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M-Audio FireWire Audiophile and X-session Bundle Price: 279.00 Retail Price: 449.00 MADFWAXB Gigasonic FireWire Audiophile FireWire Audiophile is a compact, FireWire-compatible audio/MIDI interface that takes the legacy of M-Audio's award-winning Audiophile line to the next level. 4 x 6 audio I/O combines with powerful on-board mixing in a mobile package that's perfect for live performance, home recording, and digital DJ work. Stereo headphone output with A/B switching between assignable sources allows precuing for DJs and mobile musicians-and the assignable aux bus is perfect for creating dedicated headphone mixes and effect sends. You also get zero-latency hardware direct monitoring, ultra-low latency ASIO software direct monitoring, and 1 x 1 MIDI I/O. FireWire Audiophile even has AC-3 and DTS passthrough for surround sound playback. X-Session The digital DJ revolution has arrived and Evolution's X-Session puts you in the center of the action with total control over today's hottest music software. Scratch and cut using the classic 60mm cross-fader. 10 assignable buttons let you trigger loops and digital effects, or instantly mute and unmute tracks. 16 assignable knobs give you control over volume and panning, digital effects and synth parameters. X-Session even comes with Ableton Live XS and Arturia Storm XS for a complete, powerful digital DJ experience right out of the box. Bundle Include: Brand New M-Audio FireWire Audiophile Brand New M-Audio X-session

Line 6 FBV Shortboard Controller Pedal Price: 269.99 Retail Price: 369.00 LINE990400901 Gigasonic The Line 6 FBV Shortboard features a backlit display that shows where you are plus rugged steel stomp switches and pedal to give you complete control of where you're going. The FBV Shortboard is designed for use with the Line 6 Duoverb 2x12 Combo or the Duoverb head, this Shortboard adds functionality to your Duoverb amp or head. This tool works with Flextone III, Duoverb & all Pod XT, Vetta, allows access to 36 presets, dedicated channel & effects on/off switches, wah/volume pedal w/toe switch on/off, large name display, expression pedal input for separate volume control, tap tempo switch (Flextone/Vetta), chromatic tuner, powered by amplifier. Features ? Works with Vetta combo, Vetta HD, Duoverb, and PODXT Access to 36 Presets on Duoverb Dedicated channel switches Dedicated effect and FX loop On/Off switches Large naming display Wah/Volume pedal Expression pedal input for dedicated Volume control Chromatic tuner Tap tempo switch (for Vetta use only) Powered by the Vetta or Duoverb

Line 6 DL4 Delay Modeler Pedal Price: 249.99 Retail Price: 349.00 LINE99DL4 Gigasonic The DL-4 Delay Modeler includes 16 different types of delays including Loop Sampler, tape echo, delay with modulation, reverse and rhythmic delay. In addition, you have got complete programmable control over all aspects of the sound on stage or in the studio. The DL-4is an attractive powerful tool offering you delay effects never before available in one uint. The DL-4 has a digital modeling based on 15 of those vintage delay and echo effects. It comes with EP-3 solidstate Echoplex, EP-1 Tube Echoplex, Space Echo, Reverse delay, Deluxe Memory Man, Dynamic delay, Rhythmic delay, and many more! The Loop Sampler includes 14 seconds of memory + 800ms of Pre-delay (sort of a delay within a delay), and features half speed and/or reverse overdubbing, and more. Features ? 3 programmable presets and onboard Tap Tempo. True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp. Expression Pedal Input ?for real-time control of all effect settings. DL4 runs in discrete stereo, both inputs and outputs, so Left stays left and Right stays right. (Loop Sampler sums signal to mono.) Runs from batteries (a set is included) or optional power adapter. Specifications ? Digital Effects: 16 Factory Presets: 18 User Programmable Channels: 3 Controls: Effect Selector, Delay Time, Repeats, Tweak, Tweez, Mix Additional Controls: Tap Tempo (included), Expression Pedal (optional) Mono/Stereo: Stereo in, Stereo out (Loop Sampler sums signal to mono) Chassis Color: Green

Line 6 MM4 Modeler Pedal Price: 249.99 Retail Price: 349.00 99MM4 Gigasonic The MM4 offers you 16 of the most popular and sought after modulation effects from the sweet warble of modeled tube bias tremolo, through 2 types of rotary speaker, to the rarest stereo choruses from the 80's. With fully programmable effect parameters and extra control available with the optional EX1 expression pedal, if making things shimmer and shake is your thing, the MM4 may become your favorite tool. All new Line 6 digital models based on classic effects including: Uni-Vibe, Phase 90, Leslie 147, CE-1 Chorus, MXR Flanger, the incredibly rare Tri-Stereo Chorus, Mutron Bi-phase, and much more. Features ? 4 completely programmable presets available at the tap of a toe. No more need for multiple pedals for multiple effects. True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp. Expression Pedal Input ?for real-time control of all effect settings. Also the ability to morph between settings lets you create effects not possible with the originals. Nothing but knobs. No menus, no multiple button contortionist gymnastic moves, just twist and go. Stereo inputs and outputs. Runs from batteries (Hell, we even include a set) or optional power adapter. Specifications ? Digital Effects: 16 Factory Presets: 20 User Programmable Channels: 4 Controls: Effect Selector, Speed, Depth, Tweak, Tweez, Mix Additional Controls: Expression Pedal (optional) Mono/Stereo: Stereo in/ Stereo out Chassis Color: Blue

Audix Fusion 6 Drum Microphone Package Price: 249.99 Retail Price: 549.00 AUDIFS6 Gigasonic The Fusion 6 Drum Microphone package includes three F10 dynamic snare/tom mics, one F12 dynamic bass drum mic, and two F15 overhead condenser mics . The F10 highlights the upper register of snare and toms while the F12 captures all the power and impact of your bass drum with absolutely no distortion. The super sensitive F15 condensers are perfect as overhead mics for cymbals or up front for picking up the overall kit for a more open, ambient mic sound. The Fusion 6 Drum Microphone packs from Audix make your drums are heard loud and clear on stage or in the studio! Featuring the D Series mics - Audix's finest instrument microphones - they're a great resource for any musician or sound engineer who needs a simple, dependable solution to miking percussion. The package are available complete with foam padded road case, and all Fusion mics come with integral mic clips. All mics will be available individually and carry a one year warranty. Now, with the introduction of the Fusion Series Drum Microphones, Audix quality and performance is available in a great sounding, very professional, and very affordable package. Features ? 3 x F-10 snare/tom mics 2 x F-15 overhead condenser mics 1 x F-12 kick drum mic Foam-lined, all metal road case Mic stand clips Specifications ? F-10 Application: Snare, Toms Bongos, Quinto, Hi-hat, Shekere, Congas, Timbales Features: Tailored frequency response provides upper mid-range attack and clarity Transducer Type: Dynamic Frequency Response: 50 Hz - 12 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 1.8 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.1 oz F-12 Application: Kick Drum, Floor Tom, Djembe Features: Extended low end response for fat, punchy sound Transducer Type: Dynamic Frequency Response: 40 Hz - 10 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 2.1 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.4 oz F-15 Application: Cymbals, Overheads, Hi-hat, Goodie Table Features: Captures wide sound field of the cymbals and transients. Adds dimension and realism Transducer Type: Condenser 9 - 52 volts phantom Frequency Response: 100 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 9.3 mV/Pa Capsule Technology: Back plate electret Maximum SPL: 135 dB Off-Axis Rejection: >15 dB Housing: Die cast zinc, black e-coat Weight: 6.5 oz

Steinberg Hypersonic 2 Music Software Price: 249.99 Retail Price: 399.99 502013874 Gigasonic Steinberg Hypersonic 2 is Steinberg's multi-purpose music workstation that not only offers thousands of top class sounds, but is incredibly CPU and RAM efficient. Four powerful synthesis engines, 1.7 GB of top quality sounds, 1800 stunning factory presets: that's an almost overwhelming array of sounds, effects and instruments ready for use in just about any musical style or sound design application. And thanks to the unique and proprietary sample optimization technology, each instance is exceedingly efficient with computer resources, with each instance offering up to 1024-voice polyphony across 32 stereo outputs. Steinberg Hypersonic 2 is also startlingly easy to use instant access to crucial parameters for each individual patch means a smooth, efficient and creative workflow. Steinberg Hypersonic 2: that's state-of-the-art music creation at your fingertips. Features More Sounds Hypersonic 1.0's sound library was revamped from the bottom up and augmented with scores of new patches. Armed with this arsenal of audio power, Hypersonic 2 delivers even higher quality sounds for every type of music production. Sonic highlights include: 800 brand-new and 1,000 revamped factory patches 1.7 GB of first-class sample content - more than the twice the resources of Hypersonic 1.0 New and improved drum kits, richly enhanced for electronic genres in particular New XXL versions of instruments – super-sized multi sample versions of many vital instruments Patch Editor The new Patch Editor affords access to hundreds of sound parameters for utmost creative freedom in sound design. With this powerful editor, you can dramatically reshape Hypersonic patches and program entirely new sounds. In combination with Hypersonic 2's four sound engines, the Patch Editor offers a virtually inexhaustible treasure-trove of sonic resources for discerning sound designers. Extended Effect Section Hypersonic 2 enriches the workstation's effect section with five great-sounding effects: High Quality Reverb, Reverse Reverb, Diffuse Delay, Bi-Phaser, Tube Drive. MIDI Learn Function The practical new MIDI Learn option lets you assign a MIDI controller to most Hypersonic functions. And with the power of MIDI at your fingertips, automating and controlling sound parameters in real-time using any external MIDI device couldn't be easier. For example, you can opt to simply use your MIDI keyboard's knobs to control Hypersonic 2's Hyperknobs. Hyperphrase Arpeggiator A powerful polyphonic arpeggiator, Hyperphrase features 200 prefab MIDI phrases suitable for every type of music or instrument. What's more, you can alter every phrase any way you wish using an integrated Step Editor. And though the creative possibilities are all but unlimited, the MIDI Import feature multiplies the options for the even more sonically adventurous. Combi Chain Feature With the new Combi Chain function, you can set up, load and control via program change commands 128 multi patches (or combis). This feature comes in very handy, particularly at gigs, because it lets you set up a sequence of combis (say a combi for every song) and load them into the buffer. That way, combi B is pre-loaded for the upcoming song without cutting off combi A while you're playing the current song. Specifications Mac: Mac OS X v10.4 Power Mac G4 1 GHz Minimum 512 MB RAM DVD drive required for installation CoreAudio compatible audio hardware is required Steinberg Key (copy protection device) and USB port required* Internet connection required for license activation For usage as plug-in, a VST (VST 2.3 or higher) or AU compatible host is required (AU hosting is compatible with Logic 7.1.1 or Digital Performer 4.6). For usage as Rewire slave device, a Rewire compatible host is required. PC: Windows XP Home or XP Professional Intel / AMD Prozessor 1.4 GHz minimum 512 MB RAM DVD drive required for installation Windows MME compatible audio hardware is required (ASIO compatible audio hardware required for low latency operation). Steinberg Key (copy protection device) and USB port required* Internet connection required for license activation For usage as plug-in, a VST (VST 2.3 or higher) or DXi2 compatible host is required. For usage as Rewire slave device, a Rewire compatible host is required. *The Steinberg Key (USB copy protection device) required to run this product is not included. Customers who do not own a Steinberg Key must purchase one separately. The same Steinberg Key copy protection device is then used for all Steinberg products that require it.

Line 6 DM4 Stompbox Pedal Price: 249.99 Retail Price: 349.00 99 DM 4 Gigasonic The DM4 is the first pedal to deliver a wide range of legendary distortion/overdrive-style effects in a programmable, road-ready stompbox. Includes: digital modeling of 16 vintage distortion effects (including models based on Tube Driver, Rat, Tube Screamer, Big Muff, Fuzz Face, etc.), 4 programmable presets, bass/mid/treble controls for perfect grind or growl, true bypass switching, Expression Pedal input, mono in and out. Features ? 16 models of classic and collectible fuzz, distortions, and overdrives 4 programmable presets. Save any 4 of your favorite settings as presets for instant recall. True Bypass switching True bypass switching removes electronics completely from the audio signal path. Battery (4x "C" cells provided) or optional AC adapter powered. Compatible with the Line 6 PX-1 Power Adapter Specifications ? Digital Effects: 16 Factory Presets: 18 User Programmable Channels: 4 Controls: Drive, Bass/Jet Fdbk, Mid/Sub/Comp, Treble/Jet Rate, Volume/Gate Additional Controls: Expression Pedal (optional) Mono/Stereo: Mono in, Mono out Chassis Color: Gold

Line 6 Spider II HD75 Guitar Amplifier Head Price: 249.99 Retail Price: 349.00 99-020-0915 Gigasonic The species evolves with a killer head that any aspiring guitarist can afford. Spider II HD75 offers dialed in amp tone, including four stunning amp channel models: Clean, Crunch, Metal, and Insane, as well as premium effects and professional features like a distortion boost, noise gate, and Line 6's revolutionary Smart Control FX. Add a Spider II 4x12 MkII cabinet and now you're ready to seek and destroy! Features ? 4 amp models: Clean, Crunch, Metal & Insane 6 Smart Control FX (2 simultaneous) including Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb. 4 User-programmable channels Tap Tempo CD/MP3 input jack Headphone/Direct Out for practice or recording Footswitch jack for FBV2 and FBV4 floor controller Amp Models: Clean-This amp model gives you everything from crisp, shimmering clean tones all the way to warm vintage tones. Crunch-We based this model on* a '68 Marshall Plexi" 100-watt with a few added extras. We threw in the Variac "brown sound" trick on top of jumping the input channels! Now you're on fire! Metal-This monster truck of tone delivers a tight bottom-end that’s big, powerful, and fast. Use this amp model to get a punch, high-gain metal sound. Insane-Our goal with Insane was to provide you with as much distortion as possible short of complete meltdown. Crank up the Drive control and prepare to dominate. Effects: With six different effect types (two simultaneous), getting the right sound is a no-brainer. Spider II HD75 packs six Smart Control FX including, Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb. All effects can be easily tweaked and delay times can be adjusted using tap tempo."

Ableton Live 5 Retail Version Original CD with Bonus Price: 249.99 Retail Price: 499.00 9910-41321-00 Gigasonic Ableton Live 5 is the revolutionary music production software that allows you to spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio/MIDI environment. Winner of countless industry awards, Live integrates loop-based and linear production methodologies-including unique virtual instruments and effects-together in a single interface for unparalleled creative freedom. New features in Live 5 include MP3 support, clip freezing, incredible new beat-synced effects, launchable arrangement locators, Mackie Control support and much more. Live 5 is a complete music production system and also works perfectly with Pro Tools M-Powered. If you haven't experienced Live 5, you owe it to yourself to see what all the buzz is about. Your music will never be the same. Recording and editing - up to 24-bit/192kHz multitrack hard disk recording - complete MIDI and audio sequencing Non-destructive editing and unlimited undo - instant capturing and resampling of audio signals during playback - real-time loop/overdub MIDI recording for pattern build-up - unlimited audio and MIDI tracks Non-linear sequencing - map audio and MIDI files to MIDI keyboard ranges and computer keys for instant triggering - records all actions as editable arrangements and automations - set and jump to arrangement locators complete with quantization - scene concept for non-linear organization of audio and MIDI files for live and jamming purposes - customized and random sequencing of audio and MIDI files for generating ideas and preparing performances - actions can allow for automatic jamming and generative music Time and pitch manipulation - real-time time-stretching to play any audio file in sync with the project tempo, even if original tempo fluctuates - real-time pitch shifting for the individual notes in a sample - real-time groove and swing manipulations for MIDI and audio - tempo automation via continuous breakpoint envelopes - frequency-domain warping optimized for composite signals such as mixed-down music - clip transport for looping, editing and shuffling any clip on the fly Instruments and effects - includes a wide array of innovative Ableton audio and MIDI effects - new Saturator variable distortion effect - new Beat Repeat audio effect reorganizes beats for endless variations - new beat-synced auto-pan, phaser and flanger - arpeggiator with both new and classic modes - Simpler instrument for polyphonic playback and creative exploration of any sound recorded or dragged into Live-now includes independent envelopes for filter, pitch and more - Impulse percussion sampler instrument for dynamic drum sound design - endless expansion via VST, Audio Units, and ReWire plug-in support - free assignment of effects, mixer, tempo and transport functions to MIDI controllers - complete and easy automation of recording/editing all instrument and effects parameters - automatic plug-in delay compensation; manual track delay settings - device groups for multi-effects in Simpler, Impulse and Operator presets - clip freeze frees up CPU power and eases project transfer Browsing, importing and exporting - built-in browser for previewing WAV, AIFF, MP3 and SDII audio files in sync with the project tempo - Browser includes search, Live set merging and preset management - logs imported song tempo for instant synchronization to project tempo - audio tracks play mono and stereo audio files of any sample rate, bit depth, length with no prior conversion - drag-and-drop MIDI file import - exports MIDI and audio files, as well as Live clips - new Live Clips sound library included - new preset library for all Live devices Routing, I/O, control and sync - drag-and-drop signal flow management for MIDI effects, instruments and audio effects - unlimited audio/MIDI bussing for mix grouping, synth layering, post-effects recording, MIDI-to-audio - preview and cue via separate audio outs - up to 8 send/return tracks - supports ASIO, MME, DirectX, Sound Manager and CoreAudio audio interfaces - manages unlimited number of MIDI ins and outs - acts as MIDI clock master or slave; MIDI Time Code slave - acts as ReWire master or slave - Mackie Control support for use with control surfaces such as ProjectMix I/O Features standard features: - completely real-time audio/MIDI production-compose, record, arrange and mix without ever hitting the Stop button - integrate audio clips of different tempos and pitches into new compositions - change tempo and pitch of your composition independently on the fly - clip envelopes allow endless variations on loops - proprietary time-stretching algorithms yield exceptional flexibility and fidelity - optionally quantize your audio recordings/performances in real-time - edit all aspects of a performance to perfection after the fact - privately audition candidate audio from disk while the main mix continues - DJ-like crossfading - record unlimited takes on unlimited tracks - great built-in effects complete with automation - includes virtual instruments - simple interface for fluid creativity - expandable via VST and ReWire support - compatible with Pro Tools M-Powered new in Live 5 - MP3 support makes your entire music library accessible in Live - logs imported song tempo for instant synchronization to project tempo - frequency-domain warping optimized for composite signals such as mixed-down music - clip transport for looping, editing and shuffling any clip on the fly - clip freeze frees up CPU power and eases project transfer - automatic plug-in delay compensation; manual track delay settings - set and jump to arrangement locators complete with quantization - Mackie Control support for use with control surfaces such as ProjectMix I/O - clip export for easy retrieval and reuse in any project - improved Browser including search, set merging and preset management - device groups for multi-effects in Simpler, Impulse and Operator presets - Beat Repeat audio effect reorganizes beats for endless variations - phaser and flanger effects with beat-synced LFO - beat-synced auto-pan effect - Saturator variable distortion effect - arpeggiator with both new and classic modes - count-in recording - right-click context menus - change settings in multiple clips at once - resize tracks in Session view - Live Clips sound library - New preset library for all Live devices - New and improved Live lessons - Simpler now includes independent envelopes for filter, pitch and more

M-Audio Oxygen 61 USB MIDI Keyboard Controller Price: 249.00 Retail Price: 279.95 9900-41394-10 Gigasonic Oxygen 61 gives even the most serious players a 5-octave keyboard they can love, complete with a built-in USB MIDI interface and tons of controls. A total of 35 controllers—including 9 sliders, 8 knobs and 15 buttons—can easily map to any MIDI-assignable parameters in your hardware and software rig. While easy to program, the Oxygen 61’s complete MIDI implementation will also allow you to go as deep as you want to go. Store 10 different setups in on-board non-volatile memory, plus manage an infinite number with our free Enigma software for Mac and PC. Bus-powered operation and a weight of just 9 lbs. means that you can use the Oxygen 61 anywhere your computer goes. Total MIDI Control MIDI isn't just about triggering notes—and the Oxygen series has what it takes to access all those deep parameters in your software and hardware so you can get the most out of them. Map the eight knobs to any synth parameters you want to program or perform with—or to mixer controls like volume, panning and effects send. Assign the buttons to trigger samples and anything else that is MIDI-programmable. Assignment is simple, yet has the power to let you delve as deep as you want. Each controller can map to just about any applicable parameter in the MIDI spec, including independent channel addressing for each. The possibilities are limited only by your imagination. Easy Programming Oxygen controllers feature dedicated front-panel function buttons to easily access common operations like preset, program or channel up/down, octave up/down, and transpose up/down. Use the Controller Mute button to prevent parameters from jumping when you change them, then press Snapshot to transmit all current settings. The Advanced Function button allows the keyboard to serve as a data-entry device for controller assignment and similar setup functions. The front-panel 3-segment LCD gives you the information you need for programming parameters at a glance. 10 non-volatile memory locations instantly save and recall your favorite presets—and you can manage an entire preset library on your computer via SysEx dumps and the free Enigma software editor/librarian for PC and Mac. Free Enigma Editor/Librarian Software Download Enigma—a powerful software editor/librarian for Mac and PC that lets you easily program, store and load setups for M-Audio and Evolution USB MIDI controllers. Enigma includes a huge library of files for your favorite VST plug-ins, instruments and host apps. Programming is as simple as dragging the software parameter you want to control onto the graphic representation of the controller on your screen. With Enigma, your library of controller presets is virtually unlimited. Mobile Operation The original Oxygen8 defined a new era of mobile keyboard controllers—and now there's an entire line to choose from. The entire Oxygen series is extremely compact and lightweight and all models are powered directly from your computer's USB bus. Choose the size that's best for your needs, then take your music anywhere you want to go. Features ? 61-note velocity-sensitive synth-action keyboard with USB MIDI interface 8 fully assignable MIDI controller knobs 9 fully-assignable MIDI sliders 15 assignable buttons, including 6 transport buttons assignable pitch bend and modulation wheels octave up/down; transpose up/down preset up/down MIDI channel/program change up/down 7 top-panel function buttons plus additional programming functions on keybed 3-segment LED screen USB 1.1 upstream (type-B) port sustain pedal jack MIDI Out jack powered via USB or optional power supply class-compliant with Windows XP and Mac OS X 10 non-volatile memories memory dump via Sys Ex compatible with free Enigma librarian/editor for storing and organizing setups all controllers fully programmable to MIDI controller number all controllers fully programmable to MIDI channel controller mute function mutes controller output to avoid parameter jumps snapshot function transmits all current controller settings on/off switch weighs only 9 lbs. includes Ableton Live Lite 4 music production software, so you can make music right away Specifications ? PC Requirements Available USB Port DirectX 9.0b or higher Windows XP (SP1) or higher Windows 98, Me, NT, or 2000 not supported Macintosh Requirements Native USB Port Mac OS X 10.2.8 w/ 256 MB RAM, OS X 10.3.4 or greater w/ 512 MB RAM

