to provide a complete tonal palette for any type of live gig or studio session. This amazing collection of Line 6 Amp Models has been used on countless hit recordings and tours and is now on the floor at your disposal. PODxt Live has 128 presets ready for instant recall via large, stage-ready channel footswitches. They come pre-programmed with a set of sounds to run in front of an amp, and another set for direct recording. Plus there's the vast online tone library with thousands of tones professionally programmed for the PODxt Live to nail the signature sounds of the greatest guitarists, bands, songs and gear of all time. PODxt Live features also include a large backlit display, dedicated stompbox on/off switches, combination wah/volume/tweak pedal, tap tempo/tuner switch, an expression pedal input, stereo 1/4-inch analog outs to feed an amp or line inputs, headphone out, aux input for your CD/MP3 player or drum machine, MIDI, and USB computer connectivity for digital I/O, plus deep editing using the free, downloadable Line 6 Edit or GuitarPort software. PODxt Live comes with a standard analog guitar input - with a selectable pad and adjustable level to handle even super hot active pickup outputs and high output level stompboxes. But there's also a Variax guitar digital connection. Now a Variax's collection of acoustic and electric guitar models, plus PODxt Live's assortment of amps, cabs, and effects can ALL be instantly transformed into virtually any guitar-effect-amp rig with just the press of a footswitch. POD is the world standard for guitar tone in studios around the world, and with PODxt Live, you can have total control of that history making tone at your feet. Features ? Over 80 Stompbox and Studio Effects 36 Legendary and Classic Amp Models 24 Cab & 4 Mic models 128 Channel Memories Stereo 1/4-inch analog Amp/Line Outs Variax Digital Input Routing Options Deep Editing Built-in Chromatic Tuner Large Backlit Display Dedicated Stompbox On/Off Switches Combination Wah/Volume/Tweak Pedal Tap Tempo/Tuner Switch Expression Pedal Input Headphone Out Aux Input for CD/MP3 players, drum machines, etc. Full MIDI Support USB Digital Recording I/O - Plus, Mac/PC editing with free Line 6 Edit or GuitarPort software

Line 6 Vetta II 212 Guitar Cabinet Price: 399.99 Retail Price: 549.00 99-030-0801 Gigasonic Combined with the Vetta II Combo, this open back cab can be stacked, or spread for a wide stereo sound. Plus, the two cabinets can even play completely different amps simultaneously. Features 2 x 12 Celestion speakers, 150 watts power handling and more. Combined with the Vetta II Combo, this open back cab can be stacked, or spread for a wide stereo sound. Plus, the two cabinets can even play completely different amps simultaneously. Speifications ? 2 x 12 in. custom Celestion speakers 150 Watts max 4 ohm mono/8 ohm stereo Dimensions: (W x H x D): 29 x 20 x 10.1 in. (74 x 51 x 26 cm) Weight: 50 lbs. (22.7 kg.)"

Line 6 FBV Deluxe Pedal Board Price: 399.99 Retail Price: 599.99 99-040-0802 Gigasonic The Line 6 FBV control pedal adds even more functionality, flexibility, and convenience to your Vetta or Duoverb amp. The FBV dual-pedal board for the Vetta, Duoverb or Pod XT features dedicated channel switches, dedicated effects on/off switches, large name display, wah pedal with toe switch on/off, volume pedal, chromatic digital tuner and tap tempo. The Line 6 FBV dual pedal board is like having a crew of roadies ready to wheel out an entirely new collection of gear and hook it all up - in time for your next note. The Line 6 FBV features a backlit display that shows where you are, and rugged steel stomp switches and twin expression pedals to give you complete control of where you're going. Features ? Dedicated channel switches. Dedicated effects on/off switches. Large name display. Wah pedal with toe switch on/off. Volume pedal. Chromatic digital tuner. Tap Tempo.

Line 6 Spider II HD Guitar Amplifier Head Price: 399.99 Retail Price: 559.00 99-020-0615 Gigasonic As the follow-up to the best selling Spider series, Spider II embraces the same style but delivers much more. Spider II features 12 unique amp models made from combining the sounds of some of the greatest amps in history and places them all in one mean package. Spider II also features an impressive array of effects (7 different effect types, 3 simultaneous) including Chorus/Flanger, Phaser, Tremolo, Digital Delay, Tape Echo, and Sweep Echo. All effects can be easily tweaked using Smart FX, and delay times can be adjusted using Tap Tempo. Other features include a front panel tuner, Spring or Room Reverb, and a headphone out. All models include custom Celestion speakers. Finally an amp that gives you insane tone and power at a new lower price. The Spider II 112 is a 75-watt (mono) amp with 1x12 speaker. Smart Control FX Great amp tone is only part of a great guitar sound. Effect processing - whether it's stomp boxes or rack gear- is also a big part of the story. Your Spider II packs the power of several of these tone shapers in its Smart Control FX section. The delay knob gives you a trio of delay effect choices: a standard delay, tape echo, and a sweep echo. The modulation effect knob lets you choose between chorus/flange, phaser, and tremolo, and for each of these effects you can choose anything from a subtle hint of processing to total tone-mangling overkill. While turning the knob, Spider II adjusts all the individual aspects of the effect automatically to give you the range of sounds you're looking for, without having to mess with multiple knobs and switches to get your tone. So you can spend your time making music instead. Tap Button 'extra' Functions The Tap Tempo button, in addition to setting the speed of your delay effects, also lets you access a few extra Spider II features: a Tuner, Distortion Boost and a built-in Noise Gate (the tuner and the boost are also accessible via the optional FBV Shortboard). When you hold down the Tap Tempo button, you can use some of Spider II's knobs to access these extra features. Tuner Mode Press and hold the TAP button or TAP footswitch for 3 seconds or more and and you get instant digital tuner. The volume is muted during tuning so you won't here anything coming out of the amp. Press any button to exit Tuner Mode. If there is no FBV Shortboard connected, the LEDs on the front panel of the Spider II will work as the tuner display. The Amp Model LEDs correspond to the following strings on the guitar: Clean = Low E string Twang = A string Blues = D string Crunch = G string Metal = B string Insane = High E string The Channel memory LEDs indicate when the string you are playing is in tune. Channel B and C should both light GREEN when the sting is in tune. If channel A's LED is lit then the sting is flat. If channel A's LED is lit then the string is sharp. Distortion Boost Press and hold the Tap button as you turn the Drive knob up past twelve o'clock. As you do this, Spider II's Channel A LED comes on. This gives the kind of extra 'dirt' that you'd expect from a Distortion pedal with the distortion control set low and the output control set high. It boosts your guitar signal before it reaches the Amp Model, so that you hit the model harder and get a more distorted sound. Enabling this is the same as kicking on Stomp on the FBV Shortboard. Noise Gate Press and hold Tap as you turn the Reverb knob up past twelve o'clock, and you turn on a built-in Noise Gate, which helps to cut down on hiss and noise. When you do this, the Channel D LED comes on to indicate that the Gate is on. Special Hidden Functions When you select an Amp Model, Spider II automatically sets its tone controls and effects to match that Amp Model. You can disable the auto-FX selection (but not tone control auto-selection) by powering up Spider II with the Channel D button held. The autoselection is re-enabled next time you power up. Want to know where your Spider II's controls are set in the programmed channels? Hold ?and keep holding ?the Tap button. Now, before you do anything else, turn the Amp Models knob. This activates Spider II's "Compare" mode. Now turn any knob other than Amp Model and Master Volume, and the channel lights will tell you whether you need to turn that knob up (Channel A lights) or down (Channel D lights) to match the stored setting. The Channel B & C lights will be lit at the same time once the knob position matches the stored setting exactly. You can reset your Spider II's programmable channels to their factory-programmed states by holding down the Channel A button as you turn on the power. Warning: This will erase ALL custom sounds you might have created. Ask yourself, "Do I really want to do this?" If your answer is yes, then go for it! Features ? 12 amp models that deliver a complete range from Clean to Insane 7 Smart Control effects (up to 3 simultaneous) including Tape Echo, standard Delay, Sweep Echo (all w/Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb 4 User-programmable channels Built-in front panel Tuner Headphone/Direct Out for practice or recording Enough power to kill pesky Chupacabras and Evil Payasos"

Line 6 Spider II 210 Stereo Guitar Combo Amplifier Price: 399.99 Retail Price: 559.00 99-010-1515 Gigasonic As the follow-up to the best selling Spider series, Spider II embraces the same style but delivers much more. Spider II features 12 unique amp models made from combining the sounds of some of the greatest amps in history and places them all in one mean package. Spider II also features an impressive array of effects (7 different effect types, 3 simultaneous) including Chorus/Flanger, Phaser, Tremolo, Digital Delay, Tape Echo, and Sweep Echo. All effects can be easily tweaked using Smart FX, and delay times can be adjusted using Tap Tempo. Other features include a front panel tuner, Spring or Room Reverb, and a headphone out. All models include custom Celestion speakers. Finally an amp that gives you insane tone and power at a new lower price. The Spider II 210 is a 150-watt stereo amp with two 10 in. speakers. Features ? 12 amp models that deliver a complete range from Clean to Insane 7 Smart Control effects (up to 3 simultaneous) including Tape Echo, standard Delay, Sweep Echo (all w/Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb 4 User-programmable channels Built-in front panel Tuner Headphone/Direct Out for practice or recording Enough power to kill pesky Chupacabras and Evil Payasos Smart Control FX Great amp tone is only part of a great guitar sound. Effect processing-whether it's stomp boxes or rack gear - is also a big part of the story. Your Spider II packs the power of several of these tone shapers in its Smart Control FX section. The delay knob gives you a trio of delay effect choices: a standard delay, tape echo, and a sweep echo. The modulation effect knob lets you choose between chorus/flange, phaser, and tremolo, and for each of these effects you can choose anything from a subtle hint of processing to total tone-mangling overkill. While turning the knob, Spider II adjusts all the individual aspects of the effect automatically to give you the range of sounds you're looking for, without having to mess with multiple knobs and switches to get your tone. So you can spend your time making music instead. Tap Button 'extra' Functions The Tap Tempo button, in addition to setting the speed of your delay effects, also lets you access a few extra Spider II features: a Tuner, Distortion Boost and a built-in Noise Gate (the tuner and the boost are also accessible via the optional FBV Shortboard). When you hold down the Tap Tempo button, you can use some of Spider II's knobs to access these extra features. Tuner Mode Press and hold the TAP button or TAP footswitch for 3 seconds or more and and you get instant digital tuner. The volume is muted during tuning so you won't hear anything coming out of the amp. Press any button to exit Tuner Mode. If there is no FBV Shortboard connected, the LEDs on the front panel of the Spider II will work as the tuner display. The Amp Model LEDs correspond to the following strings on the guitar: Clean = Low E string Twang = A string Blues = D string Crunch = G string Metal = B string Insane = High E string The Channel memory LEDs indicate when the string you are playing is in tune. Channel B and C should both light GREEN when the sting is in tune. If channel A' LED is lit then the sting is flat. If channel D' LED is lit then the string is sharp. Distortion Boost Press and hold the Tap button as you turn the Drive knob up past twelve o'clock. As you do this, Spider II's Channel A LED comes on. This gives the kind of extra 'dirt' that you're expect from a Distortion pedal with the distortion control set low and the output control set high. It boosts your guitar signal before it reaches the Amp Model, so that you hit the model harder and get a more distorted sound. Enabling this is the same as kicking on Stomp on the FBV Shortboard. Noise Gate Press and hold Tap as you turn the Reverb knob up past twelve o'clock, and you turn on a built-in Noise Gate, which helps to cut down on hiss and noise. When you do this, the Channel D LED comes on to indicate that the Gate is on. Special Hidden Functions When you select an Amp Model, Spider II automatically sets its tone controls and effects to match that Amp Model. You can disable the auto-FX selection (but not tone control auto-selection) by powering up Spider II with the Channel D button held. The autoselection is re-enabled next time you power up. Want to know where your Spider II's controls are set in the programmed channels? Hold ?and keep holding ?the Tap button. Now, before you do anything else, turn the Amp Models knob. This activates Spider II's "Compare" mode. Now turn any knob other than Amp Model and Master Volume, and the channel lights will tell you whether you need to turn that knob up (Channel A lights) or down (Channel D lights) to match the stored setting. The Channel B & C lights will be lit at the same time once the knob position matches the stored setting exactly. You can reset your Spider II's programmable channels to their factory-programmed states by holding down the Channel A button as you turn on the power. Warning: This will erase ALL custom sounds you might have created. Ask yourself, Do I really want to do this?" If your answer is yes, then go for it! "

M-Audio ProKeys 88SX Piano Price: 399.00 Retail Price: 449.95 9900-41309-00 Gigasonic Designed for both performance and recording, the ProKeys 88sx digital stage piano delivers excellent sound in a package so light that you can carry it under one arm. Its must-have complement of instruments—grand piano, electric pianos, organ and clav—sound better than anything in its price range. ProKeys 88sx’s semi-weighted action also delivers some of the best feel you can get without the added cost and weight of hammer action. Two stereo headphone jacks are perfect for private practice or teaching. USB MIDI interface and pitch/mod wheels combine with other features to make it a great MIDI controller as well. Features ? 88-note velocity-sensitive, semi-weighted action 7 premium sounds accessed via dedicated buttons Grand Piano (2 velocity layers) Piano 2 Fender Rhodes (2 velocity layers) Wurlitzer E.P. (2 velocity layers) Yamaha DX7 FM Classic E.P. Hammond B3 Percussion Organ Clavinet Dynamic instruments feature multiple velocity layers 126-note maximum polyphony Lightweight - under 20 pounds Reverb and chorus effects Pitch bend and modulation wheels Volume/assignable control slider Advanced function button for programming Sustain, sostenuto and expression pedal inputs 3 velocity curves plus fixed velocity to optimize feel Stereo 1/4 audio outputs 2 stereo 1/4" headphone outputs on front +/- octave transpose key Specifications ? MIDI Controls: Program Change Bank LSB Bank MSB MIDI Channel MIDI Out from USB Local On/Off All Notes Off Reset All Controllers Channel Mode messages Pitch Bend range Master Volume Compatible with: General MIDI Minimum System Requirements (PC): Windows XP Pentium II 350MHz 128MB RAM Native USB 1.1 port Minimum System Requirements (MAC): Mac OS X 10.2.8 or higher G3 450MHz 128MB RAM Native USB 1.1 port "

M-Audio WizooVerb W5 Professional 5.1 Sound Room Emulator Price: 399.00 Retail Price: 449.95 9910-41138-00 Gigasonic WizooVerb W5 takes the amazing realism and creative flexibility of the WizooVerb W2 true stereo room emulator to the realm of full 5.1 surround sound. Freely combine the authenticity of exclusive HDIR impulse-based reverb with the flexibility of Wizoo's A.I.R. algorithmic reverb. It's all completely editable for total creative expression-and you can even design with surround effects. 100 incredible presets are included to get you started. WizooVerb W5 breaks the barriers of reverb technology, delivering professional surround fidelity and creative sound design options you simply can't get anywhere else- and all at a great value. Compatible with VST hosts as well as stand-alone operation. Features professional 5.1 surround room emulation and creation with unprecedented quality, definition, clarity and spatial accuracy freely combinable impulse response and algorithmic reverb technologies for early reflections and reverb tail exclusive HDIR (High Definition Impulse Response) technology delivers unparalleled precision A.I.R. algorithmic technology provides total creative control complete set of HDIR models included: Ambience, Basement, Booth, Cathedral Brick Wall, Cathedral Dome, Chamber Large, Chamber Medium, Chamber Small, Church Concrete, Church Wood, Concert Hall, Dance Club, Drum Booth, Drum Room, Forest Site, Opera, Orchestral Hall, Philharmonic Hall, Room Medium, Room Small, Scoring Stage, Stage, Studio Large, Studio Small, Swimming Pool includes 150 user-editable categorized presets from high-end room emulations to completely surreal spaces imports IR audio files to access a virtually unlimited number of rooms graphic editing of imported IR files latency-free highly optimized CPU efficiency surround technology accurately reflects the signal position, leaving the soundstage of the mix intact HDIR and IR edit parameters: Pre-Delay, ER/Tail Balance, Spread, Main Time, Low Freq, Low Time, High Freq, High Time, Length, Attack Time, Attack Slope, Decay Time, Decay Slope A.I.R. edit parameters: Pre-Delay, ER/Tail Balance, Spread, Main Time, Low Freq, Low Time, High Freq, High Time, Tail Delay, Room Size, Ambience, Density, Color, Modulation Mode, Frequency and Width sound-shaping: 4-band parametric EQ, HS Freq, HS Gain, Mid1 Freq, Mid1 Gain, Mid1 Q, Mid2 Freq, Mid2 Gain, Mid2 Q, LS Freq, LS Gain Gate: Gate with Side Chain Input, Attack, Hold, Release, Threshold Surround Delay: Serial/Parallel algorithm, Divergence, Time/Level for L/C/R/Ls/Rs, Feedback, HiDamp, Main Level, Tempo, Sync, Pattern global edit: Pre-Delay, Size, Time and two assignable parameters directly accessible from the main panel extensive automation of all parameters stand-alone or host operation-VST 2.0 (Win/Mac) Specifications Compatibility: VST 2.0 (Win/Mac) System Requirements (PC): PC Pentium IV 1.3 GHz / 512MB RAM 100 MB free hard disk space Windows XP VST 2.0-compatible host software (for host operation) 5.1 surround compatible audio hardware DVD-ROM drive for installation Internet connection (via any computer) for software activation System Requirements (Mac): Macintosh Power Macintosh G4 1.42 GHz (G5 recommended) 512MB RAM 100 MB free hard disk space Mac OS X 10.3.8 or higher VST 2.0-compatible host software (for host operation) 5.1 surround compatible audio hardware DVD-ROM drive for installation Internet connection (via any computer) for software activation

Focusrite Saffire Firewire Audio Interface Price: 399.00 Retail Price: 499.00 FOCSAFFIRE Gigasonic The Focusrite Saffire being a new breed of Firewire interface has an onboard DSP and 24-bit/192kHz processing. Saffire fuses modern hardware with highly incorporated software to take audio interfacing one monster step nearer to the professional studio experience. Focusrite build and sound quality, intelligent front-end design and cutting-edge compression, EQ and foldback reverb software combine to guarantee an instinctive and trouble-free recording. The engineer has all he needs to navigate through a modern recording session by ensuring the number of inputs and outputs. This interface should have 4 inputs (2 digital) and 10 outputs (2 digital) plus unrivalled foldback and monitoring options. Saffire hardware is a revolutionary new platform from the team that produced LiquidControl and the Forte Suite that is being accompanied by the brand new software. This stylish application floats comfortably over any recording software and allows extensive control over the sound of the recorded signals, monitor and headphone output paths. Compression, reverb, amp modeling and EQ Saffire-powered plug-ins are also included. All these four are available as a suite of plug-ins from within the recording platform in use. You can create up to five separate user-defined stereo mixes of all incoming signals and recorded tracks from the recording platform. Thus Saffire is truly the interface of choice for the serious recording engineer since they have comprehensive monitoring/foldback options and onboard high quality signal processing and effects. Features Ultra-low latency Firewire 400 interface with onboard DSP 24-bit, 192kHz integrated A-D/D-A Four inputs; two Focusrite preamps and SPDIF I/O Eight balanced outputs for creating separate headphone/monitor mixes or 7.1 surround monitoring Suite of Saffire-powered plug-ins; compression, EQ, amp modeling and monitor path reverb available on analogue inputs, for recording wet and or monitoring Free accompanying software allows the engineer to create up to five unique stereo mixes of all incoming and recorded tracks Plug-ins also available for use within the user's software platform MIDI I/O Includes Cubase LE software

Alesis M1 Active 620 Monitor Price: 399.00 Retail Price: 599.00 ALESM1-620 Gigasonic The Alesis M1 Active 620 is a newly designed, affordable, high-precision active reference monitor with Bass Density control and EQ. The M1 Active series offers incredible definition and flat frequency response from the high-precision drivers and a professionally crafted crossover. The cabinet and drivers have been redesigned for a bold new look and even greater sonic clarity. The M1 Active 620 has a 1 in. thick front baffle, which minimizes speaker resonance, and the visually stunning acoustic waveguide evenly disperses high-frequency sound across your control room. The M1 Active includes new “Bass Density technology, which allows you to tailor these monitors to any room’s acoustics. The distinctive top-mounted power/clip indicator lets you know if the speaker is clipping. The M1 Active 620 features a 100-Watt amplifier and 6.5 in. low frequency woofer. Features 6.5 In. low frequency woofer for clear bass and midrange 1 in. silk dome tweeter for clear highs without ear-fatiguing harshness High-precision drivers offer lower distortion and smoother frequency response Acoustical waveguide for superior imaging with minimal diffraction 1 in. thick front baffle virtually eliminates speaker resonance Magnetically shielded for close placement to video monitors in computer based music production studios 1/4 in. TRS connector with volume control Low Frequency Density Switch for acoustic space adjustment of the monitors Rear port design provides deep bass extension and increased SPL Hi, Mid, and Low Frequency EQ switches to accommodate user preference and sub-woofers Top mounted, integrated Power Switch/Clip Light Bar "