M-Audio Axiom 49 Keyboard MIDI Controller Price: 249.00 Retail Price: 329.00 9900-41412-10 Gigasonic If you need total MIDI control and playability in a compact package, check out the Axiom 49. This advanced 49-key USB mobile MIDI controller delivers semi-weighted action plus assignable aftertouch, along with eight rubberized trigger pads that are perfect for hands-on drum programming and performance. Nine sliders complement eight endless rotary encoder knobs to control just about any software studio parameter you can think of. 15 MIDI-assignable buttons - including six transport controls - and assignable wheels and foot pedals round out total control. The dedicated front-panel keypad and backlit LCD screen provide intuitive setup. There’s room for 20 non-volatile memory locations for instant access to setups, plus compatibility with our free Enigma editor/librarian software for managing a virtually infinite library via Mac or PC. Features ? 49-key velocity-sensitive semi-weighted action keyboard with assignable aftertouch 8 MIDI-assignable trigger pads 8 MIDI-assignable rotary encoder knobs 9 MIDI-assignable sliders 15 assignable buttons, including 6 transport buttons Assignable pitch bend and modulation wheels Octave up/down; transpose up/down 4 independent configurable keyboard zones 10-button keypad and backlit LCD screen for total front-panel programming Sustain and expression pedal jacks Built-in USB MIDI interface including standard MIDI In and Out jacks Powered via USB or optional power supply Class-compliant with Windows XP and Mac OS X 20 non-volatile memory locations Memory dump via Sys Ex Compatible with free Enigma librarian/editor for storing and organizing setups All controllers fully programmable to MIDI controller number and channel Controller Mute function mutes controller output to avoid parameter jumps Snapshot function transmits all current controller settings On/off rocker switch Weighs only 10 lbs.. Includes Ableton Live Lite 4 music production software so you can make music right away

M-Audio Pro Tools M-Powered 7 Price: 249.00 Retail Price: 299.00 MAD_PROTOOLS Gigasonic Pro Tools M-Powered 7 software lets you enter the world of Pro Tools while using unique hardware options from M-Audio to professionally produce your music tracks. This groundbreaking combination for Windows XP and Mac OS X lets you customize the compact mobile multi-channel studio of your dreams, while providing session compatibility with countless Pro Tools-equipped project and professional studios around the world. As easy to use as it is powerful, Pro Tools M-Powered 7 software includes many of the same features that top studios rely on to produce Grammy,winning albums and Academy Award, winning film sound. Together, M-Audio hardware and Pro Tools M-Powered 7 software deliver the seamless workflow of moving sessions. Produce with the Industry Standard-Anywhere, Anytime The combination of M-Audio gear and Pro Tools M-Powered 7 lets you work anywhere, anytime with the industry standard in music production software. You can open sessions created in Pro Tools M-Powered 7 software with any Windows XP- or Mac OS X-based Digidesign Pro Tools TDM or LE system, giving you unprecedented production options for your music. Seamlessly collaborate with other musicians using Pro Tools M-Powered 7 or Pro Tools LE systems. Easily take your projects to a Pro Tools/HD-equipped recording studio to have it mixed by a pro. Or take your pro studio projects home or on the road with you-ven use them as backing tracks on stage. With Pro Tools M-Powered 7, owners of most M-Audio interfaces instantly become members of the largest community of digital audio workstation users in the world. Professional Recording, Editing and Mixing Pro Tools M-Powered 7 software allows M-Audio hardware enthusiasts to easily enter the powerful recording, editing, and mixing features of Pro Tools. With up to 32 simultaneous tracks of 16- or 24-bit digital audio, and support for up to 96kHz sample rates, Pro Tools M-Powered 7 is an ideal companion for M-Audio interfaces and audio interface keyboards-Whether you're recording solo or entire bands. Once you've finished your recording, you can fine-tune your performances with Pro Tools' unmatched nondestructive editing tools. Shape sounds, compose parts, and add effects with RTAS instrument and effects plug-ins. Create polished mixes with professional mixing features and full mixer automation. Automatically analyze and tighten percussion tracks with Beat Detective LE. With Pro Tools M-Powered 7, you've got the tools you need to create professional mixes wherever you want to take your music. ReWire for Ableton Live Fans of Ableton Live will love Pro Tools M-Powered 7's ability to accept Live's output stream via ReWire for further mixing and processing. You get the best of both worlds-Ableton Live's incredibly fluid real-time writing, production and remixing environment along with the industry standard in tracking, editing and mixing. Control Surfaces If you want the tactile feel of a pro console while enjoying the benefits of a personal or project studio, Pro Tools M-Powered 7 supports both Digidesign's Command/8 and M-Audio's ProjectMix I/O. Both give you control over the software's MIDI functionality. ProjectMix I/O even incorporates a built-in 10 x 10 FireWire audio interface complete with 8 preamps so you don't need any extra gear. Flexible and Portable-More Choices for You A variety of M-Audio PCI and FireWire hardware interfaces are compatible with Pro Tools M-Powered 7 software, giving you more choices in where, when and how you work. For high-fidelity I/O in a PCI-based system, our entire Delta line is compatible with Pro Tools M-Powered 7-from the personal 2-channel Audiophile 2496 and Audiophile 192 cards all the way up to the 10 x 10 Delta 1010. For Pro Tools recording on the go, our compatible USB products range from the pocket-size Transit to the MobilePre USB with dual preamps, Fast Track USB (2-in, 2-out), and Fast Track Pro (4 simultaneous in-out). M-Audio bus-powered FireWire interfaces like our FireWire 410 (4-in/10-out) and FireWire 1814 (18-in/14-out) provide even more I/O and higher sampling rates, letting you easily put together a multi-channel studio-to-go. All-In-One Gear for Guitarists, Keyboardists and Producers One of the benefits of Pro Tools M-Powered 7 is that you can harness the creative power of specialized M-Audio production hardware. The Black Box not only gives guitarists killer amp modeling, unique beat-synced effects and inspiring drum patterns-it serves as a Pro Tools M-Powered-compatible audio interface for Mac and PC. Keyboardists and electronic music producers also benefit from our Ozone and Ozonic, both of which integrate a keyboard, MIDI control surface, audio/MIDI interface, mic/instrument preamp and headphone monitors. Integrated MIDI Sequencing Most M-Audio audio interfaces also support MIDI-and Pro Tools M-Powered 7 software's fully integrated MIDI sequencer allows you to record, edit, and mix up to 256 MIDI tracks alongside your audio tracks. Launch your favorite instru ment plug-in to get the sound you want. Engage loop recording to quickly develop a multi-layered drum pattern, then use Groove Quantize to give it the right feel. Switch to MIDI Step Input to lay down a difficult passage. With M-Audio interfaces and Pro Tools M-Powered 7, your MIDI composing options are wide open. Plug-ins Galore Pro Tools M-Powered 7 software not only provides access to award-winning Pro Tools software-you're also instantly able to take advantage of a variety of RTAS and AudioSuite plug-ins designed by the recording industry's largest professional third-party developer community. Track with powerful host-based vintage instruments like GForce's Oddity and Minimonsta. Add spice with Wizoo's Latigo and Darbuka virtual percussionists. And polish your mixes with affordable effects and mastering plug-ins like iZotope Ozone and Spectron that surpass even expensive hardware. Pro Tools M-Powered 7 also includes more than 30 DigiRack and Bomb Factory plug-ins right out of the box, including EQ, dynamics, delay, reverb, and many more. Features Supports a wide choice of M-Audio interfaces including all Delta PCI and FireWire products, Black Box, Ozone, Fast Track USB, MobilePre USB and Transit* Work anywhere, anytime-seamless workflow between studio, stage, home and the road Award-winning Pro Tools mixing environment Industry-standard session compatibility with countless Pro Tools-equipped project and professional studios around the world 32-track audio recording, editing, and mixing up to 24-bit/96kHz Fully non-destructive editing with world-class tools Powerful, intuitive MIDI sequencing Real-time audio and MIDI processing Advanced automation features Import MIDI, REX, ACID, WAV, AIFF, AAC, MP3, and CD audio files Built-in DigiBase file management tool QuickPunch functionality Powerful loop recording options Low-latency monitoring while recording RTAS real-time effects processing Advanced virtual instrument integration Easily accepts ReWire output stream directly from applications like Ableton Live for further mixing and processing Unique Beat Detective LE automatic groove analysis and correction tool Supports M-Audio's ProjectMix I/O and Digidesign's Command/8 control surfaces for hands-on mixing Wide-range of compatible creative software options (Audiosuite and RTAS plug-ins, ReWire-compatible applications) available from Digidesign and Digidesign Development Partners Works on Windows XP and Mac OS X systems Ships with over 30 free RTAS and AudioSuite plug-ins, including EQ, dynamics, delays, reverb and more: Bomb Factory: Essential Clip Remover, Essential Correlation, Essential Meter Bridge, Essential Noise Meter, Essential Tuner, BF76, Funk Logic Masterizer, DigiRack: Chorus, Click, DigiReWire, Dither, D-Verb, D-Verb-AS, Dynamics II, EQ II, Flanger, Invert-Duplicate, Mod Delay II, Multi-Tap Delay, Normalize-Gain Change, Ping-Pong Delay, Reverse-DC Removal, Signal Generator, Time Comp-Exp-Pitch Shift, Trim Specifications PC: Digidesign-qualified M-Audio system Digidesign-qualified computer running Windows XP MAC: Digidesign-qualified M-Audio system Digidesign-qualified computer running Mac OS X

DigiTech VX400 Modeling Floor Processor Price: 249.00 Retail Price: 399.00 DIGIVX400 Gigasonic The new DigiTech Vx400 effects processor will offer you all you need to get you perfect sound whether you are in the studio, on stage, or anywhere inspiration strikes. It's a full-featured vocal processor with a mic preamp, 16 mic models, multiple vocal character selections, an integrated drum machine with 30 rhythm patterns, 19 programmable instrument effects and more. When you're ready to record, just stream directly into your computer via USB. The Vx400 also turns your computer into a professional, hands-free multi-track recording workstation. The Vx400 gives you powerful, digital studio tools in a simple-to-use package, whether you're working out the vocals for your first song or recording your next CD. Features ? Full featured vocal effects processor Full function Compressor 3-band equalizer 40 user/40 factory presets Rugged aluminum chassis USB audio interface Stereo line level inputs and outputs Re-amps dry recorded tracks back through the modeling and effects Jam-A-Long?input Power supply included Specifications ? "Vocal Character" Selections: Tube Pre Overdrive Grunge Dark Side Monster Chipmunk Lunar Lo-Fi Robot Wizard Alien Telephone Effects: Chorus Flanger Phaser Vibrato Pitch Shift Detune Delay Reverb

DigiTech RPX400 Floor Processor Price: 249.00 Retail Price: 399.00 DIGIRPX400 Gigasonic The RPX400 is the first modeling floor processor with 2-way computer connectivity via USB, plus connections for vocals (XLR with mic preamp), other instruments, and monitoring. The RPx400 is designed for live performance and computer recording applications. It provide everything you need to record. This is truly digital recording designed by guitarists for guitarists. The addition of separate speaker-compensated stereo XLR outputs and 1/4 inch outputs allows the performing guitarist to send stereo effects incorporating amp-cabinet modeling compensated for a full-range PA system, while sending the same effects without compensation to the player's guitar amp. When you are ready to record, all of your tone is ready to stream directly into the PC. But it doesn't stop there; you can also record vocals using the built-in mic-pre amp. Or, use the stereo line level inputs to record any instrument–just plug and play. DigiTech teamed up with software manufacturer Cakewalk to include computer-recording software with features to automate computer recording using the RPx400 as the controller. The software allows recording, editing and sweetening of tracks on a computer and final output of recorded projects to CD. Features ? 40 new artist presets 12 popular amp models 6 cabinet models with 4 mic placement choices Single coil and humbucking pickup modeling Total of 26 fully-programmable effects ioncluding 3-band EQ, Whammy and Wah 11 effects at one time 40 user/40 factory presets Built-in drum machine with 30 patterns Amp channel switching Chromatic tuner Learn-a-Lick?Phrase Trainer 3 wide-spaced foot switches and expression pedal 24-bit A/D/A XLR mic preamp input Jam-A-Long?input Rugged metal chassis Power supply included The addition of separate speaker-compensated stereo XLR outputs and 1/4 in. outputs lets you send stereo effects incorporating amp-cabinet modeling compensated for a full-range PA system, while sending the same effects without compensation to the player's guitar amp. The RPx400 is the first modeling effects processor to allow seamless transition for guitarists between live performance and recording applications. The USB computer interface simultaneously streams four processed and unprocessed guitar, microphone and line level signals to the computer for recording, while receiving a stereo mix back from the computer. Primary recording functions such as arming of tracks, execution of record, play, stop commands are controlled by pedals on the processor, providing hands-free operation, allowing the musician to concentrate of the performance. The RPx400 hosts a full compliment of inputs and outputs, elimination the need for an external mixer or audio interface. In addition to the guitar input, the RPx400 includes an XLR microphone input with level control and stereo line inputs to allow simultaneous processing and streaming of acoustic and line-level sources as well as guitar. A stereo “Jam-along?input lets you connect a CD player, cassette or MP3 player to the RPx400 for practice and jamming. Four XLR analog outs let you send different signals to your guitar amp and PA simultaneously. A stereo headphone jack allows you to monitor from the RPx400 during recording or practice using headphones. The RPx400 includes 3 pedals and an expression pedal that control the effects and sends messages to a connected computer via USB. On-board rhythm programmer with 30 patterns and adjustable tempo, and a digital guitar tuner round out the features.

RME PCI Interface Hammerfall DSP PCI Card Price: 249.00 Retail Price: 319.00 RMEHDSPPCI Gigasonic The PCI engine of the Hammerfall DSP System is built on a Zero wait state PCI Busmaster core. Based on the legendary Hammerfall PCI core with its innovative zero CPU load technology the new PCI core is even more optimized for more performance. Thanks to the latest chip technology internal hi-speed RAM can be used faster and more efficient than external SRAM. The PCI card also contains 2 Sync-connectors for synchronization of multiple interfaces. This card offers highest compatibility by being 100% Plug & Play compatible under Windows and MacOS, and being able to share interrupts. The card itself will only use one interrupt (IRQ) for all functions (audio/MIDI.) With up to 130 MB/s transfer rate in both directions the maximum performance available on the 32 bit PCI bus is used. The connection between PCI card and I/O box is established using ordinary firewire cable (IEEE 1394, 6-pole.) The data transfer does not use Firewire protocol, but RME's own proprietary bus protocol. The supplied cable is 4.5 m ( 15 ft .) long, a cable length up to 10 m ( 33 ft .) has been successfully tested. A specially designed Repeater can be used to reach cable lengths of up to 20 m ( 66 ft .) The PCI card operates as power supply for the attached I/O-box. About Hammerfall DSP Using the Hammerfall DSP System RME's world famous Hammerfall technology is available not only on desktop computers, but also on notebooks! It doesn't matter if Mac or PC: each portable computer having a CardBus interface can now be upgraded to a mobile High-End and high-speed audio system -- with up to 26 tracks and latencies down to 1.5 ms! The new Hammerfall DSP System offers all its features both when used stationary or mobile: support for 96 kHz/24 bit, S/PDIF and ADAT optical, integrated mixer in TotalMix technology for complete ASIO 2.0 Direct Monitoring, independently to operate mixer desktop providing several submixes, DIGICheck in hardware for professional level metering with peak- and RMS values in broadcast quality, MIDI I/O and much more. The Hammerfall DSP System includes fully developed and powerful drivers: Windows 98/ME/2000/XP (MME with multi-client operation, ASIO 2.0, GSIF) and MacOS (ASIO 2.0). The new hardware concept includes the possibility for hardware updates via software. Improvements and extensions of the hardware are thus possible without any problem, safety for the future (WDM, ASIO 3.0) included. Besides, the whole system supports hot-plugging. Card and I/O box can be connected or disconnected at any time without having to re-boot the computer. RME's Hammerfall series is famous for its reliability, tremendous performance, high compatibility and the user-friendly design of hardware and drivers. The Hammerfall DSP System breaks into a new dimension of computer-based hard disk Recording, unsurpassed because of its numerous exciting functions and unique features. Features ? Short PCI 2.0 compliant PCI card Zero wait state PCI Busmaster interface (130 MB/s transfer rate in both directions) 32-bit, 3.3 V compatible Output: IEEE 1394 connector Package contents: PCI card, cable 4.5 meter (15 ft) IEEE 1394, internal cable 3-pole Specifications ? 100% Plug & Play compatible Hammerfall hardware design: mono channels in block mode, organized in 32 bit ASIO double buffers ASIO poured in hardware! 0 (zero!)% CPU load when using the maximum number of channels (52) Byte swap for Mac included in hardware Automatic hardware selftest when booting Hardware update via software (virtual EPROM update) Complete interrupt sharing

Novation Remote 49 Le USB MIDI Controller Price: 249.00 Retail Price: 399.00 NOVREM49LE Gigasonic With its funky touchpad and cool 4-way joystick, the lightweight ReMOTE LE 49 is an outstanding choice for the musician on a budget wanting to trigger samples, lay down basslines or control a sequencer with true style. The ReMOTE LE 49 keyboard also comes complete with a full version of the Novation Bass Station software synthesizer. Novation ReMOTE LE 49 MIDI Controller at a Glance: A wealth of assignable controllers Unique joystick and touchpad Easy to use, with built-in templates A wealth of assignable controllers The ReMOTE LE 49 is Novation's most affordable 49-key keyboard to date but still offers a wealth of MIDI controlling capability. Not only does it feature the X/Y Touchpad and combined pitch/mod joystick, which can both be programmed any way you desire, but the ReMOTE LE 49 also boasts nine knobs and nine buttons, with a Group A/B switch that doubles their versatility. Six further buttons, labeled for transport control, are also built in. Unique joystick and touchpad Featuring the unique Novation touchpad and 4-way joystick with selectable spring operation, the ReMOTE LE 49 lets you be creative on your own terms. The semi-weighted keyboard feels great, and you can select from eight velocity curves to suit your personal preferences. Easy to use, with built-in templates All of the ReMOTE LE 49 controls have been pre-programmed in 12 onboard templates for popular software applications and instruments, so that the LE will control plug-ins with style straight out of the box. Many of these templates have plastic overlays for even simpler parameter identification, but the ReMOTE LE's 32-character LCD screen already makes control display clear and simple. Many more ReMOTE templates will become available on the Novation website so check the downloads and product updates pages for regular additions. Features ? Keys: 49 Type: Semi-weighted Velocity curves: 8 Pitch wheel lever: Rubberized - center return spring-loaded left to right motion. Mod/control lever: Rubberized - spring-loaded front to back motion X/Y Touchpad: 1 x touch sensitive 45x60mm, 2 assignable parameters in X direction, 2 assignable in Y direction. LCD display: 2 x 16 character silver, blue LED backlit. MIDI: 1 MIDI Out USB MIDI: 1 In/1 Out Data ports: 1 x USB 1.1 Sustain pedal: 1 x 1/4 Jack Input Rotary potentiometers: 9, 0-270?rotation Rotary encoders: 1, 360?continuous DATA wheel Transport controls: Rewind/FF/Stop/Start/Rec/Loop Buttons: 9 function switches Group B switch General operation: 5 Mode and Menu select buttons Keyboard Octave: Up and Down buttons Battery operation: 6 x standard AA Size External power supply: Standard 'center positive' 9V DC Size: 18.4 x 2.7 x 7.5 (inch) w x h x d Weight: 3 lbs Templates: 16 Editable onboard Template memories, including 12 factory settings (many more available at www.novationmusic.com)"

Line 6 FM4 Stompbox Modeler Price: 239.99 Retail Price: 349.00 99FM4 Gigasonic The FM4 is a great new programmable pedal that delivers a wide range of filters and synth sounds for your guitar, bass or any other instrument that you want to warp with wacky electronica-funk-psychedelic textures. It includes 16 models including MuTron III, vintage mono synth sounds, VCF and formant filters and magical custom filters. Bring your instrument into the new frontier! Like all of the Line 6 stomp box modelers, it features rugged aluminum housing and true bypass switching. After Line 6 finished designing POD, Flextone, AX2, Spider, and Amp Farm, they weren't content to sit, rest, and read all the raves from reviewers and users. Not at Line 6; they were spending all their time thinking about what we could build to make a guitar player's life even more fun than it normally is. One day, it came to them... Features ? Offering an awesome collection of vintage filter and monophonic synth effects, 24-bit processing, and true bypass, the FM4 features 16 models of classic and collectible filters and synths. With four programmable presets, the FM4 gives guitarists easy access to a set of world-class tones and controls for customization. 4 completely programmable presets available at the tap of a toe. No more need for multiple pedals for multiple effects. True Bypass switching, so your direct tone is exactly that; direct from your guitar to your amp. Expression Pedal Input - for real time control of all effect settings. Also the ability to morph between settings lets you create effects not possible with the originals. Nothing but knobs. No menus, no multiple button contortionist gymnastic moves, just twist and go. Stereo inputs and outputs Runs from batteries (Heck, they even include a set) or optional power adapter. Tired of the same old effects? You say you want something a little bit... different? The FM4 Filter Modeler, part of Line 6's award winning line of Stompbox Modelers, gives you an array of vintage and new effects from just a wee bit odd to full frontal freaky! From the gentle auto-wah of an envelope filter to the complete wackiness of mutated VCO controlled ring modulators, FM4 can get as strange as you wanna be. Specifications ? Digital Effects: 16 Factory Presets: 20 User Programmable Channels: 4 Controls: Effect Selector, Freq, Q, Speed, Mode, Mix Additional Controls: Expression Pedal (optional) Mono/ Stereo: Stereo in/ Stereo out Chassis Color: Purple

Edirol UA-25 USB Audio and MIDI Interface Price: 229.00 Retail Price: 279.00 EDIUA25 Gigasonic A powerful USB Audio/MIDI interface Edirol UA-25 is designed to offer premium sound quality, rugged durability, and complete portability to the computer-based audio engineer. This product has been designed using high-grade aluminium chassis and compactly for make it easier during travel. The two benefits offered by Edirol UA25 are as follows: 1. The aluminium is an exceptional shield against high-frequency intrusion from other electrical gears. 2. The UA-25 can endure hard brunts that are usually allied with traveling or working in the field. The Seasoned audio professional will love the UA-25 for its ability to output audio at +4dBu from the balanced 1/4'' outputs, making it the best portable audio interface to horde between the field and the studio. The UA-25 is USB Powered, so you never have to plug it into a wall socket, but it manages to power condenser microphones with 48V Phantom Power. The UA 25 has many astonishing features. One among them is Monitor Direct.You can turn direct monitoring on or off by adjusting the virtual amount of the input signal compared to the audio playing out from your computer, and you can even set the signal to monitor in mono. You don't have to listen with latency since it sanctions to route audio directly from the inputs to the outputs and the headphone jack. The enclosure of an analog mild compressor built into the interface is the best motive for considering the UA-25 as the best audio interface and this compressor allows a little more inconsistency for setting the microphone levels and make certain the user more freedom from audio clipping. Features Built-in Analog Limiter Premium Audio Quality Solid Aluminum Chassis - Portable and Durable USB-Powered Phantom Power Preamps Wide Variety of I/O Ports Zero Latency, Direct Monitoring +4 dBu Output for professional application Specifications Number of Audio Record/Playback Channels Record: 1 pair of stereo Playback: 1 pair of stereo DIGITAL IN SWITCH = OFF: Full duplex (except for 96 kHz setting) DIGITAL IN SWITCH = ON: Recording only Signal Processing PC interface: 24 bits (ADVANCE SWITCH = OFF: 16 bits) AD/DA Conversion: 24 bits (linear) Sampling Frequency Digital output: 44.1/48/96 kHz Digital input: 44.1/48/96 kHz AD/DA Conversion: 44.1/48/96 kHz ADVANCE SWITCH = OFF: 44.1kHz only Frequency Response 96 kHz: 20 Hz to 40 kHz (+0 dB/-2 dB) 48.0 kHz: 20 Hz to 22 kHz (+0 dB/-1 dB) 44.1 kHz: 20 Hz to 20 kHz (+0 dB/-1 dB) Nominal Input Level Input Jack L, R (XLR type): -60 to -20 dBu Input Jack L, R (1/4 inch TRS phone type): -36 to +4 dBu Nominal Output Level Output Jack L, R (1/4?TRS phone type): +4 dBu (balanced) Output Jack L, R (RCA phono type): -2 dBu Residual Noise Level Output Jack: -96 dBu (S/N ratio: 105 dB) (Input terminated with 1 k ohms, OUTPUT VOLUME: max., INPUT MONITOR: min., IHF-A, typ.) Interface: USB Digital input/output Optical type (conforms to IEC60958 consumer format) Connectors Input Jack L, R XLR type (balanced, phantom power +48 V) 1/4?TRS phone type (balanced) * Input Jack 2: high impedance is supported Headphones Jack (Stereo 1/4 inch) Digital Input Connector (Optical type) Digital Output Connector (Optical type) Output Jack L, R 1/4 inch TRS phone type (balanced) RCA phono type MIDI Connectors (IN/OUT) USB Connector (B type) Power Supply: USB Bus Power Current Draw: 480 mA Dimensions: 164 (W) x 133 (D) x 46 (H) mm 6-1/2 (W) x 5-1/4 (D) x 1-13/16 (H) in Weight: 554 g / 1 lb 4 oz Accessories Owner's Manual USB cable CD-ROM System Requirements Macintosh OS: Mac OS 9, 10.2 or later Computer: Apple Macintosh series with on-board USB port CPU/Clock: PowerPC G3 400 mhz or higher Memory(RAM): 256MB or More Hard Disk: 200 MB of free space. Windows OS: Microsoft®Windows®XP Home Edition/ XP Professional /2000 Professional /Me/98 Second Edition Computer: Windows®XP Compatible PC CPU/Clock: Pentium?Celeron?or Pentium®compatible processor 600MHz. Memory (RAM): 256MB or more. Hard Disk: 200 MB of free space.

Steinberg Hypersonic 2 Music Software (EDU) Price: 200.00 Retail Price: 399.99 502013875 Gigasonic Steinberg Hypersonic 2 is Steinberg's multi-purpose music workstation that not only offers thousands of top class sounds, but is amazingly CPU and RAM efficient. Four powerful synthesis engines, 1.7 GB of top quality sounds, 1800 stunning factory presets: that's an almost awesome array of sounds, effects and instruments ready for use in just about any musical style or sound design application. And thanks to the exclusive and proprietary sample optimization technology, each illustration is exceedingly efficient with computer resources, with each instance offering up to 1024-voice polyphony across 32 stereo outputs. Instant access to crucial parameters for each individual patch means a smooth, proficient and inventive workflow. Thus Steinberg Hypersonic 2 is astonishingly easy to use. Steinberg Hypersonic 2: that's state-of-the-art music creation at your fingertips. Features Four high quality sound generation engines - sample playback, analog synthesis, FM Synthesis and Wavetable Synthesis Excellent performance: 1024 voices polyphony, 32 stereo outputs, 16 MIDI channels (per instance!) Hyperphrase (polyphonic arpeggiator) with 200 categorized phrases included, featuring MIDI file import Combi chain feature - switch combinations of multiple patches per program change / controller chain Hyper Knobs for fast and effective sound tweaking Excellent performance: 1024 voices polyphony, 32 stereo outputs, 16 MIDI channels (per instance!) Hyperphrase (polyphonic arpeggiator) with 200 categorized phrases included, featuring MIDI file import Combi chain feature - switch combinations of multiple patches per program change / controller chain Hyper Knobs for fast and effective sound tweaking Full patch editor - get access to hundreds of parameters for unlimited creative options Integrated super-fast search engine simplifies finding the right sounds Integrated mixer with level, pan, output, FX1-4 send Integrated MIDI keyboard MIDI Learn for all editing knobs Expansion bay for up to 5 sound/sample library expansions or synthesizer modules Supports all major formats: VST, DXi, AU + Rewire for easy Pro Tools?Integration Standalone version with multiple-out support included New Features 800 brand-new and super high-fidelity Patches 1000 revised factory patches - more than double the size of Hypersonic 1.0 New and improved Drumkits - especially the electronic department has been significantly expanded New XXL instrument versions - bigger multisample versions of many important instruments Full patch editor - get access to hundreds of parameters for unlimited creative options Hyperphrase (polyphonic arpeggiator) with 200 categorized phrases included, featuring MIDI file import Combi chain feature - switching combinations of multiple patches per program change / controller chain 5 new effect types: high quality reverb, reverse reverb, diffuser delay, bi-phaser, tube drive Improved graphical user interface MIDI Learn for all editing knobs Supports all major formats: VST, DXi, AU + Rewire for easy Pro Tools?Integration Standalone version with multiple-out support included Specifications PC Required: Pentium / Athlon 1.4 GHz 512 MB RAM 1,7 GB free HD space for content Windows XP Home or XP Professional Windows MME compatible audio hardware For using as plug-in or Rewire slave-device, a VST2, DXi2 or Rewire compatible host is required Steinberg Key and USB port required DVD-ROM drive required for installation Internet connection required for license authorization Monitor and graphics card supporting 1024 x 768 resolution Please note that depending on the host application, some features may not be supported Recommended: Pentium / Athlon 2 GHz or faster 1 GB RAM Steinberg Hypersonic 2 System Requirements Mac Required: Power Mac G4 867 MHz 512 MB RAM 1,7 GB free HD space for content Mac OS X Version 10.4 CoreAudio compatible audio hardware For using as plug-in or Rewire slave-device, a VST2, AU or Rewire compatible host is required Steinberg Key and USB port required DVD-ROM drive required for installation Internet connection required for license authorization Monitor and graphics card supporting 1024 x 768 resolution Please note that depending on the host application, some features may not be supported Recommended: Power Mac G5 Dual 1.8 GHz or faster 1 GB RAM

Steinberg HALion 3.1 Sampling Educational Edition Price: 200.00 Retail Price: 399.99 502014911 Gigasonic Since its launch in 2001, HALion has been pushing back boundaries in virtual samplers. HALion 3 is no exception: over 50 new features ensure that HALion stays where it always has been: at the forefront of digital audio technology. This latest version expands existing HALion capabilities to new levels of accessibility and flexibility, creating a virtual sampler environment that not only lets your creativity flourish, but lets you work more productive and efficiently than ever before. Building on the outstanding surround-capable HALion 2.0 sampling engine with support for up to 32-bit floating point files, HALion 3 adds even more new capabilities. A new output routing system allows you to create and configure the audio outputs; only the outputs you need will be routed directly to the host VST mixer. The sleek new user interface is not only easy on the eyes but has been restructured to keep switching between the different HALion 3 views to a minimum. Features Up to 32 Bit / 384 kHz file support 256 Voices per instance, several instances loadable simultaneously 16-way multi-timbral with an individual editor for program selection 128 programs per instance, unlimited layers per program Full individual parameter set for each sample if required, ideal for drum sounds Notch / High Pass / Low Pass / Band Pass 12 dB and 24 dB Filter as well as fantastic sounding Waldorf filters, and Fatness function for - Overdrive filter sounds 2 synchronizable envelopes with up to 32 freely editable points, intuitive handling 32-stage STEP envelope as free modulation source and 2 LFOs, syncnronizable to the host application Keyzone Editor for quick mapping of keyzones, samples, sample layers and velocity values with drag'n'drop support and several automapping modes Up to 256 freely configurable outputs per instance 5.1 surround support All new realtime FX: Reverb, Phaser, Talkbox, Delays, EQs,BitCrusher, AutoWahWah and much more (27 effects total) Insert effects can be applied to individual samples, sample groups or entire programs Effects sends can be sent to the HALion internal Send effects or directly to the VST mixer through configurable outputs to share plug-in - Resources between the Host and HALion Integrated Waveloop Editor with crossfade, snap to zero, loop, release loop, loop tuning settings Total recall: all samples are saved with your song, including the respective settings Sample-accurate timing and automation thanks to perfect VST integration Archive function, transfer of entire projects to other computers with zero hassle RAMSave technology offers lower RAM needs, speeding project loading and saving Import formats: AKAI, E-MU, Roland, Kurzweil, GIGA, Kontakt, EXS24, SF2, LM4, LM4 MkII, REX, ZeroX BeatCreator, WAV, AIF, SD II (Mac only), ISO & Nero Disc Image, Toast CD-Image Supports VST, DXi and AU formats Specifications Steinberg Key Required! Halion 3.1 requires a Steinberg Key - a small USB copy protection device that prevents other people from making illegal copies. Users of Cubase SX, Nuendo 2 or 3, Hypersonic or HALion 3.0 will already have the required Steinberg Key. If you do not already have a Steinberg Key then you may purchase one for a small extra charge when you buy HALion 3.1. You will not be able to use HALion 3.1 without a Steinberg Key. PC / MAC Requirements Pentium / Athlon 800 MHz (Pentium / Athlon 1.4 GHz or faster recommended) / Power Mac G4 867 MHz (Power Mac G4 Dual 1.25 GHz or faster recommended) 384 MB RAM (512 MB recommended) Windows XP Home and XP Professional / OS X Version 10.3.3 or higher Windows MME compatible audio hardware (ASIO compatible sound card recommended) / CoreAudio compatible audio hardware For using HALion as plug-in, a VST2 or DXi2 (pc) / AU (mac) compatible Host is required USB component connector required Display Resolution 1024 x 768 pixels (Display Resolution 1152 x 864 pixels, dual monitor setup recommended) DVD drive required for Installation

Steinberg Virtual Guitarist 2 VST Inst Price: 199.99 Retail Price: 249.99 502016620 Gigasonic Virtual Guitarist 2 is the latest member of Steinberg's Virtual Musician range of products and gives computer-based producers and composers' invaluable tools for generating great acoustic and electric rhythm guitar tracks from scratch, including all keys and difficult chords. Steinberg has produced nothing less than the perfect rhythm guitarist: always in tune, always on time and ready to play almost every conceivable musical genre. Features Absolutely authentic and professional sound - all Virtual Guitarist 2 parts and styles are based on real performances by top studio Guitarists. Vast range of styles suit any present musical style Excellent audio quality - all recordings were engineered on finest analog gear Fast and easy to use - playing Virtual Guitarist 2 is just as easy as playing the keys on your MIDI keyboard! GrooveMatch technology allows for adapting all guitar lines to any existing groove Amp Models and high-quality virtual stomp box effects make VG2 an unequalled tool for creating professional guitar sounds from scratch (/FX section also provided as separate FX plug-in) Compatible to any VST, DXi, AU or ReWire host application under OSX and PC 32 brand new styles plus 56 classics from Virtual Guitarist and "Electric Edition" to suit any present musical style. The new styles have been played by internationally renowned musicians More content: 6.8GB of high-end guitar recordings, including all the styles of Virtual Guitarist 1 and the "Electric Edition" New Part Editor allows in-deep editing of any Part of all Virtual Guitarist 2 Styles - now you can move, delete, mute and transpose each slice of a Part! GrooveMatch technology allows for adapting all guitar lines to any existing groove Three Amp models, four speaker models with selection of mic type and position, guitar specific EQ Stompbox effects such as Wah, Compressor, Fuzz, Tremolo, Chorus, Flanger, Phaser, Reverb and Delay MIDI Learn now supported for most editing knobs

Steinberg Groove Agent 2 Virtual Drummer Price: 199.99 Retail Price: 299.00 502013865 Gigasonic Replete with dozens of fresh, up-to the-minute styles and a battery of quality new drum sounds, Groove Agent 2 offers a raft of the latest drum grooves and styles within the comfortable confines of modern DAW environments supporting the VST, DXi, Rewire or AU plug-in formats. Groove Agent 2 comes with 50% more musical styles and drum kits. The 27 new styles offer an array of the latest grooves in diverse flavors currently in demand such as ultra-slick RnB, Bristol Trip Hop, Old Skool HipHop, Retro Rock, roof-raising Punk and grinding Grunge grooves. Providing the kerosene for the 27 explosive new styles are the 9 new drum kits. The all-new top-quality studio kit offers a highly polished, refined sound while being widely usable for many modern pop and rock productions. Other kit highlights include painstakingly recreated retro drum synths, ultra-hip noisy lofi drums, a diamond-hard metal kit as well as added percussive sounds. Other feature refinements include added output busses, with up to 8 stereo outputs now available within the virtual mixer of the host application. It's now also possible to bypass the internal Groove Agent 2 sample playback engine and to use Groove Agent as a MIDI player that triggers external samples. The GUI has also been overhauled, with added scales and easier access to vital controls. The new solo button for every group makes it easier to quickly focus on one group of sounds while tweaking and mixing. Groove Agent 2 also offers a new ""Save to MIDI file"" feature, which stores Groove Agent's rhythm output to a MIDI file for detailed editing, regardless of the DAW application hosting Groove Agent 2. Features Over 70 musical Styles (each with their own Drum Style patterns), programmed by top musicians 25 complexity levels in each style, including fills and half tempo feel variations Combine any style with any drum kit instantly Several unique drum kits plus percussion and a range of electronic drum sounds 24-bit drum sounds, most of them recorded via analog tape Separate dry and wet (ambience) samples and 8 stereo outputs and the facility to send room to one separate channel User-configurable drum kits, including tweaking of sounds Combine any musical style with any preset kit Fine-tune the overall feel with shuffle and Humanize controls Record Groove Agent beats to MIDI track with Cubase and Nuendo or export Groove combinations to a MIDI file for further editing Sample Engine By pass Groove agents is able to bypass its internal Sound Engine to save Performance New solo button for every group Connects to everything: VST, DXi, AU, Rewire and standalone versions Specifications PC Pentium / Athlon 800 MHz (1.4 GHz or faster recommended) 384MB (512MB recommended) 450 MB free HD space for Contents Windows XP Home or XP Professional Windows MME compatible audio hardware (ASIO compatible audio hardware recommended) Display Resolution 1024 x 768 pixels (1152 x 864 pixels, dual monitor setup recommended) For using Groove Agent 2 as a plug-in, a VST2 or DXi2 compatible Host is required. Steinberg Key and USB component connector required Mac Power Mac G4 867 MHz (Power Mac G5 Dual 1.25 GHz or faster recommended) 384MB (512MB recommended) 450 MB free HD space for Content OS X Version 10.3.3 or higher CoreAudio compatible audio hardware Display Resolution 1024 x 768 pixels (1152 x 864 pixels, dual monitor setup recommended) For using Groove Agent 2 as a plug-in, a VST2 or AU compatible Host is required. Steinberg Key and USB component connector required "

Line 6 Flextone III Extension Cabinet Price: 199.99 Retail Price: 279.00 99-030-0601 Gigasonic Flextone III Cabinet This open back cab is the perfect companion for the Flextone II Plus. Can be used stacked, or spread wide. Amps & Cabs Flextone III's soul is its remarkable collection of Amp and Cabinet models esulting from the meticulous study of a dream collection of vintage and modern amplifiers and cabinets. Flextone III features 32 groundbreaking amp models built from the same amp technology found in our flagship Vetta amplifier. Line 6 has even added all new models based on a 1963 Fender Vibroverb, Bogner Extacy, Cornford mk50h, and a 1985 Marshall Silver Jubilee. Effects Line 6 adapted a bunch of their stomp box models from their MM4 Modulation Modeler and DL4 Delay Modeler pedals, and stuffed them all into your Flextone III. You'll get instant access to models based on* the Maestro EP-1 Echoplex, Roland Space Echo, Electro-Harmonix Deluxe Memory Man, MXR Phase 90, Uni-Vibe, and Leslie 145. There's even a dedicated Compressor and Gate. And it doesn't stop there. They've even added 16 classic reverb types ranging from Plate and Chamber to vintage Spring. 249 Features ? 1x12 custom Celestion speaker 60 Watts max 8 ohm 34 lbs. 23.5"W x 18"H x 11.25"D (15.5 kg, 60cm x 46cm x 29cm) "

Line 6 Spider II 30 Guitar Amplifier Price: 199.99 Retail Price: 279.00 990101705 Gigasonic Spider II 30 from Line 6 gives you four independent amp channel models to punish your audience with. The Clean, Crunch, Metal, and Insane channels come preset with tone and effects settings ready to rumble wherever and whenever you are. This crafty beast also features a dedicated distortion boost, noise gate, and the radical Smart Control FX. Features ? 4 amp models: Clean, Crunch, Metal & Insane 6 Smart Control FX (2 simultaneous) including Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb. 4 User-programmable channels Tap Tempo CD/MP3 input jack Headphone/Direct Out for practice or recording Custom Celestion 12-inch Speaker 30 W amplifier Footswitch jack for FBV2 and FBV4 floor controller Specifications ? Amp Models Clean This amp model gives you everything from crisp, shimmering clean tones all the way to warm vintage tones. Crunch We based this model on* a '68 Marshall "Plexi" 100-watt with a few added extras. We threw in the Variac "brown sound" trick on top of jumping the input channels! Now you're on fire! Metal This monster truck of tone delivers a tight bottom-end that's big, powerful, and fast. Use this amp model to get a punch, high-gain metal sound. Insane Our goal with Insane was to provide you with as much distortion as possible short of complete meltdown. Crank up the Drive control and prepare to dominate. Effects With six different effect types (two simultaneous), getting the right sound is easy. Spider II 15 packs six Smart Control FX including, Phaser, Chorus/Flanger, Tremolo, Sweep Echo, Tape Echo, and Reverb. All effects can be easily tweaked and delay times can be adjusted using tap tempo.

Line 6 POD 2.0 Guitar Amp Price: 199.99 Retail Price: 519.00 LINE99POD2US Gigasonic The Line 6 POD 2.0 adds the popular Line 6 Twang, Blues, Crunch, and mind-warping Insane models from Spider for a total of 32 available models. So if you want a wide variety of classic and modern guitar or bass tones with convenient to use effects built in, please have a POD 2.0. Line 6's revolutionary A.I.R. Modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound on everything from the most prestigious pro studio setup to a multi-track cassette. Sounds like having a great amp mic'd by a great engineer in a great studio. A new standard in direct guitar recording, Line 6 POD 2.0 is the ultimate guitar direct recording/performance tool with acclaimed Line 6 modeling and built-in stereo effects. Print this page and you can have your own color brochure! The POD 2.0 is a fully programmable desktop unit delivers 32 legendary amp tones and features 16 pro-quality digital effects setups arranged on separate knobs. By utilizing the built in POD Mount, the Line 6 POD 2.0 can be secured to a standard microphone stand or slip underneath an amplifier. It also provides extensive programmability via MIDI-adjustable parameters. In short, it lets you record mind-blowing tracks with full volume punch without freaking out the neighbors. New patches and models are downloadable at Line 6's website. Features ? Award winning Line 6 Amp Models that emulate an all-star collection of legendary amplifiers. 36 user memory locations so that you can create your own customized collection of killer sounds. Organize them to match your set list, your session needs, or any doggone thing you want. After all, it's YOUR POD! Stereo Balanced or Unbalanced 10 TRS outputs, so you can plug Line 6 POD 2.0 into anything from your home stereo to a really expensive mixing board. Separate Stereo Headphone output to keep your neighbors (or your spouse, for that matter) from staging a counterattack when you're writing that first big hit in your apartment at 3am. Chromatic Tuner, because playing out of tune isn't cool. Cabinet Tuning Mode. The Amp/Direct switch allows Line 6 POD 2.0 to be optimized for different applications. Select Direct when running Line 6 POD 2.0 directly into a mixer or recorder. Select Amp when using Line 6 POD 2.0 as a tone-shaping front end for another amp. Line 6 POD 2.0 delivers several tuning modes for the Amp position, selectable at power-up. For example, by default, POD products for guitar expect to be plugged into the guitar input of an open-backed combo. Other tuning modes allow Line 6 POD 2.0 to be optimized for connection to the power amp input of a closed-back system, or into closed-back cabinets. ToneTransfer Compatibility. Line 6's ToneTransfer Web Library, is constantly expanding. The sounds you collect transfer seamlessly between Line 6 POD 2.0, POD Pro, and Flextone II series amps, so wherever you go, all your sounds can make the trip. Specifications ? Amp Models 32, customizable Digital Effects 16 Factory/ User Presets 36 Headphone & Direct Out 1/4 inch TRS Power N/A Mono/Stereo Stereo Configuration N/A