Alesis Micron Analog Modeling Synth Keyboard Price: 399.00 Retail Price: 699.00 ALESMICRO Gigasonic The Alesis Micron-a new compact synth with the ION analog-modeling sound engine! The Micron is a powerful 8-voice Analog Modeling synthesizer based on the award-winning sound engine of the larger Alesis Ion in a compact 3-octave keyboard offering breakthrough analog realism, high-resolution control, and tremendous value. The Micron is compatible with Ion programs and holds over 1,000 programs and multitimbral setups. The Micron has many useful functions. The first feature that most users check out when faced this synth are the preset programs. Of course, this is an analog-modeled synth. The Micron offers continuously variable wave shapes, plus sync and FM synthesis. 20 filter types are included, along with 2 LFOs with multiple wave shapes and sample & hold. With a powerful modulation matrix, the Micron provide a programmable step sequencer, arpeggiator, rhythm sequencer for drum kits, and dynamic realtime phrase sequencer-all of which sync to MIDI clock. Stereo bus effects including reverb and 40-band vocoder. Provides 1/4" balanced stereo analog outputs and inputs with 24-bit conversion. A 37-key synth-action keyboard with velocity sensitivity allows comfortable, expressive playing. Controls include 3 continuously rotational 12-bit parameter knobs, 2 assignable modulation sliders, pitch wheel, and expression and sustain pedal inputs. Applications Synthesis and sound design Keyboard performance High-resolution MIDI control Tempo-synched audio filtering, vocoder, and effects Features Powerful virtual-analog synth engine: Compatible with Ion programs Superb analog realism Inspiring other-worldly sounds Absolutely no zipper" noise or aliasing Programmable features that sync to MIDI clock: Step sequencer Arpeggiator Rhythm sequencer Realtime phrase sequencer Assignable, high-resolution realtime control: 2 modulation sliders 3 360-knobs operate at 32 times the resolution MIDI Pitch wheel Powerful DSP effects: 4 simultaneous mono/stereo "overdrive" effects Stereo master effects, including reverb 40-band vocoder 24-bit balanced I/O: 2 TRS 1/4 in. outputs 2 TRS 1/4 in. inputs for processing external sounds Specifications Sound Engine Sound Generation: Alesis proprietary DSP Analog Modeling Polyphony and Parts: 8-voice, 4-part multitimbral Oscillators: 3 oscillators per voice, with continuously variable waveshapes, sync, and FM Filters: 2 multimode resonating filters per voice, with 16 different filter types Modulation: 2 LFOs with multiple waveshapes, sample and hold, tracking generator, freely-routable modulation matrix per voice Effects: 4 drive effects (1 per part) plus master effects (shared) Patterns: Step sequencer, arpeggiator, drum rhythm sequencer, and phrase sequencer Program Memory: Over 1000 programs and multitimbral setups Audio Input Input Connectors: 2 Balanced 1/4 in. TRS jacks Maximum Input Level: +5.2dBu (1.41VRMS) = -0dBFS Input Impedance: 10kohms Audio Output Output Connectors: 2 Impedance-Balanced 1/4 in. TRS jacks, 1/4 in. TRS Headphone Jack Maximum Output Level: +18dBu (6.17 VRMS) = -0dBFS Output Impedance: 1kohms Physical Keyboard: 37 keys (velocity, release velocity sensitive) Real-Time Controllers: 3 360-degree parameter knobs, 2 assignable modulation sliders, assignable pitch wheel Pedal Jacks: Assignable exp pedal jack, sustain pedal jack MIDI Connections: MIDI In, MIDI Out, MIDI Thru Dimensions (WxHxD): 22.2 x 2.75 x 8.0 in. (563.88 x 69.85 x 203.20mm) "

DigiTech BNX3 Bass Guitar Workstation Price: 399.00 Retail Price: 719.00 DIGIBNX3 Gigasonic The BNX3 bass workstation combines a most powerful modeling bass guitar processor with a digital 8-track recorder, which delivers everything bass musicians need to perform, practice, write and produce songs, all in a single unit. The BNX3 gives everything a bass player wants. The BNX3 have the hand's-free multi-track recorder so you can focus on creating and recording music instead of messing with mixers, cables and patch bays. Bassists can record, playback, auto-arm the next track, or delete tracks, all without touching a knob. The BNX3 also lets bassists save tunes on SmartMedia cards, export tracks to your computer, and polish them and burn a CD with the included Cakewalk and Pyro software. Players can also import tracks into the BNX3 and jam along with WAV files, WMA ,CDs and MP3s. After all that, you can export your masterpiece to computer and burn a CD using the included software. So as you can see, whether on stage, during practice, while composing or as part of a studio production, you've never had a more powerful creative tool at your feet. Features ?/td> 17 Bass Amp Models 4 Guitar Models Exclusive GENTX TM HyperModeling 10 Distortion Stompbox Models Create Amp Hypermodels Bass Effects including Fretless Simulator Dual-Band Compression pedal Mono,Stereo,and bi-amp output confiqs JamMan TM Delay Looper Drum Machine Chromatic Tuner 8-Track Digital Recorder SmartMedia TM Memory Interface Notch Filter Specifications ?/td> 24-bit analog-digital converters 24-bit digital-analog converters 44.1 kHz Sampling Frequency 3-AudioDNA TM DSP Processors 65 Factory,65User Presets

Edirol PC-80 MIDI Keyboard Controller Price: 399.00 Retail Price: 499.00 PC-80 Gigasonic The PC-80 is the easiest and most cost-effective way to put together your home studio or music lab. This 61-note keyboard offers power, flexibility, and a highly-expressive key mechanism. Unlike many compact USB keyboards, the PC-80 is designed to genuinely feel like a musical instrument. Each key is felt-lined and spring-loaded using a recently developed key mechanism that represents Roland’s 30 years of experience in the field. Never before has there been a USB MIDI Keyboard Controller built with the quality and technology of the PC-80. The PC-80 has built-in audio capabilities, and comes complete with a standalone GM2 software synth. This allows the PC-80 to function as a complete synth, all through one USB connection to the computer. Through this one connection, the PC-80 can draw power, send and receive MIDI, and send and receive audio. Features ? 61 full-size, velocity-sensitive keys High-quality keyboard mechanism Split or Layer mode Octave-Shift buttons 12 selectable velocity curves 3-digit, 7-segment LED and rotary encoder Pitch-bender/modulation lever Expression & Sustain pedal ports USB-Bus powered AC adaptor included MIDI out port 24-bit/96kHz audio capability CoreAudio, WDM, ASIO 2.0, and OS-standard driver support Powerful low-latency driver performance Zero-latency Direct Monitoring Audio input (L/R) 2W + 2W built-in stereo amplifier and speaker 2 x 1/4 headphone ports Bass Enhancer Subwoofer output Software Synthesizer button provided Mac OSX and Windows XP/2000 support Up to 18-part multi-instrument playback: 2 parts for playing PC-80 and 16 parts for SMF playback Up to 256-voice polyphony: 128 for playing PC-80, 128 for SMF playback Built-in reverb, chorus/delay, and EQ SMF player/metronome functions"

RME Digi 9636 Audio PCI Card Price: 399.00 Retail Price: 499.00 RMEDIGI9636 Gigasonic Project Hammerfall Lite (DIGI9636) is just another milestone set by RME. No other digital audio interface card has gained so many enthusiastic users in such a short time. If you don't need word clock or third ADAT I/O port, then try the Hammerfall technology for even less money: Hammerfall Lite equals Project Hammerfall, but is sold without Expansion Board. The optional Expansion Board turns the Lite into a fully equipped DIGI9652 at any time. Features 2 x ADAT digital I/O, based on RME's reliable Bitclock PLL 1 x SPDIF digital I/O, based on RME's reliable DIGI96 technology 1 x ADAT Sync In (9-pin D-type) for sample accurate transfers 1 x Breakout cable for coaxial SPDIF operation Zero wait state PCI Busmaster interface with additional burst FIFO (130 MB/s transfer rate in both directions) No drop out problems at high PCI bus load New hardware design: 36 mono channels in block mode, organized in 32 bit ASIO double buffers ASIO poured in hardware! The result in speed and performance is 0 (zero!)% CPU load when using ALL 36 channels! 130 MB/s transfer rate for record and playback results in only 7% PCI bus load when using all 36 channels New Enhanced Zero Latency Monitoring, now operational even with different sample rates at input and output S/MUX poured in hardware: 8 channels 96 kHz/24 bit for record and playback ...and numerous other features found already in the DIGI96 series cards Specifications Supported sample frequencies: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz All settings changeable in realtime, all output options even in playback mode Clock modes slave and master Special sample buffer avoids noise even in asynchronous Full Duplex operation Enhanced Mixed mode: ADAT?input plus SPDIF input plus all outputs simultaneous operational Automatic and intelligent master/slave clock control Unsurpassed Bitclock PLL (audio synchronization) in ADAT?mode 8 buffer sizes/latencies available: 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms, 186 ms Byte swap for Mac included in hardware Enhanced Zero Latency Monitoring: realtime monitoring in all clock modes and even at different sample rates Comes with DIGICheck: the ultimate measurement, analysis and test tool Complete interrupt sharing Input 2 x optical (TOSLINK), 1 x coaxial (Phono), internal (CD-ROM/Sync-In) Input format SPDIF, AES/EBU (Consumer, Professional), ADAT?optical Output 2 x optical (TOSLINK), coaxial (Phono), internal (Sync-Out) Format output SPDIF, AES/EBU (Consumer/Professional), ADAT?optical

M-Audio TAMPA Microphone Preamp Price: 399.00 Retail Price: 499.00 9900-40760-00 Gigasonic TAMPA is a professional microphone/instrument preamp unlike any other. That's because our design team set out to discover just why expensive tube technology sounds so good, and devise a way to land that sound at affordable solid state prices. The result is far beyond tube modeling. It's a whole new technology called Temporal Harmonic Alignment? TAMPA even has a built-in world-class dual optical servo compressor offering low noise and distortion, consistent accuracy and exceptional transparency. You also get a digital output for driving your digital recording gear directly without degradation. Temporal Harmonic Alignment —the secret behind the sound In natural sound sources such as strings, drum heads and vocal chords, harmonics share a characteristic temporal (phase) relationship to the fundamental. Our ears exhibit the same qualities. Solid state electronics induce distortion in the form of additional harmonics that are out of phase with the original source. Tube-based devices strike the ear as having such a “warm?sound because the added harmonics have the same temporal relationship as natural mechanisms (although predominantly in the midrange). This results in a sweet spot that makes vocals, guitars and other midrange-rich content sound especially pleasing. TAMPA's revolutionary new Temporal Harmonic Alignment technology produces that same phase relationship found in both tubes and nature. And unlike tubes, TAMPA's sweet spot spans the full spectrum of your sound. Dual optical servo compressor TAMPA also includes a dual optical servo compressor that is worth the price alone. Three fundamental problems plague engineers in designing compressors—distortion, noise and accuracy. The VCA technology used in inexpensive compressors exhibits less than professional specs on all three counts. Simple optical servo technology is much more quiet and accurate, yet has its own issues with distortion. The dual optical servo technology we use in TAMPA yields low noise, consistent accuracy, low distortion and exceptional transparency—and it comes built-in to a great mic preamp. Features ? professional mic/instrument preamp with Temporal Harmonic Alignment? built-in dual optical servo compressor (servo controlled, peak responding) balanced phantom-powered XLR mic input with variable impedance variable input impedance for optimized performance with vintage mics balanced/unbalanced instrument input 24-bit S/PDIF and AES/EBU digital output for direct digital recording 20dB gain switch with an amazing maximum system gain of 66dB 20dB passive output pad switch low-cut switch to eliminate rumble (-12dB / octave below 80Hz) Class A circuitry throughout

M-Audio Delta 1010 Price: 399.00 Retail Price: 599.00 9900-40750-00 Gigasonic Recognized around the world as the top choice in host-based PCI digital audio solutions, the rack-mount Delta 1010 is designed to handle the needs of the most demanding project and professional studios. Superb engineering and ultra-high quality converters deliver fidelity surpassing systems that cost many times more. Multiple inputs accommodate recording numerous tracks simultaneously, including zero-latency monitoring for seamless overdubs. Multiple outs route individual tracks or soft synth/sampler timbres to a mixing console, or directly drive up to 7.1 surround sound systems. The analog outs also remain live for monitoring while mixing or transferring digital signals via S/PDIF. MIDI I/O rounds out everything you need to take advantage of today's music software. Combine up to four Deltas in your system for a maximum of 32 analog and four stereo S/PDIF inputs and outputs. 36-bit Embedded DSP All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad conrols and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation. Features ? 10 x 10 24-bit/96kHz full-duplex recording interface 8 x 8 analog I/O on balanced/unbalanced 1/4?TRS S/PDIF digital I/O (coaxial) with 2-channel PCM SCMS serial copy management control digital I/O supports surround-encoded AC-3 and DTS pass-through up to 24-bit/96kHz fidelity 1 x 1 MIDI I/O analog outs can directly drive up to 7.1 surround +4dBu/-10dBV operation individually switched on rack-mount unit word clock I/O for sample-accurate device synchronization software-controlled 36-bit internal DSP digital mixing/routing zero-latency monitoring Apple G5 compatible includes Maximum Audio Tools software bundle Specifications ? frequency response:22Hz-22kHz, +0.3/-0.2dB dynamic range:114dB (A-weighted) (A/D and D/A) signal-to-noise ratio:114dB (typical, A-weighted) THD:< 0.002% (A/D), < 0.002% (D/A) size/weight (breakout box):1-3/4?x 19?x 6-1/8? 4.9 lbs. Minimum System Requirements(PC) Windows 98SE / Me / 2000 (SP4) / XP / 2003For 96kHz operation: Pentium III 500mHz w/ 128MB RAM For 48kHz operation: Pentium II 400 w/ 64MB RAM Minimum System Requirements(MAC) G3/G4* 500MHz OS 9.2.2, 128MB RAM; OS X 10.1.5, 10.2.6 or greater, 256MB RAM OMS 2.3.8 for MIDI under OS 9.2.2 * G3/G4 accelerator cards not supported; OS 10.3 required for Dolby Digital and DTS pass-through with Apple DVD Player

M-Audio Studiophile SBX Subwoofer Bass Management Price: 399.00 Retail Price: 499.95 9900-40790-00 Gigasonic While M-Audio's BX8s and BX5s offer as much bass response as you'll find in any monitors of similar size, the addition of an SBX subwoofer puts 120 watts behind those low frequencies that you can really feel. In fact, so many consumers have subwoofers that you're not really mixing accurately without having a sub yourself. M-Audio's unique Stereo Bass Management System splits the signal at the variable crossover frequency, routing everything below to the sub and everything above to the satellites. The SBX is so affordable that it also makes an excellent companion to other monitors-from stereo to full surround setups. About Stereo Bass Management When subwoofers are added to many systems, all frequencies are routed to both the main monitors and the sub. The sub typically has a low-pass filter to roll off the highs (as do the BX8s and BX5s). The problem is that both the main monitors and the sub are still trying to put out the same low frequencies, thereby compromising fidelity. Enter our Stereo Bass Management System. The SBX accommodates the stereo outputs from your mixer, and your main monitors then connect to outputs on the sub as satellites. The SBX's internal crossover network splits the signal at a user-defined crossover frequency (50-180Hz), routing everything below it to the internal sub and everything above it to the satellites. This significantly improves fidelity because the components aren't tripping over each other to reproduce the same frequency-and each only has to deliver frequencies to which it is ideally suited. Features 120 watts 8 low-frequency driver with mineral-filled polypropylene cone, high-temperature tolerant voice coils and damped rubber surrounds custom bass-reflex cabinet design crossover frequency adjustable from 50Hz to 180Hz magnetically shielded to minimize interference controls for level, phase, subwoofer frequency, satellite frequency, satellite high-pass output bypass multi-function protection circuitry Specifications type: bass-reflex powered subwoofer driver: 8-inch low-frequency drivers with mineral-filled polypropylene cones, high-temperature tolerant voice coils and damped rubber surrounds amplifier power: 100W @100Hz, 4 ohm, 0.1% THD dynamic power: 120W crossover frequency: adjustable 50-180Hz inputs: 2 XLR (balanced); two 1/4" TRS (balanced/ unbalanced) outputs: 2 XLR outputs for satellites (balanced); XLR balanced output for additional subwoofer controls: level; phase; subwoofer frequency; satellite frequency switches: auto on/off; satellite high-pass output bypass input sensitivity: 89dB input impedance: 20k ohms balanced, 10K ohms unbalanced protection: over temperature, turn-on/off transient, subsonic filter, external mains fuse, ALC (avoid from hard clipping) signal-to-noise ratio: > 100dB (Typical, A-weighted) frequency response: 30Hz - 180kHz indicator: power on/stand-by/protection power requirements: 115V ~50/60Hz, 230V~50/60Hz or 100V~50/60Hz (factory programmed); powered via detachable 3-circuit line cord cabinet: vinyl-laminated MDF w/ Sub Frequency Port size/weight: 15.6 in. (h) x 10.63 in. (w) x 12 in. (d); 36 lbs. "

Sony ECM-88 Lavaliere Microphone Price: 396.00 Retail Price: 490.00 sony-ecm-88 Gigasonic The ecm-88 is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. this lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. the ecm-88 offers extremely low handling noise with unparalleled high sound quality. the ecm-88 has a sony 4-pin connector (smc9-4p) to connect with wrt-8b or wrt-822b wireless transmitters. a pigtail version (ecm-88pt) is also available, as well as a dc power supply unit (dc-78) containing a xlr 3-pin output connector. Features ? low handling noise moving around while wearing a lavalier mic can often cause lav mic cables to rub against a users clothing. in many existing lavalier mic designs, this (frequently unavoidable) body movement can cause loud undesirable handling noise. the ecm-88 radically reduces this handling noise making it ideal for use in applications where users are moving. flat-and-wide frequency response many lavalier microphones are specifically optimized for speech reproduction and have limited use in other applications. the ecm-88 extends it's frequency response beyond the range of speech reproduction, and can be used for many high quality sound applications requiring a miniature mic that can easily be concealed. Specifications ? capsule type: electret condenser directivity: omni-directional frequency response: 20 hz to 20 khz sensitivity -52 db +/- 2 db (when used in conjunction with the dc-78), 0db = 1 v/pa., at 1 khz output impedance 100 ohms +/- 20% (when used in conjuction with the dc-78) dynamic range : 99 db or more signal-to-noise ratio 68 db or more (a-weighted, 1 khz, 1pa.) inherent noise 26 db spl or less (a-weighted, 1khz, 1 pa.), 0db spl = 20u pa. wind noise 45 db spl or less (when using the supplied windscreen), 0db spl = 20u pa. induction noise from external magnetic field 5 db spl or less (when used in conjunction with the dc-78), 0db spl = 20u pa. maximum input sound pressure level 125 db spl, odb spl = 20u pa. cable length: 8.2 feet output connector ecm-88: smc9-4p, ecm-88pt: no connector (pigtail) power requirements: dc 1.1 to 10.0 v dimensions (mic capsule): 5/32 x 5/32 x 11/16 inch weight ecm-88: 32 grams (including mic cable), ecm-88pt: 20 grams (including mic cable)