Line 6 Tone Port UX2 USB Computer Recording Interface Price: 199.99 Retail Price: 249.00 LINE6UX2 Gigasonic Now we're introducing the world's first line of recording & modeling interfaces with our pro grade tone for guitar, bass, vocals and many more. Though great mixes start with massive recordings professional producers, engineers and musicians turn to Line 6 in studios. TonePort is like a rack full of premium tube recording equipment, plus a perfectly engineered recording room for guitar and bass, thanks to our adored guitar/bass direct tone with mic and cab modeling. What else would you expect from the makers of the innovative POD product family? TonePort also comes with a special Line 6 edition of Ableton Live so that its easy for you to start making great sound recordings as you open the box rapidly. GearBox: The GearBox software has now come to your desktop with Toneport which controls TonePort and includes fussily crafted models of premium tube studio preamps, vintage guitar and bass rigs, and hunted after personality-rich effects and gives you a finest tone front end for all your recordings and only this particular tone pros rely on Line 6.GearBox is the Line 6 software that gives the TonePort UX1 and UX2 hardware interfaces world-class studio tone on the desktop.GearBox provides a hardware-like, simple to understand and operate interface for dialing in the ideal tone every time and is built on the technological foundation of the studio-standard POD XT and Bass POD XT direct recording devices. You can mix and match PODXT-based amp and cab models based on * Marshall, Fender, Mesa/Boogie, Vox, Roland, Soldano and more, with pragmatic looking controls that make any guitarist feel right at home. GearBox's scrupulously crafted recreations of a dream assortment of 16 classic and modern guitar amplifiers, 5 must-have bass amp models, and 24 stompbox and studio effects detain the range of tone found on the best tracks ever recorded. From PODXT: Line 6 Tread plate Line 6 Chemical X Line 6 Insane Line 6 Piezacoustic 2 Line 6 Spinal Puppet 1953 Small Tweed based on* "wide panel" Fender Deluxe Reverb 1958 Tweed B-Man based on* Fender Bassman 1964 Blackface 'Lux based on* Fender Deluxe Reverb 1967 Class A-30 Top Boost based on* Vox AC-30 1968 Plexi Lead based on* Marshall Super Lead 1968 Plexi Jump Lead based on* Marshall Super Lead with "jumped" channels 1987 Jazz Clean based on* Roland JC-120 1990 Brit J-800 based on* Marshall JCM-800 1993 Solo 100 Head based on* Soldano SLO-100 2001 Tread plate based on* Mesa/Boogie Dual Rectifier Tube Instrument Preamp From Bass PODXT: Rock Classic based on* Ampeg SVT Flip Top based on* Ampeg B-15A Adam and Eve based on* Eden Traveler WT-300 Silver face Bass based on* Fender Dual Showman Eighties based on* Gallien Kruger 800RB Stomp box and Studio Effects: Facial Fuzz (based on* Fuzz Face) Fuzz Pi (based on* Big Muff Pi) Screamer (based on* Tube Screamer) Classic Distortion (based on* ProCo Rat) Vetta Comp Line 6 Sine Chorus Line 6 Flanger Phaser (based on* MXR Phase 90) U-Vibe (based on* Uni-Vibe) Opto Tremolo (based on* 1965 Fender Deluxe Reverb) Rotary Drum & Horn (based on* Leslie 145) Analog Delay Modulation (based on* Deluxe Memory Man) Tube Echo (based on* EP-1 Tube Echoplex) Line 6 Digital Delay Standard Spring Reverb Brite Room Reverb Medium Hall Reverb Cavernous Reverb Slap Plate Reverb Wah (based on* Vox Wah) Volume (Pre- or Post-Amp Routing options) Compressor (based on* LA-2A Compressor) Female De-Esser Male De-Esser Noise Gate Features 2 Mic Inputs with +48v Phantom Power 2 Guitar/Bass Inputs - use the high gain input for guitars and basses with high level pickup outputs, or the normal input Stereo Line Inputs for your line out level gear Stereo Digital Output S/PDIF via RCA Stereo Line Outputs via balanced 1/4-inch Stereo Monitor Input via stereo 1/4-inch jack Headphone Output with independent Volume knob VU Meters assignable to input, record send, output and monitor levels Footswitch Jacks send MIDI commands to recording programs (start/stop, punch in/out, etc.) Pro Audio Performance with over 100dB signal-to-noise & dynamic range Unique, full tone low latency monitoring regardless of recording software's buffer size 44.1 & 48 KHz, 16 & 24 bit recording 96 KHz mode with built-in sample rate conversion for simultaneous input and output USB-powered Rock-solid Drivers: ASIO, WDM, Mac OS X UX2 PREMIUM FEATURES Tone port UX2 has all the features of its little brother UX1, plus a whole lot more! Stereo Mic In: The 2 mic INS are perfect for vocals and other mic'd sources, with +48v Phantom Power to drive the finest microphones. You can use them for mono or stereo sources, and tone process them jointly or separately. Digital Out: For direct digital recording of your premium Line 6 tone, as well as playback from your computer connect UX2's digital out to your hardware digital recorder. It provides S/PDIF digital audio at 44.1/48KHz sample rates perfect for CD, DAT and many popular digital recording setups.

Steinberg Studio Case II Music Software Collection Price: 199.99 Retail Price: 329.00 steinberg-case-II Gigasonic Steinberg Studio Case II is a complete music production package, which includes a high-performance sequencer and six fantastic-sounding VST instruments: Cubase SE3 (the new music production software based on award-winning Cubase SX3 technology, featuring 48 audio tracks as well as full VSTi support), and SE versions of 6 great VST instruments: HALion, The Grand, Virtual Guitarist Electric Edition, D'cota, Groove Agent and Virtual Bassist. This software collection is available for Mac and PC users at an unbelievable price! Steinberg Cubase SE3 The complete music production suite for your studio! Cubase SE3 is based on the latest VST 2.3 audio engine (32-bit floating point) and offers full delay compensation. SE3 combines powerful audio and MIDI features with professional editing and effects. Start creating your own music with a system that is fully compatible with the Cubase family of products that are used in high-class studios around the world. Steinberg Groove Agent SE Forget about tedious drum programming. Groove Agent is your personal virtual drummer, providing you with ready-to go drum tracks, live feel and extraordinary real-time control. Steinberg HALion SE The backing part specialist. This 4-way timbral version of Steinberg's HALion Sampler includes the Wizoo Composer Library and features HALion and Soundfont import, letting you play literally millions of sampled instruments. Steinberg The Grand SE The Grand SE is a great-sounding acoustic grand piano with 4 characters (Natural, Soft, Bright and Hard) to suit any musical style. Steinberg D'Cota SE Steinberg's next-generation multiple synthesis VST instrument supplies punchy basses, biting leads and massive pad sounds. Steinberg Virtual Guitarist Electric Edition SE Virtual Guitarist Electric Edition SE is a professional electric guitarist ready to play perfect funk, pop and rock styles with unbelievable sound and playing technique. Best of all - he'll never argue... Steinberg Virtual Bassist SE With version 2 of Studio Case you also get a special SE Version of Steinberg's new virtual bass player, the latest addition to the virtual band. Virtual Bassist SE provides real bass parts with authentic sound character. Specifications Specifications Minimum System Requirements PC Processor: Pentium / Athlon 800 MHz RAM: 384MB Operating System: Windows XP Home or XP Professional Sound Card: Windows MME compatible audio hardware (ASIO compatible audio hardware recommended) Display Resolution: 1024 x 768 pixels Other Components: DVD-ROM drive. USB component port for copy protection key. Internet connection required for upgrade license authorisation. MAC: Processor: Power Mac G4 867 MHz RAM: 384MB Operating System: Mac OS X Version 10.3 or 10.4 Sound Card: CoreAudio compatible audio hardware Display Resolution: 1024 x 768 pixels Other Components: DVD-ROM drive. USB component port for copy protection key. Internet connection required for upgrade license authorisation.

PreSonus AD192 24/192 Digital Option Card Price: 199.95 Retail Price: 279.00 PRESAD192 Gigasonic The new Presonus Eureka AD192 Digital Option Card for the Eureka Pro Recording Channel features Word Clock I/O, both AES and SPDIF outputs, 24-bit word length and sample rates of 44.1k, 48k, 96k and 192k. In addition, both Professional and Consumer digital formats are support for further flexibility and compatibilty. Balanced TRS line input (RIGHT INPUT) is also included so that only one AD192 is needed for using two Eureka's in dual mono or stereo applications. The PreSonus Eureka is fast becoming a favorite preamp among many professional and project studio owners. The ultra flexible Eureka becomes even more powerful with the AD192 by adding high-quality digital output to a professinoal recording channel with microphone input impedance selection, tube simulation, variable compressor and ultra smooth three band parametric EQ. The Eureka is professional preamplifier designed for recording with all types of microphones including condensers, ribbons, dynamics as well as instruments and line level signals from keyboards, syths and sound modules. Now with the Presonus Eureka AD 192 digital output card for the Eureka, you can bypass substandard converters on low and mid priced computer interfaces giving you a professional grade signal path that competes with systems that are ten times the price. Features ? Bit Resolution: up to 24-Bit Sample Rates Supported: 44.1, 48, 88.2, 96, 176.4, 192 Word Clock: In / Out via BNC Connector Supported Digital Formats: Professional, Consumer Simultaneous Digital Ouputs: AES/EBU and S/PDIF Analog Line Input: (one AD192 card supports two Eurekas) 1/4 Balanced TRS THD: + N 0.002 % Signal to Noise Ratio: 114dB Dynamic Range: 114dB"

Edirol PCR-M50 MIDI Keyboard Controller Price: 199.00 Retail Price: 285.00 PCR-M50 Gigasonic The PCR-M50 is a revised version of the popular PCR-50 MIDI Keyboard Controller. Like the PCR-50, the PCR-M50 offers direct connection to the computer through USB, plus 49 keys, 27 assignable MIDI controllers, a software editor, MIDI input and output, and sustain and expression pedal connections. Advancement the PCR-M50 has over the PCR-50: the addition of velocity curves, a switchable MIDI interface, and a new key-action found on Roland's higher-end synths that produces less mechanical noise and offers a consistent, playable feel. The pitchbend/modulation lever has a new rubber coating for easier grip. Features ? Newly developed keyboard mechanism comfort to MI keyboards for musicians High quality improved keyboard assembly -- ultra-low mechanical noise 12 velocity curve selections for delicate musical nuance More comfortable reactions in the new keys Switchable MIDI Interface Cool, black (titanium dark gray) body color As a real musical instrument, not as a computer peripheral 49 Velocity-sensitive keys High Quality Keyboard Mechanism 12 Velocity Curves and Fixed Velocity Mode 27 Fully-assignable Controls: 8 Knobs, 8 Sliders, 9 Switches, and 2 Pedal Ports Rubber-coated Pitch Bend/Modulation Lever 1 GM2 and 15 User Memory Set Locations FPT Low-latency MIDI Transmission PCR Editor Software USB Powered or AC Adaptor (Included) MIDI IN/OUT Ports Sustain and Expression Pedal Ports V-LINK High Quality Mechanism for the Serious Player With a newly designed key mechanism -- taken from Roland's 30 years of synthesizer development -- players can control a wide dynamic range with incredible subtlety. The re-designed key assemblies have a rounded shape for better reaction to the player’s touch and more comfortable glissando, plus changes have been made to reduce the already low mechanical noise of the PCR-80 and eliminate vertical shake on the key strokes. The newly developed pitch bend and modulation design offers you easier and more expressive control. All these features add up to a keyboard that even the most discerning player can appreciate. Comprehensive Connectivity for Maximizing Player's Performance Connect everything with one USB cable. Since the power is supplied from the computer, no AC adaptor is needed. The same USB connection provides MIDI IN and OUT ports that allow the keyboard to function as a MIDI interface to other external MIDI devices. It addition to this, all the information from keys and controllers can be sent through the MIDI OUT port so that you can control both software and external MIDI devices at the same time (MIDI Interface mode = OFF). With the interface mode turned on, the PCR-M80/M50/M30 can control multiple applications at the same time. Control your DAW (Digital Audio Workstation) and software synthesizer at the same time. The MIDI processing in the PCRM80/ M50/M30 is compatible with FPT (Fast Processing Technology). This technology doesn't depend on music application you are using. It provides stable, high speed, low latency, and low jitter MIDI transmission. 27 Individual Fully Assignable Controllers The PCR-M80/M50/M30 provides you with 8 knobs, 8 sliders, 9 buttons, and 2 pedal ports. These controllers can be assigned to any MIDI message, Control Change (CC), RPN, NRPN, System Exclusive and more. You get to choose what parameters to control in your MIDI hardware and software to create the perfect playing environment. 12 Selectable Velocity Curve Combinations Pick from 12 velocity curves to precisely match your playing style. As the PCRM80/M50/M30 has 4 different velocity curves and 3 kinds of sensitivity (Light, Medium, and Heavy), the player can find the combination that perfectly suits them and can produce the precise MIDI performance and programming of a true professional. In addition a Fixed Velocity Mode is provided where the PCR-M80/M50/M30 always outputs a fixed velocity (from 1 to 127) providing practical input for drum and percussion programming in step recording. PCR Editor software and Downloadable Memory Sets (Control Maps) on the web The PCR series keyboards work with all major music applications, and are equipped with user memory locations to store up to 15 different control maps. PCR Editor software for use with the Edirol PCR Keyboard Series is included. The PCR Editor allows for extensive and convenient control of the PCR keyboards from a PC or Mac. The PCR Editor is designed to assist in creating control maps for the PCR and allow users to quickly and easily make assignments to any of the 27 assignable controls. This powerful software also allows the user to copy system exclusive messages for the PCR into a sequence so the controls can be mapped or changed during a sequence. In addition to offering easy implementation of different MIDI messages, the PCR Editor also allows the user to specify minimum and maximum values for each control. Supports Win98/Me/2000/XP, Mac OS X & Mac OS 9.x. Specifications ? Keyboard: 49 Velocity Sensitive Keys Controller Memory Button MIDI Channel Button Program Change Button Edit Button V-LINK Button Octave Shift Button (+/-) Transpose Button Assignable Button (B1--6, L1--3) Bender/Modulation Lever Assignable Rotary Volume (R1--8) Assignable Slider (S1--8) Assignable Pedal (P1--2) Memory Set: Preset: 1 (GM2) User: 15 Display: 7 segments, 3 characters (LED), Power Indicator Rear Panel: Power Switch (USB BUS/OFF/DC IN) Connectors: Hold Pedal Jack Expression Pedal Jack MIDI Jacks (IN/OUT) USB Jack (B type) DC IN Jack Power Supply: DC 9 V (AC Adaptor) or USB Bus Powered Current Draw: 300 mA (AC Adaptor) 300 mA (USB Bus Power) Dimensions: 833 (W) x 232 (D) x 86.5 (H) mm, 32-13/16 (W) x 9-3/16 (D) x 3-7/16 (H) inches Weight: 3.3 kg / 7 lbs. 5 oz. (excluding AC adaptor) System Requirements Macintosh Operating System: MacOS 9.x, and OS X Computer: USB ready Apple Macintosh CPU/clock: PowerPC G3/233 MHz or higher Memory (RAM): 64 MB or more OMS 2.3.3 or later. FreeMIDI 1.35 or later* For MacOS 8.5, 8.6, 9.x. Plug and play on MacOS X. System Requirements Windows Operating System: Microsoft Windows Me/98/98SE/2000/XP Computer: Windows compatible equipped with a USB* port CPU/clock: CPU/clock: Intel Pentium Cerelon or Intel compatible Processor/600 MHz or higher Memory (RAM): 64 MB or more USB Chipset: Intel’s USB chipset is recommended

Novation Remote 25 LE USB MIDI Controller Price: 199.00 Retail Price: 249.00 NOVREM25LE Gigasonic With its funky touchpad and cool 4-way joystick, the lightweight ReMOTE LE 25 is an outstanding choice for the musician on a budget wanting to trigger samples, lay down basslines or control a sequencer with true style. The ReMOTE LE 25keyboard also comes complete with a full version of the Novation Bass Station software synthesizer. Novation ReMOTE LE 25 MIDI Controller at a Glance: A wealth of assignable controllers Unique joystick and touchpad Easy to use, with built-in templates A wealth of assignable controllers The ReMOTE LE 25 is Novation's most compact keyboard to date but still offers a wealth of MIDI controlling capability. Not only does it feature the X/Y Touchpad and combined pitch/mod joystick, which can both be programmed any way you desire, but the ReMOTE LE 25 also boasts nine knobs and nine buttons, with a Group A/B switch that doubles their versatility. Six further buttons, labeled for transport control, are also built in. Unique joystick and touchpad Featuring the unique Novation touchpad and 4-way joystick with selectable spring operation, the ReMOTE LE 25 lets you be creative on your own terms. The semi-weighted keyboard feels great, and you can select from eight velocity curves to suit your personal preferences. Easy to use, with built-in templates All of the ReMOTE LE 25 controls have been pre-programmed in 12 onboard templates for popular software applications and instruments, so that the LE will control plug-ins with style straight out of the box. Many of these templates have plastic overlays for even simpler parameter identification, but the ReMOTE LE's 32-character LCD screen already makes control display clear and simple. Many more ReMOTE templates will become available on the Novation website so check the downloads and product updates pages for regular additions. Features Keys: 25 Type: Semi-weighted Velocity curves: 8 Pitch wheel lever: Rubberized - center return spring-loaded left to right motion. Mod/control lever: Rubberized - spring-loaded front to back motion X/Y Touchpad: 1 x touch sensitive 45x60mm, 2 assignable parameters in X direction, 2 assignable in Y direction. LCD display: 2 x 16 character silver, blue LED backlit. MIDI: 1 MIDI Out USB MIDI: 1 In/1 Out Data ports: 1 x USB 1.1 Sustain pedal: 1 x 1/4" Jack Input Rotary potentiometers: 9, 0-270?rotation Rotary encoders: 1, 360?continuous DATA wheel Transport controls: Rewind/FF/Stop/Start/Rec/Loop Buttons: 9 function switches Group B switch General operation: 5 Mode and Menu select buttons Keyboard Octave: Up and Down buttons Battery operation: 6 x standard AA Size External power supply: Standard 'center positive' 9V DC Size: 18.4 x 2.7 x 7.5 (inch) w x h x d Weight: 3 lbs Templates: 16 Editable onboard Template memories, including 12 factory settings (many more available at www.novationmusic.com)

Emu 1212M Balanced PCI Audio Interface Price: 199.00 Retail Price: 299.00 EMU1212M Gigasonic The E-MU 1212M contains mastering-grade 24-bit, 192kHz converters ( the same A/D converters used in Digidesign's flagship Pro Tools HD 192 I/O interface), hardware-accelerated effects and mixing, and seamless compatibility with your favorite PC audio/sequencer software. The E-MU 1212M Digital Audio System delivers everything you need to produce audio on a computer with professional results. The E-MU is a true sampling system redesigned from the ground up, offering musicians and sound engineers unprecedented tools for automated sampling and preset creation. The 1212M has many useful functions. The 32-bit multi-effects processor provides over 16 simultaneous hardware-accelerated studio-grade effects with no CPU overhead and the plug-in architecture allows you to add new effects as needed. 32 channels of zero latency mixing/monitoring with super-flexible virtual patchbay and full compatibility with most popular audio/sequencer applications make it project friendly. Also includes a powerful software studio package. The E-MU 1212M Digital Audio System is the perfect solution for any application that only requires a couple channels of premium analog I/O (i.e. mastering, remixing and running virtual instruments). Features Mastering-grade 24-bit, 192kHz converters - the same A/D converters used in Digidesign?s flagship Pro Tools?HD I/O Interface Flexible connectivity with 1/4 in. balanced analog I/O, 24/192 ADAT I/O and 24/96 S/PDIF I/O, MIDI I/O plus a FireWire?port for seamless integration with your entire studio E-DSP 32-bit Multi-effects Processor offers you over 16 simultaneous hardware-accelerated studio-grade effects with no CPU overhead - plug-in architecture allows you to add new effects as needed 32 Channels of zero latency Hardware Mixing/ Monitoring with super-flexible virtual patchbay - no external mixer needed Full compatibility with most popular audio/sequencer applications with ultra-low latency WDM, DirectSound?and ASIO 2.0 Drivers Powerful software studio package 1212M I/O Configuration Two 1/4 in. Balanced Inputs 24-bit/192kHz ADAT In/Out (switchable to S/PDIF) 24-bit/96kHz S/PDIF In/Out (switchable to AES/EBU) MIDI In/Out Firewire?Interface E-DSP Hardware-accelerated Effects, Mixing and Monitoring: E-MU's Digital Audio Systems feature the powerful E-DSP chipset, which features a hardware-accelerated effects processor with over 20 effects plug-ins (over 500 presets). This effects architecture is fully expandable, allowing you to add more effect plug-ins to your system as needed. E-DSP also provides zero-latency, hardware-based mixing and monitoring via the included PatchMix DSP mixer, delivering unmatched flexibility in routing audio between all of your physical and virtual (ASIO/WDM) inputs and outputs- no external mixer needed. All Digital Audio Systems ship with the following Effects Plug-ins: 1-Band Para EQ 1-Band Shelf EQ 3-Band EQ 4-Band EQ Auto-Wah Chorus Compressor Distortion Distortion Freq Shifter Leveling Amp Mono Delay 100 Mono Delay 3000 Stereo Delay 100 Stereo Delay 1500 Phase Shifter Rotary Speaker Simulator Stereo Reverb Vocal Morpher Specifications General Sample Rates: 44.1, 48, 96, 192kHz from internal crystal or externally supplied clock (no sample rate conversion) Bit Depth: 16 or 24 bits PCI Bus-Mastering DMA subsystem reduces CPU usage Zero-latency direct hardware monitoring w/effects Analog Line Inputs Type: Servo-balanced, DC-coupled, low-noise input circuitry Level (software selectable): - Professional: +4dBu nominal, 20dBu maximum (balanced) - Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: +/- .05dB, 20Hz - 22kHz THD+N (1kHz signal at -1dBFS): -110dB SNR (1kHz signal at -1dBFS): 120.7dB, A-weighted Dynamic Range: 121dB, A-weighted Channel Crosstalk: < -125dB, 1kHz signal at -1dBFS Analog Line Outputs Type: Balanced, low-noise, 2-pole low-pass differential filter Level (software selectable): -Professional: +4dBu nominal, 20dBu maximum (balanced) -Consumer: -10dBV nominal, 6dBV maximum (unbalanced) Frequency Response: 0.0/-.35dB, 20Hz - 20kHz THD+N (1kHz signal at -1dBFS): -105dB SNR (1kHz signal at -1dBFS): 121.8dB, A-weighted Dynamic Range: 123.6dB, A-weighted Dynamic Range: 123.6dB, A-weighted Digital I/O S/PDIF: -2 in/2 out coaxial (transformer coupled) -AES/EBU or S/PDIF format, switchable under software control ADAT: -8 channels, 24-bit @ 44.1/48kHz -4 channels, 24-bit @ 96kHz (S-MUX compatible) -2 channels, 24-bit @ 192kHz Firewire: -400 Mbps 1394a port (6-pin) -Compatible with DV cameras, storage peripherals, etc. Minimum System Requirements Genuine Intel?Pentium?III or AMD?K6?class processor or higher operating at 500MHz or faster Intel?AMD?or 100% compatible motherboard & chipset 128MB System RAM 500MB of free hard disk space for full installation Windows?2000 SP 4, Windows?XP SP 1 or greater PCI 2.1 compliant slot for E-MU?010 PCI card Adjacent PCI slot for E-MU?0202 I/O daughter card CD-ROM or DVD-ROM drive required for software installation XVGA Video (1024 X 768)

DigiTech Vocal 300 Processor Pedalboard Price: 199.00 Retail Price: 249.00 DIGIVOCAL300 Gigasonic DigiTech is proud to introduce the Vocal 300 vocal effects processor with a built-in expression pedal. The new Vocal 300 comes with 38 fully programmable studio quality effects (up to 7 effects at once). By utilizing the built in expression pedal, players can control choice of up to 3 parameters in real-time. Up to 4 adjustable parameters per effect give you the flexibility to create the sound you want. The 6 character alphanumeric and 2 character numeric displays, combined with the 4-knob matrix editing system, provide a simple straightforward user interface. The Vocal 300 is ideal for both warm classic vocals or cutting edge distortion and lo-fi styles. The exclusive voice "characters" transform your voice from the scariest of monsters to spacey alien beings. The Vocal 300 comes ready to use with 40 great Factory Presets, and includes 40 User Presets locations for your own custom creations. The rear panel features a 1/8" CD input for singing along with your favorite music, a 1/4" unbalanced input, a balanced XLR input, a balanced XLR mono output, a 1/4" TRS stereo line output and a 1/8" headphone output. Features ? 7 effects at once Up to 4 fully programmable parameters per effect 24-bit A/D/A converter Balanced XLR input and output Line input 1/4 in. TRS stereo line output Expression pedal with V-Switch Simple user interface 6-digit alphanumeric display 2-digit numeric display Rugged metal chassis 40 user/40 factory presets Power supply included Effects List SpecifMic pre & voice characters Compression EQ Noise Gate Chorus Flanger Phaser Tremolo Vibrato Strobe Doubler Envelope Pixelator Detune Pitch Shifter Whammy?/span> Digital Delay Analog Delay Ping-pong Delay 8 Reverb types Specifications ? Inputs: ?in. TS and XLR Outputs: Stereo ?in. TRS and Mono XLR Headphone: 1/8 in. TRS CD Input: 1/8 in. TRS A/D/A: 24-bit Sample Rate: 44.1 kHz Simultaneous Effects: Up to 7 Effects: Mic pre and voice characters, compression, EQ, noise gate, chorus, flanger, phaser, tremolo, vibrato, strobe, doubler, envelope, pixelator, detune, pitch, Whammy? digital delay, analog delay, ping-pong delay, 8 reverb types Memory Capacity: 40 User/40 Factory Power Requirements: 9VAC, 1.3A (PS0913B Included) Power Consumption: 10 Watts Dimensions (L x W x H): 8.5 x 13 x 2.25 in. Weight: 3.76 lbs.