Emu 1616 Laptop Audio Interface Price: 389.99 Retail Price: 499.00 EMU1616 Gigasonic E-MU's new 1616 Laptop Digital Audio System brings the same potent DSP effects, zero-latency monitoring and immaculate 24-bit/192kHz A/D and D/A converters of E-MU's best selling PCI Digital Audio Systems to your laptop. The E-MU CardBus card can be used impartial for DSP power and studio-quality headphone amp/line output, or they can be plugged into the MicroDock for a total of 16 inputs and 16 outputs plus 2 sets of MIDI I/O. E-MU's Laptop Digital Audio Systems ship with ASIO2 and stereo WDM drivers for Windows XP and 2000, in addition to the new E-MU Production Tools Software Bundle that includes E-MU's Proteus X LE, plus software by Cakewalk, Steinberg, Ableton, IK Multimedia, and many more -- everything you need to create, record, edit, master and burn your music. Features ? Hardware Features 2 independent stereo 1/8 in. analog outputs Preview cue mix on the headphone output while playing back house mix on the line output High quality headphone amp Analog volume control knob for headphone output Supports true 24 bit, 96 kHz audio High quality digital to analog converters 100 MHz 24 bit Motorola DSP Powered by your notebook computer Includes 6 foot adapter cable for RCA and 1/4 in. connections Type II Cardbus slot required Software Features Software console for metering and setting levels Supports Windows Me/2000/XP and Macintosh OS X Supports pro audio and DJ software (WDM Kernel Streaming, ASIO, GSIF, and CoreAudio) 8 "Virtual Outputs" - run multiple applications at the same time Low-latency drivers Specifications ? General Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192kHz from internal crystal or externally supplied clock (no sample rate conversion) Bit Depths: 24 bit I/O, 32 bit processing CardBus Card Specification: Form factor: PCMCIA Type II Bus-Mastering DMA subsystem reduces CPU usage E-MU E-DSP 32-bit DSP with 67-bit accumulator (double precision w/ 3 headroom bits) Hardware-accelerated, 32 channel mixing, and multi-effects processing Zero-latency direct hardware monitoring w/effects ASIO 2.0, Stereo WDM/MME/DirectSound Drivers EDI (E-MU Digital Interface) proprietary 64 channel audio link over CAT-5 cable Anti-Pop speaker protection minimizes noise during power on/off Ultra-low jitter clock subsystem: < 1ns in PLL mode (44.1kHz, Opt. S/PDIF Sync) Combo Microphone Preamplifier/Hi-Z/Line Inputs (2) Type: E-MU XTC combo mic preamp and Hi-Z/line input w/ Soft Limiter Gain Range: +60dB Frequency Response (min gain, 20Hz-20kHz): +0.0/-0.1dB Stereo Crosstalk (1kHz min gain, -1dBFS): < -115dB Hi-Z Line Input: Input Impedance: 1Mohm Max Level: +18dBV (20.2dBu) Dynamic Range (A-weighted, 1kHz, min gain): 112.5dB Signal-to-Noise Ratio (A-weighted, min gain): 112dB THD+N (1kHz at -1dBFS, min gain): -102dB (.0008%) Microphone Preamplifier: Input Impedance: 1.5Kohms Max Level: +6dBV (+8.2dBu) EIN (20Hz-20kHz, 150ohm, unweighted): -127dBu Signal-to-Noise Ratio (A-weighted, min gain): 112.5dB THD+N (1kHz at -1dBFS, min gain): -103dB (.0007%) Phantom Power: 48V Soft Limiter: 5dB max compression (software selectable) Analog Line Inputs (4) Type: servo-balanced, DC-coupled, low-noise input circuitry A/D Converter: PCM1804 Level (Software Selectable): Professional: +4dBu nominal, 20dBu max (balanced) Consumer: -10dBV nominal, 6dBV max (unbalanced) Frequency Response (20Hz-20kHz): +0.0/-.03dB Dynamic Range (1kHz, A-weighted): 112dB Signal-to-Noise Ratio (A-weighted): 112dB THD+N (1kHz at -1dBFS): -102.5dB (.0007%) Stereo Crosstalk (1kHz at -1dBFS): < -120dB Analog Line Outputs (6) Type: balanced, AC-coupled, 2-pole low-pass differential filter D/A converter: CS4392 Level (software selectable): Professional: +4dBu nominal, 20dBu max (balanced) Consumer: -10dBV nominal, 6dBV max (unbalanced) Frequency Response (20Hz - 20kHz): 0.0/-.06dB Dynamic Range (1kHz, A-weighted): 112.5dB Signal-to-Noise Ratio (A-weighted): 112.5dB THD+N (1kHz at -1dBFS): -98dB (.0012%) Stereo Crosstalk (1kHz at -1dBFS): < -115dB Headphone Amplifier (2 Stereo: MicroDock and Card) Type: linear power amplifier D/A converter: CS4392 (dock), AK4396 (card) Gain Range: 85dB Maximum Output Power: 50mW (dock), 20mW (card) Output impedance: 22ohms Frequency Response (20Hz-20kHz): +0.0/-0.07dB Dynamic Range (A-weighted): 112dB (dock), 115dB (card) Signal-to-Noise Ratio (A-weighted): 112dB (dock), 115dB (card) THD+N (1kHz, max gain): 600ohm load: -92dB (dock), -96dB (card) Stereo Crosstalk (1kHz at -1dBFS, 600 ohm load): < -100dB Phono Input (Stereo) Type: RIAA equalized phono input Maximum Level: Professional: 60mV RMS Consumer: 15mV RMS Input Impedance: 47Kohm Frequency Response (20Hz - 20kHz): +0.1/-0.3dB Signal-to-Noise Ratio (15mV RMS unbal input, A-weighted): 96dB THD+N (1kHz, 15mV RMS input): -88dB (.004%) Stereo Crosstalk (1kHz at -1dBFS): < -80dB Digital I/O S/PDIF: 2 in/2 out coaxial (transformer coupled) 2 in/2 out optical (software switched with ADAT) AES/EBU or S/PDIF format (software selectable) ADAT: 8 channels, 24-bit @ 44.1/48kHz 4 channels, 24-bit @ 88.2/96kHz (S-MUX compatible) 2 channels, 24-bit @ 176.4/192kHz MIDI: 2 in, 2 out Synchronization Internal crystal sync at 44.1, 48, 88.2, 96, 176.4, 192kHz External sample rate sync via ADAT (44.1 - 192kHz) Optical S/PDIF (44.1 - 96kHz) Coaxial S/PDIF (44.1 - 192kHz) Retail Box Contents E-MU 02 CardBus Card E-MU MicroDock EDI (E-MU Digital Interface) cable (1 meter) Universal power adapter MIDI breakout cable CardBus Card carrying case Quick Start installation guide E-MU Digital Audio Systems CD-ROM Windows 2000 and XP Drivers E-MU PatchMix DSP E-MU Power FX E-MU E-DSP Effects Library Owner's Manual and Tutorials E-MU Production Tools Software Bundle CD-ROM Cakewalk SONAR LE Steinberg Cubase LE Ableton Live Lite 4 for E-MU Steinberg Wavelab Lite IK Multimedia AmpliTube LE IK Multimedia T-RackS EQ Minnetonka diskWelder BRONZE SFX Machine LT E-MU Proteus X LE (over 1000 sounds included) Minimum System Requirements Intel or AMD processor - 1 GHz or faster Intel, AMD or 100% compatible motherboard & chipset Microsoft Windows XP (SP 2) or 2000 (SP4) 256MB System RAM 900MB of free hard disk space for full installation Available Type II CardBus slot (PCMCIA slot)* CD-ROM/CD-RW or DVD-ROM drive required for software installation XVGA Video (1024 X 768) *Simultaneous input/output channel count may vary depending on the PCMCIA controller in your system. Compatible Laptop Systems *Laptop IBM ThinkPad T40 (X5650) Compaq Presario 2100 (X5628) Dell Inspiron 600m (C13102) Laptop HP Pavilion zv5000 1.5 Ghz IBM Thinkpad T23 1.2 Ghz IBM Thinkpad A22P Pentium III 933MHz Laptop Dell Latitude (X5502) Laptop Sony Viao PCG-V505EX NEC VERSA LXI (X5138) Laptop HP pavilion N5310 Intel Celeron 750MHz (X5140 Toshiba A75 (X5953) P4 2.8 GHz Laptop PCMCIA Controller Texas Instruments CardBus RACEway O2 Micro OZ 6912/711E0 O2 Micro 0Z711ECI Smart Card Bus TI PCI-1520 TI PCI-1420 TI PCI-1450 TI PCI-1420 Ricoh R/RL/RT/RC/5C475(II), R5C520 TI PCI-1450 TI PCI-1420 ENE Technology CD-1410 *All tests were performed on Windows XP (Service Pack 2) or Windows 2000 (Service Pack 4) Known Incompatibilities There have been reported compatibility problems with E-MU 1616/1616M and the PCMCIA controllers listed below. E-MU is currently working with the respective PCMCIA controller chipset manufacturers to develop solutions that would improve the performance of Laptop systems with these chipsets. ENE Tech CB1411 Ricoh R5C476(II) Ricoh R5C475(II)

Emu 1820 Audio System with 2 Preamps Price: 389.00 Retail Price: 499.00 EMU1820 Gigasonic The E-MU 1820 Digital Audio Systems comes with 24-bit/192kHz converters, hardware-accelerated effects and mixing, comprehensive sync options and seamless compatibility with your favorite PC audio/sequencer software. The E-MU 1820 delivers everything you need to produce audio on a PC with professional results. E-MU has teamed up with the Creative Advanced Technology Center, a world leader in ASIC and algorithm development for PC audio, to create the new line of Creative Professional hardware interfaces that stand toe-to-toe with the most advanced and expensive audio systems in the world. The 1820 offers musicians a comprehensive array of I/O options to cover every recording application at an unbeatable price. The Creative Professional E-MU 1820 features ADAT, S/PDIF and FireWire interfaces, 20 outputs, 32 channels of MIDI I/O, plus a FireWire?port for seamless integration with your entire studio. A 32-bit multi-effects processor offers you over 16 hardware-accelerated, studio-grade effects with no CPU overhead. Plug-in architecture allows you to add new effects as needed. 2 premium TFPro?mic preamps have 2 mic/line/Hi-Z inputs with 40dB of gain/attenuation and 48V phantom power. Whether you are recording full-blown productions or running virtual instruments on a dedicated computer, E-MU's Digital Audio Systems deliver everything needed to create professional-quality music on your PC at a price that will change your expectations of desktop recording forever. Features Pristine 24-bit, 192kHz converters and flexible connectivity with 18 audio inputs, 20 outputs, 32 channels of MIDI I/O, plus a FireWire?port for seamless integration with your entire studio Two premium TFPro?mic preamps with Mic/Line/Hi-Z inputs with 40db of gain/attenuation and 48V phantom power - plug guitars, keyboards E-DSP 32-bit Multi-effects Processor offers you over 16 simultaneous hardware-accelerated studio-grade effects with no CPU overhead - plug-in architecture allows you to add new effects as needed 32 Channels of zero latency Hardware Mixing/ Monitoring with super-flexible virtual patchbay - no external mixer needed Full compatibility with most popular audio/sequencer applications with ultra-low latency WDM, DirectSound?and ASIO 2.0 Drivers Powerful software studio package I/O Configuration Two TFPro Mic/Line/Hi-Z preamps (w/48V phantom power) Six 1/4 in. Balanced Inputs Eight 1/4 in. Balanced Outputs Turntable input (w/ground lug and hardware RIAA preamp) 24-bit/192kHz ADAT In/Out (switchable to S/PDIF) 24-bit/96kHz coaxial S/PDIF In/Out (switchable to AES/EBU) 24-bit/96kHz optical S/PDIF Out (switchable to AES/EBU) Two sets of MIDI In/Out Four stereo 1/8 in. Speaker Outputs (configurable from stereo to 7.1) Stereo Headphone Output Firewire®Interface E-MU's Digital Audio Systems feature the powerful E-DSP chipset, which features a hardware-accelerated effects processor with over 20 effects plug-ins (over 500 presets). This effects architecture is fully expandable, allowing you to add more effect plug-ins to your system as needed. E-DSP also provides zero-latency, hardware-based mixing and monitoring via the included PatchMix DSP mixer, delivering unmatched flexibility in routing audio between all of your physical and virtual (ASIO/WDM) inputs and outputs- no external mixer needed. Specifications General Sample Rates: 44.1, 48, 96, 192kHz from internal crystal or externally supplied clock (no sample rate conversion) Bit Depth: 16 or 24 bits PCI Bus-Mastering DMA subsystem reduces CPU usage Zero-latency direct hardware monitoring w/effects Analog Line Inputs (6) Type: Servo-balanced, DC-coupled, low-noise input circuitry Level (software selectable): -Professional: +4dBu nominal, 20dBu maximum (balanced) -Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: +0.0/-0.2dB, 20Hz - 20kHz THD+N (1kHz at -1dBFS): -102dB (.0008%) SNR (A-weighted): 111dB Dynamic Range (1kHz, A-weighted): 112dB Stereo Crosstalk (1kHz at -1dBFS): < -115dB Common-Mode Rejection (60Hz): > 40dB Analog Line Outputs (8) Type: Balanced, low-noise, 3-pole low-pass differential filter Level (software selectable): -Professional: +4dBu nominal, 20dBu maximum (balanced) -Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: +0.0/-0.8dB, 20Hz - 20kHz THD+N (1kHz signal at -1dBFS): -98dB (.0013%) SNR (A-weighted): 112dB Dynamic Range (1kHz, A-weighted): 112dB Stereo Crosstalk (1kHz at -1dBFS): < -115dB Combo Microphone Preamplifier/Line Inputs (2) Type: TFPro? combination microphone preamp and line input Frequency Response: +0.8/-0.1dB, 20Hz - 20kHz Stereo Crosstalk (1kHz min gain, -1dBFS): < -120dB Line Input: -Gain Range: -12 to +28dB -Max Level: +17dBV (19.2dBu) -THD+N (1kHz at -1dBFS, min gain): -94dB (.002%) -Dynamic Range (A-weighted, 1kHz min gain): 100dB -SNR (A-weighted, min gain): 100dB -Input Impedance: 10K ohm -Common-mode Rejection Ratio (60Hz): > 40dB Microphone Preamplifier: -Gain Range: +10 to +50dB -Max Level: -12dBV (-9.8dBu) -THD+N (1kHz at -1dBFS, min gain): -95dB (.0018%) -SNR (A-weighted, min gain): 100dB -Input Impedance: 330 ohms -Common-mode Rejection Ratio (60Hz): > 80dB Headphones (stereo) Type: Linear power amplifier Frequency Response: +0.0/-0.35dB, 20Hz - 20kHz THD+N (1kHz, max gain): -33 ohm load: -70dB (0.032%) -600 ohm load: -85dB (0.006%) SNR (A-weighted): 112dB Dynamic Range (A-weighted): 112dB Stereo Crosstalk (1kHz at -1dBFS, 600 ohm load):< -100dB Maximum Output Power: 500mW Output Impedance: 22 ohms Gain Range: 85dB Phono Input (stereo) Type: RIAA equalized phono input Frequency Response: +/-0.5dB, 50Hz - 20kHz THD+N (1kHz, 10mV RMS unbal input): -76dB (.015%) SNR (10mV RMS unbal input, A-weighted): 90dB Stereo Crosstalk (1kHz at -1dBFS): < -80dB Maximum Level: -Professional: 80mV RMS -Consumer: 20mV RMS Input Capacitance: 220 pF Input Impedance: 47K ohm Digital I/O S/PDIF: -2 in/2 out coaxial (transformer coupled) -2 in/3 out optical (software switched with ADAT) -AES/EBU or S/PDIF format, switchable under software control ADAT: -8 channels, 24-bit @ 44.1/48kHz -4 channels, 24-bit @ 96kHz (S-MUX compatible) -2 channels, 24-bit @ 192kHz Firewire: -400 Mbps 1394a port (6-pin) -Compatible with DV cameras, storage peripherals, etc. MIDI: 2 in, 2 out Synchronization Internal Crystal Sync at 44.1, 48, 96, 192kHz External Sample Rate Sync: -ADAT -S/PDIF (opt. or coax) -Word clock (75 ohm termination, switchable) Minimum System Requirements Genuine Intel?Pentium?III or AMD?K6?class processor or higher operating at 500MHz or faster Intel? AMD?or 100% compatible motherboard & chipset 128MB System RAM 500MB of free hard disk space for full installation Windows?2000 SP 4, Windows?XP SP 1 or greater PCI 2.1 compliant slot for E-MU?1010 PCI card Adjacent PCI slot for Sync daughter card CD-ROM or DVD-ROM drive required for software installation XVGA Video (1024 X 768)

Sony ECM-77B Lavaliere Microphone Price: 385.00 Retail Price: 450.00 sony-ecm-77b Gigasonic The Sony ECM-77B is a miniature omni-directional lavalier microphone designed for professional broadcast, sound reinforcement and recording applications. The condenser element features a miniature profile allowing it to be easily concealed in performance and broadcast situations. The omni-directional pattern provides even frequency and sensitivity response at the direct and off-axis sections of the microphone capsule. The ECM-77 provides a wide frequency response of 40Hz - 20kHz. The wide frequency response enables the microphone to accurately reproduce audio signal from a wide variety of sources. The ECM-77B is powered with an external 48 Volt phantom power source or AA alkaline battery. The ECM-77B is manufactured with a variety of connectors to accommodate various input devices, this version features a standard 3-pin XLR male connection. Features ? Omni-directional Pattern The omni-directional pattern provides even sensitivity and frequency response at the direct and off-axis sections of the microphone capsule. Dual Power The ECM-77B is powered with a single AA alkaline battery or external 48 volt phantom power source. Miniature Profile The miniature, unobtrusive profile enables the microphone to be easily concealed in broadcast and performance situations. Standard XLR Connection The ECM series is available in a variety of connections, this version features a standard 3-pin XLR male connection. Specifications ? Frequency Response: 40 Hz - 20 kHz Dynamic Range (Typical): > 90 dB Signal-to-Noise Ratio: 64 dB, (@ 1 kHz) Maximum Input Sound Level: 120 dB, (@ 1 kHz, 1% THD) Power Requirements: 'AA' Battery (1.5v DC), or Phantom Power 48v DC Output Impedance: 150 Ohms, (+/-20%, 1 kHz Balanced) Output Connectors: XLR-3M Type Pad: None Low Frequency Roll-Off: None Applications: Radio, Television and Broadcast. Dimensions Microphone: .5 x .25" (12.5 x 5.6mm) LxDiameter Power supply: 5.25 x .82 (131.5 x 20mm) LxW Cable: 10' x .09" (3m x 2.3mm) LxW Weight Microphone: 0.053 oz. (1.5 g) Power Supply: 4.2 oz. (120 g)

Steinberg Cubase SX 3 Trade-in Price: 379.99 Retail Price: 549.00 STECSX3CUG2 Gigasonic Cubase SX3 takes music production to a new level by adding more than 70 new features including powerful Audio Warp Realtime Timestretching, an intuitive Play Order Track, convenient Inplace Editing and many new editing functions. For the first time, a native music production system combines full-featured audio and MIDI recording and editing, virtual instruments and powerful audio mixing with the added flexibility of loop- and pattern-based arranging and mixing. Cubase SX3 supports Windows XP and Mac OSX and works with a multitude of audio interfaces. Add to that the seamless integration of external audio and MIDI hardware, and Cubase SX3 redefines music production technology. Features Audio Warp: Realtime Time Stretching and Pitch Shifting offer extensive new audio editing and processing capabilities, including ACID File support: loops automatically adopt a project's tempo; audio files can follow tempo changes in realtime. Intuitive Play Order Track for pattern-based arranging adds a new level of creative music editing. Divide your song into sections, and then re-arrange it on the fly. Compare alternative versions of your song and then convert them back into a linear form for mixdown and mastering. New Inplace Editor supports ultra-fast direct MIDI event editing from within the project page. Edit MIDI events in context with audio or video. New MIDI Device Maps / Panels support direct access to external MIDI hardware with user-definable graphic editing panels. Import VST Mixer Maps or create your own editing panels, even for the Track Inspector or the mixer's channel strip. User-definable Workspaces (window layouts) help organizing your desktop. Create and save a separate workspace for each step of the production process. Switch Workspaces on the fly, as if working on multiple computers or monitors. Studio Connections Total Recall" support (optional integration of Yamaha's Studio Manager 2). The first step into a new dimension of software/hardware integration. This modular editing system builds a powerful bridge between the virtual and physical studio. Opening a project can recall an entire studio setup within seconds. External FX Plugins allow for direct integration of external hardware effects processors into the VST audio mixer. Use your favorite outboard gear just like plugins - including automatic delay compensation. Extended Freeze function for virtual instruments and audio tracks with added flexibility and improved performance. Freeze virtual instruments with or without insert effects. Then automatically unload the instrument to free up RAM. Freeze audio tracks with insert effects to free up even more CPU performance. New part-based Volume Envelopes for direct control of dynamics. Fix level problems on the fly without wasting automation tracks. Then move events with their volume envelopes. User-definable Color Coding for tracks and VST mixer channels provides more clarity and better orientation - especially in complex projects."