Emu Vintage X Pro Collection Bundle Sample Library Price: 199.00 Retail Price: 299.00 EMUEM8666 Gigasonic The E-MU Vintage X Pro Collection (Volumes 1-3) provides Emulator X owners a host of legendary keyboards and synthesizers including the ARP 2600, Mini and Memory Moogs, Prophet 10 and 600, Jupiter 8, Taurus Pedals, and more, all meticulously sampled and recombined to create the most realistic and playable versions of these instruments. E-MU's sound designers sampled each individual pitch, oscillator and signature sound to capture the unique sound of each of these legendary synths and keyboards, and optimized the presets for Emulator X's powerful streaming engine. Each synthesizer has been meticulously sampled using 16 and 24-bit resolution and recombined to create these authentic digital renditions. Volume 1 The Emu Vintage X Pro Synthesizers offers you a host of legendary analog and digital synths, including the ARP 2600, Mini and Memory Moogs, Prophet 10 and 600, Jupiter 8, Taurus Pedals, and more. Each synthesizer has been meticulously sampled using 16 and 24-bit resolution and recombined to create these authentic digital renditions. Volume 2 Emu Vintage X Pro Synthesizers offers Emulator X owners a host of legendary instruments, including the tape-based Mellotron, analog synths like the Emu Modular and Elka Rhapsody, as well as a bank of the latest, modern digital synthesizers, all meticulously sampled and recombined to create the most realistic and playable versions of these instruments. Volume 3 Emu Vintage X Pro Keyboards includes the legendary Hammond B3 Organ, Hohner Clavinet, Yamaha CP-70 Piano, Rhodes Electric Piano and Wurlitzer Electric Piano. Emu located well-maintained and calibrated instruments, then meticulously sampled them using 16 and 24-bit resolution in order to create these authentic digital renditions. Features Vol. 1 Features: For use with Emulator X and Proteus X 11 Banks ARP 2600, Mini Moog, ARP Axxe, Moog Taurus Pedals, Roland JD800, Sequential Prophet 10, Roland Jupiter 8, Sequential Prophet 600, Roland JX8P, Percs and Noise, Memory Moog 306 Presets Over 2.5 GB of Sounds Advanced Sound Design and Real-Time Control Emu sound designers sampled each individual pitch, oscillator and signature sound to capture the unique sound of each of these legendary synths, and optimized the presets for Emulator X's powerful streaming engine. All sound banks use the Emulator X patch cord modulation matrix, which offers users quick real-time control over filters, envelopes, oscillator layers, and many other controls. These accurate samples, processed through the Emulator X filters and controls, allow you to generate the sounds from the early days of music synthesizers. Vol. 2 Features: For use with Emulator X and Proteus X 9 Banks Elka Rhapsody String Ensemble, E-mu Modular Synthesizer, Roland Juno 60 Synthesizer, Mellotron, Millennium Collection, Korg MS-20 FX & Percussion, Solina String Ensemble, Oberheim OB-Xa Synthesizer, Roland TB303 Bass Line Synthesizer 277 Presets Over 2.5 GB of Sounds Advanced Sound Design and Real-Time Control EMU sound designers sampled a comprehensive array of Mellotron sounds, including choir, strings, woodwinds and brass, as well as combinations of these sounds. For the analog and digital synths, every individual pitch, oscillator and signature sound was sampled to capture the unique sound of each instrument, and optimized for Emulator X's powerful streaming engine. All sound banks use the Emulator X patch cord modulation matrix, which offers users quick real-time control over filters, envelopes, oscillator layers, and many other controls. These accurate samples, processed through the Emulator X filters and controls, allow you to generate the sounds from the early days of music synthesizers. Vol. 3 Features: For use with Emulator X and Proteus X 5 Banks Hammond B3 Organ, Hohner Clavinet, Yamaha CP-70 Portable Piano, Rhodes Electric Piano, Wurlitzer Electric Piano 149 Presets Over 2.5 GB of Sounds Advanced Sound Design and Real-Time Control Emu sound designers tracked down and sampled only the finest, calibrated keyboards, concentrating on each instrument's "signature" sounds. B3 presets include various drawbar settings, percussive samples, fast/slow rotary speaker settings and pedal samples. All instrument presets are optimized for Emulator's powerful streaming engine, and use the Emulator X patch cord modulation matrix, which offers users quick real-time control over filters, envelopes, oscillator layers, and many other controls.

DigiTech Whammy Pitch Controller Pedal Price: 199.00 Retail Price: 249.00 DIGIWHAMMY Gigasonic The DigiTech Whammy Pedal upgraded reincarnation of one of DigiTech's most popular pedals. It's been almost a decade since DigiTech introduced the revolutionary, original WH-1 Whammy pedal. The Whammy has the same smooth pitch bends, rich detuning, accurate dive bombs, and fast tracking harmony shifts that made the original Whammy pedal such a popular and indispensable effect. After perfectly recreating the original, this new Whammy has added a MIDI control and a new Dive Bomb effect. MIDI control -- making this timeless effect flexible enough for any situation. Dive Bomb -- gives the effect of a whammy bar pushed all the way to the body of the guitar. 16 LEDs -- provide a visual indication of your Preset selection even on dimly lit stages. Features ? Original Whammy presets New! Dive Bomb preset Rugged new industrial chassis design LED indicates display preset selection MIDI in for remote control Wet/dry outputs PS750 power supply included Specifications ? Sample Rate: 46.875 kHz Frequency Response Dry: 20 Hz to 20kHz Frequency Response Wet: 20 Hz to 12kHz Signal to Noise Ratio: Greater than -95dB (A weighted); ref = max level, 22 kHz bandwidth THD: 0.006% (1kHz); ref = 1dBu w/ unity gain A/D Conversion: 24-bit D/A Conversion: 24-bit Max Input: +8.8 dBu Max Output: +8.8 dBu Pitch Bend: +2/-3 Octaves Detune: -4 to -30 cents Dimensions (L x W x H): 8 x 6.3 x 2.5 in. Weight: 3.5 lbs. (1.6 kg)

DigiTech RP300A Guitar Pedal Price: 199.00 Retail Price: 249.00 DIGIRP300A Gigasonic Introducing a new addition to DigiTech's famed amp modeling guitar effects processor lineup, the RP300A combines the tones of 12 of the best in vintage and modern Amps with 26 fully programmable, studio quality effects (up to 12 at once). The RP300A contains many wonderful functions: expression pedal: control your choice of parameters in real time. 5 adjustable parameters: providing the flexibility to create the exact sound you're looking for. Drum Machine: improving your timing with your choice of 30 different patterns with adjustable tempo and volume level. chromatic tuner: lets you quickly check or tune your instrument to one of 4 different tuning references. 5 knob-matrix editing system: ensure a simple, straightforward user interface. The RP300A comes ready to use with 40 great Artist Presets, and includes 40 User Presets for custom creations. The rear panel features a single 1/4" input, 1/4" left and right outputs, 1/8" stereo headphone output for late night rehearsal, and an 1/8" stereo Jam-A-Long/Learn-A-Lick input. The RP300A also includes DigiTech's Learn-A-Lick feature which samples a phrase from your favorite tape or CD, and slows the playback to 1/4 of the original speed without changing pitch, allowing you to learn solos note for note. Features ? 40 new artist presets 12 effects at once Up to 5 fully programmable parameters per Effect 24-bit A/D/A converters Drum machine Learn-A-Lick Jam-A-Long Chromatic tuner Stereo output Built-in expression pedal 12 assignable LFO filters Alpha-numeric display External power supply Rugged metal chassis Effects Amp Modeling Acoustic Modeling Compression Wah Pickup Simulator Panner Vibrato Rotary Speaker Chorus Flanger Phaser Cabinet/Mic Modeling SynthTalk Delay 10 Reverbs 3-band EQ Noise Gate Auto Swell YaYa? Tremolo Envelope Filter Detuner Pitch Shifter Specifications ? Guitar Input: 1/4 in. TS Outputs: Left and Right 1/4 in. TS Headphone: 1/8 in. Stereo TRS Jam-A-Long?Input: 1/8 in. Stereo TRS A/D/A: 24 bit Delta Signal Simultaneous Effects: Up to 12 Rhythm Trainer: 30 Patterns Memory Capacity: 40 User/40 Factory Power Requirements: 9VAC, 1.3A (PS0913B Included) Power Consumption: 10 Watts Dimensions: 8.5 L x 13 W x 2.25 H in. Weight: 3.76 lbs.

DigiTech Jimi Hendrix Experience Guitar Pedal Price: 199.00 Retail Price: 249.00 DIGIJHE Gigasonic The Jimi Hendrix Experience pedal was created using the original masters at Electric Lady Studios in association with Eddie Kramer, the original recording engineer. By applying its proprietary Production Modeling technology to craft this effects pedal, guitarists can now access key Hendrix sounds from seven classic songs that defined his playing. This is the only pedal to capture the tones that changed guitar playing forever. The pedal was created using the original masters at Electric Lady Studios in association with Eddie Kramer, the original recording engineer. DigiTech employed Production Modeling via the AudioDNA DSP super-chip. (In fact, the Jimi Hendrix Experience pedal requires two of the AudioDNA DSP chips). The original Jimi Hendrix tapes were used as a reference source for the DigiTech Production Modeling technology. The results of this once-in-a-lifetime project will amaze you when you hear the Jimi Hendrix Experience pedal. Features ? New DigiTech Production Modeling technology accurately models seven signature Jimi Hendrix tones Three concentric knobs and one model control gives you multiple creative options Seperate amp and mixer outputs Custom artist pedal gig bag and pick Rugged case metal chassis and large treadle DigiTech pedal power supply

M-Audio Luna Condenser Microphone Price: 199.00 Retail Price: 249.00 9900-40793-00 Gigasonic The new Luna professional condenser microphone from M-Audio is truly a work of art inside and out. The Luna's eye-catching lollipop design combined with state-of-the-art electronics, creates an inexpensive microphone that honors vintage microphone principles. This design is perfect for professionally capturing vocals, guitar, piano and just about anything else. Luna uses Class A FET electronics, a technology that is much quieter than the op-amp technology often found in solid state microphones. All Luna microphones are also +/- 1dB from the standard reference microphone and from each other. Whether you're looking for a great all-purpose first mic or a fresh new sound for your microphone locker, Luna is the right microphone at the right price. Features ? single-pattern cardioid condenser large solid brass capsule 1.1" evaporated gold diaphragm +/- 1dB tolerance across entire frequency range vintage sound, modern technology Class A FET electronics includes shock mount and hard case Specifications ? frequency response: 20Hz-20kHz sensitivity: 16 mV/Pa (-36dBV) max. SPL for 0.5% THD: 130dB equivalent noise level: 14dB (A-weighted) output impedance: 200 ohms recommended load impedance: > 1,000 ohms power requirement: 48-volt phantom power connector: 3-pin male XLR size/weight: 8-1/4" (h) x 3" (w) x 2" (d); 1.4 lbs.

M-Audio Ozone Controller Keyboard Price: 199.00 Retail Price: 299.00 9900-40809-00 Gigasonic The M-Audio Ozone is a new mobile tool that can change the way you make music. This was the reason behind the design of the revolutionary Ozone—an all-in-one keyboard, MIDI control surface, mic preamp, USB audio interface and USB MIDI interface that's no bigger than a laptop . Combined with your computer and software like Reason and Live, M-Audio Ozone provides a complete personal mobile studio from input to output. The Ozone provides a built-in 16-channel USB MIDI interface, a 25-note keyboard with full-sized keys, 8 assignable MIDI controller knobs, pitch and mod wheels, sustain pedal jack, and 2 MIDI outs (one from computer, one from Ozone). The Ozone comes with a 24-bit/96kHz audio interface, stereo out, XLR mic input with built-in preamp and phantom power, an instrument in stereo aux in, stereo headphone out, and a direct monitor switch for zero-latency monitoring. Features ? built-in 2 x 2 24-bit/96kHz audio interface 25 keys (+/-4 octave transposition) 8 controller knobs assignable to any MIDI channel/parameter XLR mic input with built-in preamp and phantom power instrument in with built-in preamp (balanced 1/4" TRS) stereo aux in (balanced 1/4" TRS) stereo out (1/4"); stereo headphone out 2 MIDI outputs (software out and keyboard out) zero-latency direct monitoring includes Maximum Audio Tools software bundle Specifications ? frequency response: +/- 0.3dB (20-20kHz) dynamic range: 105dB (A-weighted) signal-to-noise ratio: 105dB (typical, A-weighted) THD: < 0.002% USB recording: 16-bit/44.1kHz > 4-in/4-out 24-bit/44.1kHz > 4-in/2-out or 2-in/4-out 24-bit/48kHz > 4-in/2-out or 2-in/4-out 24-bit/96kHz > 2-in or 2-out size/weight: 16-1/2" (w) x 9-5/8" (d) x 3-1/4" (h); 3.6 lbs. Compatibility: ASIO 2, MME, Sound Manager, OMS, Mac OS X Core Audio / Core MIDI Minimum system requirements (MAC): G3/G4* 500MHz OS 9.2.2, 128MB RAM; OS X 10.1.5, 10.2.6 or greater, 256MB RAM OMS 2.3.8 for MIDI under OS 9.2.2 * native USB port required; G3/G4 accelerator cards not supported Minimum system requirements (PC): Windows 98SE/Me/2000(SP4)/XP(SP1) For 96kHz operation: Pentium III 500mHz w/ 128MB RAM For 48kHz operation: Pentium II 400 w/ 128MB RAM

M-Audio Delta 1010LT PCI Card Price: 199.00 Retail Price: 299.00 9900-40752-00 Gigasonic The Delta 1010LT delivers much of the same universal connectivity, high fidelity and seamless performance as the popular Delta 1010 on a single PCI card—and at a fraction of the price. Multiple analog I/O, MIDI, S/PDIF and surround sound support are all here. Two inputs even have mic/line preamps on XLR connectors, saving the expense of outboard preamps. It's all on a compact, half-size PCI card with two color-coded breakout cables. Combine up to four Deltas in your system for a maximum of 32 analog and four stereo S/PDIF inputs and outputs. 36-bit Embedded DSP All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad conrols and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation. Features ? 10 ins and 10 outs XLR Microphone inputs with pre amps S/PDIF I/O, MIDI I/O, wordclock I/O 24-bit 96 kHz recording Convenient and powerful routing possibilities Unsurpassed fidelity Superior driver technology The broadest compatibility of any card Zero latency hardware monitoring Bit-for-bit accurate digital transfers via S/PDIF Powerful digital mixing and routing Control over SCMS (Serial Copy Management System) Specifications ? 10x10 24-bit/96khz full-duplex recording interface. PCI host card with 2 external, color-coded breakout cables. 8x8 analog I/O, balanced on female XLR and unbalanced on gold-plated RCA connectors, with signal level adjustments selectable within the Delta Control Panel. S/PDIF digital I/O supports a variety of modes, including AC3 or DTS surround (PC only) and copy protection schemes can be set via the Delta Control Panel. 1x1 MIDI I/O on standard DIN jacks. External synchronization via word Clock I/O on BNC connectors. The 2 balanced XLR analog inputs can be set via hardware jumpers to accept microphone level or line level signals. High dynamic range (A-weighted measured): D/A 101.5 dB, A/D 99.6 dB. Low distortion (measured THD @ 0dBFS): A/D and D/A less than 0.002%. Frequency Response: 22-22kHz, -0.2,-0.4dB @48kHz; 22-40kHz, -0.2,-0.7dB @96kHz All data paths support up to 24-bit/96kHz performance, no upgrades necessary Comprehensive digital mixing, routing, and monitoring capabilities with included Delta Control Panel software Hardware sample-accurate sync will allow linking of multiple Delta units Windows XP, 2000/ME and 95/98 multi-card, multi-client drivers with ASIO1 and ASIO2 multi-card, GSIF and EASI drivers included; Windows NT multi-card drivers also included. Macintosh control panel and drivers with ASIO1, ASIO2, and legacy ASIO support for OS 8.6 or higher including OS X. Bundled Software Included Software The M-Audio product comes with a great software bundle that lets you start making music right away. Many products include a special version of Ableton Live and a selection of our popular ProSessions Sound and Loop Libraries. See package for more details, as software bundles may vary.

Arturia Arp 2600 V Virtual Synthesizer Plug-In Price: 199.00 Retail Price: 349.00 210105 Gigasonic The ARP2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds thanks to the exclusive ARP technologie. The ARP 2600 can be operated with or without patchcords since all of the functions are internally wired and can be controlled via sliders and switches. Due to this approach users can use the system simply while creating some of the wildest and most musically expressive analog sounds ever! With the ARP2600 V, Arturia brings this powerfull analog synthesizer back to life. In addition to the original functions, MIDI control,polyphony, and the ability to create, save and recall presets are all provided. But that's not all: behind the speakers panels are hidden innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sound design possibilites that have never been seen before. Additional effects are also provided and along with the original ARP sequencer, they form an exciting new virtual synthesizer. If you are at the beginning of your learning curve, you will be enjoy getting started with the hundreds of presets provided, or if you are an experienced sound designer, the ARP2600 V will allow you to immediately add new dimensions to your music. Features No aliasing from 0.1 Hz to 16 kHz 96 kHz and up to 64 bits floating point More than 400 presets, designed by industry professionals Playable through a MIDI keyboard 3 voltage-controlled oscillators. The second oscillator can modulate either the first two oscillators or the filter. Low pass resonant filter 1 LFO which can be synchronised on the tempo of the host sequencer 1 Sample and Hold Env 1: ADSR; Env 2: AR ; 1 Envelope Follower 1 Ring modulator 1 ARP original sequencer Stereo output A Tracker / interactive LFO exclusive module allowing to create new kinds of modulations in real time. ARP2500 multimode 12 db filter including the very special notch / low shell filter combination Possibility to synchronise Osc2 on Osc1 1 Chorus 1 Stereo Delay to be synchronised via MIDI. Updated voltage processors that you can now use either as inverters, mixers or lag processors. New keyboard following management Polyphony from 2 to 32 voices with Unison possibilities Absolutely pure and top quality sound, just like the origi nal ARP 2600 sound. Specifications PC 1 GHz 256 MB of RAM Windows 98SE/2000/XP Any sound card compatible with DirectX, ASIO, SoundManager or CoreAudio Mac Mac OS X : 1 GHz 256 MB of RAM Mac OS X 10.2 or higher Any sound card compatible with DirectX, ASIO, SoundManager or CoreAudio

M-Audio Firewire Solo Audio Interface Price: 199.00 Retail Price: 249.00 9900-40739-00 Gigasonic The FireWire Solo is designed from the ground up as an easy-to-use, high-quality interface for songwriters to record guitars, vocals and more on the computer. In addition to the 1/4" guitar input right on the front panel, a professional XLR microphone input also lets you record vocals and acoustic instruments. You have dual line inputs for effects, drum machines and other outboard devices. FireWire connectivity, up to 24-bit/96kHz sample rate support and digital I/O all add up to outstanding sonic performance. FireWire Solo is the foundation of your computer-based songwriting studio as it is simple to connect and operate. Features 6 x 4 24-bit/96kHz audio interface Front-panel microphone in (XLR) with: 48v phantom power Gain control Clip LED Front-panel guitar input (1/4 in. unbalanced) with: Gain control Clip LED 2 line inputs (1/4 in. unbalanced) on rear panel Front-panel switch toggles front/rear inputs 2 line outputs (1/4 in. TRS balanced/unbalanced) S/PDIF digital I/O (coax) with 2-channel PCM Digital output also supports pass-through of AC-3/DTS surround-encoded content Stereo headphone output (1/4 in. TRS) Level control for headphone and analog outs Flexible software-based routing/mixing with near-zero latency monitoring Dual FireWire ports for easy device chaining FireWire bus-powered (+12VDC power supply included for use with 4-pin FireWire PCs) ASIO2, WDM, GSIF2, MME and Core Audio compatibility Rack-mountable metal chassis Kensington lock port Mac and Windows compatible FireWire cables included Specifications General: Sample rates: 44.1, 48, 88.2, and 96kHz Bit depth: 24-bit Line inputs: Max input: +2.2dBV (1.3Vrms) Signal-to-noise ratio: -102dB @ 48kHz (a-weighted) Dynamic range: 102dB @ 48kHz (a-weighted) THD + N: 0.0061% (-84 dB), 1kHz, -1dBFS @ 48kHz Frequency response: +/-0.2dB, 20Hz to 20kHz @ 48kHz, +/-0.3dB, 20Hz to 40kHz @ 96kHz Crosstalk: -116dB, 1kHz, channel-to-channel Impedance: 14k O Microphone input: Available gain: 40dB Input range: -42 to -2dBu (0.01 to 0.6Vrms) Signal to noise ratio (min gain): -101dB @ 48kHz (a-weighted) Dynamic range (min gain): 101dB @ 48kHz (a-weighted) THD+N (min gain): 0.0049% (-86dB), 1kHz, -1dBFS @ 48kHz Frequency response (min gain): +/-0.25dB, 20Hz to 20kHz @ 48kHz, +/-0.3dB, 20Hz to 40kHz @ 96kHz Impedance: 1.5k O Instrument input: Available gain: 40dB Input range: -28 to +12dBV (0.04 to 4.0Vrms) Signal to noise ratio (min gain): -101dB @ 48kHz (a-weighted) Dynamic range (min gain): 101dB @ 48kHz (a-weighted) THD+N (min gain): 0.0079% (-82dB), 1kHz, -1dBFS @ 48kHz Frequency response (min gain): +/-0.25dB, 20Hz to 20kHz @ 48kHz, +/-0.3dB, 20Hz to 40kHz @ 96kHz Impedance: 270k O Line outputs: Max output (balanced): +10.2dBu (2.5Vrms) Max output (unbalanced): +2.0dBV (1.26Vrms) Signal to noise ratio: -10 dB @ 48kHz (a-weighted) Dynamic range: 107dB @ 48kHz (a-weighted) THD + N: 0.0024% (-92.5 dB), 1kHz, -1dBFS @ 48kHz Frequency response: +/-0.2dB, 20Hz to 20kHz @ 48kHz, +/-0.3dB, 20Hz to 40kHz @ 96kHz Crosstalk: -118 dB, 1kHz, channel-to-channel Impedance (balanced): 300 O Impedance (unbalanced): 150 O Headphone outputs: Max output: -2.0dBV (0.8Vrms) into 32 O Signal to noise ratio: -106dB @ 48kHz (a-weighted) Dynamic range: 105dB @ 48kHz (a-weighted) Frequency response: +/-0.2dB, 20Hz to 20kHz @ 48kHz, +/-0.3dB, 20Hz to 40kHz @ 96kHz Crosstalk: -86dB, 1kHz, channel-to-channel Output impedance: 75 O Working headphone impedance: 32 to 600 O Compatibility: ASIO2 WDM GSIF2 MME Core Audio Minimum System Requirements (Mac) Mac G3/G4* 500 Mhz OS X 10.2.8, 256 MB RAM or OS X 10.3.5, 512 MB RAM Onboard FireWire connection or installed IEEE1394 PCI card *G3/G4 accelerator cards not supported OS X 10.3.5 or later required for Dolby Digital and DTS pass-through with Apple DVD player. Minimum System Requirements (PC) Pentium III -- 500 Mhz 128 MB RAM Windows XP (SP2) with DirectX 9.0c Onboard FireWire connection or installed IEEE1394 PCI card The FireWire Solo is not supported under Windows 98, Windows 98SE, Windows Me or Windows 2000.

M-Audio Oxygen 49 USB MIDI Keyboard Controller Price: 199.00 Retail Price: 229.95 9900-41393-10 Gigasonic Oxygen 49 gives you the same control, flexibility and power as our Oxygen 61, just with an octave fewer keys to accommodate tight spaces and even greater mobility. You get the same quality keyboard, built-in MIDI interface and knobs, sliders and buttons totaling 35 MIDI-assignable controllers for complete control of your hardware and software. Store 10 different setups in on-board non-volatile memory, plus manage an infinite number with our free Enigma software for Mac and PC. Bus-powered operation and a weight of only 7.5 pounds lets you play, compose, record and mix with ultimate mobility. Total MIDI Control MIDI isn't just about triggering notes—and the Oxygen series has what it takes to access all those deep parameters in your software and hardware so you can get the most out of them. Map the eight knobs to any synth parameters you want to program or perform with—or to mixer controls like volume, panning and effects send. Assign the buttons to trigger samples and anything else that is MIDI-programmable. Assignment is simple, yet has the power to let you delve as deep as you want. Each controller can map to just about any applicable parameter in the MIDI spec, including independent channel addressing for each. The possibilities are limited only by your imagination. Easy Programming Oxygen controllers feature dedicated front-panel function buttons to easily access common operations like preset, program or channel up/down, octave up/down, and transpose up/down. Use the Controller Mute button to prevent parameters from jumping when you change them, then press Snapshot to transmit all current settings. The Advanced Function button allows the keyboard to serve as a data-entry device for controller assignment and similar setup functions. The front-panel 3-segment LCD gives you the information you need for programming parameters at a glance. 10 non-volatile memory locations instantly save and recall your favorite presets—and you can manage an entire preset library on your computer via SysEx dumps and our free Enigma software editor/librarian for PC and Mac. Mobile Operation The original Oxygen8 defined a new era of mobile keyboard controllers—and now there's an entire line to choose from. The entire Oxygen series is extremely compact and lightweight and all models are powered directly from your computer's USB bus. Choose the size that's best for your needs, then take your music anywhere you want to go. Features ? 49-note velocity-sensitive synth-action keyboard with USB MIDI interface 8 fully assignable MIDI controller knobs 9 fully assignable MIDI sliders 15 assignable buttons, including 6 transport buttons Assignable pitch bend and modulation wheels Octave up/down; transpose up/down Preset up/down MIDI channel/program change up/down 7 top-panel function buttons plus additional programming functions on keybed 3-segment LED screen USB 1.1 upstream (Type B) port Sustain pedal jack MIDI Out jack Powered via USB or optional power supply Class-compliant with Windows XP and Mac OS X 10 non-volatile memories Memory dump via SysEx Compatible with free Enigma librarian/editor for storing and organizing setups All controllers fully programmable to MIDI controller number All controllers fully programmable to MIDI channel Controller mute function mutes controller output to avoid parameter jumps Snapshot function transmits all current controller settings On/off switch Weighs only 7.5 lbs. Includes Ableton Live Lite 4 music production software, so you can make music right away Specifications ? MIDI Data from variable controllers: - MIDI Control Number RPN/NRPN Program, Bank LSB, Bank MSB Pitch Bend GM/GM2/XG SysEx Messages MIDI Data from buttons/switches: - Note On Note On/Off toggle MIDI CC On/Off toggle Program, Bank LSB, Bank MSB presets MIDI Machine Control functions GM/GM2/XG SysEx messages System Requirements PC Pentium 3 - 800 MHz or higher (CPU may be higher for laptops) 256 MB RAM DirectX 9.0b or higher Windows XP (SP1) or higher (Windows 98, Me, NT, or 2000 not supported) Mac Macintosh G3* 800/G4* 733 MHz or higher (CPU may be higher for laptops) OS X 10.2.8 w/ 256 MB RAM OS X 10.3.4 or greater w/ 512 MB RAM

M-Audio Keystation 88es USB MIDI Controller Price: 199.00 Retail Price: 299.00 9900-40832-00 Gigasonic The Keystation 88es from M-Audio is an 88-key, semi-weighted action USB MIDI controller with velocity sensitive that's perfect for performance, computer-centric recording, and education. The pitch and modulation wheels plus slider and buttons make it a great controller for playing and programming samplers, synths, drum sounds and more. At just 22 lbs ., the Keystation 88es is equally at home on stage and in the studio. The Keystation 88es is compatible with all standard music software on both Mac and PC, and class-compliancy with windows XP and Mac OS X ensures the simplicity of plug-and-play. It's even bus-powered, so one simple USB cable is the only connection you need Features ?/td> 88-note velocity-sensitive, semi-weighted action pitch bend and modulation wheels volume/assignable control slider advanced function button for programming sustain pedal input (pedal sold separately) assignable data up/down buttons built-in USB MIDI interface MIDI out jack routes MIDI signals from keyboard or computer to external devices powered via USB or 9VDC power adapter (sold separately) Mac OSX and Windows XP class compliant for plug-and-play operation includes Reason Adapted Express software studio 53" x 9.5" x 4" 22 lbs. Specifications ?/td> Compatibility: MME and Mac OS X Core MIDI Minimum System Requirements (Mac) G3* 500MHz with OS 9.2.2, 128MB RAM G4* 500MHz with OS X 10.1.5, 10.2.6 or greater, 256MB RAM OMS 2.3.8 for MIDI under OS 9.2.2 * native USB port required; G3/G4 accelerator cards not supported Minimum System Requirements (PC) Windows 98SE / Me / 2000 (SP4) / XP (sp1 or sp2) For 96kHz operation: Pentium III 500mHz w/ 128MB RAM For 48kHz operation: Pentium II 400 w/ 128MB RAM

M-Audio Trigger Finger Drum Controller Price: 199.00 Retail Price: 249.00 9900-40855-00 Gigasonic The new M-Audio Trigger Finger is a mobile/desktop device for easily triggering and programming drum sounds. Trigger Finger puts the power to program and perform expressive percussion and drum parts at your fingertips. It's 16 "MPC" sized velocity and pressure sensitive pads are perfect for playing the drum sounds in your favorite software, launching loops and samples, or even controlling video projections—and applying pressure to the pads can generate any MIDI controller you wish. Trigger Finger offers DJ's, Hip-Hop artists and drum programmers an easy-to-use dedicated drum pad controller, which offers larger pads than most drum machines. The Trigger Finger also offers you 8 knobs and 4 faders that are freely assignable to MIDI parameters such as volume, pan, pitch, and effects. Pre-programmed maps for Reason, Live, GM Drum, XG Drum, iDrum, and more make setup a snap-and full programmability lets you customize the unit to fit your needs. A simple USB cable is all it takes to connect and power Trigger Finger with your computer. The Trigger Finger can also be powered by an optional DC power supply. And speaking of Mac and PC, both MME and DirectX are supported for Windows XP and Core MIDI is supported for Mac. The Trigger Finger's class-compliance means that it is true plug-and-play - no drivers are required. Just plug in the USB cable and you're ready to go. Features ? 16 velocity and pressure-sensitive pads 8 assignable knobs 4 assignable faders Pre-programmed maps for Live, Reason, GM Drum, XG Drum, and iDrum Velocity control including fixed velocity mode Program/bank change capability Powered via USB connection or optional DC power supply 16 MIDI presets Programmable with free Enigma librarian software 3-digit LED display Class compliant with Windows XP and Mac OS X Includes free Ableton Live Lite 4 software Specifications ? Size: 11 in. (w) x 10 in. (d) x 2 1/4 in. (h) 279.4mm (w) x 254mm (d) x 57.2mm (h) Compatibility: -- MME -- DirectX -- Core MIDI Windows minimum system requirements: -- Windows XP -- Available USB Port Mac minimum system requirements: -- Mac OS X 10.2.8 or higher -- Available USB Port

PreSonus BlueTube DP Microphone Preamp Price: 199.00 Retail Price: 229.00 BluetubeDp Gigasonic The PreSonus BlueTube DP is a two-channel microphone/ instrument preamplifier with Dual Path Technology. The BlueTube DP will replace the award-winning BlueTube by adding enhanced features including a dual signal path with both a solid state preamplifier stage and a tube preamplifier stage. This feature lets you switch between an ultra quiet transparent solid state preamp and a smooth, round, warm tube preamp. The new BlueTube DP also boasts a -6dB better signal to noise ratio and higher input headroom than its predecessor. Each channel on the BlueTube DP features dual mic/input connectors, balanced XLR and 1/4" TRS outputs, 48V phantom power, -20dB pad, polarity inverse, and 80Hz roll-off filter. The BlueTube DP is a perfect front-end preamplifier for microphones and instruments for any digital audio workstation. Features ? Stereo dual-path mic/instrument preamp using 12AX7 tube High-headroom, class A gain stage (55dB gain) XLR and 1/4 in. high-Z Neutrik combo connectors -20dB pad Polarity reversal 80hz filter on each channel Two illuminated VU meters

Arturia Minimoog V Software Synth Price: 199.00 Retail Price: 249.00 ARTMMV2 Gigasonic 1971. At the NAMM convention, Bob Moog introduces the Minimoog, the very first compact and affordable synthesizer for musicians. With its fat sound and unparalleled filters, the Minimoog eventually became responsible for some of the best analog synth bass and lead sounds ever. 2004. At the NAMM show, Arturia introduces the minimoog V, a faithful reproduction of the Minimoog. Offering all the features of the original, the software version also brings polyphony, MIDI management, presets, coupled with other advantages of modern tools - behind the control panel are additional functions: a modulation matrix, an arpeggiator and an independent LFO as well as a stereo chorus and a delay. But what about the core of the Minimoog, the sound? Thanks to TAE? Arturia's proprietary technology for emulating analog circuits, the minimoog V offers an unchallenged quality of sound. Sharp filters, aliasing-free oscillators, soft-clipping guarantee you have the best analog emulation on the market. Benefit from the experience of the best sound designers The minimoog V comes loaded with more than 500 presets made by a selection of talented sound designers. It is certainly an instrument which is going to bring a lot to your musical palette. Features Mono/polyphonic stereo synthesizer with up to 32 voices per instrument. Combination voice capability Soft clipping function No aliasing 0.1Hz-20kHz resolution 64-bit floating point precision Sampling rate: up to 96kHz More than 500 presets made by talented sound designers and artists MIDI compatible 3 voltage-controlled oscillators (with 5 waveforms) LFO, he 24 dB/oct filter Noise generator 2 ADS(R) envelopes VCA, mixer Modulation matrix offering up to 6 different connections (12 sources, 32 destinations) Arpeggiator Stereo delay 3-mode chorus xternal audio input External oscillator Filter modulation input Specifications System Requirements PC : Pentium II 500 MHz, 128 MB of RAM, Windows 9x/2000/ME/XP MAC : G3 500 MHz, 128 MB of RAM, MacOS 9.2.2 or higher, Mac OS X 10.2 or higher Sound Card : Any sound card compatible with DirectX, ASIO, SoundManager or CoreAudio A 230-paged paper manual is provided in 3 languages: French, English and Japanese. Copy protection: the installation CD is only required each time you want to import new banks of presets or when you install an update patch of the product.

Audix D6 Large Format Bass Drum Microphone Price: 199.00 Retail Price: 349.00 AUDID6 Gigasonic The Audix D6 Dynamic Drum Microphone is about twice the size of the normal D series microphone, and yet it is extremely easy to use and position. The D6 is an American-made instrument microphone designed for live and studio performance. Featured with a cardioid pick-up pattern and a frequency response of 30 Hz-15 kHz, the D6 is an ideal choice for kick drum, bass cabs, and other instruments requiring low frequency reproduction. The Audix D6 features VLM technology providing a sensitivity and sonic response resulting in a rounded, warm low-end while handling extremely high sound pressure levels. The Audix D6 provides a consistent pick-up, eliminating the need to locate the "sweet spot". The D6 is available in black or nickel finishes. Features ? Live Stage-Coffee House to Stadium Kick Drum, Floor Tom, Djembe, Cajon Acoustic Bass, Electric Bass Cabs Studio Use Any Instrument Requiring Precise Low Frequency Reproduc Specifications ? Transducer Type: Dynamic Frequency Response: 30 Hz - 15 kHz Polar Pattern: Cardioid Output Impedance: 200 Ohms Sensitivity: 2.2 mV @ 80Hz Capsule Technology: VLM Type E Off Axis Rejection: >20 db Maximum SPL: 144 db Cable/Connector: 3 pin gold plated male XLR connector Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Machined Aluminum Weight: 7.7 oz / 217 grams Finish: Black Anodize

Alesis RA150 Reference Power Amplifier Price: 199.00 Retail Price: 259.00 ALESRA150 Gigasonic Three Powerful New Additions to Alesis' Already Popular RA Series With their rugged construction, striking good looks - among the first examples of Alesis' groundbreaking new approach to industrial design and a long list of features, the new RA series will quickly find a home in project and commercial recording studios and broadcast and post-production control rooms around the world. Popular Prices, Powerful Performance Even with the increasing use of powered speakers, many popular speakers and headphones still require external amplification. These new amps are designed to provide more power and better performance at a lower overall cost per watt than even Alesis' own RA100 as well as any other competing models. As a result, they can more closely match the power needs of virtually any passive speaker or studio monitor, offering a significantly better fit for an exceptionally wide range of budgets, applications, and customers. And providing a crisp, clean signal for outstanding performance and extended speaker life. Cool, Quiet Operation Designed for studio use, each RA Series amp incorporates advanced convection cooling for heat dissipation. The result is long, stable operation unaffected by heat-related complications, without the added distraction and annoyance of fan cooling. And eliminating the danger of losing hard-to-hear details due to noisy amp performance. The New Leaders in Affordable Studio Amplification Three new RA Series amps RA150, RA300, and RA500 providing a bold and powerful answer to the question, "What's next from Alesis?" Combined with the popular RA100, they offer a wide range of high-quality, popularly priced solutions for virtually any - and every - situation. Features ? RA150 Height: 2 RU Rated output: 4 ohms: 75 watts RMS per channel 8 ohms: 45 watts RMS per channel 8 ohms: 150 watts RMS, bridged mode Signal to Noise Ratio: >105dB Frequency Response: 10Hz - 70kHz +0, -3dB Distortion: < 0.02% @ 4ohms, 20Hz - 20kHz Input Sensitivity: +4dB for rated output Crosstalk: -85dB, 1kHz Output offset: +/- 50 mV, Servo controlled Inputs : 1/4 in. TRS and RCA Outputs : 1/4 in. and push clip

Alesis Playmate Guitarist Effects Processor Price: 199.00 Retail Price: 299.00 ALESPlaymate Gigasonic Alesis proudly offers a new performance and practice tool for guitarists with the PlayMate Guitarist. The PlayMate Guitarist provides comprehensive guitar effects. It features a built-in CD player that allows independent pitch and tempo adjustment for playing guitar in any key, slowing down the music to learn a passage, or practicing at even faster tempos. A performer can dial in any guitar sound from 80 editable multi-effects presets in the PlayMate Guitarist. A friendly, one-function-per-knob design makes the Alesis PlayMate Guitarist easy and fun to use. Features ? Full-range guitar effects processor with 80 editable multi-effects Play guitar along with your CDs, in any key, at any tempo Built-in CD player with independent control over key, pitch, and tempo Transpose music + / - 7 semitones, or half-steps Fine-adjust pitch + / - 8% to tune music to your guitar Adjust tempo from 50% to 150% Hi-Z 1/4 in. guitar input 1/4 in. stereo direct input (bypasses effects processing) 1/4 in. stereo line output Two 1/4 in. headphone outputs Guitar/CD balance control Easy looping of song sections Compatible with CD, CDR, and CDRW discs Internal power supply

Alesis Playmate Vocalist CD Player Price: 199.00 Retail Price: 299.00 ALESPLVOC Gigasonic The Alesis PlayMate Vocalist is a vocal remover and microphone processor, is a ultimate performance and practice tool for all vocalists. This new PlayMate Vocalist is designed for vocal performance, music education, and karaoke applications, with an internal stereo CD player. With this CD player, the key of the music can be changed without affecting the tempo, and the tempo can be changed without affecting the key. So vocalists can always sing a song in their optimal range, and to adjust the tempo and pitch for practice or mood purposes. The Playmate Vocalist includes 100 reverb algorithms, allowing the singer to be heard in a variety of ambient spaces. A vocalist can easily match the ambiance of the music, or use reverb effects more creatively. The PlayMate Vocalist also contains a powerful effects processor with 32 presets for adding the perfect ambiance to any vocal performance. The Playmate Vocalist has XLR mic, 1/4?direct inputs, 1/4?stereo line, 1/4?headphone outputs. Features ? Remove vocals from any CD CD player built in Sing to all your favorite music that you already own Never buy a specialty karaoke CD again Adjust the pitch of the music without affecting tempo Transpose music +/-7 semitones (or half-steps) Adjust pitch +/-8% Sing in key that is optimal for your range Practice singing in different keys Adjust the tempo of the music without affecting pitch Adjust the tempo of the music from 50% to 150% Practice singing in different tempos Change the mood of the music 100 high-quality DSP algorithms built in Add reverb to your vocals to match the ambiance of the music Try different vocal effects Flexible connectivity One microphone input Two headphone outputs Balanced line outputs

Alesis Photon X25 USB/MIDI Keyboard Price: 199.00 Retail Price: 299.00 ALESPHOTONX25 Gigasonic The Alesis Photon X25 Keyboard is a USB/MIDI Controller and high quality recording. The Photon X25 offers unique features such as the Axyz Controller dome and ten 360°endless knobs, users will have powerful MIDI control of all their software plug-ins. This keyboard has many wonderful features like 24-Bit, 44.1/48 kHz Audio with balanced stereo audio inputs and outputs, 25 key, velocity sensitive keyboard and great feeling, 360degree endless knobs , full-size Pitch and Modulation wheels, and an LCD screen with dedicated encoder for fast and easy set-up.The Photon X25 is the solution for musicians that want new tools for their software as well as audio I/O for high-quality recording and playback from their computers. Features Revolutionary Axyz Controller Dome with 3D control over audio effects and virtual instruments Complete MIDI control with ten 360°endless knobs, en buttons, and three active layers for over sixty immediately accessible controls 24-bit, 44.1/48 kHz Audio with balanced, stereo audio inputs and outputs 25-key, velocity-sensitive keyboard and great-feeling, full-size Pitch and Modulation wheels LCD screen with dedicated encoder for fast and easy setup Easy template placement for instruments and DAWs 20 editable, storable configurations Three-way power: USB Bus Power External Adapter (Optional) 4 C-size batteries (Optional) Windows XP and Mac OSX Ready Specifications 25 Note, full size, semi-weighted keyboard MIDI In/Out USB 1.1 Fully Balanced 1/4' Outputs with Volume Max Input = 19 dBu = 16.8 dBV Max Gain = 30 dB Min Gain = 0 dB Max Output = 7 dBV = 9.2 dBu Performance Line-In>ADC>DAC>Line Out SNR => 94 dB (A-wtg) @ -1 dBFS THD+N = < .005% @-1 dBFS Large, 2x16 character LCD display Front panel inserts for Applications -Propellerheads Reason, Ableton Live MIDI I/O Sustain and Expression pedal inputs USB, Battery, or 9VAC power Dimensions: 18x 9.5"x 3.5"(W x L x D)"

Alesis MidiVerb4 Parallel Processor Price: 199.00 Retail Price: 329.00 ALESMIDIV4 Gigasonic The MidiVerb4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multieffects. The MidiVerb 4 offers 18 bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. Plus, its valuable Auto Level Sensing?feature can instantly set the optimum input levels...a great time-saver. MidiVerb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. You can take advantage of the 256 powerful programs with 128 spaces for user-created effects. With its easy-to-use graphic interface, programming your own effects is a snap. And by using MidiVerb 4's MIDI controller routing and assignable footswitch input, you'll have complete creative control over every aspect of your sound. Features Frequency Response: 20Hz - 20kHz ±dB Dynamic Range: >90dB Harmonic Distortion: .01% typical @1kHz @ 0dBV Digital Conversion Scheme: 18-bit Delta Sigma Processor Speed: 3 million instructions per second Sampling Frequency: 48kHz Inputs: 2 channels on 1/4" jacks, Nominal Level +4dBu, Maximum Level +20dBV, Impedance 1Mohms per channel in stereo, 500kohms in mono Outputs: 2 Channels on 1/4" jacks, Matrixed Stereo, Maximum Level +14dBV (Effect), +20dBV (Direct), Impedance 1K ohms Front Panel: Input, Output, and Programming buttons, Value Wheel, Custom LCD Display Rear Panel: Input L/R, Output L/R, Footswitch, Power, MIDI In, MIDI Out/Thru Power: 9 VAC External Transformer, UL and CSA Approved Dimensions (W x H x D): 19 x 1.75 x 7 in. Weight: 4.5 lbs.