Steinberg Cubase SX 3.0 Academic Version 2.0 Price: 379.00 Retail Price: 549.00 CUBSX3EE Gigasonic Cubase SX3 takes music production to a new level by adding more than 70 new features including powerful Audio Warp Real-time Timestretching, an intuitive Play Order Track, convenient Inplace Editing and many new editing functions. Add to that the flawless amalgamation of external audio and MIDI hardware, and Cubase SX3 redefines music production technology. Cubase SX3 takes music production to a new level by adding more than 70 new features including powerful Audio Warp Real-time Timestretching, an intuitive Play Order Track, convenient Inplace Editing and many new editing functions. For the first time, a native music production system combines full-featured audio and MIDI recording and editing, virtual instruments and powerful audio mixing with the added flexibility of loop- and pattern-based arranging and mixing. Cubase SX3 supports Windows XP and Mac OSX and works with a multitude of audio interfaces. Features Audio Warp - A new real-time Timestretching algorithm has been implemented to offer real-time tempo and pitch editing. Play Order Track - The new intuitive Play Order Track allows pattern-based arranging within the Cubase SX3 environment for a new level of creative music making. Inplace MIDI Editing - MIDI events can now be edited directly from within the project window. This allows for ultra-fast direct MIDI event editing in context with audio or video. A huge time-saver! MIDI Device Maps - Editing external MIDI devices is now an integrated part of Cubase. External MIDI device editing panels can be created or imported from VST Mixer Maps. This allows for real-time control, automation and snapshot automation. User-Definable Workspaces - User-definable Workspaces (window layouts) help organise your desktop. Create and save a separate workspace for each step of the production process and then switch Workspaces on the fly, as if working on multiple computers or monitors. Volume Envelopes - An new additional way of controlling the dynamics of a part. The pen tool can be used to draw volume curves directly on parts. These curves will be locked to the part and move with the part. This is great for fixing level problems within a part without using track automation. External Effects Plugins - Instead of having to use outboard mixers, Cubase SX3 users can run their audio tracks and virtual instruments though external signal processors using the VST mixer. Hardware effects can be used like plugins. Specifications PC - Required: Pentium / Athlon 800 MHz 384 MB RAM Windows XP Home and XP Professional Display Resolution 1024 x 768 pixels Windows MME compatible audio hardware DVD-ROM drive USB component port for copy protection key PC - Recommended: Pentium / Athlon 2.8 GHz or faster 512 MB RAM Display Resolution 1152 x 864 pixels, dual monitor setup ASIO compatible audio hardware recommended Macintosh - Required: Power Mac G4 867 MHz 384 MB RAM OS X Version 10.3.3 or higher Display Resolution 1024 x 768 pixels CoreAudio compatible audio hardware DVD-ROM drive USB component port for copy protection key Macintosh - Recommended: Power Mac G5 Dual 1.8 GHz or faster 512 MB RAM Display Resolution 1152 x 864 pixels, dual monitor setup

Alesis RA500 Reference Power Amplifier Price: 379.00 Retail Price: 459.00 ALESRA500 Gigasonic With rugged construction, striking good looks and a long list of features, these new wide bandwidth, low distortion amps are at home in project and commercial recording studios, broadcast and post-production control rooms. Designed for studio, as well as PA use, each RA series amp incorporates advanced convection cooling for heat dissipation. Inputs are on RCA and 1/4" TRS and XLR connectors; outputs are on heavy-duty dual binding posts. The Alesis RA500 is rated at 250W/channel at 4 ohms (150W at 8 ohms) and may be mono bridged for 500W (8 ohms). Three Powerful New Additions to Alesis' Already Popular RA Series Alesis' RA100 power amplifier has long been a favorite choice of musicians, hobbyists and professionals alike. Now Alesis extends the RA's range throughout the recording and production spectrum with a bold new series of affordable amps in three distinct power ratings. With their rugged construction, striking good looks- among the first examples of Alesis' groundbreaking new approach to industrial design - and a long list of features, the new RA series will quickly find a home in project and commercial recording studios, broadcast an post-production control rooms around the world. Popular Prices, Powerful Performance Even with the increasing use of powered speakers, many popular speakers and headphones still require external amplification. These new amps are designed to provide more power and better performance at a lower overall cost per watt than even our own RA100 - as well as any other competing models. As a result, they can more closely match the power needs of virtually any passive speaker or studio monitor, offering a significantly better fit for an exceptionally wide range of budgets, applications, and customers. And providing a crisp, clean signal for outstanding performance and extended speaker life. Cool, Quiet Operation Designed for studio use, each RA Series amp incorporates advanced convection cooling for heat dissipation. The result is long, stable operation unaffected by heat-related complications, without the added distraction and annoyance of fan cooling. And eliminating the danger of losing hard-to-hear details due to noisy amp performance. The New Leaders in Affordable Studio Amplification Three new RA Series amps - RA150, RA300, and RA500 - providing a bold and powerful answer to the question, "What's next from Alesis?" Combined with our popular RA100, they offer a wide range of high-quality, popularly priced solutions for virtually any - and every - situation. Features ? Height: 3 RU Rated output: 4 ohms: 250 watts RMS per channel 8 ohms: 150 watts RMS per channel 8 ohms: 500 watts RMS, bridged mode Signal to Noise Ratio: >105dB Frequency Response: 10Hz - 70kHz +0, -3dB Distortion: < 0.02% @ 4ohms, 20Hz - 20kHz Input Sensitivity: +4dB for rated output Crosstalk: -85dB, 1kHz Output offset: +/- 50 mV, Servo controlled Inputs : 1/4" TRS and RCA Outputs : 1/4" and push clip

Sony PCR3INFG2 Oxford Plug-In Price: 370.00 Retail Price: 395.00 sony-pcr3infg2 Gigasonic Sony's Oxford inflator Plug-In software provides users with an increase in apparent loudness for almost any recording without significant loss of quality or audible reduction of dynamic range. The Inflator plug-in is TC Works PowerCore software compatible. The new software plug-in also avoids damaging increases in peak signal levels and can bring power, presence and warmth to recorded material with a subtlety and musical character reminiscent of tube systems. Features ? Increases the loudness of almost any programme material. Creates warmth, character and dynamic excitement, similar to that of analogue systems. Provides virtual headroom above digital maximum to allow percussive peaks to pass without causing signal overload. Creates artistic effects ranging from subtle tube-like harmonic characteristics for warmth, presence and 'in your face' fatness, to outright saturation distortion modelling. Features two modes of operation - direct and band split - for maximum flexibility and artistic creativity. These two modes also ensure optimal DSP usage. Digidesign ProTools HD, Mix compatible (RTAS version also included) TC Works PowerCore compatible. Specifications ? Approved TC Works CPU and hardware configuration OSX 10.2 or higher (Macintosh version) Windows XP (Windows version) 800x600 minimum display A VST or AudioUnit compliant host application (e.g. Cubase / Logic / Nuendo / Spark / Digital Performer 4.1) One or more TC Works PowerCore devices (PCI or FireWire) with driver version 1.7 or higher

Steinberg Nuendo Surround Edition Plug-Ins Price: 369.99 Retail Price: 499.99 50202890 Gigasonic The Steinberg Surround Edition is a collection of 6 surround real-time effect plug-ins designed for daily use in media production work. Offering up to eight channels of compression, equalization, loudness maximization, reverberation, and LFE management, the Steinberg Surround Edition is the perfect choice for anyone with multi-channel mixing needs. Because the requirements of a surround environment differ quite significantly from the classic two channel world, Steinberg Spectral Design has developed this collection specifically as a tool for the specialist fields of film, theater, DVD and modern music production. The Steinberg Surround Edition has everything you have always wanted to see in a surround tool collection, offering unprecedented sound quality and unparalleled flexibility. Features OctoComp - 8-channel single band compressor OctoQ - High quality 7-band surround equalizer OctoMaxx - Loudness Maximizer for surround OctoVerb - Flexible 8-channel room simulation LFE Splitter/Combiner - Specialized Low Frequency Effect tools Link function of up to 8 channels Automation of all available parameters Specifications Steinberg Surround Edition PC Version Requirements Processor Pentium Athlon 800 MHz (1.4 GHz or more recommended) RAM At least 64 MB of free RAM Operating System Windows XP or Windows 2000 Sound Card Configured to the requirements of the host application Host Application 6-channel-capable VST host application Other USB port. Steinberg Surround Edition Mac Version Requirements Processor Power Macintosh G4, 867 MHz (Dual 1 GHz or faster recommended) RAM At least 64 MB of free RAM Operating System Mac OS X (version 10.2.5 or higher) Sound Card Configured to the requirements of the host application Host Application 6-channel-capable VST host application Other USB port.

Sony ECM-66B Lavaliere Microphone Price: 369.95 Retail Price: 450.00 sony-ecm-66b Gigasonic The design of the ECM-66B yields clean, natural reproduction of musical instruments while maintaining excellent isolation from the acoustic environment. Unlike most miniature microphones, this mic has a uni-directional polar pattern, carefully contoured for better control of feedback. The higher voltage supplied to the microphone by the built in DC to DC converter increases the maximum input sound pressure level to an amazing 130 dB SPL. This special construction also complements the electret condenser design, resulting in excellent transient response and thus better tonal quality. For added versatility, the ECM-66B can be powered by a single AA battery or external 48 VDC. The battery on/off switch on the power supply helps save the battery. An LED illuminates to show battery condition when power is turned on. A uni-directional miniature microphone developed specifically for recording musical instruments and voice when superb rejection of the ambient sound is desirable, the ECM-66B will make a welcome addition to your microphone arsenal. Features ? 2-way powering-AA-size battery or external power supply 130 dB SPL maximum input sound pressure level Designed for instrumental applications Black Finish Complete with in-line battery unit for 2-way powering Specifications ? Frequency Response: 70 Hz - 14 kHz Dynamic Range (Typical): > 101 dB Signal-to-Noise Ratio: 65 dB, (@ 1 kHz) Maximum Input Sound Level: 130 dB Power Requirements: 'AA' Battery (1.5v DC), or Phantom Output Impedance: 100 Ohms (1 kHz) Output Connectors: XLR-3M Type Pad: None Low Frequency Roll-Off: None Applications: Designed for Instrumental Applications Dimensions Microphone: .97 x .44" (24.2 x 10.6mm) LxDiameter Power Supply: 5.25 x .81 (131.5 x 20mm) LxW Cable: 10' x .09" (3m x 2.3mm) LxW Weight Microphone: .25 oz. (7 g) Power Supply: 4.2 oz. (120 g)

Sony PTLDYNG2 Oxford Plug-In Price: 359.99 Retail Price: 450.00 sony-ptldyng2 Gigasonic The Oxford Dynamics plug-in for Pro Tools LE systems is modeled on the unit used in the Sony OXF-R3 professional mixing console. Resulting from many years of research into professional dynamics applications, it offers separate compress, limit, expand, gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques ensures excellent sonic characteristics and dynamic accuracy. Dynamic signal level control has grown in complexity and popularity over the years and is now an essential part of the sound production process. By providing an unusually wide range of control along with multiple timing laws and operational subtlety, the Oxford Dynamics section can achieve impeccable results in the widest range of uses. These include sensitive, almost imperceptible dynamic compression on vocals and program, to instrument harmonic enhancement and dramatic artistic sound effect. The LE version includes RTAS and Audiosuite formats of the plug-in. Features Channel dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander Channel dynamics with fully featured 2 band side chain EQ with audition function Selectable linear and exponential time constant curves Accurate logarithmic side-chain processing Fully variable soft ratio function for program tolerance and highly musical compression Variable harmonic enhancement for extra loudness, presence and "punch" Extremely low signal path insertion noise and distortion, below -130dBr

Sony PTLREQG2 Oxford Plug-In Price: 359.99 Retail Price: 450.00 sony-ptlreqg2 Gigasonic The PTL-REQG2 Oxford EQ plug-in is based upon the OXF-R3 EQ section and provides a truly professional EQ processor for the Pro Tools™ LE user. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles, which are renowned for their artistic capability. Features ? The acclaimed EQ from the Sony OXF-R3 console 5 Band parametric EQ with HF and LF selectable to shelf Separate HF and LF filters with variable slope 4 selectable EQ types (gain/Q dependency) Fully de-cramped HF response Control coefficients calculated on the fly Extremely low noise and distortion Specifications ? LF filter section Gain: 6dB/Oct steps, Frequency: 20Hz-500Hz, Q/Slope: 0-36dB/Oct LF peak/shelf section Gain: +/-20dB, Frequency: 20Hz-400Hz, Q/Slope: 0.5-16, Overshoot: 0-50% (Q adjust in shelf) LMF section Gain: +/-20dB, Frequency: 30Hz-600Hz, Q/Slope: 0.5-16 MF section Gain: +/-20dB, Frequency: 100Hz-6kHz, Q/Slope: 0.5-16 HMF section Gain: +/-20dB, Frequency: 900Hz-18kHz, Q/Slope: 0.5-16 HF peak/shelf section Gain: +/-20dB, Frequency: 2kHz-20kHz; Q/Slope: 0.5dB-16; Overshoot: 0-50% (Q adjust in shelf) HF filter section 6dB/Oct steps, Frequency: 1kHz-20kHz, Q/Slope: 0-36dB/Oct Total dynamic range Greater than 138dB (RMS unweighted) for any single section, including filters. Noise specifications apply to measurement bandwidth of 20Hz-20kHz and excludes noise produced by the EQ applying gain to a 24bit dithered but silent input, or cascaded EQ applying gain to previous sections. Harmonic distortion Undetecable using FFT analysis down to -160dBr Control induced noise Less than -95dBr (peak) during adjustment of any single control

Line 6 Bass PODxt Live Bass Amp Price: 359.99 Retail Price: 599.00 LINEBPODXLIVE Gigasonic The new Bass POD XT Live is the ultimate new bass floorboard edition of the PODxt amp and cabinet emulator. The Line 6 Bass POD XT ?comes with over 50 stompbox, and studio effects, synth, 28 bass amp models, plus 22 cab and 4 mic models. The Bass POD XT Live?is ready to take years of real world gig abuse, because of its rugged steel construction. You will agree that Bass POD XT Live is the most wonderful thing to happen to the eletric bass since, well, since the bass amplifier itself. Whether you use it as the ultimate multi-effect pedal, a practice partner, a direct recording miracle, a powerhouse preamp, or a creative digital signal processing tool. By utilizing the Line 6 Point-to-Point Interactive modeling technology (as featured in other POD XT ?products and Vetta?II series guitar amps), give you the wonderfully portable and easy to use POD?which has been the bass recording world standard for years, and smacks it all down on the floor for rugged professional use. With 64 user/factory presets, many based on some of the most popular songs ever recorded, you'll have instant access to an unbelievable collection of classic bass rigs. Imagine the sonic possibilities of having all the coolest amps, cabs, mics, stompboxes, and studio effects all tweaked, wired-up, and ready to go. Stombox & Studio Effects What bassist doesn't like effects? Bass PODXT Live's got a bunch of great Stomp, Mod and Delay/Verb effects sounds adapted from Line 6's DM4 Distortion Modeler, MM4 Modulation Modeler, and DL4 Delay Modeler pedals. And, there are some brand spankin' new models that come straight from our flagship combo, Vetta II. But what fun are a bunch of effects if you can't wire them up in bizarre and unusual ways? Fortunately, with Bass PODXT Live, you can. Its flexible routing lets you mix and match up to 6 marvelous effects simultaneously. When using an amp model, you can even choose to put some PRE, and some POST. Who says you can get too much of a good thing? Chromatic Tuner and Tap Tempo Effects Tap (Hold/Tuner) - Bass PODXT Live lets you control the time and speed of your effects by simply tapping on this button. To use the TAP control, just tap the button at the tempo you want and the effects will change to match what you tapped. But wait, that's not all. Hold the footswitch for about 2 seconds and?bling, bling: instant digital chromatic tuner! Play a note and Bass PODXT Live will show you what it is - and whether it's in tune - on that handy display. Amplifier Models Bass POD XT Live?has an incredible collection of amp and cab models that have been used on countless hit recordings. Based on the most prized amplifiers in the history of bass, Bass POD XT Live features 28 amp models and 22 cab models that will take you everywhere from classic and boutique, to modern and beyond. Bass POD XT Live also has our A.I.R. II cabinet/microphone modeling, which allows you to choose from 4 mic models, along with the ability to adjust the amount of room you hear. Bass POD XT Live's ability to mix and match speaker cabinets and mics will help you find exactly the vibe that you're looking for. Ins And Outs Bass POD XT Live?has a simple, gig-ready setup that's adaptable to all your different stage and studio needs. Whether you're running it as a multi-effect pedal in front of a bass amp (or into its FX loop), or straight to the house PA, Bass POD XT Live is the best way to take total control of your sound at the gig. USB Bass POD XT Live's USB jack lets you connect to most computers and record Bass POD XT Live directly to a wide variety of popular digital recording software packages. We've even included a USB cable to get you started. You can get the required driver software ?and easily get it installed along with any other Bass POD XT Live -related computer stuff ?by using the free Line 6 Monkey software, which you can download at the Line 6 website. Variax Digital Input Connect a Line 6 Variax ?Bass here, and experience a whole new world of possibility and sound-control power. In addition to a direct digital audio connection between the bass and Bass POD XT Live, you can have the Variax change sounds each time you choose a new Channel Memory from Bass POD XT Live's footswitches or SELECT knob. And, you can even tweak the sound of your Variax Bass tone with Bass POD XT Live's built-in pedal! MIDI In & Out Connect Bass POD XT Live to your MIDI equipment to select Channel Memories (via Program Change messages), or automate Bass POD XT Live settings (via controllers and/or SySex). Phones When you want to listen with headphones, plug them in here. Bass POD XT Live automatically switches to Studio Mode whenever headphones are connected. Output To Amp/Line The unbalanced 1/4-inch connectors here get Bass POD XT Live feeding into the front of a bass amp, otherwise, choose LINE. The rear panel LEVEL knob sets the output level. Changing the OUTPUT level does not change your tone, so you can get the tone you want at any volume level. The MODEL connector gives you the fully processed Amp+Cab+Effects+Mic signal generated by Bass POD XT Live. The D.I. connector gives you an unprocessed time- and phase-aligned version of your signal. Aux Input Connect a CD player, MP3 player, drum machine, virtual accordion, or other device here, and you'll hear it at Bass POD XT Live's headphone and Amp/Line outputs. Very handy for jamming along! Input Your bass goes here. Set the switch to norm for use with most passive pickup instruments. If you have to put two 9-volt batteries in your bass to make it rock, flip the switch to pad to prevent overdriving Bass POD XT Live's input in an unpleasant-sounding way. Pedal 2 You can add even more real-time control by connecting a standard expression pedal, such as the Line 6 EX-1. You'll be able to control Wah, Volume, and Tweak functions all at the same time!

DigiTech GNX3000 Guitar Pedal Price: 349.99 Retail Price: 599.00 DIGIGNX3000 Gigasonic DigiTech's guitar workstation family become more stronger than before with the introduction of the GNX3000. The GNX3000 are both useful for the performing and recording guitarist. When you're performing, the GNX3000 is an ideal workhorse. Both 1⁄4?and XLR outputs let you run to your onstage rig and the house PA simultaneously, each with independent level controls. When you're in the studio, the GNX3000's built-in USB audio/MIDI recording interface makes recording easier than ever thanks to the included Hands Free?Pro Tracks Plus?recording software suite. The GNX3000 provides over 80 Drum Machine patterns, XLR with phantom power, stereo XLR and 1/4-inch outs, stereo 1/4-inch inputs and 3 way assignable expression pedal. And the fact that Hands-Free recording via USB connectivity and flexibility is partially what makes a Guitar Workstation, no one does it better than DigiTech. Features ? DigiTech's next generation amp modeling 40 amp models including guitar, bass and acoustic 25 cabinet models including guitar and bass DigiTech's exclusive GeNeTX Multi-Modeling technology Single coil and humbucking pick-up modeling 36 fully programmable effects, 11 at one time 195 presets: 130 factory, 65 user Hands-Free computer recording via USB XLR and 1/4 in. direct stereo outputs for connecting directy to a mixer, amps and more Included Pro Tracks Plus multi-track recording software 6-channels of 24-bit audio - Record 4/Playback 2 X-Edit Editor/Librarian for Mac and PC Built-in drum machine with over 80 patterns Chromatic tuner Learn-A-Lick and Jam-A-Long 7 wide-spaced foot switches (up to 10 with optional foot controller) and expression pedal Rugged metal chassis and treadle Power supply included Optional GNXFC foot controller dbx mic preamp with phantom power 3 assignable expression pedal functions at one time

Sony PCTMDG2 Oxford Plug-In Price: 349.99 Retail Price: 395.00 sony-pctmdg2 Gigasonic The Oxford Transient Modulator plug-in for tc electronic's PowerCore processors is an application that allows the dynamic level of signals to be modified by manipulating the transients in the program material over time. The effect is to bring transient events in the program forwards, or push them into to the background - the attacks of instruments can be accentuated or softened depending on the settings of the plug-in. The application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic instruments. This process is easily achieved with the Oxford Transient Modulator because its purpose-designed adaptive processing acts on differential information in the program. Meaning, the overall long-term program level is minimally affected and sensitivity to control parameters is drastically reduced. The PowerCore version includes VST and Audio Units formats of the plug-in that require PowerCore DSP to function. Features ? Increase overall modulation potential by the reduction of very short peaks Adaptive processing acts on differential information in program material Radically change the dynamics of instruments Accentuate or flatten attacks and transients Increase or reduce the effects of ambience Product rounded and dynamic percussive effects

Propellerhead Reason 3.0 Price: 349.00 Retail Price: 499.00 LINE991010004 Gigasonic New Reason 3.0 gives you one-step loading of complex, customizable instruments and effect setups, a new instrument-packed soundbank, instant integration with MIDI keyboards and controllers, a new intuitive file browser, plus a suite of mastering tools. For a pleasurable, performance-friendly Reason experience. New in Reason 3.0 The Combinator It's not an effect unit. It's not a synth. It sure isn't a sampler. It's... all of it. And more. The all new Combinator is a sophisticated device that allows you to build elaborate chains of Reason units - instruments, effects, pattern sequencers, you name it - and save as Combi patches. The MClass Mastering Suite Want big, tight, loud sounding tracks? Need extra stereo width, increased clarity, punchier bass? Say hello to MClass, the new mastering suite in Reason 3.0. MClass brings you four separate pro level mastering units designed to add power, presence and an overall professional feel to your Reason mixes. Play your Reason system Play your Reason system! Coupled with the Combinator, the new features in Reason 3.0 - a fresh sound library, an enhanced browser and the new Remote protocol - turns your rack into a very livefriendly, very playable instrument Remote For those of you with a more hands-on approach to making music, the revolutionary Remote technology in Reason 3.0 will be a welcome new feature. True hardware integration! 3.0 Browser With the Reason 3.0 browser, the task of finding and loading sounds and patches becomes just as smooth and intuitive as the process of making good music in Reason. 3.0 Soundbank Reason's sound palette is getting bigger, better, wider and wilder. The new sound bank in Reason 3.0 adds huge quantities of instruments, sounds and patches to Reason's already massive library. Focusing on carefully sampled musical instruments and useful Combinator setups rather than loops and beats, the new soundbank takes a more playable, more performance- friendly direction. Line Mixer 6:2 Line mixing, Combi mixing or regular submixing? Leave it to Line Mixer 6:2 Line Mixer 6:2 is a simple but effective 6-channel stereo line mixer. Built primarily for use in the Combinator, the Line Mixer 6:2 handles basic mixing and panning of Combi devices, but can of course be inserted anywhere in Reason: use it for submixing large drum kits, or to add extra mixer channels when Reason's main mixer is starting to fill up. Each of the six channels feature level and pan controls, mute and solo buttons plus an AUX send level control. Need more sends? Extra channels? Just create another Line Mixer. Specifications Windows Intel Pentium III 300 MHz or better 256 MB RAM 2 GB free hard disk space CD-ROM drive Windows XP/2000 or later 256 color monitor / 800x600 pixels resolution or better 16-bit windows compatible audio card, preferably with DirectX or ASIO drivers MIDI Interface and MIDI keyboard recommended Mac OS OS G3, G4 or G5 processor, sufficiently fast to run Mac OS X 10.2 256 MB RAM 2 GB free hard disk space CD-ROM drive Mac OS X 10.2 or later 256 color monitor / 800x600 resolution or better MIDI Interface and MIDI keyboard recommended

Edirol FA-66 FireWire Audio Interface Price: 349.00 Retail Price: 499.00 FA-66 Gigasonic The FA-66 is a 6-channel portable FireWire audio interface designed with the mobile recording and performance professional in mind. The FA-66 offers absurd audio fidelity, stability with two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, optical S/PDIF I/O, a built-in analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire bus power* and a practical set of input and output options, all in a single and robust compact case. 6-IN/6-OUT 24 bit/96 kHz Simultaneous Performance: Record & playback up to 6 channels at 24-bit/96kHz, or record & playback up to 4 channels at 24-bit/192kHz. Compatible with Mac OS X Standard Driver Provided from Apple: The FA-66 uses the standard FireWire Audio driver included on Mac OS X. Just plug it in and start recording! Variety of Input & Output Options: You can easily record from a variety of sources through the plethora of input and output options of the FA-66: 2 XLR/TRS combo inputs with phantom power, Hi-Z (Guitar) switch on input 2, stereo RCA inputs, S/PDIF Optical I/O, 4 individual analog outputs, 1/4h stereo Headphone output, and MIDI I/O. +4dBu balanced I/O. 2 XLR/TRS Combo Jacks with Premium Phantom Power Mic Preamps: The FA-66 is a completely portable recording center with very clean, high-gain microphone preamps & premium analog components perfect for home studio & field recording. Built-in Analog Limiter: Prevent clipping in your recordings. Get high quality live recordings with a wide dynamic range. FireWire Bus Powered for Mobile Use: No AC adaptor required! Just connect one FireWire (6-pin to 6-pin) cable to your laptop to create a quality field recorder. Reduce your cables and record anywhere with the FA-66. For your desktop use, the FA-66 package comes with the AC adaptor. Core Audio, WDM, & ASIO 2.0 Support: Compatible with Mac OS X standard audio, CoreAudio. Plus, the FA-66 comes with WindowsXP WDM & ASIO2.0 drivers for Low Latency with most audio applications. Zero-Latency, Direct Monitoring: Using FA-66’s Direct Monitoring function you can listen to audio being recorded directly without the help of routing through software and this allows the input to go straight to the output offer ZERO-latency monitoring. The FA-66 offers exceedingly low latency when monitoring through software or performing with software synths through the Apple CoreAudio driver as well as the WDM/ASIO2.0 drivers for Windows XP. Compact, Solid Metal Construction: The FA-66 packs Edirol's latest audio technology in a small, durable body for incredibly portable FireWire audio recording. Features 6-in/6-out 24-bit/96kHz simultaneous performance 4-in/4-out 24-bit/192kHz simultaneous performance 2 XLR/TRS combo jacks w/premium phantom-powered mic preamps +4 dB balanced input and output S/PDIF optical input & output ports with Sync LED indicator MIDI in/out ports Built-in analog limiter and indicator FireWire bus powered AC adaptor included Mac OS X CoreAudio and Windows XP WDM and ASIO 2.0 support Zero-latency Direct Monitoring 6-pin and 4-pin IEEE1394 ports Compact, solid-metal construction Specifications Macintosh Mac OS X 10.3.3 or later Computer: Apple Macintosh series with on-board FireWire port G4/700 MHz or higher with Dual Processor is recommended when using MOTU CPU/Clock: PowerPC G3/800 MHz, G4/700 MHz or higher G4/1.2 GHz or higher is recommended in 192 kHz. Memory(RAM): 256 MB or more Windows Microsoft WindowsXP Home Edition/XP Professional Windows XP compatible PC equipped with a IEEE1394/FireWire port FireWire control chip from TI (Texas Instruments) is recommended. CPU/Clock: Pentium, Cerelon, or Pentium compatible Processor/900 MHz or higher Pentium4/2 GHz or higher recommended in 192 kHz. Pentium3/1/5 GHz or higher is recommended when the Chipsets are equipped from VIA. Memory(RAM): 256 MB or more

Alesis DM5 Rackmountable Drum Module Price: 349.00 Retail Price: 449.00 ALESDM5 Gigasonic For drummers and MIDI composers on a budget, the Alesis DM5 offers professional performance features and an excellent selection of drum, percussion and special effect samples. The DM5 puts over 540 sounds into a single rack space, many recorded in true stereo and with ambient effects. Both classic Alesis studio drum sounds and new cutting-edge sounds for the latest musical styles are well represented. You'll find a great selection of kicks, snares, toms, hi-hats, percussion instruments, special effect samples and more. Plus, the DM5's Expanded Dynamic Articulation feature allows drum sounds to change volume, tone, and pitch depending on how hard they're hit - just like real drums. Plus, the DM5's Random Sample feature brings new life to static tracks by realistically varying the sound of the drum as you play. The DM5 includes an ultra-fast trigger-to-MIDI converter with 12 trigger inputs, 5 programmable parameters for each trigger, 21 programmable drumsets, and four audio outputs for discrete processing and control. Whether you're looking for a MIDI-controlled percussion module, a drum replacement tool for mixing, or an affordable answer for triggering sounds from electronic drum pads, the DM5 is the affordable solution. Features Audio Outputs: 4 (2 stereo pairs) Trigger Input Jacks: 12 (each with 5 user adjustable trigger parameters) DAC Bit Resolution:: 18 Sample Rate: 48kHz Sounds: Over 500; includes stereo samples with reverb, ambience and dynamic articulation Polyphony: 16 voice Panning: 7 position, user programmable Velocity Response: 127 levels of loudness via MIDI or trigger inputs Kits: 21 Memory locations w/defaults permanently stored in ROM MIDI Jacks: In, Out/Thru Headphone Jack: 1/4 TRS w/variable gain Switchable Footswitch Jack: 1/4" jack can be assigned to hi-hat or program advance mode Tuning Scheme: Coarse (chromatic) and Fine (cents) Data Input: Data knob, front panel keypad sound auditioning via velocity sensitive Preview button on front panel Expanded Dynamic Articulation: Modulates tone and pitch Power: 9 VAC external transformer, UL and CSA approved Dimensions: (WxHxD) 19"x1.75"x6""

Sony UTX-H1 66/68 Microphone Transmitter Price: 349.00 Retail Price: 469.00 sony-utxh1 Gigasonic The UWP series handheld microphone contains a uni-directional microphone capsule. The UTX-H1 66/68 operates on UHF TV channels 66,67,68 and 69. This handheld microphone is ideally suited for presentation and PA applications. PLL synthesized system Key to achieving stable transmission and reception is the use of a stable carrier signal to avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. The UWP series achieves this by using a UHF PLL (Phase Locked Loop) frequency synthesized system, which provides the use of accurate carrier signal frequencies. This system is used in both the transmitter and tuners, so that a stable carrier is generated at the transmitter and accurately tuned in at the tuner. This PLL-controlled system provides highly stable , user-selectable frequencies in increments of 125 kHz Space diversity reception system In general, wireless microphone transmission systems can be subject to reception interruptions (signal dropout), but the UWP series reduces this to a minimum. By utilizing a space diversity reception system, it achieves stable transmission by using dual-antenna inputs/reception circuits that receive signals over two different paths and automatically selecting the stronger RF signal for output. The space diversity reception system is adopted in all UWP tuners. In addition, the antennas of the portable and 1/2 rack size tuners each allow for angle adjustments, which helps to further eliminate signal drop out. Tone squelch circuitry When operating a wireless microphone system, it is essential that the tuner not pick up carrier signals transmitted from other systems. In order to avoid this, the UWP series transmitters transmit a 32 kHz pilot-tone signal along with the audio signal. The squelch circuit of the UWP series tuners recognizes this tone signal, and will output the audio signal only when this tone signal is received. This function virtually prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off Pre-programmed operating frequencies The transmitters and tuners included in the UWP series incorporate pre-programmed frequencies that meet the wireless-communications regulations of each country. The UWP series operates within the following frequency ranges: (62/64) 758 MHz to 782 MHz OR (66/68) 782 MHz to 806 MHz (each model provides 188 selectable frequencies) Simultaneous multi-channel operation The UWP series allows simultaneous operation of up to 16 wireless microphones. Optimum combinations of practically tested, intermodulation-free frequencies are stored in the UWP tuners. By using the pre-programmed frequency groups, users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system setup. Features ? Internal antenna design Attenuator function allows adjustment of the audio-input level to suit each user's voice Selectable RF output level: 5 mW (suitable for simultaneous multichannel operation) or 30 mW (for long distance transmission) 6 hours of continuous operation with two AA-size alkaline batteries LCD screen provides extensive set up information Specifications ? Receiving frequencies: 782 MHz to 806 MHz (TV channels 66,67,68,69) Users may choose from 188 frequencies Local oscillators: Crystal-controlled PLL synthesizer Reference deviation: +/-5 kHz (94 dB SPL, 1 kHz input) Signal-to-noise ratio: 60 dB or more(+/-5 kHz deviation at 1 kHz modulation, A-weighted) Microphone capsule: Dynamic capsule (uni-directional) Maximum input sound pressure level: 151 dB SPL (at 21 dB attenuator level) Power requirements: DC 3.0V (two AA-size alkaline batteries) Antenna: 1/4 wave length wire Pilot tone signal: 32 kHz Frequency response: 50 Hz to 18 kHz (typical) LCD Indicator: Operating channel number/frequency, attenuator level, RF-output level (high-low), audio input status, transmitter battery status and accumulated operating time LED Indicator: Power status Battery life: Approximately 6 hours with Sony AA-size alkaline batteries at 30mW output Dimensions (W x H x D): 2 1/8" x 9 1/2" Mass: 10.6 oz including batteries Type of emission: F3E RF power output: 30mW or 5mW (selectable) Audio attenuator adjustment range: 0 to 21 dB (in 3 dB steps)

Sony UTX-H1 62/64 Microphone Transmitter Price: 349.00 Retail Price: 469.00 sony-utx-h1 Gigasonic The UWP series handheld microphone contains a uni-directional microphone capsule. The UTX-H1 62/64 operates on UHF TV channels 62,63,64 and 65. This handheld microphone is ideally suited for presentation and PA applications. PLL synthesized system Key to achieving stable transmission and reception is the use of a stable carrier signal to avoid interference with other frequency channels and to allow the selection of a preferred channel from multiple frequencies. The UWP series achieves this by using a UHF PLL (Phase Locked Loop) frequency synthesized system, which provides the use of accurate carrier signal frequencies. This system is used in both the transmitter and tuners, so that a stable carrier is generated at the transmitter and accurately tuned in at the tuner. This PLL-controlled system provides highly stable , user-selectable frequencies in increments of 125 kHz Space diversity reception system In general, wireless microphone transmission systems can be subject to reception interruptions (signal dropout), but the UWP series reduces this to a minimum. By utilizing a space diversity reception system, it achieves stable transmission by using dual-antenna inputs/reception circuits that receive signals over two different paths and automatically selecting the stronger RF signal for output. The space diversity reception system is adopted in all UWP tuners. In addition, the antennas of the portable and 1/2 rack size tuners each allow for angle adjustments, which helps to further eliminate signal drop out. Tone squelch circuitry When operating a wireless microphone system, it is essential that the tuner not pick up carrier signals transmitted from other systems. In order to avoid this, the UWP series transmitters transmit a 32 kHz pilot-tone signal along with the audio signal. The squelch circuit of the UWP series tuners recognizes this tone signal, and will output the audio signal only when this tone signal is received. This function virtually prevents the output of unwanted signals or noise from other signal transmissions in the air, as well as the RF noise and popping noise that occur when the transmitter is powered on or off Pre-programmed operating frequencies The transmitters and tuners included in the UWP series incorporate pre-programmed frequencies that meet the wireless-communications regulations of each country. The UWP series operates within the following frequency ranges: (62/64) 758 MHz to 782 MHz OR (66/68) 782 MHz to 806 MHz (each model provides 188 selectable frequencies) Simultaneous multi-channel operation The UWP series allows simultaneous operation of up to 16 wireless microphones. Optimum combinations of practically tested, intermodulation-free frequencies are stored in the UWP tuners. By using the pre-programmed frequency groups, users can easily choose intermodulation-free frequencies for the transmitters and tuners, simplifying the task of system setup. Features ? Internal antenna design Attenuator function allows adjustment of the audio-input level to suit each user's voice Selectable RF output level: 5 mW (suitable for simultaneous multichannel operation) or 30 mW (for long distance transmission) 6 hours of continuous operation with two AA-size alkaline batteries LCD screen provides extensive set up information Specifications ? Receiving frequencies - 758 MHz to 782 MHz (TV channels 62,63,64,65) Users may choose from 188 frequencies Local oscillators - Crystal-controlled PLL synthesizer Reference deviation - +/-5 kHz (94 dB SPL, 1 kHz input) Signal-to-noise ratio - 60 dB or more(+/-5 kHz deviation at 1 kHz modulation, A-weighted) Microphone capsule - Dynamic capsule (uni-directional) Maximum input sound pressure level - 151 dB SPL (at 21 dB attenuator level) Power requirements - DC 3.0V (two AA-size alkaline )

Sony ECM-674 Shotgun Condenser Price: 349.00 Retail Price: 395.00 sony-ecm-674 Gigasonic The Sony ECM-674 is an affordable shotgun-type electret condenser microphone, which delivers excellent sound performance in field and studio productions. Offering high-sensitivity, low-noise characteristics and flat-and-wide frequency response in a compact and lightweight design. The ECM-674 is well-suited for use with Sony camcorders such as the HDV?Series, DVCAM?Series, and XDCAM?Series. In addition, its two-way powering feature allows for both microphone power operation and battery operation. With its high performance, affordable price, and great versatility, the ECM-674 microphone is an ideal choice for a range of sound-acquisition applications. Features ? The ECM-674 offers an excellent sensitivity of -36 dB (0 dB=1 V/Pa.) and low inherent-noise level of less than 19 dB SPL. This allows the microphone to be used for clear voice pick-up even in noisy environments. The ECM-674 microphone has a flat and-wide frequency response (60 Hz to 18 kHz) and provides sound reproduction that is extremely smooth and natural. The ECM-674 has been designed as a highly directional compact and lightweight shotgun microphone. It measures only 10 5/8 inches in length and weighs just 7 oz, maintaining good balance even when mounted on compact camcorders. Specifications ? Capsule type Electret condenser Directivity Uni-directional (super-cardioid) Frequency response 60 Hz to 18 kHz Sensitivity (at 1 kHz) -36 dB ? dB ( 0 dB=1 V/Pa., at 1 kHz) Output impedance (at 1 kHz) 200 Ohm ?0% Dynamic range 90 dB or more Signal-to-noise ratio 74 dB or more (IEC179 A-weighted, 1 kHz, 1Pa.) Inherent noise 19 dB SPL or less (0 dB=20u Pa) Wind noise 60 dB SPL or less (0 dB=20u Pa) Induction noise from external magnetic field 0 dB SPL or less (0 dB=20u Pa) Maximum input sound pressure level 109 dB SPL (0 dB=20u Pa) Power requirements External: DC 40 to 52 V, Battery: 1.5 V Dimensions 13/16 inch diameter x 10 5/8 inch length Mass 7 oz

Steinberg Cubase System 4 Price: 349.00 Retail Price: 899.00 STECSYS42 Gigasonic A Complete Cubase System! Have you been looking for a complete Cubase system containing both software AND hardware? Look no further than the Cubase System4 from Steinberg! Cubase System4 is an integrated music production system, featuring on the hardware side, the MI4 , a versatile four-channel USB Audio and sixteen-channel MIDI interface. Steinberg's audio/MIDI sequencer software, Cubase SL3 takes music production to a new level by adding more than fifty features to the previous version, including powerful Audio Warp real-time time stretching, an intuitive Play Order Track, user-definable workspaces and many additional editing functions. Features 4 audio I/O high-quality 24-bit/96 kHz USB Interface 2 professional quality microphone preamps 16 channel MIDI I/O S/PDIF stereo I/O Unlimited number of MIDI and Audio Tracks New VST 2.3 audio engine with pristine 32-bit floating point audio Up to 16 virtual instrument slots (VSTi) Includes complete Set of VST Audio and MIDI plug-ins Specifications PC Version Processor: Pentium / Athlon 800 MHz (Pentium / Athlon 1.4 GHz or faster recommended) RAM: 384 MB (512 MB recommended) Operating System: Windows 2000, Windows XP Home or XP Professional Other: USB component connector required, Display Resolution 1024 x 768 pixels (Display Resolution 1152 x 864 pixels, dual monitor setup recommended) The Cubase SL version included in Cubase System/4 requires the MI4 audio interface to be attached to the computer Mac Version Processor: PowerMac G4 867 MHz (PowerMac G4 Dual 1,25 GHz or faster recommended) RAM: 384 MB (512 MB recommended) Operating System: Mac OS X 10.2.5 or higher Other: USB component connector required, Display Resolution 1024 x 768 pixels (Display Resolution 1152 x 864 pixels, dual monitor setup recommended) The Cubase SL version included in Cubase System/4 requires the MI4 audio interface to be attached to the computer

Alesis Photon X49 USB/MIDI Keyboard Controller Price: 349.00 Retail Price: 499.00 ALESPHOTONX49 Gigasonic The Alesis Photon X49 further expands their USB MIDI Keyboard controller series, the Photon 25 and X25. The intuitive user interface is completely assignable and features silky smooth high-resolution knobs and faders. These assigned presets can then be stored for future use. The AXYZ effects dome controls plug-ins and instruments parameters from your hand movements in three dimensions. Dedicated transport buttons, high-resolution LCD, 10-key control pad allow for mouse–free operation when composing on a computer. Other features include customizable template strips for software instruments and DAWs, backlit Mod and Pitch wheels, Cubase LE software and USB bus power. The Photon X49 was designed for the performer who demands more creative options from their MIDI controller. Features ? Revolutionary AXYZ controller dome for control over plug-ins, software DAW's and MIDI instruments in three-dimensions with the wave of your hand. 60 assignable and immediately accessible, knobs, buttons, and switches including: Ten silky smooth, high-resolution 360 degree endless knobs (three layers) Nine 60mm faders Ten backlit buttons Dedicated transport controls for remote control of your software/hardware DAW 10-key keypad for direct access to parameters High contrast 2x16 line LCD display with dedicated encoder for fast setup Customizable template strips for software instruments and DAWs Backlit mod and pitch wheels that look downright cool Bundled with Steinberg Cubase LE software Multiple power options: USB bus power (uses low power so it won't drain your laptop) 4 "C"size batteries External adapter (optional) Windows XP and Mac OSX ready

Steinberg WaveLab 6 (EDU) Price: 339.99 Retail Price: 699.99 502020871 Gigasonic WaveLab 6 is the all-in-one solution for professional mastering, high resolution stereo and multi-channel audio editing, audio restoration, sample design and complete CD/DVD Audio production. WaveLab - 6 offers over 120 new features and enhancements with outstanding new Spectrum Editor, full integration of outboard effect processors and hardware remote controllers, a new loudness-corrected Smart Bypass system, exceptional DIRAC time stretch and pitch shift technology, Bob Katz?K-System Metering and many more. Features ?Sample accurate audio editor with crystal-clear audio processing at up to 384 kHz and 32 bit floating point resolution ?Stereo and multi-channel non-destructive editing with versatile clip grouping over multiple lanes and video support ?Redbook compatible CD mastering and DVD-Audio authoring ?Quality EQs, dynamics and effects included (VST and DirectX plug-in support) ?Powerful audio restoration tools ?Useful metering and analyzing tools ?Support of a multitude of different audio file formats (WAV, AIFF, SD II, AU, MP3, MP2 (M.U.S.I.C.A.M.), RAW, Windows Media 9, etc.) and resolutions (8/16/20/24/32 bits with up to 384 kHz) and W64 and RIFF 64 file formats, AES-31 import and export of projects New Features in WaveLab 6: ?DIRAC Time Stretching and Pitch Shifting DIRAC is one of the most advanced algorithms for the manipulation of audio material available on the market today. DIRAC Time Stretching and Pitch Shifting provide excellent quality, high performance and perfect fidelity. ?Master Section The enhanced master section now features SmartBypass, a time-saving new facility for assessing how a plug-in alters sound textures by compensating for loudness changes induced by the plug-in. Master Section presets can now be associated and stored independently within each audio file or an Audio Montage. ?New Audio Processors New set of audio processors including Crystal Resampler, a professional sample rate converter providing exceptional transparency and preservation of the frequency content up to 384 kHz. ?Audio Montage The powerful Audio Montage? clip handling and editing capability has been further extended to include a range of new functions such as the new fade editing features which allow for even more flexible editing of fades, powerful batch processing and advanced import and export of files. ?Audio File Handling Extended audio file handling and manipulation system including file sizes bigger than 2 GB, improved performance and batch renaming ?Metering Tools WaveLab 6 has many new tools with a strong focus on psycho-acoustic treatment and monitoring of the audio signal. K-System metering, a very smart loudness corrected bypass tool, a loudness normalizer and a loudness distribution display support the user to achieve the best sounding results. ?Software/Hardware Integration WaveLab 6 integrates seamlessly into your existing studio environment, including full integration of outboard gear. External hardware effect units can be used like plug-ins in the master section. WaveLab 6 also now features remote controller support via MIDI, so that many WaveLab features can now be used even more intuitively through a tactile control surface, further speeding up workflow.