Alesis Monitor One MK2 Studio Monitors Price: 199.00 Retail Price: 299.00 ALESMk2 Gigasonic It didn't take long to realize we had a hit on our hands. Just a few short months after its introduction, Alesis Monitor One Studio Reference Monitor was a winner of the prestigious TEC Award, and on its way to becoming one of the most popular near field speakers on the market. The reason was as clear as its own crisp flawless sound, super-flat wide frequency range, clear imaging, high-power handling and excellent bass transient response. These features add up to a unique ability to create incredibly accurate mixes that translate perfectly to every playback system.Monitor One became an instant favorite among professional engineers and studio owners, as well as earning it a place in countless home studios.Obviously, there was only one thing left to do. Make it even better.Better design, for improved performance. With such a successful platform to build on, Alesis' engineers wisely settled for incremental improvements designed to coax even better performance from our monitors. They started with a new 6.5 polypropylene low-frequency driver for tighter, more accurate bass response. Then matched it with a newly redesigned, 1" pure silk-dome, high-frequency transducer for even smoother, more accurate detail and response, and a broader sound stage. They improved the overall frequency response (changing from 45 Hz -18 kHz, to 45 Hz -20 kHz +/- 3 dB) and coupled it with more efficient power handling. They also provided magnetic shielding to allow use in close proximity to video and computer monitors. Surface improvements that go more than skin deep. Perfectionists that they are, however, our engineers didn't just settle for tinkering under the hood. The cabinet was redesigned for a new and more attractive professional finish, and are now mirror image; left/right pair for symmetrical speaker placement. But more than just cosmetic improvements, the new Monitor One also features radiused edges for reduced edge diffraction, along with improved porting - thanks to the next - generation of our exclusive SuperPort venting technology - to eliminate the "choking" effect of smaller, shorter ports. The result is a low-frequency response which extends well below comparable near field monitors. It all adds up to a spectacular next-generation of a popular standard - the new state-of-the-art in affordable, high-quality studio monitors. Features Critical reference monitoring for recording and mixing Excellent bass transient response Flat frequency response for accurate mixes that translate to other playback systemsHigh power handling, high output Specifications Drivers:_ Magnetically shielded, 6.5"" low frequency drivers with a mineral filled polypropylene cone and a damped linear rubber surround; magnetically shielded, 1"" silk-dome tweeterCrossover:_ 2 kHz, 2nd-order fillers, (12dB per octave)Frequency Response:_ 45 Hz - 20 kHz +/- 3dBPower Handling:_ 120 watts program, 200 watts peak (using EI4-426A method)Nominal Impedance:_ 4 ohmsSensitivity:_ 88 dB SPL @ 1 watt and 1 meter on axisConstruction: Front baffle: _ powder coating on 1"MDF.Cabinet: _ Vinyl laminate on 5/8" MDFConnectors:_ 5-way binding posts on 0.75"" centers - can accept heavy-gauge speaker wire, banana plugs, spade plugsDimensions:_ 8.5""W x15""H x10""DWeight:_ 15 lbs each. "

M-Audio iZotope Ozone 3 Mastering Processor Suite Price: 199.00 Retail Price: 249.95 9910-40678-00 Gigasonic iZotope's Ozone 3 combines analog modeling with 64-bit digital precision to deliver a complete integrated suite of world-class mastering processors. Ozone 3 isn't a collection of plug-ins-it's a single powerful interface that combines all the required mastering tools in one system. This makes it easier to use and to understand the mix-and it sounds better because all processing is done via 64-bit DSP until final output. It's technically impossible to get this sound quality and resolution by chaining separate plug-ins together. From the warm sound of tube-modeled equalizers to the pure transparency of linear phase filters, Ozone 3 provides the tools and the technology you need to deliver top-notch audio masters. Features ? 64-bit internal processing chain Supports up to 192kHz sampling rate Complete mastering suite in a single plug-in 8-band paragraphic EQ (linear-phase, tube-modeled and matching modes) Multi-band dynamics with compression, limiting, expansion, peak and RMS detection modes Multi-band harmonic exciter with three excitation models Multi-band, frequency-dependent stereo imaging Mastering reverb with plate and room-modeled algorithms Loudness maximizer with Intelligent Release Control (IRC) for extremely aggressive limiting MBIT+ dithering for psychoacoustically optimized word length reduction Real-time analysis tools with FFT-based spectrum display and linear, third-octave, and critical band modes Correlation and phase meters Dynamics meters with histogram, dynamics transfer function and gain reduction meters Dithering meters including DC offset meter and bit meter Analog-modeled modes throughout for added warmth Elegant, highly efficient user interface Automation support Superior stability CPU-efficient Comprehensive preset library Excellent documentation including extensive mastering and dithering tutorials Specifications ? Compatibility: Live 4 Cubase SX 1.0.6 and later (PC/Mac) Nuendo 1.61 and later Logic 6.4.1 and later ACID 4.0 and later SONAR 1.0 and Later Pro Tools (RTAS/AudioSuite/HTDM) Other hosts supporting Audio Unit, DirectX, or VST M-Audio interfaces System Requirements (PC): 450 MHz processor Windows 98SE, Me, 2000, XP System Requirements (Mac): G4 OS X 10.2 or Higher

M-Audio Wizoo Wizooverb W2 Stereo Room Emulator Price: 199.00 Retail Price: 249.95 9910-40699-00 Gigasonic WizooVerb W2 is a completely new kind of creative true-stereo room emulator that lets you freely combine the realism of impulse-based reverb with the flexibility of algorithmic reverb. Exclusive HDIR technology brings you world-class performance spaces with a totally new level of excellence. WizooVerb W2 can access an extensive collection of standard IR models as well. And Wizoo's proprietary A.I.R. algorithmic reverb technology delivers an unprecedented combination of fidelity and malleability. While you may never need to go beyond the 100 stunning presets that ship with WizooVerb W2, it's all completely editable for total creative expression. If you're going to invest in one full-featured reverb, WizooVerb W2 gives you incredible creative options, sound quality and value that you can't get anywhere else. Compatible with VST, RTAS and AU hosts as well as stand-alone operation. Features high-end room emulation and creation with unprecedented quality, definition, clarity and spatial accuracy freely combinable impulse response and algorithmic reverb technologies for early reflections and reverb tail exclusive HDIR (High Definition Impulse Response) technology delivers unparalleled precision A.I.R. algorithmic technology provides total creative control complete set of HDIR models included: Ambience, Booth, Cathedral, Chamber Large, Chamber Medium, Chamber Small, Church, Concert Hall, Dance Club, Opera House, Philharmonic Hall, Room Small, Scoring Stage, Studio Large, Studio Small includes 100 user-editable categorized presets from high-end room emulations to completely surreal spaces imports IR audio files to access a virtually unlimited number of rooms graphic editing of imported IR files latency-free highly optimized CPU efficiency true stereo technology accurately reflects the signal position, leaving the soundstage of the mix intact HDIR and IR edit parameters: Pre-Delay, ER/Tail Balance, Spread, Main Time, Low Freq, Low Time, High Freq, High Time, Length, Attack Time, Attack Slope, Decay Time, Decay Slope A.I.R. edit parameters: Pre-Delay, ER/Tail Balance, Spread, Main Time, Low Freq, Low Time, High Freq, High Time, Tail Delay, Room Size, Ambience, Density, Color sound-shaping: 4-band parametric EQ, HS Freq, HS Gain, Mid1 Freq, Mid1 Gain, Mid1 Q, Mid2 Freq, Mid2 Gain, Mid2 Q, LS Freq, LS Gain global edit: Pre-Delay, Size, Time and two assignable parameters directly accessible from the main panel extensive automation of all parameters stand-alone or host operation -VST 2.0 (Win/Mac), RTAS (Win/Mac), AU (Mac) Specifications Compatibility: VST 2.0 (Win/Mac), RTAS (Win/Mac), AU (Mac) System Requirements (PC): Pentium III 1GHz 512MB RAM 56MB free hard disk space Windows XP VST 2.0 or RTAS compatible host software (for host operation) DVD-ROM drive for installation Internet connection (via any computer) for software activation System Requirements (Mac): Power Macintosh G4 1GHz (G5 recommended) 512MB RAM 68MB free hard disk space Mac OS X 10.3.8 or higher Audio Unit, VST 2.0 or RTAS compatible host software (for host operation) DVD-ROM drive for installation Internet connection (via any computer) for software activation

Line 6 GuitarPort RiffTracker Price: 189.99 Retail Price: 265.99 LINE990710105 Gigasonic Get the GuitarPort RiffTracker and record those killer riffs before they're gone forever. GuitarPort RiffTracker includes the award-winning GuitarPort hardware. This guitar-focused USB recording interface is powered by your laptop or desktop computer, and has all the connections needed to track guitar and enjoy the results with your speakers or headphones. Included in the package is RiffWorks recording software with its unique InstantDrummer and super simple automatic setup. No tedious editing or disappointing sounds, just a great drummer, ready to jam. In addition, you get GuitarPort hardware/software which gives you a simple, pro-quality setup with great feel, dynamics and tone. This virtual guitar amp, stompbox and effects rig is ready to rock with tone directly from the world-standard PODxt. It's the easiest, most tuneful guitar recording rig ever. With sounds taken directly from the world-standard PODxt, you get 16 amp models and more than 20 quality effects. And you'll have access to an online library of thousands of tones matched to the greatest guitarists, songs, bands, and gear of all time. The whole setup is as easy to operate as your old favorite amp, with familiar knobs and switches -- and drop dead amazing tone only Line 6 can deliver. Just jack your guitar cable into GuitarPort's input, and you're all set to record your killer riffs! We keep it simple so you stay inspired. Features ? Includes GuitarPort GuitarPort RiffTracker includes the award-winning GuitarPort hardware. This guitar-focused USB recording interface is powered by your laptop or desktop computer, and has all the connections needed to track guitar and enjoy the results with your speakers or headphones. It also gives you a complete amp, stompbox and effects rig! The GuitarPort hardware and software works seamlessly with the included recording software. You don't even have to think about our unique ultra-low latency drivers, 32-bit processing, ASIO support, and other technical mumbo-jumbo working away behind the scenes. GuitarPort RiffTracker takes care of all that for you while you track those killer riffs. Guitar Tone Rig Line 6 is the world leader in direct guitar recording, and invented POD and digital modeling guitar amps and stompboxes. We created the magic guitar tones used by top guitarists and engineers on countless platinum albums, so we know how to team up record-ready tone with high technology in a way that keeps guitarists free to concentrate on the music instead of technical details. Thanks to the GuitarPort hardware/software included with GuitarPort RiffTracker, you'll have a simple, pro-quality setup that gives great feel, dynamics and tone. This virtual guitar amp, stompbox and effects rig is ready to rock with tone directly from the world-standard PODxt. You get 16 Classic and Modern Amp Models and more than 20 quality effects including digital and tape delays, choruses, tremolos, flanger, phaser, reverb, and more. And you'll have our free online library of thousands of tones matched to the greatest guitarists, songs, bands and gear of all time. The whole setup is as easy to operate as your old favorite amp, with familiar knobs and switches - and drop dead amazing tone only Line 6 can deliver. Just jack your guitar cable into GuitarPort's input, and you're all set to record your killer riffs! InstantDrummer Pick a groove, count off a tempo, and InstantDrummer inspires you with its continuously varying drum track and fills using perfectly matched, full kit studio drum recordings. Spin the InstantDrummer INTENSITY knob to set the mood from mellow to aggressive. Dial in some VARIATION to get a constantly evolving beat. No tedious editing or disappointing sounds, just a great drummer, ready to jam. Record & Mix Got some musical ideas you've been itching to capture? Want to capture those ideas as great recordings instead of wasting your time with menu and configuration windows? If you want to play guitar instead of playing engineer, GuitarPort RiffTracker, with its included RiffWorks recording software, is the answer. We keep it simple, so you stay inspired. The unique Riff Recorder lets you set tempo and even start recording from your guitar so you never have to put it down. It will even automatically create tracks as you play - so you can record multiple takes or layer parts without a pause. The 7 mix effects per track are great for sweetening up the sound of most anything you might record with the GuitarPort hardware, even bass or a keyboard. And just like the virtual guitar rig, the included mixing effects are easy to operate. So you get great studio quality sounds without the typical computer studio complication. The Riff List holds the ideas you've recorded. Double-click a Riff in the list to open it for more recording, or to fine-tune your mix. Drag Riffs to the Song bar to string them together. Then MIX a file to disk, and burn it with your CD software!

M-Audio Delta 66 Audio Card Price: 189.00 Retail Price: 239.00 9900-40755-00 Gigasonic The Delta 66 delivers 24-bit/96kHz to your desktop, complete with digital I/O for pristine file transfers and surround sound passthrough. The rugged external breakout box gives you the convenience of making connections to the four 1/4" TRS analog inputs and outputs right on your desktop-no more fumbling behind the computer. Need more professional connectivity - Simply add the critically acclaimed Omni i/o for a full personal studio solution. 36-bit Embedded DSP All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O- all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad conrols and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation. Features 6 x 6 24-bit/96kHz full-duplex audio interface 4 x 4 analog I/O S/PDIF digital I/O with 2-channel PCM SCMS copy protection control Digital I/O supports surround-encoded AC-3 and DTS pass-through software-controlled 36-bit internal DSP digital mixing/routing zero-latency monitoring software configurable for +4dBu and -10dBV signal levels greatly expandable with Omni i/o Apple G5 compatible includes Maximum Audio Tools software bundle Specifications frequency response: 48kHz sample rate input: +/-0.3 dB, 22Hz to 22kHz output: +/-0.2 dB, 22Hz to 22kHz 96kHz sample rate: input: +/-0.4 dB, 22Hz to 40kHz output: +/-0.3 dB, 22Hz to 40kHz dynamic range: 103dB (A-weighted) (D/A) 99dB (A-weighted) (A/D) THD: < 0.002% (D/A) 0.0023% (A/D) size/weight: 5-1/8" x 7/8" x 5-3/8" 0.8 lbs. Minimum System Requirements(PC) Windows 98SE / Me / 2000 (SP4) / XP / 2003For 96kHz operation: Pentium III 500mHz w/ 128MB RAM For 48kHz operation: Pentium II 400 w/ 64MB RAM Minimum System Requirements(MAC) G3/G4* 500MHz OS 9.2.2, 128MB RAM; OS X 10.1.5, 10.2.6 or greater, 256MB RAM OMS 2.3.8 for MIDI under OS 9.2.2 * G3/G4 accelerator cards not supported; OS 10.3 required for Dolby Digital and DTS pass-through with Apple DVD Playe

M-Audio Black Box V2 Guitar Processor Price: 179.99 Retail Price: 279.00 9900-40772-00 Gigasonic The M-Audio Black Box amp modeling audio interface is the first creative tool for guitarists. It combines amp modeling, powerful beat-synced effects and a drum machine with an audio interface for computer-based recording. By utilizing the built in AdrenaLinn II technology, the Black Box can be used as a stand-alone amp-modeling and effects unit featuring spot-on models of 12 of the greatest guitar amps of all time. The Black Box also contains many other wonderful functions. A built-in microphone preamp is also included for recording and processing vocals and acoustic instruments. One simple USB connection sends your output to your favorite computer-based recording software—and syncs the Black Box's drums and effects to your tracks. The unit also includes 100 stock drum patterns for instant accompaniment in a variety of styles, with tap tempo and MIDI clock sync features, as well as beat-synced effects. Including separate preamps for 1/4-inch TRS and XLR inputs, the device can be used as a standalone unit (with headphone, 1/4-inch and digital S/PDIF outputs onboard) or as a recording unit for your Mac or PC, where it functions as a plug-in supporting Core Audio and ASIO. Features 12 virtual amp models with programmable drive and tone controls based on: Fender Bassman Fender Deluxe Fender Twin Vox AC 30 Marshall JTM-45 Marshall Plexi Marshall JCM-2000 Hiwatt DR-103 Soldano SLO-100 Mesa Boogie Maverick Mesa Boogie Dual Rectifier Bogner Uberschall 43 beat-synced effects: tremolo flanger chorus random filters (1/8, 1/8th triplets and 1/16) tremolo sequences filter sequences wah wah auto wah talk box arpeggiators MIDI effects Separate beat-synced delay with control of note division, repeats and volume 99 drum patterns Effects processing of guitar, mic or drums Effects and drum machine sync to tap tempo or external MIDI clock 99 factory presets, 99 user presets Built-in USB audio interface (24-bit/44.1kHz) 1/4 in. guitar input with level control Microphone preamp (XLR input) Signal and clip LEDs on inputs 1/4 in. headphone jack Balanced outputs (1/4 in. TRS) S/PDIF digital output (24-bit/44.1kHz) Integral tuner Easy-to-use interface with LCD and multi-function rotary encoders Expression pedal input for amp gain, wah, delay volume, delay repeats, effects depth, wet/dry and more Two momentary pedal inputs for tap tempo, tuner activation, preset selection and more Analog direct monitoring Mic stand adapter for convenient mounting 9V AC power supply connection Kensington lock slot Includes Ableton Live Lite 4 GTR software Specifications general sample rates 44.1kHz microphone input available gain 40dB signal-to-noise ratio -98dB (A-weighted) dynamic range 98dB (A-weighted) THD + N 0.0049% frequency response +/-0.5dB, 20Hz to 20kHz impedance 10 k Ohms instrument input available gain 30dB signal-to-noise ratio -98dB (A-weighted) dynamic range 98dB (A-weighted) THD + N 0.003% frequency response +/-0.3dB, 20Hz to 20kHz impedance 370 k Ohms line outputs max output (balanced) +14dBu (3.9 Vrms) signal-to-noise ratio -100dB (A-weighted) dynamic range 100dB (A-weighted) THD + N 0.0024% frequency response +/-0.3dB, 20Hz to 20kHz crosstalk -100dB impedance (balanced) 300 Ohms headphone outputs max output -2.0dBV (0.8 Vrms) into 32 Ohms signal-to-noise ratio -100dB (A-weighted) dynamic range 100dB (A-weighted) frequency response +/-0.3dB, 20Hz to 20kHz output impedance 75 Ohms working headphone impedance 32 to 600 Ohms

M-Audio Audiophile 192 Audio Card Price: 179.00 Retail Price: 199.00 9900-40768-00 Gigasonic The Audiophile 192 Digital Card Interface--the newest member of the popular Delta line. It continues the legacy of M-Audio's industry-standard Delta audio card line. As one of the world's most popular audio cards, the Audiophile 192 features high-definition 192kHz sampling rate, balanced analog I/O, digital I/O and an amazing signal-to-noise ratio. The digital I/O supports surround-encoded AC-3 and DTS pass-through when used with Windows XP and Mac OS X computers, so you can listen to surround audio from DVDs and encoded tracks from your audio software. The Audiophile 192 comes with many useful functions. The separate balanced 1/4" TRS monitor outputs can be routed to a mixer or powered speakers, whichever you need in your studio. In addition, input and output routing can be controlled via included software to provide maximum flexibility for your recording setup. The Audiophile 192, as with all Delta cards, offers you rock-solid drivers and seamless integration with your favorite Mac and PC applications - and even the ability to combine multiple Delta cards in one system. And since M-Audio is always ahead of the pack, this world-class card is also compliant with PCI 2.2 and 64-bit audio drivers so you're ready to take advantage of next-generation platforms and software. The Audiophile 192 represents a new benchmark in audio performance that's as good as it gets for music production, mastering and critical listening. Features up to 24-bit/192kHz audio 2 balanced analog inputs (1/4 TRS) 2 balanced analog outputs (1/4" TRS) S/PDIF digital I/O (coaxial RCA connectors) with 2-channel PCM SCMS copy protection control digital I/O supports surround-encoded AC-3 and DTS pass-through** direct hardware input monitoring via separate balanced 1/4" TRS monitor outputs software routing of inputs and outputs digital I/O can be routed to/from external effects 16-channel MIDI I/O ASIO, WDM, GSIF 2 and Core Audio driver support for compatibility with most applications 64-bit driver support for Windows PCI 2.2 compatibility works with other Delta cards* Specifications general sample rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192 main inputs max input (balanced): +14.2dBu (4 Vrms) max input (unbalanced): +14.2dBu (4 Vrms) signal to noise ratio: -113dB @ 48kHz (A-weighted) dynamic range: 113 dB @ 48kHz (A-weighted) THD + N: 0.0006%, 1kHz, -1dBFS @ 48kHz frequency response: +/-0.1dB, 20Hz to 20kHz @ 48kHz crosstalk: -130dB, 1kHz, channel-to-channel impedance (balanced): 20k Ohms impedance (unbalanced): 10k Ohms main outputs max output (balanced): +14dBu (3.9 Vrms) max output (unbalanced): +8dBu (1.95 Vrms) signal to noise ratio: -108dB @ 48kHz (A-weighted) dynamic range: 109dB @ 48kHz (A-weighted) THD + N: 0.0023%, 1kHz, -1dBFS @ 48kHz frequency response: +/-0.1dB, 20Hz to 20kHz @ 48kHz crosstalk: -105dB, 1kHz, channel-to-channel impedance (balanced): 300 Ohms impedance (unbalanced): 150 Ohms Minimum System Requirements(PC) Pentium 3 - 700 MHz or higher, 256 MB RAM (192 and 96kHz operation) Pentium 3 - 500 MHz or higher, 128 MB RAM (48kHz operation) DirectX 9.0b or higher Windows XP or Windows 2000 (SP4) Available PCI slot Minimum System Requirements(MAC) Macintosh G4 733 MHz or higher 512MB RAM Mac OS X Jaguar (10.2.8 or later) or Panther (10.3.4)"