Steinberg WaveLab 6 Crossgrade Price: 339.99 Retail Price: 699.00 502020876 Gigasonic WaveLab 6 is the all-in-one solution for professional mastering, high resolution stereo and multi-channel audio editing, audio restoration, sample design and complete CD/DVD Audio production. WaveLab 6 offers over 120 new features and improvements including the outstanding new Spectrum Editor, full integration of outboard effect processors and hardware remote controllers, a new loudness-corrected SmartBypass system, outstanding DIRAC time stretch and pitch shift technology, Bob Katz?K-System Metering and many more. Features Sample accurate audio editor with crystal-clear audio processing at up to 384 kHz and 32 bit floating point resolution Stereo and multi-channel non-destructive editing with versatile clip grouping over multiple lanes and video support Redbook compatible CD mastering and DVD-Audio authoring Quality EQs, dynamics and effects included (VST and DirectX plug-in support) Powerful audio restoration tools Useful metering and analyzing tools Support of a multitude of different audio file formats (WAV, AIFF, SD II, AU, MP3, MP2 (M.U.S.I.C.A.M.), RAW, Windows Media 9, etc.) and resolutions (8/16/20/24/32 bits with up to 384 kHz) and W64 and RIFF 64 file formats, AES-31 import and export of projects New Features in WaveLab 6 DIRAC Time Stretching and Pitch Shifting DIRAC is one of the most advanced algorithm for the manipulation of audio material available on the market today. DIRAC Time Stretching and Pitch Shifting provide excellent quality, high performance and perfect fidelity. Master Section The enhanced master section now features SmartBypass, a time-saving new facility for assessing how a plug-in alters sound textures by compensating for loudness changes induced by the plug-in. Master Section presets can now be associated and stored independently within each audio file or an Audio Montage. New Audio Processors New set of audio processors including Crystal Resampler, a professional sample rate converter providing exceptional transparency and preservation of the frequency content up to 384 kHz. Audio Montage The powerful Audio Montage's clip handling and editing capability has been further extended to include a range of new functions such as the new fade editing features which allow for even more flexible editing of fades, powerful batch processing and advanced import and export of files. Audio File Handling Extended audio file handling and manipulation system including file sizes bigger than 2 GB, improved performance and batch renaming Metering Tools Steinberg Wavelab 6 has many new tools with a strong focus on psycho-acoustic treatment and monitoring of the audio signal. K-System metering, a very smart loudness corrected bypass tool, a loudness normalizer and a loudness distribution display support the user to achieve the best sounding results. Software/Hardware Integration Steinberg Wavelab 6 integrates seamlessly into your existing studio environment, including full integration of outboard gear. External hardware effect units can be used like plug-ins in the master section. Steinberg Wavelab 6 also now features remote controller support via MIDI, so that many WaveLab features can now be used even more intuitively through a tactile control surface, further speeding up workflow. Specifications What is a Crossgrade? Crossgrades are a good way to switch to a new program, without having to pay the full price. If you own a qualifying competitors product, you can switch to another manufacturer's Competitive Edition at a discount. (Crossgrades contain the same software as standard packages.) Qualifying WaveLab 6 Competitive Crossgrade Programs Adobe Audition Cakewalk Sonar Apple Logic Gold, Platinum, or Pro Magix Samplitude, Sequoia MOTU Digital Performer Coda Finale (Full Version) TC Electronics Spark TC Electronic Speak XL Sony Media Vegas, Vegas DVD, Acid Pro Tools LE or TDM Propellerhead Reason (Full version) Soundtrack Pro Bias Peak Soundforge Samplitude Minimum System Requirements Processor: Intel Pentium / AMD Athlon 800 MHz RAM: 256 MB Hard Disc Drive: 80 MB of free disk space Operating System: Windows 2000 or Windows XP Sound Card: Windows MME compatible audio hardware Graphics Card: Graphic card with 24 bit or 32 bit resolution Display Resolution: 1024 x 768 pixels Drives: CD or DVD-ROM drive Other Components: USB component port for Steinberg Key (copy protection key)* Recommended System: Processor: Intel Pentium 4 / AMD Athlon or Opteron 2.4 GHz or faster RAM: 1 GB Sound Card: ASIO compatible audio hardware Graphics Card: Graphics card with 32 bit resolution Display Resolution: 1280 x 1024 pixels, dual monitor setup Drives: DVD writer Other Components: Internet connection for future updates

Sony ECM-88BC Lavaliere Microphone Price: 339.00 Retail Price: 440.00 sony-ecm-88bc Gigasonic The Sony ECM 88BC is a miniature condenser, lavalier microphone with a 4-pin Hirose connection. The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. The capsule is 3.5 x 3.5 x 16.8mm, allowing natural-looking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity. The microphone provides a flat, wide frequency response (20Hz to 20kHz) resulting in a natural sound reproduction, capturing in great detail. The water resistant design assures durability from the elements as well as moisture caused by sweat in stage applications. Features ? Miniature Design The microphones ultra-miniature design provides the level of concealment needed for the stage and on camera. 4-pin Hirose Connection The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. High Sonic Character The condenser element provides a wide, flat frequency response and high dynamic range resulting in clean, quiet recordings. Water Resistant The microphone is designed to resist moisture caused by the elements or sweat. Specifications ? Transducer: Electret Condenser Polar Pattern: Omnidirectional Frequency Response: 20Hz - 20kHz Dynamic Range (Typical): Greater than 99 dB Signal-to-Noise Ratio: 62 dB @ 1kHz (A-weighted, 1khz, 1Pa.) Maximum Input Sound Level: 125 dB SPL Power Requirements: DC 1.1 to 10 Volts Output Impedance: 100 ohms +/- 20% (when used in combination with the DC-78) Output Connectors: SMC9-4P (4-pin Hirose) Pad: None Low Frequency Roll-Off: None Applications Radio, Television and Broadcast. Dimensions: 0.14 x 0.14 x 0.66" (3.5 x 3.5 x 16.8mm) Weight: 0.71 oz. (32 grams) (with cable) Supplied Accessories: Horizontal Clip Vertical Clip Urethane windscreen Carrying Case

M-Audio Audiophile 2496 & Pro Tools M-Powered 7 Bundle Price: 339.00 Retail Price: 439.00 9900-40773-00MPOWERED7 Gigasonic M-Audio Audiophile 2496 Audio Interface with MIDI and I/O M-Audio's Audiophile 2496 card is the latest addition to its highly successful Delta family of soundcards. The Audiophile 2496 is an all-in-one high fidelity soundcard solution for a wide variety of applications, ranging from multi-track recording to computer-based home theatre. Analog I/O is available on RCA jacks, utilizing the same professional 24-bit 96kHz conversion as the Delta 44 and Delta 66 cards. S/PDIF I/O and MIDI I/O provide connectivity to both digital devices and the world of MIDI. The Audiophile 2496 includes a powerful digital mixer/router, and control over SCMS (Serial Copy Management System). Delta cards support all computer platforms and major software programs. With software support, the Audiophile 2496 becomes the highest fidelity home theatre soundcard available today. M-Audio Pro Tools M-Powered 7 Production Software Pro Tools M-Powered 7 software lets you enter the world of Pro Tools while using unique hardware options from M-Audio to professionally produce your music tracks. This groundbreaking combination for Windows XP and Mac OS X lets you customize the compact mobile multi-channel studio of your dreams, while providing session compatibility with countless Pro Tools-equipped project and professional studios around the world. As easy to use as it is powerful, Pro Tools M-Powered 7 software includes many of the same features that top studios rely on to produce Grammy?winning albums and Academy Award?winning film sound. Together, M-Audio hardware and Pro Tools M-Powered 7 software deliver the seamless workflow of moving sessions. Produce with the Industry Standard—Anywhere, Anytime The combination of M-Audio gear and Pro Tools M-Powered 7 lets you work anywhere, anytime with the industry standard in music production software. You can open sessions created in Pro Tools M-Powered 7 software with any Windows XP- or Mac OS X-based Digidesign Pro Tools TDM or LE system, giving you unprecedented production options for your music. Seamlessly collaborate with other musicians using Pro Tools M-Powered 7 or Pro Tools LE systems. Easily take your projects to a Pro Tools/HD-equipped recording studio to have it mixed by a pro. Or take your pro studio projects home or on the road with you—even use them as backing tracks on stage. With Pro Tools M-Powered 7, owners of most M-Audio interfaces instantly become members of the largest community of digital audio workstation users in the world. Professional Recording, Editing and Mixing Pro Tools M-Powered 7 software allows M-Audio hardware enthusiasts to easily enter the powerful recording, editing, and mixing features of Pro Tools. With up to 32 simultaneous tracks of 16- or 24-bit digital audio, and support for up to 96kHz sample rates, Pro Tools M-Powered 7 is an ideal companion for M-Audio interfaces and audio interface keyboards—whether you're recording solo or entire bands. Once you've finished your recording, you can fine-tune your performances with Pro Tools' unmatched nondestructive editing tools. Shape sounds, compose parts, and add effects with RTAS instrument and effects plug-ins. Create polished mixes with professional mixing features and full mixer automation. Automatically analyze and tighten percussion tracks with Beat Detective LE. With Pro Tools M-Powered 7, you've got the tools you need to create professional mixes wherever you want to take your music. ReWire for Ableton Live Fans of Ableton Live will love Pro Tools M-Powered 7's ability to accept Live's output stream via ReWire for further mixing and processing. You get the best of both worlds—Ableton Live's incredibly fluid real-time writing, production and remixing environment along with the industry standard in tracking, editing and mixing. Control Surfaces If you want the tactile feel of a pro console while enjoying the benefits of a personal or project studio, Pro Tools M-Powered 7 supports both Digidesign's Command/8 and M-Audio's ProjectMix I/O. Both give you control over the software's MIDI functionality. ProjectMix I/O even incorporates a built-in 10 x 10 FireWire audio interface complete with 8 preamps so you don't need any extra gear. Flexible and Portable—More Choices for You A variety of M-Audio PCI and FireWire hardware interfaces are compatible with Pro Tools M-Powered 7 software, giving you more choices in where, when and how you work. For high-fidelity I/O in a PCI-based system, our entire Delta line is compatible with Pro Tools M-Powered 7—from the personal 2-channel Audiophile 2496 and Audiophile 192 cards all the way up to the 10 x 10 Delta 1010. For Pro Tools recording on the go, our compatible USB products range from the pocket-size Transit to the MobilePre USB with dual preamps, Fast Track USB (2-in, 2-out), and Fast Track Pro (4 simultaneous in-out). M-Audio bus-powered FireWire interfaces like our FireWire 410 (4-in/10-out) and FireWire 1814 (18-in/14-out) provide even more I/O and higher sampling rates, letting you easily put together a multi-channel studio-to-go. All-In-One Gear for Guitarists, Keyboardists and Producers One of the benefits of Pro Tools M-Powered 7 is that you can harness the creative power of specialized M-Audio production hardware. The Black Box not only gives guitarists killer amp modeling, unique beat-synced effects and inspiring drum patterns—it serves as a Pro Tools M-Powered-compatible audio interface for Mac and PC. Keyboardists and electronic music producers also benefit from our Ozone and Ozonic, both of which integrate a keyboard, MIDI control surface, audio/MIDI interface, mic/instrument preamp and headphone monitors. Integrated MIDI Sequencing Most M-Audio audio interfaces also support MIDI—and Pro Tools M-Powered 7 software's fully integrated MIDI sequencer allows you to record, edit, and mix up to 256 MIDI tracks alongside your audio tracks. Launch your favorite instru ment plug-in to get the sound you want. Engage loop recording to quickly develop a multi-layered drum pattern, then use Groove Quantize to give it the right feel. Switch to MIDI Step Input to lay down a difficult passage. With M-Audio interfaces and Pro Tools M-Powered 7, your MIDI composing options are wide open. Plug-ins Galore Pro Tools M-Powered 7 software not only provides access to award-winning Pro Tools software—you're also instantly able to take advantage of a variety of RTAS and AudioSuite plug-ins designed by the recording industry's largest professional third-party developer community. Track with powerful host-based vintage instruments like GForce's Oddity and Minimonsta. Add spice with Wizoo's Latigo and Darbuka virtual percussionists. And polish your mixes with affordable effects and mastering plug-ins like iZotope Ozone and Spectron that surpass even expensive hardware. Pro Tools M-Powered 7 also includes more than 30 DigiRack and Bomb Factory plug-ins right out of the box, including EQ, dynamics, delay, reverb, and many more.

Sony ECM-55B Lavaliere Microphone Price: 334.95 Retail Price: 375.00 sony-ecm-55b Gigasonic The ECM-55B is an omni-directional lavalier microphones suitable for many different applications ranging from news and interviews to stage dramas and instrument pick-up. Above 2 kHz, there is a gentle rise in the response to give a touch of presence to any instrument, while offering crisp, clean voice quality without any masking effect when used as a lapel microphone. The directivity is optimized to ensure uniform, dependable output, regardless of the direction of the sound source. The metal mesh windscreen effectively eliminates both wind noise outdoors and pop noise in close-up situations. All this and traditional operation, the ECM-55B may well prove to be your most versatile and useful lavalier microphone. Features ? The directivity is optimized to ensure uniform, dependable output, regardless of the direction of the sound source. The metal mesh windscreen effectively eliminates both wind noise outdoors and pop noise in close-up situations. 2-way powering system (internal battery or external 48 volt DC phantom power) Supplied metal windscreen and metal holder clips Frequency response tailored for enhanced presence and improved voice quality in lavalier applications Black Finish Specifications ? Transducer Electret Condenser Polar Pattern Omnidirectional Frequency Response 30 Hz - 18 kHz Dynamic Range (Typical) > 98 dB Signal-to-Noise Ratio 66 dB, (@ 1 kHz) Maximum Input Sound Level 126 dB, (@ 1 kHz, 1% THD) Power Requirements 'AA' Battery (1.5v DC), or Phantom Power (48v) Output Impedance 100 Ohms, (+/-20%, 1 kHz Balanced) Output Connectors XLR-3M Type Pad None Low Frequency Roll-Off None Applications Radio, Television and Broadcast. Dimensions Microphone: .85 x .44" (21 x 10.6mm) LxDiameter Power Supply: 5.25 x .82 (131.5 x 20mm) LxW Cable: 10' x .09" (3m x 2.3mm) LxW Weight Microphone: 0.23 oz. (6.5 g) Power Supply: 4.2 oz. (120 g)

Audix Fusion 7 Microphone Drum Pack Price: 329.99 Retail Price: 649.00 AUDIFS7 Gigasonic The Audix Fusion 7 Drum Microphone Package is a special new deal -- and an answer to drummers who wanted more mics in a package. The New Audix Fusion 7 Package features everything included in the Fusion 6 plus the new Fusion F14 large format bass drum mic. Includes: 1 x durable road case 1 x F14 dynamic mic for kick drum 3 x F10 dynamic instrument mics for snare and rack toms 1 x F12 dynamic instrument mic for floor tom 2 x F15 condenser mics for overheads Features ? F-10 Application: Snare, Toms Bongos, Quinto, Hi-hat, Shekere, Congas, Timbales Features: Tailored frequency response provides upper mid-range attack and clarity Transducer Type: Dynamic Frequency Response: 50 Hz - 12 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 1.8 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.1 oz F-12 Application: Kick Drum, Floor Tom, Djembe Features: Extended low end response for fat, punchy sound Transducer Type: Dynamic Frequency Response: 40 Hz - 10 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 2.1 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.4 oz F-15 Application: Cymbals, Overheads, Hi-hat, Goodie Table Features: Captures wide sound field of the cymbals and transients. Adds dimension and realism Transducer Type: Condenser 9 - 52 volts phantom Frequency Response: 100 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 9.3 mV/Pa Capsule Technology: Back plate electret Maximum SPL: 135 dB Off-Axis Rejection: >15 dB Housing: Die cast zinc, black e-coat Weight: 6.5 oz

Line 6 Spider II 112 Guitar Combo Amplifier Price: 299.99 Retail Price: 419.99 990101415 Gigasonic Spider II is the only amp designed from the ground up to drown out the voices inside your head. Packed with 12 insane amp models and 7 psychotic effects, Spider II has enough power to ward off pesky chupacabras and the occasional Evil Payaso. Smart Control FX Great amp tone is only part of a great guitar sound. Effect processing -whether it's stomp boxes or rack gear -is also a big part of the story. Spider II packs the power of several of these tone shapers in its Smart Control FX section. The delay knob gives you a trio of delay effect choices: a standard delay, tape echo, and a sweep echo. The modulation effect knob lets you choose between chorus/flange, phaser, and tremolo, and for each of these effects you can choose anything from a subtle hint of processing to total tone-mangling overkill. While turning the knob, Spider II adjusts all the individual aspects of the effect automatically to give you the range of sounds you're looking for, without having to mess with multiple knobs and switches to get your tone. So you can spend your time making music instead. Effects Great amp tone is only part of a killer tone. Spider II packs several powerful tone shaping effects. The Modulation knob gives you your choice of Chorus/Flanger, Phaser, or Tremolo. Grab the Delay knob and you get your choice of classic Tape Echo, standard Delay, and Sweep Echo. There's even a dedicated Reverb. Features ? 75 Watt Mono 1x12 Combo 12 amp models that deliver a complete range from Clean to Insane 7 Smart Control effects (up to 3 simultaneous) including Tape Echo, standard Delay, Sweep Echo (all w/Tap Tempo), Chorus/Flanger, Phaser, Tremolo and Reverb 4 User-programmable channels Built-in front panel Tuner Headphone/Direct Out for practice or recording Specifications ? Amp Models Clean: This amp model gives you crisp, amazing clean tones all the way to warm jazz tones. Clean 2: This amp model was developed to emulate late '60s and early '70s clean tones. Twang: This amp model is based on* our analysis of mid '60s Fender amps. Twang "red" has that classic glassy tone with some snap and bite. Twang 2: We based this model on* a number of different vintage Fender tweed amps like a '53 Deluxe and a '58 Bassman. Add a bit of Reverb and some Slap Echo and you'll have swingin' Rockabilly tone. Blues: This amp model slides between gritty, swamp infected cleans to syrupy drive tones. Blues 2: This amp model accurately captures that early British pop/rock tone. Top of the pops man! Crunch: This model is based on* a '68 Marshall "Plexi" 50-watt. Crunch "red" gives you a wide range of tones even at its highest gain settings. Crunch 2: We based this model on* a '68 Marshall "Plexi" 100-watt with a few added extras. We threw in the Variac "brown sound" trick on top of jumping the input channels! Now you're on fire! Metal: This monster truck of tone delivers a tight bottom-end that's big, powerful, and fast. Use this amp model to get a punch, high-gain metal sound. Metal 2: This amp model was created to be an aggressive high-gain amp model with a unique Mid control that will sweep through a huge tonal spectrum. Insane: We combined the most high-gain earth-shaking tone we could muster, tossed in a sub-octave fuzz, and threw in a phase shifter on top just for good measure. The result: the craziest model you've ever heard, producing screaming, screeching highs and lows to rock your core. Play a lick with single notes and listen as the note is twisted into an alternate dimension. Use with extreme caution. Insane 2: Our goal with Insane was to provide you with as much distortion as possible short of complete meltdown. Crank up the Drive control and prepare to dominate.

Line 6 Spider II 412 MKII 4x12" Cabinet Price: 299.99 Retail Price: 419.00 99-030-0901 Gigasonic Designed to be powerful and distructive, this cloded-back guitar cabinet is the perfect accomplice for the Spider II HD75 guitar amp head. This powerhouse features 4x12 custom Celestion-speakers pushing 75 watts of power (max at 8 ohms per side). This cabinet was designed for stereo operation only! Speifications ? 4x12 in. custom Celestion speakers 75 Watts max 8 ohm - per side Stereo operation only 66 lbs. 28 in. W x 15 in. H x 28.5 in. D"

Line 6 PODxt Guitar Effects Processor Price: 299.99 Retail Price: 569.00 LINE990600405 Gigasonic The Line 6 POD xt—a magic box for outrageously uncompromising guitar tone. The new POD xt offers you ain't heard nothing yet. Once you have a POD xt, you will have Line 6's newest generation amp and cab models as found in our flagship Vetta amplifier. This amp modeler comes with over 50 classic stompbox and effect models, including hand-picked selections from our award-winning stompbox modeler series. You want to put your fuzz through a tape delay and run it all in front of a small tweed amp? How about a lumpy vibe in to a high-powered "recto" head with a 1x8 speaker cab miked off-axis and dressed up with stereo delays? You're only scratching the surface. The incredible sonic flexibility and quality of the original POD is now super-charged. The POD xt has Line 6's newest-generation A.I.R. II cabinet/microphone modeling which ensures you to chose from 4 different classic mic models and even adjust how much of the room sound you hear! There's even a full-time compression . Add a bit of verb (spring, plate, hall or room) and now you're ready to track. In addition to 32 new groundbreaking amp models and 22 cabinet models built from the award-winning technology found in our flagship Vetta amplifier, POD XT delivers 6 simultaneous effects that can be flexibly routed to meet your unique sonic needs .POD xt provides a USB digital in/out for direct digital computer recording. Flash memory that allows for easy upgrades so you can always incorporate the latest innovations from Line 6 as they become available. POD XT is the next generation in the Line 6 POD family and sets a new standard for guitar tone. With 128 user/factory presets, many based on some of the most popular guitar songs ever recorded, you'll have instant access to an unbelievable collection of classic guitar rigs. Imagine the sonic possibilities of having all the coolest amps, cabs, mics, stompboxes, and studio reverbs all tweaked, wired-up, and ready to go. Features ? 28 Modern and Classic Amp Models 22 Cab & 4 Mic models Over 50 Stompbox, Synth and Studio Effects w/ Flexible Routing Full time dedicated 6 band semi-parametric EQ & Compressor storable per-patch 64 Channel Memories Deep Editing USB Digital I/O Discrete Processed and DI Outputs Option for Biamp outputs with selectable crossover Ability to mix in direct signal with modeled signal Selectable FX Crossover frequency Built-in Chromatic Tuner Headphone Out Full MIDI Support Amps Based On: Acoustic 360 Aguilar DB750 Alembic F-2B Ampeg SVT Ampeg B-15 Eden Traveller WT-300 Fender Bassman Combo Fender Bassman Head Fender Dual Showman GK 800 RB Hiwatt DR-103 Hiwatt 200DR Marshall Major Marshall Super Bass Mesa Boogie Bass 400+ Polytone Minibrute Sunn Coliseum SWR SM-500 Versatone Pan-O-Flex Vox AC100 Line 6 Sub Dub Cabs Based On: 1x12 Euphonics CXL-112L 1x12 Versatone Pan-O-Flex 1x15 Ampeg B-15 1x15 SWR Big Ben 1x15 Polytone Minibrute 1x18 Acoustic 360 1x18 Mesa Boogie 1x18+12 Sunn Coliseum 2x10 Ashdown ABM 210T 2x15 Fender Dual Showman D130F 2x15 Mesa Boogie 2x15 Vox 4x10 Bassman Combo w/ new spkrs 4x10 Fender Bassman Combo 4x10 Eden David 4x10 Hartke 410 4x10+Horn SWR Goliath 4x12 Hiwatt Bass Cab 4x12 Marshall Basketweave 4x12 Marshall Basketweave 2 4x15 Marshall Major 8x10 Ampeg SVT Effects Based On: Mu-Tron III Arbiter Fuzz Face Big Muff Pi Ibanez TS-808 Tube Screamer ProCo Rat Tycobrahe Octavia MXR Dynacomp Boss CS-1 Boss CE-1 A/DA Flanger MXR Phase 90 Uni-Vibe Fender amp tremolo Vox amp tremolo Fender Vibratone Boss DM-2 EH Deluxe Memory Man Maestro EP-1 Roland RE-101 Space Echo Mics Based On: Neumann U47 (2 different mic placements) AKG D112 EV RE20 PLUS: Full time 6 Band semi-parametric EQ Full time Compressor based on* a Urei LA-2A Many Line 6 original models including Synths, Filter Effects & Reverb

PreSonus Firebox 24/96 FireWire Price: 299.00 Retail Price: 499.00 FIREBOX Gigasonic The FIREBOX from PreSonus is a compact however powerful FireWire recording system with the ability to record and playback six inputs and ten outputs simultaneously at professional-grade 24-bit/96k resolution. The FIREBOX has the highest record/playback track count of its size with the ability to record six inputs and playback through ten outputs at the same time and all at pro-quality 24-bit/96kHz. The FIREBOX is a personal recording studio combining two high quality PreSonus microphone/instrument preamplifiers, 24-Bit/96k sample rate and Steinberg's Cubase LE 48-track recording software. Two ultra-low noise high-headroom microphone/instrument preamplifiers with 48V phantom power are used on the front panel for connecting your favorite microphones without difficulty. The FIREBOX also comes with a high quality stereo headphone output with volume adjustment on the front panel. Two-channel driver stream can be used as a separate stereo bus or two-channel output giving you the ability to send a "cue" mix to the headphone output and a main mix to the main output present in its headphone output. Two additional balanced TRS line inputs are positioned on the rear of the FIREBOX with six balanced TRS line outputs. Two channels of S/PDIF input/output and MIDI input/output are attached through DB9 breakout cable. The 1/3U-wide metal chassis of the FIREBOX is designed to fit the MAXRACK rack-mounting system from PreSonus and can be racked with the TubePRE, COMP16, EQ3B and HP4 for neat and compact computer recording system. The FIREBOX works with both four and six-pin FireWire (IEEE 1394) connectors and can be powered by either 6-pin FireWire bus power, or powered by an external power transformer. The Windows XP and Macintosh compatible FIREBOX comes ready-to-record with Steinberg's Cubase LE 48-track 24-bit/96K recording software, and is also compatible with many popular ASIO/WDM and Core Audio based applications including Logic, Sonar, Audition, Digital Performer and others. A software router/mixer is included for supplementary flexibility and power. Cubase LE The included Cubase LE software features forty-eight audio tracks, VST plug-ins and full VSTi support along with professional editing capability. The software and all included plug-ins are attuned with both Mac and PC systems, and all Cubase LE sessions are completely upward compatible with both Cubase SX and Nuendo. The unit is familiar with many ASIO/WDM and Core Audio based applications that consist of Logic, Sonar, Audition, Digital Performer and others. DSP Mixer Included The Firebox features a Zero-Latency DSP mixer that allows you to mix all six live inputs with a software output stream, then route that mix to any one of its outputs and assigns that mix or a software output stream to its headphone amplifier. This feature eliminates monitoring through the computer and makes it easy to customize a mix for the artist. It also allows CUEING for DJ's and live performance where the headphone output can monitor an utterly diverse signal than the MAIN outputs. Features High-Speed FireWire Network Audio Interface Plug and play FireWire (IEEE 1394) audio interface 24-Bit / 44.1, 48, 88.2, 96K sample rate Record/playback 6 inputs/10 outputs at 24-bit/96K 2 PreSonus microphone/instrument preamplifiers 2 analog line inputs, 6 analog line outputs S/PDIF input/output MIDI input/output Low latency monitoring Headphone output Powered via FireWire bus or externally Software router/mixer Windows and Macintosh compatible Fits MAXRACK rack mounting system Free Cubase LE audio production software Specifications Preamp Bandwidth: 10Hz to 50 kHz Preamp Input Impedance: 1.3k Ohms Instrument Input Impedance: 1M Ohms Preamp THD: <0.005% Preamp EIN: -125dB Preamp Gain: 45dB (+12dB digital boost switch) Line Input Impedance: 10k Ohms TRS Output Impedance: 51 Ohms TRS Main Outputs: Impedance 51 Ohms Headphone Output: 150mW/Ch 20Hz-20kHz Phantom Power: 48V +/- 2V Power Supply: Ext line Transformer, Internal Switching Bus Power: Six-pin FireWire Port Analog to Digital Converters: 24-bit / up to 96khz ADC Dynamic Range: 107dB DAC: 24-bit / up to 96kHz DAC Dynamic Range: 110dB IEEE1394 Speed: 400mbps

Alesis MultiMix 8 Firewire Mixer Price: 299.00 Retail Price: 599.00 ALESISFW8 Gigasonic Compact, affordable 8, 12 and 16 channel analog mixers with built-in multi-channel FireWire audio computer interface The MultiMix FireWire series are great sounding standalone mixers with an integrated 24-bit FireWire interface. Each input channel on the mixer (plus the stereo mix) is sent into your computer while a stereo output is received from the computer for monitoring. Essentially, it's like having a mixer and a 18-in/2-out interface in one compact package. And here's the clincher: the MultiMix FireWire is actually costs less than most professional FireWire interfaces alone!The MultiMix series mixers are the most compact, affordable high-quality mixers available with built-in 28-bit digital effects and 24-bit FireWire audio interface. Features ? Compact, affordable 8-channel analog mixer and Multi-channel FireWire audio computer interface Record each mixer channel, plus the main stereo mix 4 high-gain mic/line (XLR and 1/4" balanced) inputs with phantom power, 2 stereo balanced 1/4" line inputs, aux send (can sent to onboard or external effects), stereo aux return 100 28-bit onboard preset effects including reverbs, delays, chorus, flanging, pitch, and multieffects 3-band EQ per channel with high/low shelving and mid bandpass/reject Separate 1/4" balanced main and monitor outs, headphone out 24-bit, 44.1/48 kHz operation with high-end A/D and D/A conversion through integrated FireWire audio interface using next-generation Dice II FireWire chip Compatible with Mac OSX and Windows XP Steinberg Cubase LE included Easy to attach rackmount available Specifications ? Dimensions & Weight 9.8" x 9.1" x 3.2" (W x H x D) 249mm x 231mm x 80mm 5.4 Lbs./2.5 Kg.(excluding power supply)

DigiTech GNX3 Guitar Processor Price: 299.00 Retail Price: 399.00 DIGIGNX3 Gigasonic The DigiTech GNX3 Guitar Workstation shows how the team at DigiTech has jumped way ahead of the pack. Why someone hasn't done this before is anybody's guess. Now, guitarist can record super high-quality digital while you're playing and control the recorder with your feet. Record 2 tracks simultaneously, dub up to 8 tracks, then transfer them to your computer for editing with the included Cakewalk software. The GNX3 includes all of the versatility found in the GNX1 and GNX2. The GNX3 is way beyond your standard effects fare! drum machine and bass amp modeler--- The guitarist can first lay down rhythm tracks on the built-in 8-track recorder. balanced XLR mic input--- makes it easy to add vocals. CIT (Cabinet Imaging Technology)--- the guitarist can then lay down the guitar tracks. Features ?/td> DigiTech's Exclusive GENETX?Technolgy Distortion Pedal Modeling Advanced CIT?Cabinet Imaging Technology Dual-channel amp switching Unlimited amp models Create amp HyperModels Built-in 8-track recorder Recording memory expandable using rear-panel SmartMedia?card slot Learn-A-Lick? JamMan?Delay Looper Built-in expression pedal Extensive library of studio-quality effects S/PDIF digital outputs 24-bit A/D/A converters 44.1 kHz sampling rate Chromatic Tuner Full MIDI implementation Drum Machine Effects Pickup Simulation Wah Compression Whammy? Intelligent Pitch Shifting Distortion Stompbox Modeling Amp Modeling Cabinet Modeling 3 Band Semi-Parametric EQ Noise Gate Auto Swell Pluck Gate Talker? Chorus Flanger Triggered Flanger Phaser Triggered Phaser Tremolo Panner Rotary Speaker Vibrato YaYa?br /> AutoYa? SynthTalk? Envelope Filter Multiple Reverbs Detuner Pitch Shifter Mono Delay Analog Delay Ping Pong Delay Analog Pong Delay

DigiTech JamMan Looper Performance Loop Pedal Price: 299.00 Retail Price: 499.00 DIGIJAMMAN Gigasonic Following in the tradition of the legendary Lexicon JamMan Looper, DigiTech is pleased to announce a new member to the line up. The JamMan Looper from DigiTech is a phrase sampler/looper designed for the performing vocalist and musician. With CompactFlash?memory support of up to 2GB and dual footswitches the Looper pedal allows realtime seamless looping with nearly endless overdubbing. A wide range of features combined with ease of use make the DigiTech JamMan the perfect looper/phrase sampler for practicing, composing, and performing. Input audio can be from instruments, microphone or line level audio sources. An optional 3 button footswitch can be connected for remote loop access and reverse functions. Up to 99 loops can be saved onto a CompactFlash?card (.wav format). Up to two gigabyte CompactFlash?memory cards are supported so you can record hours of loops and samples, instead of just minutes. Connect to a computer via the JamMan's USB port and transfer loops to a hard drive. With the JamMan in your bag of tricks, the possibilities for practice, looping, and accompaniment are nearly endless. Features ? Save up to 99 independent loops. Store over 24 minutes of looping time on the included CompactFlash card. Upgrade to a 2GB card to store up to 6.5 hours of audio! Connect to your computer via USB and never lose another loop ever again! Record rhythm loops and solo over them on the fly, completely Hands-Free Load up the JamMan with bass lines, drums, harmonies, and more; create an entire backup band, take it with you, and perform anywhere! Slow down or speed up any song without changing pitch Removable CompactFlash Type I memory card with over 24 minutes of capacity included (up to 2GB of storage or 6.5 hour * capacity) *with optional 2GB card USB port to transfer loops to and from your computer. Create a library of all your loops Balanced XLR mic input with professionalgrade, low impedance input with dedicated gain control. Perfect for dynamic and self-powered microphones CD quality 44.1kHz sampling rate Metronome with multiple rhythm sounds and time signatures Rugged metal chassis Automatic recording Power supply included Optional footswitch adds addidtional Hands-Free functionality Specifications ? Number of Loops Saved: Up to 99 phrases (restricted to space on memory card) Connections: Instrument Input Jack (1/4 in.) Balanced XLR input CD/AUX Input CompactFlash Type I Storage Footswitch Jack Output Jack (1/4 incv) Power Adaptor Jack USB Jack Power Supply: 9V AC Size: Width: 6.65 inches (168 mm) Depth: 5.57 inches (141 mm) Height: 2.85 inches (65 mm) Included in Box: JamMan Looper CompactFlash Card Power supply Manual Optional: FS3X footswitch CompactFlash Card (up to GB in capacity or 6.5 hours or recording time)

Novation Remote 61 Le USB MIDI Controller Price: 299.00 Retail Price: 499.00 NOVREM61LE Gigasonic With its funky touchpad and cool 4-way joystick, the lightweight ReMOTE LE 61 is an outstanding choice for the musician on a budget wanting to trigger samples, lay down basslines or control a sequencer with true style. The ReMOTE LE 61 keyboard also comes complete with a full version of the Novation Bass Station software synthesizer. Novation ReMOTE LE 61 MIDI Controller at a Glance: A wealth of assignable controllers Unique joystick and touchpad Easy to use, with built-in templates A wealth of assignable controllers The ReMOTE LE 61 is Novation's most affordable 5-octave keyboard but still offers a wealth of MIDI controlling capability. Not only does it feature the X/Y Touchpad and combined pitch/mod joystick, which can both be programmed any way you desire, but the ReMOTE LE 61 also boasts nine knobs and nine buttons, with a Group A/B switch that doubles their versatility. Six further buttons, labeled for transport control, are also built in. Unique joystick and touchpad Featuring the unique Novation touchpad and 4-way joystick with selectable spring operation, the ReMOTE LE 61 lets you be creative on your own terms. The semi-weighted keyboard feels great, and you can select from eight velocity curves to suit your personal preferences. Easy to use, with built-in templates All of the ReMOTE LE 61 controls have been pre-programmed in 12 onboard templates for popular software applications and instruments, so that the LE will control plug-ins with style straight out of the box. Many of these templates have plastic overlays for even simpler parameter identification, but the ReMOTE LE's 32-character LCD screen already makes control display clear and simple. Many more ReMOTE templates will become available on the Novation website so check the downloads and product updates pages for regular additions. Features ?/td> Keys: 61 Type: Semi-weighted Velocity curves: 8 Pitch wheel lever: Rubberized - center return spring-loaded left to right motion. Mod/control lever: Rubberized - spring-loaded front to back motion X/Y Touchpad: 1 x touch sensitive 45x60mm, 2 assignable parameters in X direction, 2 assignable in Y direction. LCD display: 2 x 16 character silver, blue LED backlit. MIDI: 1 MIDI Out USB MIDI: 1 In/1 Out Data ports: 1 x USB 1.1 Sustain pedal: 1 x 1/4" Jack Input Rotary potentiometers: 9, 0-270?rotation Rotary encoders: 1, 360?continuous DATA wheel Transport controls: Rewind/FF/Stop/Start/Rec/Loop Buttons: 9 function switches Group B switch General operation: 5 Mode and Menu select buttons Keyboard Octave: Up and Down buttons Battery operation: 6 x standard AA Size External power supply: Standard 'center positive' 9V DC Size: 18.4 x 2.7 x 7.5 (inch) w x h x d Weight: 3 lbs Templates: 16 Editable onboard Template memories, including 12 factory settings (many more available at www.novationmusic.com)

Edirol PCR-M80 MIDI Keyboard Controller Price: 299.00 Retail Price: 375.00 PCR-M80 Gigasonic The PCR-M80 is a revised version of the popular PCR-80 MIDI Keyboard controller. Like the PCR-80, the PCR-M80 offers direct connection to the computer through USB, plus 61 keys, 27 assignable MIDI controllers, a software editor, MIDI input and output, and sustain and expression pedal connections. Advancement the PCR-M80 has over the PCR-80: the addition of velocity curves, a switchable MIDI interface, and a new key-action that offers less mechanical noise and a consistent, playable feel. Features ? Newly developed keyboard mechanism comfort to MI keyboards for musicians High quality improved keyboard assembly --- ultra-low mechanical noise 12 velocity curve selections for delicate musical nuance More comfortable reactions in the new keys Switchable MIDI Interface Cool, black (titanium dark gray) body color As a real musical instrument, not as a computer peripheral 61 Velocity-sensitive keys High Quality Keyboard Mechanism 12 Velocity Curves and Fixed Velocity Mode 27 Fully-assignable Controls: 8 Knobs, 8 Sliders, 9 Switches, and 2 Pedal Ports Rubber-coated Pitch Bend/Modulation Lever 1 GM2 and 15 User Memory Set LocationsFPT Low-latency MIDI Transmission PCR Editor Software USB Powered or AC Adaptor (Included) MIDI IN/OUT Ports Sustain and Expression Pedal Ports V-LINK High Quality Mechanism for the Serious Player With a newly designed key mechanism -- taken from Roland's 30 years of synthesizer development -- players can control a wide dynamic range with incredible subtlety. The re-designed key assemblies have a rounded shape for better reaction to the player’s touch and more comfortable glissando, plus changes have been made to reduce the already low mechanical noise of the PCR-80 and eliminate vertical shake on the key strokes. The newly developed pitch bend and modulation design offers you easier and more expressive control. All these features add up to a keyboard that even the most discerning player can appreciate. Comprehensive Connectivity for Maximizing Player's Performance Connect everything with one USB cable. Since the power is supplied from the computer, no AC adaptor is needed. The same USB connection provides MIDI IN and OUT ports that allow the keyboard to function as a MIDI interface to other external MIDI devices. It addition to this, all the information from keys and controllers can be sent through the MIDI OUT port so that you can control both software and external MIDI devices at the same time (MIDI Interface mode = OFF). With the interface mode turned on, the PCR-M80/M50/M30 can control multiple applications at the same time. Control your DAW (Digital Audio Workstation) and software synthesizer at the same time. The MIDI processing in the PCRM80/ M50/M30 is compatible with FPT (Fast Processing Technology). This technology doesn't depend on music application you are using. It provides stable, high speed, low latency, and low jitter MIDI transmission. 27 Individual Fully-assignable Controllers The PCR-M80/M50/M30 provides you with 8 knobs, 8 sliders, 9 buttons, and 2 pedal ports. These controllers can be assigned to any MIDI message, Control Change (CC), RPN, NRPN, System Exclusive and more. You get to choose what parameters to control in your MIDI hardware and software to create the perfect playing environment. 12 Selectable Velocity Curve Combinations Pick from 12 velocity curves to precisely match your playing style. As the PCRM80/M50/M30 has 4 different velocity curves and 3 kinds of sensitivity (Light, Medium, and Heavy), the player can find the combination that perfectly suits them and can produce the precise MIDI performance and programming of a true professional. In addition a Fixed Velocity Mode is provided where the PCR-M80/M50/M30 always outputs a fixed velocity (from 1 to 127) providing practical input for drum and percussion programming in step recording. PCR Editor software and Downloadable Memory Sets (Control Maps) on the web The PCR series keyboards work with all major music applications, and are equipped with user memory locations to store up to 15 different control maps. PCR Editor software for use with the Edirol PCR Keyboard Series is included. The PCR Editor allows for extensive and convenient control of the PCR keyboards from a PC or Mac. The PCR Editor is designed to assist in creating control maps for the PCR and allow users to quickly and easily make assignments to any of the 27 assignable controls. This powerful software also allows the user to copy system exclusive messages for the PCR into a sequence so the controls can be mapped or changed during a sequence. In addition to offering easy implementation of different MIDI messages, the PCR Editor also allows the user to specify minimum and maximum values for each control. Supports Win98/Me/2000/XP, Mac OS X & Mac OS 9.x. Specifications ? Keyboard: 61 Velocity Sensitive Keys Controller Memory Button MIDI Channel Button Program Change Button Edit Button V-LINK Button Octave Shift Button (+/-) Transpose Button Assignable Button (B1--6, L1--3) Bender/Modulation Lever Assignable Rotary Volume (R1--8) Assignable Slider (S1--8) Assignable Pedal (P1--2) Memory Set: Preset: 1 (GM2) User: 15 Display: 7 segments, 3 characters (LED), Power Indicator Rear Panel: Power Switch (USB BUS/OFF/DC IN) Connectors: Hold Pedal Jack Expression Pedal Jack MIDI Jacks (IN/OUT) USB Jack (B type) DC IN Jack Power Supply: DC 9 V (AC Adaptor) or USB Bus Powered Current Draw: 300 mA (AC Adaptor) 300 mA (USB Bus Power) Dimensions: 1,000 (W) x 232 (D) x 86.5 (H) mm, 39-3/8 (W) x 9-3/16 (D) x 3-7/16 (H) inches Weight: 3.7 kg / 8 lbs. 3 oz. (excluding AC adaptor) System Requirements Macintosh Operating System: MacOS 9.x, and OS X Computer: USB ready Apple Macintosh CPU/clock: PowerPC G3/233 MHz or higher Memory (RAM): 64 MB or more OMS 2.3.3 or later. FreeMIDI 1.35 or later* For MacOS 8.5, 8.6, 9.x. Plug and play on MacOS X. System Requirements Windows Operating System: Microsoft Windows Me/98/98SE/2000/XP Computer: Windows compatible equipped with a USB* port CPU/clock: CPU/clock: Intel Pentium Cerelon or Intel compatible Processor/600 MHz or higher Memory (RAM): 64 MB or more USB Chipset: Intel’s USB chipset is recommended Edirol designs its USB devices in accordance with USB specifications and has passed all compatibility tests, which are continuously held and organized by USB Implementers Forum (USB-IF).

RME Hammerfall HDSP Laptop PCMCIA Interface Price: 299.00 Retail Price: 379.00 RMEHDSPPCMCIA Gigasonic Laptops have become powerful enough for even ambitious hard disk recording in recent times. Up to now, a powerful interface was missing though. USB is neither presents the necessary bandwidth, nor the preferred compatibility. Available PCMCIA solutions at the moment are nearly always designed as 16 bit PC Card and therefore only make use of the ISA bus. Hi-tech switching power supply facility is also fabricated. The CardBus from RME delivers the same basic recitation that you would expect to find with a high-quality PCI card on a desktop computer - except it's for your laptop! Performance equals that of a desktop computer with notebook attached with the transfer rate ranging up to 130 MB/s in both directions. The card is also 100% Plug & Play compatible under Windows and MacOS, and being able to share interrupts. The connection between CardBus card and I/O box is established using ordinary firewire cable (closed LAN to IEEE 1394.) The data transfer does not use Firewire protocol, but RME's own proprietary bus protocol. The supplied cable is 4.5 m (15 ft) long; a cable length up to 10 m (33 ft) has been successfully tested. A specially designed Repeater can be used to reach cable lengths of up to 20 m (66 ft). The CardBus card does not provide power to the attached I/O-box. Features PCMCIA type II, 32 bit CardBus card Zero wait state PCI Bus master interface (130 MB/s transfer rate in both directions) Current Load: ca. 300 mA Output: Closed LAN connector Package Contents: PCMCIA type II card, cable 4.5 meter (15 ft) (Closed LAN to IEEE 1394), switching power supply 100 V-240 V/12 V - 1.25 A, card cable, battery cable

RME OctaMic ADC Analog to Digital Converter Card Price: 299.00 Retail Price: 379.00 RMEOctaMicADC Gigasonic The ADC module adds 8 channels of pristine 192 kHz AD-conversion, available as double ADAT output (S/MUX, up to 96 kHz), and simultaneously via DB-25 connector as 4 AES outputs (up to 192 kHz). The ADC can be clocked internally (master), and externally via word clock and AES sync. RME's outstanding SteadyClock ensures perfect AD-conversion, as jitter on the external sync-sources is nearly completely removed. All settings are done via DIP-switches on the back of the OctaMic D. Analog outputs and both digital outputs operate fully simultaneously. The choice of reference level affects the analog outputs only, the signal/clip indication and the AD-conversion will react only to the Gain-pots. Features ? SNR: >110 dBA Supported sample rates: 32 kHz - 192 kHz THD: < -110 dB Sync sources: AES, Word, internal SteadyClock ensures best sound quality even with jittery external clocks

M-Audio Studiophile BX5A Monitor Price: 299.00 Retail Price: 399.00 9900-40785-00 Gigasonic M-Audio has introduced the Studiophile BX5a , updated version of the company's BX5. The BX5a refines M-Audio's highly acclaimed BX5 near-field reference monitors, renowned for packing a lot of punch for their size. The 5" low-frequency driver cone is crafted from Kevlar, an extremely resilient material typically found in much more expensive monitors. Curved cone design coupled with high-temperature voice coils and damped rubber surrounds deliver incredible fidelity and durability. The 1 in . high-frequency drivers' magnetically shielded natural silk domes produce crisp top end while still being gentle on the ears. The 70-watt bi-amped power and expertly tuned crossovers round out an incredible sounding pair of reference monitors with a footprint small enough to fit just about anywhere. M-Audio's new BX5a employs Kevlar for low-frequency driver construction. The same material used in bulletproof vests, Kevlar's high resilience makes it ideal for use in speaker cones -- although it is typically reserved for monitors with higher price tags than the BX5a . Needless to say, Kevlar represents a significant improvement over the polypropylene and paper used in most monitors for this price. Active monitors have a distinct advantage over unpowered monitors, in that the built-in power amps are designed specifically to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high -- and low-frequency drivers are asked to deliver only the frequencies they are more efficient at reproducing. Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX 5a is magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference. Features ? two-way studio reference monitors 70 watts of distributed power (30w HF amp, 40w LF amp) 5" low-frequency drivers with: curved Kevlar cones high-temperature voice coils damped rubber surround 1?natural silk high-frequency drivers magnetically shielded XLR balanced and 1/4" balanced/unbalanced inputs power indicator volume control Specifications ? frequency response:56Hz-22kHz crossover frequency:3kHz crossover filter network:4th-order Linkwitz-Riley amplifier type:class AB monolithic low-frequency amplifier power:40 watts RMS into 4 ohms (woofer) at 0.5% (-46 dB) THD high-frequency amplifier power:30 watts RMS into 6 ohms (tweeter) at 0.5% (-46 dB) THD signal-to-noise:> 100dB (typical A-weighted) polarity:positive signal at + input produces outward LF cone displacement input impedance:20k Ohms balanced, 10k Ohms unbalanced input sensitivity:85mV pink noise input produces 90dBA output SPL at one meter with volume control at maximum power:factory programmed for either 115V ~50/60Hz, 230V~50/60Hz or 100V~50/60Hz; protection:RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, external mains fuse cabinet:vinyl laminated MDF (enclosure natural Helmholtz resonance frequency: 40 Hz) size:250 mm (H) x 176 mm (W) x 200 mm (D) weight:5.0 kg/unit

M-Audio Solaris Condenser Microphone Price: 299.00 Retail Price: 349.00 9900-40794-00 Gigasonic Large-capsule condenser microphone—the M-Audio Solaris Microphone sounds as good as it looks. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. Its precision designed 3-micron diaphragm, selectable polar patterns, bass roll-off filter, and switchable -10dB pad place it firmly in a class previously reserved for high-end imported studio mics. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation—included capturing vocals, guitar, piano, drums and live events. The Solaris microphone is the ideal tool for capturing the nuances of vocals, acoustic instruments and other critical source material. Features ? 1.1-inch evaporated gold diaphragm ultra-sensitive 3-micron diaphragm large all-brass capsule cardioid, omni and figure-8 polar patterns 20Hz-20kHz frequency response +/- 1dB tolerance across entire frequency range Class A FET electronics w/ output transformer -10dB attenuation pad low frequency rolloff switch (6dB per octave @ 125Hz) includes shock mount and aluminum case Specifications ? frequency response: 20Hz-20kHz sensitivity: 16 mV/Pa (-36dBV) max. SPL for 0.5% THD: 130dB equivalent noise level: 14dB (A-weighted) output impedance: 200 ohms recommended load impedance: > 1,000 ohms power requirement: 48V phantom power connector: 3-pin male XLR size/weight: 8-1/4" (h) x 3" (w) x 2" (d); 1.4 lbs.

M-Audio Firewire 410 Recording Interface Price: 299.00 Retail Price: 499.00 9900-40730-00 Gigasonic FireWire 410 is a FireWire-compatible audio/MIDI interface that has it all - power, flexibility, compact size and low price. Its 4-in/10-out configuration with preamps is perfect for personal recording, routing detached outputs to a mixer, or directly driving a surround sound system. The on-board ASIO 2- submissive mixer and software control panel provide total routing flexibility - together with monitoring and external effects. You can also get ultra-low latency software monitoring and zero latency hardware direct monitoring. FireWire 410 can even be completely bus-powered for total mobile operation*. Features 2 x 8 24-bit analog I/O 192kHz output (output 1 and 2 only; 96kHz on others); 96 kHz input Digital I/O w/ S/PDIF, AC3 and DTS (coax and optical) 1 x 1 MIDI I/O Powered via DC supply or FireWire bus* Dual mic/instruments preamps w/ gain control (66dB available gain) and phantom power 2 headphone outs w/ individual level controls Low-latency software monitoring; zero-latency direct hardware monitoring Analog outs can directly drive up to 7.1 surround Software-assigned level controller for tactile control of all input and output levels 2 convenient high-speed FireWire ports requires 6-pin FireWire port Includes Maximum Audio Tools containing a great collection of software so you can make music immediately. Specifications Frequency response: 20-40KHz +/- 1dB Signal-to-noise: -108dB Dynamic range (A-weighted): 108dB THD + N: 0.00281% @0dBFS Physical Specs Dimensions: 9 1/4 in. X 7 in. X 1 7/8 in. Weight: 2.95 lbs. The FireWire 410 Control Panel provides complete control over audio routing/monitoring, level controller assignment and more. Minimum System Requirements PC: Pentium III 500 MHz, Windows 2000/XP, 128MB RAM, DirectX 8.1 or higher Mac: G3 500MHz w/ OS 9.2 or greater, 128MB RAM; G4 500MHz w/ OS 10.1.5 or greater, 256MB RAM

M-Audio Midisport USB 8x8 MIDI Interface Price: 299.00 Retail Price: 399.95 9900-40714-00 Gigasonic With a wide variety of applications in news-gathering, sports events and interviews, the Sony CU-E672 is an electret shotgun microphone capsule designed for use with the WRT-847B modular handheld UHF transmitter. Features Extreme directional response, minimizes off-axis pickup. Electret element for clear sound, excellent transient response and wide frequency response. Uses similar casule design from ECM-672 shotgun microphone! Supplied windscreen helps reduce wind noise & popping Ideal for use in In-field video and film production and ENG Module works with WRT-847B. Specifications Element Type Electret Condenser Directivity Hypercardioid Maximum Sound Pressure Level (SPL) 120dB Frequency Response 50 Hz - 16 kHz Dimensions 1.5" x 6.875" (38.1 x 174.625mm) Weight 5.3 oz. (150.2 g)

Alesis X Guitar Price: 299.00 Retail Price: 349.00 ALESXGUITAR Gigasonic Perfect for stage, studio or practice, the new X-Guitar by Alesis harnesses the power of hundreds of pedals for the guitarist seeking that special sound. The XGuitar is a full-scale electric guitar that features 80 editable guitar presets in one professional package; including headphone and line outputs. All of the presets can be user-configured using the 9 effect modules and 8 different signal routing possibilities. Features ? 80 programs, each a factory preset that can be edited by the user or restored to factory default 9 effects modules, each with multiple selectable effects, over 40 different effect types 8 different signal routing options for re-ordering effect modules 28-bit high-quality effects including reverbs, delays, chorus, flanging, amp emulation and transposition Master volume and two tone controls Simple up/down toggle switch to facilitate program changes on-the-fly Built-in auto-chromatic tuner 1 dual humbucker and 2 single stack humbucker pickups Expression pedal input for volume, wah-wah control over effect parameters 30 hours of operation (on 4 AA batteries) Stereo/headphone output on 1/4 in. TRS connector Specifications ? 80 Programs, each a factory preset that can be edited by the user or restored to factory default 9 effects modules, each with multiple selectable effects, over 40 different effect types 8 different signal routing options for re-ordering effect modules Simple Up/Down Toggle switch to facilitate program changes on-the-fly Built-In Auto-Chromatic Tuner Pickups- 1 Dual Humbucker, 2 Single Stack Humbuckers, Strings- 10 Gauge Bolt-on neck Expression Pedal Input Battery Power Operation (4-AA Batteries) AC Power Optional Stereo/Headphone Output on 1/4?TRS Connector Simple Up/Down Toggle switch to facilitate program changes on-the-fly Weight: 7.5 lbs Dimensions: 11.5?x 39?x 3?(W x L x D)

Alesis M1 Active 520 Monitor Price: 299.00 Retail Price: 499.00 ALSM1520 Gigasonic The new M1 Active 520 reference monitor continues the Alesis tradition of building premium studio monitors at a great price. The M1 Active 520 offers incredible definition and flat frequency response with the help of high-precision drivers and a carefully designed crossover. The rear-port provides deep bass-extension and high SPL output, and the four rear-mounted EQ switches allow the user to tailor the speaker to the studio environment. The M1 Active 520's 1" thick front baffle minimizes speaker resonance and the visually stunning acoustic waveguide evenly disperses high-frequency sound across your control room. The M1Active 520 has our new Bass Density control, which allows you to tailor these monitors to any kind of control room setting regardless of room placement. Finally, the distinctive top-mounted power/clip indicator lets you know if the speaker is clipping. Features ? 5 in. low frequency woofer for clear bass and midrange 1 in. silk dome tweeter for clear highs without ear-fatiguing harshness High-precision drivers offer lower distortion and smoother frequency response Acoustical waveguide for superior imaging with minimal diffraction 1 in. thick front baffle virtually eliminates speaker resonance Magnetically shielded for close placement to video monitors in computer based music production studios 1/4 in. TRS connector with volume control Low Frequency Density Switch for acoustic space adjustment of the monitors Rear port design provides deep bass extension and increased SPL Hi, Mid, and Low Frequency EQ switches to accommodate user preference and sub-woofers Top mounted, integrated Power Switch/Clip Light Bar

Alesis MultiMix 12USB Mixer Price: 299.00 Retail Price: 399.00 ALESUSB12 Gigasonic As one of the most compact, affordable, high-quality mixer-Alesis MultiMix 12USB comes with 28-bit digital effects and digital stereo inputs and outputs. The MultiMix 12USB is a new compact mixer featuring low noise analog electronics and 100 great-sounding 28-bit digital effects. The mixer also have USB audio, which allows direct computer audio interfacing for 16-bit simultaneous stereo input and output using standard recording software. The Alesis 12USB features 12 input channels and 4 mic preamps with all fader control. This compact, affordable, high-quality mixer even has digital stereo inputs and outputs, for a total of eight and twelve inputs respectively. The Alesis 12USB is wonderful for musicians and engineers needing a portable, flexible mixer with digital effects for sound reinforcement, studio recording, submixing, rehearsals, field recording, and digital audio/video computer workstation mixing. Features Compact, affordable 12-channel analog mixer with USB 4 high-gain mic/line inputs with phantom power, 2 stereo balanced 1/4?line inputs 100 28-bit onboard preset effects including reverbs, delays, chorus, flanging and pitch 3-band EQ per channel, >Separate 1/4balanced main and monitor outs, headphone out 44.1 kHz S/PDIF digital out Integrated USB audio interface, Plug and Play operation under Mac OS X and Windows Steinberg Cubase LE included Easy to attach rackmount ears available Specifications CONTROL Front-panel channels (top down): 4 mic/line channels with 75Hz highpass filter switch and mic/line gain. All channels with 3-band EQ (high shelving at 12kHz, mid bandpass/reject at 2.5kHz, low shelving at 80Hz), aux send A (pre- or post-fader), aux send B (post-fader, onboard or external effects), pan or balance, pre-fader listen or solo-in-place, mute or alt 3/4, 60mm fader. Front-panel other: Effect section with selector plus clip and signal LEDs. Aux return A level, effects/aux return B level. Headphone/control room out level with mix, alt 3/4, 2-track, and alt 3/4 to mix switches. Solo mode, 2-track to mix switches. Stereo main and alt 3/4 60mm faders. Stereo 8-segment LED meters. CONNECTIONS USB 1.1 Stereo input/Output for PC and Mac. All 1/4"" TRS except as noted: Mic in x 4 (XLR), mono line in x 4, stereo line in x 4, aux sends x 2, stereo aux returns x 2, stereo main out, stereo control room out, stereo alt 3/4 out, headphone out. 2-track stereo in and out (RCA). AUDIO SPECS Frequency response: 20Hz-22kHz 0.5dB. Dynamic range: >100dB. Distortion: "

Steinberg HALion 3.1 Sampling Price: 279.99 Retail Price: 399.99 502014910 Gigasonic Since its launch in 2001, HALion has been pushing back boundaries in virtual samplers. HALion 3 is no exception: over 50 new features ensure that HALion stays where it always has been: at the forefront of digital audio technology. This latest version expands existing HALion capabilities to new levels of accessibility and flexibility, creating a virtual sampler environment that not only lets your creativity flourish, but lets you work more productive and efficiently than ever before. Building on the outstanding surround-capable HALion 2.0 sampling engine with support for up to 32-bit floating point files, HALion 3 adds even more new capabilities. A new output routing system allows you to create and configure the audio outputs; only the outputs you need will be routed directly to the host VST mixer. The sleek new user interface is not only easy on the eyes but has been restructured to keep switching between the different HALion 3 views to a minimum. Features Up to 32 Bit / 384 kHz file support 256 Voices per instance, several instances loadable simultaneously 16-way multi-timbral with an individual editor for program selection 128 programs per instance, unlimited layers per program Full individual parameter set for each sample if required, ideal for drum sounds Notch / High Pass / Low Pass / Band Pass 12 dB and 24 dB Filter as well as fantastic sounding Waldorf filters, and Fatness function for - Overdrive filter sounds 2 synchronizable envelopes with up to 32 freely editable points, intuitive handling 32-stage STEP envelope as free modulation source and 2 LFOs, syncnronizable to the host application Keyzone Editor for quick mapping of keyzones, samples, sample layers and velocity values with drag'n'drop support and several automapping modes Up to 256 freely configurable outputs per instance 5.1 surround support All new realtime FX: Reverb, Phaser, Talkbox, Delays, EQs,BitCrusher, AutoWahWah and much more (27 effects total) Insert effects can be applied to individual samples, sample groups or entire programs Effects sends can be sent to the HALion internal Send effects or directly to the VST mixer through configurable outputs to share plug-in - Resources between the Host and HALion Integrated Waveloop Editor with crossfade, snap to zero, loop, release loop, loop tuning settings Total recall: all samples are saved with your song, including the respective settings Sample-accurate timing and automation thanks to perfect VST integration Archive function, transfer of entire projects to other computers with zero hassle RAMSave technology offers lower RAM needs, speeding project loading and saving Import formats: AKAI, E-MU, Roland, Kurzweil, GIGA, Kontakt, EXS24, SF2, LM4, LM4 MkII, REX, ZeroX BeatCreator, WAV, AIF, SD II (Mac only), ISO & Nero Disc Image, Toast CD-Image Supports VST, DXi and AU formats Specifications Steinberg Key Required! Halion 3.1 requires a Steinberg Key - a small USB copy protection device that prevents other people from making illegal copies. Users of Cubase SX, Nuendo 2 or 3, Hypersonic or HALion 3.0 will already have the required Steinberg Key. If you do not already have a Steinberg Key then you may purchase one for a small extra charge when you buy HALion 3.1. You will not be able to use HALion 3.1 without a Steinberg Key. PC / MAC Requirements Pentium / Athlon 800 MHz (Pentium / Athlon 1.4 GHz or faster recommended) / Power Mac G4 867 MHz (Power Mac G4 Dual 1.25 GHz or faster recommended) 384 MB RAM (512 MB recommended) Windows XP Home and XP Professional / OS X Version 10.3.3 or higher Windows MME compatible audio hardware (ASIO compatible sound card recommended) / CoreAudio compatible audio hardware For using HALion as plug-in, a VST2 or DXi2 (pc) / AU (mac) compatible Host is required USB component connector required Display Resolution 1024 x 768 pixels (Display Resolution 1152 x 864 pixels, dual monitor setup recommended) DVD drive required for Installation

Alesis RA300 Reference Power Amplifier Price: 279.00 Retail Price: 359.00 ALESRA300 Gigasonic Building on the ever-popular RA100 power amp, Alesis has cranked up the juice with this new power amp that generates 300 watts of crystal-clean bridged power, 150W per channel into 4 ohms, or 90W per channel into 8 ohms. Priced to fit in your budget as well as it fits in your rack, this beauty boasts rugged construction and striking good looks. Advanced convection cooling keeps temperatures low for long, stable operation with no heat-related complications and no noisy, rickety fans to deal with. >105dB signal-to-noise ratio, 10Hz-70kHz frequency response, and <.02% distortion @ 4 ohms (20Hz-20kHz) mean pro-quality performance. Features ? Height: 2 RU Rated output per channel: 4 ohms: 150 watts RMS per channel 8 ohms: 90 watts RMS per channel 8 ohms: 300 watts RMS, bridged mode Signal to Noise Ratio: >105dB Frequency Response: 10Hz - 70kHz +0, -3dB Distortion: < 0.02% @ 4ohms, 20Hz - 20kHz Input Sensitivity: +4dB for rated output Crosstalk: -85dB, 1kHz Output offset: +/- 50 mV, Servo controlled Inputs : 1/4" TRS and RCA Outputs : 1/4" and push clip

M-Audio LX4 Expander System expands from 2.1 to a 5.1 system Price: 279.00 Retail Price: 399.00 9900-40788-00 Gigasonic The LX4 5.1 System instantly transforms the LX4 2.1 System to full 5.1 surround - now or later. The package includes three additional LX4 satellite monitors for a total of five satellites and a subwoofer. Compact design provides for easy placement of each component. All the power is in the subwoofer, eliminating hassles with routing AC around the room. Features adds 3 satellites to LX4 2.1 System for complete 5.1 surround 15 watts per channel (powered via sub) 4 polypropylene MF drivers 1" mylar HF drivers small enough to fit anywhere ported enclosures for optimal fidelity Specifications dynamic range: 100dB (A-weighted) frequency response: 40Hz-C20kHz; +1dB, -3dB (satellites and sub) mid-range/ tweeter crossover frequency: 2.9kHz RMS SPL @ 1 meter: 102.5dB signal-to-noise ratio: 82dB @ 1 watt (typical, A-weighted) satellite size/weight: 8.5" (h) x 5.75" (w) x 6.25" (d); 4.4 lbs. each "

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