M-Audio MK-449C USB MIDI Comtroller Price: 179.00 Retail Price: 259.00 9900-40848-00 Gigasonic The Evolution MK-449C from M-Audio is a 4-octave USB MIDI controller ideal for both computer-based and standalone MIDI control applications. 8 assignable rotary knobs, 10 assignable buttons and 25 full-size touch sensitive keys, giving computer music enthusiasts extreme hands-on control of their favorite software and hardware. The MK-449C has 10 memory locations to store your configurations—and it comes already set up for your favorite music software. . Both the pitch bend and modulation wheels are fully assignable, as is the sustain pedal input—adding up to a total of 30 assignable controllers. USB powered design ensures you to make music with your laptop anytime, anywhere. The keypad and backlit LCD allow you to program while you play—an Evolution exclusive. Features like drawbar mode, controller mute, snapshot, sys-ex dump round out this very attractive controller. More Playability One touch on our smooth, solid action will tell you that we haven't forgotten that keyboards are also meant to be played. 12 different velocity curves let you choose the response that's perfect for your touch. Slide controls are high-quality Alps faders. More Control Just about everything on Evolution keyboards is an assignable controller—including knobs, faders, buttons, pitch wheel, mod wheel, and sustain pedal input. You can even trigger specific MIDI notes from assigned buttons. More Performance/Programming Features Program while you play with our unique keypad entry method—complete with dedicated function buttons, inc/dec controls and 10 memory presets. Organ Drawbar mode reverses the faders to respond just like the real thing. Controller Mute allows you to preadjust controller positions without sending data, then use Snapshot to send all current settings at once. More Value Note for note, all this adds up to more features for the dollar. All Evolution keyboards even come bundled with free software to get you started—including a VST sequencer for PC. More Intuitive Evolution controllers are USB class compliant, making installation as simple as plug-and-play. Our large LCD panels provide for words and graphics that numeric displays alone can't touch. You also get presets set up to control popular music software right out of the box. Features ? 49 full-size touch sensitive keys 9 assignable 35mm Alps sliders 8 assignable rotary knobs 10 assignable buttons transposition for 10 octave access assignable pitch bend, modulation wheel and sustain pedal input total of 30 assignable controllers, each with independent channel assign controller mute function allows positioning before tweaking snapshot mode sends all controller values simultaneously drawbar mode for sliders allows realistic control of classic organ sounds 10 memory locations preconfigured for popular software keypad and backlit LCD for data entry while you play global channel assign allows controllers to command up to 16 different channels at the touch of a button RPN/NRPN and pre-programmed sys-ex messages for SoundBlaster, XG and GM-compatible soundcards MIDI Out delivers MIDI from keyboard or computer powered via USB or optional power supply class compliant—no drivers required using Windows XP or Mac OSX sys-ex memory dump operates with music software or standalone with MIDI gear sys-ex librarian software loads, saves any combination of setups for your studio (PC only) Specifications ? power: USB or 9V DC 250-300mA center-positive power adaptor (not included) size/weight: 32?x 8-3/8?x 4?/p> Minimum system requirements (MAC): iMac, G3 or better with USB OS 9 or OS X Minimum system requirements (PC): Windows 98/ME/2000/XP Pentium II 300MHz; 128MB RAM USB port approved MME or ASIO compliant soundcard

Propellerhead ReCycle 2.1 Price: 169.99 Retail Price: 249.00 99-101-0002 Gigasonic Loops, grooves and breakbeats: Powerful sonic building blocks, and great inspirational triggers. No matter what style of music you’re into, you can be sure there’s a loop out there that can spice your track up a little, or even lift it to completely new heights. But handling loops and grooves equals hard work. Hours of pitching and stretching just to get a loop to fit your song’s tempo and timing. And if you need to change the key, you’re in for even more work. In the end, your loops are controlling you, instead of vice versa. But help is on its way. From Propellerhead Software comes a suite of programs that gives you full creative control over your looped material! What Does Recycle Do? ReCycle goes way beyond simply solving groove problems and cleaning up your loop act - it's a highly creative tool that helps you make the most of your grooves. In simple terms, ReCycle lets you do with sampled loops what you can do with beats programmed from individual drum sounds - like alter the tempo, or replace sounds and process them individually. ReCycle turns concrete-rigid loops into musical modeling clay, allowing you, the loopist, to do pretty much what you desire. How Is It Done? Start out with a regular audio file or a sample in your sampler, preferrably one of a groovy nature. Load the groove into ReCycle, and the program will look" at the groove, analyze it, and break it up into its rhythmic components. Each part is called a "slice." The process itself is fully automated, but once the slices are there, they are yours to move, monitor or delete, using the programs on-screen tools and controls. Other tools allow you to set the length, attack, and decay of the slices, and to change your grooves' overall tempo or pitch, without one affecting the other! It's not magic, but it's probably as close as you can get. Then What? The next step is, of course, to bring your improved groove into one of your songs. At this point, the procedures differ depending on your equipment and preferred working method: If you like, you can use ReCycle simply as a problem solver for loops. Load a drum loop into ReCycle, set a new tempo or pitch, and save the results as a new file. Or load up any groove, and use ReCycle's on-screen signal processors: Compressor, EQ, and Transient Designer, to give it some punch and distinction. Anything you choose to do in ReCycle can be applied to your loop, and saved as a new file. To use your loop directly in Propellerhead Reason, Steinberg Cubase VST, or other programs supporting REX2 files, all you need to do is save your sliced-up loop as a REX2 file and import it onto an Audio Track in your sequencer. The imported loop will play back like the original, but you can change the tempo freely, and you will have full control over the original slices! Silence, move, or replace individual hits, change volume and panning - your loop has come to life! If you're using a sampler, ReCycle creates a soundbank containing the samples/slices, and transmits it to your sampler. ReCycle then creates a MIDI file based on the timing of the original groove. Import the MIDI file into your sequencer, and it will trigger the slices in your sampler, playing back the groove you started out with. Only this time - you make the rules. Quantize it, change the tempo, retune, or replace the sounds - Total Loop Control! Features Support for stereo files You can open stereo audio files and import stereo files from a hardware sampler and then save/export them as stereo after slicing them. Preview listening You can now listen to the loop at new tempo and pitch settings. Realtime effects Effects to tweak the sound of your loops: 1. Envelope. A stretch feature was included in previsou versions too, but this time it has an attack and decay setting too. 2. Transient shaper. This is a compression utility that trigs its gain reduction on each slice. Perfect to get more snappiness from your loops. 3. EQ. All the bass you want. Or not want. ReCycle's EQ has a Hi-cut, a lo-cut and two parametric filters. Support for new samplers AKAI S-5000/6000 and all SMDI capable samplers are now supported. Move slices You can now move the slices you have added manually. Support for REX2 ReCycle 2.1 uses the REX2 format as its native save format. REX2 files can be played in programs such as Reason and Cubase. The format also has a 50% non lossy compression. Speifications System Requirements - Windows An Intel Pentium computer running at 66 MHz or faster. A 640x480, 256 color monitor or better. A CD-ROM drive. 16 MB RAM or more. A Windows compatible, 16-bit audio card. Microsoft Windows 95/98 or NT 4.0 or later. For communication with your specific sampler, you might also need: A Windows compatible MIDI Interface and cables, and/or... A 100% Windows compatible SCSI interface and cables. System Requirements - Macintosh Any Power Macintosh with a CD-ROM drive and 16-bit audio. A 640x480, 256 color monitor or better. 16 MB of RAM or more. A CD-ROM drive. System 8.0 or later. For communication with your specific sampler, you might also need: A MIDI Interface and cables, and/or... SCSI cables. "

Audix D4 Dynamic Drum Microphone Price: 169.00 Retail Price: 299.00 AUDID4 Gigasonic The Audix D4 Dynamic Instrument Microphone follows in the tradition of the first three D microphones, with a completely new design that should knock engineers and drummers for a loop when they hear and see it. The D4 is a Dynamic Microphone with a hypercardioid pattern and a frequency response of 38Hz-19kHz. The Audix D4 Uses an entirely new capsule specially designed to capture high SPL instruments with extended frequencies below 100Hz. Sub-impulse technology captures lows better than other mics for truer sound imaging. The D4 has not only great low end response, but is a full range microphone with extreme clarity and detail. This makes it the most versatile mic in the Audix D series. Features ? Hyper-Cardioid Polar Pattern The hyper-cardioid polar pattern is effective in eliminating noise and ambiance at the off-axis sections of the microphone. Contoured Mid-Bass Frequency Response The D2 features a frequency response of 44Hz to 18kHz. A mid-range bump accentuates the tonal response of floor toms, congas and more, the natural low frequency roll-off reduces noise. High SPL Handling The D2 can accurately handle signals with sound pressure levels registering at 144dB. Transient peaks are reproduced without distortion due to overload. Specifications ? Transducer Dynamic VLM Type B (Transformerless) Polar Pattern Hypercardioid Frequency Response 44Hz to 18kHz Dynamic Range (Typical) not specified by manufacturer Signal-to-Noise Ratio not specified by manufacturer Maximum Input Sound Level 144dB Power Requirements Dynamic Transducer - no external power required Output Jitter 250 Ohms Output Connectors 3-pin XLR male Pad No Low Frequency Roll-Off Natural roll-off at 44Hz not switchable Dimensions not specified by manufacturer Weight 4.5 oz (128 grams)

M-Auido Keystation 61es USB MIDI Controller Price: 169.00 Retail Price: 199.00 9900-40829-00 Gigasonic The M-Audio Keystation 61es is designed to easily integrate in any computer music environment. It is a 61-note USB keyboard with velocity-sensitive, semi-weighted keys. Class compliancy under Windows XP or Mac OS X enables the user to get started immediately--no driver installation required. Since the unit features USB bus power, setup for use with any MIDI application is as simple as plugging in the USB cable. The Keystation 61es is also compatible with many music education and music creation software titles, making it ideal for classrooms and studios alike. More advanced users can control software synths, external sound devices, and more with the assignable slider, and pitch and mod wheels. This sleek, compact keyboard is USB bus-powered and requires no external power supply. Features ? 61-note velocity-sensitive semi-weighted action Pitch bend and modulation wheels Volume/control slider Advanced function button for programming Sustain foot pedal input (pedal sold separately) Octave +/- buttons to extend keyboard range Separate MIDI out jack routes MIDI signals from your computer to control external devices Powered via USB or 9VDC power adapter (sold separately) Mac OSX and Windows XP class compliant for plug-and-play Specifications ? Size: 41 in. (L) x 11-1/2 in. (H) x 5 in. (D) Weight: 11 lbs. Minimum system requirements (MAC): OS 9.2.2 with OMS 2.3.8 (included) OS X 10.1.5 or greater * native USB port required; G3/G4 accelerator cards not supported Minimum system requirements (PC): Windows 98SE/ Windows Me/Windows 2000/ Windows XP/ Windows 2003

Echo Indigo DJ Dual Stereo 24/96 Laptop Cardbus Price: 169.00 Retail Price: 229.00 ECHIDJ2 Gigasonic The Indigo DJ from Echo is a handy solution for the digital DJ attached with a notebook computer. It features 2 independent stereo 1/8 inch analog outputs that let you cue mix on headphones while playing back the house mix on the other; one for setting up your cue mix on a pair of headphones, and the other for the house mix. Each output features 24-bit/96kHz converters for the quality you ought to have. 6 ft. audio cables for RCA or 1/4 in. connections are included. The Indigo DJ's most astonishing feature is the use of "virtual" outputs. Indigo DJ appears to software as if it has eight separate outputs, which are digitally assorted down to the physical outputs using Indigo DJ's "console" software and its on-board DSP. This makes Indigo DJ compatible with all popular multi-track software. Features ? Hardware Features 2 independent stereo 1/8 in. analog outputs Preview cue mix on the headphone output while playing back house mix on the line output High quality headphone amp Analog volume control knob for headphone output Supports true 24 bit, 96 kHz audio High quality digital to analog converters 100 MHz 24 bit Motorola DSP Powered by your notebook computer Includes 6 foot adapter cable for RCA and 1/4 in. connections Type II Cardbus slot required Software Features Software console for metering and setting levels Supports Windows Me/2000/XP and Macintosh OS X Supports pro audio and DJ software (WDM Kernel Streaming, ASIO, GSIF, and CoreAudio) 8 "Virtual Outputs" - run multiple applications at the same time Low-latency drivers Specifications ? Analog Output 2 stereo 1/8 in. connectors (1 line output & 1 headphone output) Frequency Response: 10Hz-20kHz, ?.5dB Dynamic Range: 110dB A-weighted THD+n at -3dbfs, 1kHz sine wave:

Edirol PCR-M1 MIDI Keyboard Controller Price: 169.00 Retail Price: 249.00 PCR-M1 Gigasonic The PCR-M1 is the most compact, powerful USB MIDI keyboard controller available! This incredibly slim device is based on the highly-popular PCR-1, but lacks the audio I/O of the PCR-1 and adds a number of new MIDI features to make it more analogous to the larger PCR-series MIDI controllers. Like the PCR-30/50/80, the PCR-M1 includes a 1x1 MIDI interface, sustain-pedal connection, and expression pedal connection. Unlike any other PCR-series controller, the PCR-M1 offers a rotary encoder that can be assigned to a number controls including scrolling control maps, adjusting velocity, changing MIDI channels, and more. The PCR-M1 also includes three different options for drawing power: 1) USB-powered, 2) AC adapter (optional), and 3) powered by four AAA batteries. Also like its larger brothers, the PCR-M1 offers V-LINK support for control of video devices directly from your keyboard. The PCR-M1 is incredibly versatile in terms of control. It offers 27 different parameter controls available from 16 different physical controls, and functions with the powerful PCR-Editor available for PC & Mac. The PCR-M1 uses Edirol & Roland’s S.L.I.M. technology, providing a remarkably playable action with a very short throw and very little side-to-side play in the keys. It may be small, but this feature-packed device is no toy! The PCR-M1 measures a mere 1-3/16 thick and weighs just 2lbs. 11oz. It comes with a protective neoprene sleeve to protect it in travel. Features ? 25 Standard Width Velocity-Sensitive Key S.L.I.M. Keyboard Thin (28 mm / 1-3/16 in.), Light (1.5 kg / 2 lbs. 11 oz) Body 27 Full Assignable Controllers: 8 Knobs, 6 Buttons, and 2 Pedal Port Separate Pitch Bender & Modulation Control 16 Control Map Memory Location MIDI In/Out Port Expression and Sustain Pedal Ports ?(with included adapters) 3-way Power Supply: USB/Battery/AC Adaptor Downloadable Memory Sets ?via www.edirol.com PCR Editor Software Gig Bag V-LINK Specifications ? Connectors: USB connector: Type B, MIDI IN/OUT Pedal: Expression, Sustain Keyboard: S.L.I.M. Keyboard, 25 Keys (with velocity) Controllers: Top Panel: Rotary encoder Assignable Rotary Volume Knobs (R1--8) Assignable Buttons (B1--6) Mode Switch x 4 Octave Shift Switch UP / DOWN Transpose Switch Pitch Bend Switch Modulation Switch Rear Panel: Power Switch (DC / OFF / USB) DC IN (200 mA) Display: 7 segments, 3 characters (LED) Power Supply: USB / AC Adaptor: PSA Type (optional), Battery 4 x AAA Type Current Draw: 400 mA Dimensions (W x D x H): 17-3/4 x 8-11/16 x 1-1/8 in., 450 x 220 x 28 mm Weight: 1.5 kg / 3 lbs 5 oz Accessories: CD-ROM, USB Cable, Owner’s Manual, Template Sheets, Pedal, Conversion Cable x 2, Gig Bag System Requirements Macintosh Operating System: MacOS 9.x, and OS X Computer: USB ready Apple Macintosh CPU/clock: PowerPC G3/233 MHz or higher Memory (RAM): 64 MB or more OMS 2.3.3 or later. FreeMIDI 1.35 or later* * For MacOS 8.5, 8.6, 9.x. Plug and play on MacOS X. Windows Operating System: Microsoft Windows Me/98/98SE/2000/XP Computer: Windows compatible equipped with a USB* port CPU/clock: CPU/clock: Intel Pentium Cerelon or Intel compatible Processor/600 MHz or higher Memory (RAM): 64 MB or more USB Chipset: Intel’s USB chipset is recommended EDIROL designs its USB devices in accordance with USB specifications and has passed all compatibility tests, which are continuously held and organized by USB Implementers Forum (USB-IF). "

Edirol PCR-M30 MIDI Controller Price: 159.99 Retail Price: 225.00 PCR-M30 Gigasonic The PCR-M30 is a revised version of the popular PCR-30 MIDI keyboard controller. Like the PCR-30, the PCR-M30 offers direct connection to the computer through USB, plus 32 keys, 27 assignable MIDI controllers, a software editor, MIDI input and output, and sustain and expression pedal connections. Advancement the PCR-M30 has over the PCR-30: the addition of velocity curves, a switchable MIDI interface, and a new key-action found on Roland’s higher-end synths that provides less mechanical noise while offering a consistent, playable feel. The pitch-bend/modulation controller has a new rubber coating for easier grip. Features ?/td> Newly developed keyboard mechanism comfort to MI keyboards for musicians High quality improved keyboard assembly -- ultra-low mechanical noise 12 velocity curve selections for delicate musical nuance More comfortable reactions in the new keys Switchable MIDI Interface Cool, black (titanium dark gray) body color As a real musical instrument, not as a computer peripheral 32 Velocity-sensitive keys High Quality Keyboard Mechanism 12 Velocity Curves and Fixed Velocity Mode 27 Fully-assignable Controls: 8 Knobs, 8 Sliders, 9 Switches, and 2 Pedal Ports Rubber-coated Pitch Bend/Modulation Lever 1 GM2 and 15 User Memory Set LocationsFPT Low-latency MIDI Transmission PCR Editor Software USB Powered or AC Adaptor (Included) MIDI IN/OUT Ports Sustain and Expression Pedal Ports V-LINK High Quality Mechanism for the Serious Player With a newly designed key mechanism -- taken from Roland's 30 years of synthesizer development -- players can control a wide dynamic range with incredible subtlety. The re-designed key assemblies have a rounded shape for better reaction to the player’s touch and more comfortable glissando, plus changes have been made to reduce the already low mechanical noise of the PCR-80 and eliminate vertical shake on the key strokes. The newly developed pitch bend and modulation design offers you easier and more expressive control. All these features add up to a keyboard that even the most discerning player can appreciate. Comprehensive Connectivity for Maximizing Player's Performance Connect everything with one USB cable. Since the power is supplied from the computer, no AC adaptor is needed. The same USB connection provides MIDI IN and OUT ports that allow the keyboard to function as a MIDI interface to other external MIDI devices. It addition to this, all the information from keys and controllers can be sent through the MIDI OUT port so that you can control both software and external MIDI devices at the same time (MIDI Interface mode = OFF). With the interface mode turned on, the PCR-M80/M50/M30 can control multiple applications at the same time. Control your DAW (Digital Audio Workstation) and software synthesizer at the same time. The MIDI processing in the PCRM80/ M50/M30 is compatible with FPT (Fast Processing Technology). This technology doesn't depend on music application you are using. It provides stable, high speed, low latency, and low jitter MIDI transmission. 27 Individual Fully-assignable Controllers The PCR-M80/M50/M30 provides you with 8 knobs, 8 sliders, 9 buttons, and 2 pedal ports. These controllers can be assigned to any MIDI message, Control Change (CC), RPN, NRPN, System Exclusive and more. You get to choose what parameters to control in your MIDI hardware and software to create the perfect playing environment. 12 Selectable Velocity Curve Combinations Pick from 12 velocity curves to precisely match your playing style. As the PCRM80/M50/M30 has 4 different velocity curves and 3 kinds of sensitivity (Light, Medium, and Heavy), the player can find the combination that perfectly suits them and can produce the precise MIDI performance and programming of a true professional. In addition a Fixed Velocity Mode is provided where the PCR-M80/M50/M30 always outputs a fixed velocity (from 1 to 127) providing practical input for drum and percussion programming in step recording. PCR Editor software and Downloadable Memory Sets (Control Maps) on the web The PCR series keyboards work with all major music applications, and are equipped with user memory locations to store up to 15 different control maps. PCR Editor software for use with the Edirol PCR Keyboard Series is included. The PCR Editor allows for extensive and convenient control of the PCR keyboards from a PC or Mac. The PCR Editor is designed to assist in creating control maps for the PCR and allow users to quickly and easily make assignments to any of the 27 assignable controls. This powerful software also allows the user to copy system exclusive messages for the PCR into a sequence so the controls can be mapped or changed during a sequence. In addition to offering easy implementation of different MIDI messages, the PCR Editor also allows the user to specify minimum and maximum values for each control. Supports Win98/Me/2000/XP, Mac OS X & Mac OS 9.x. Specifications ?/td> Keyboard: 32 Velocity Sensitive Keys Controller Memory Button MIDI Channel Button Program Change Button Edit Button V-LINK Button Octave Shift Button (+/-) Transpose Button Assignable Button (B1--6, L1--3) Bender/Modulation Lever Assignable Rotary Volume (R1--8) Assignable Slider (S1--8) Assignable Pedal (P1--2) Memory Set: Preset: 1 (GM2) User: 15 Display: 7 segments, 3 characters (LED), Power Indicator Rear Panel: Power Switch (USB BUS/OFF/DC IN) Connectors: Hold Pedal Jack Expression Pedal Jack MIDI Jacks (IN/OUT) USB Jack (B type) DC IN Jack Power Supply: DC 9 V (AC Adaptor) or USB Bus Powered Current Draw: 300 mA (AC Adaptor) 300 mA (USB Bus Power) Dimensions: 600 (W) x 232 (D) x 86.5 (H) mm, 23-5/8 (W) x 9-3/16 (D) x 3-7/16 (H) inches Weight: 2.4 kg / 5 lbs. 5 oz. (excluding AC adaptor) System Requirements Macintosh Operating System: MacOS 9.x, and OS X Computer: USB ready Apple Macintosh CPU/clock: PowerPC G3/233 MHz or higher Memory (RAM): 64 MB or more OMS 2.3.3 or later. FreeMIDI 1.35 or later* For MacOS 8.5, 8.6, 9.x. Plug and play on MacOS X. System Requirements Windows Operating System: Microsoft Windows Me/98/98SE/2000/XP Computer: Windows compatible equipped with a USB* port CPU/clock: CPU/clock: Intel Pentium Cerelon or Intel compatible Processor/600 MHz or higher Memory (RAM): 64 MB or more USB Chipset: Intel’s USB chipset is recommended

Echo Indigo IO 24/96 Laptop Cardbus Price: 159.99 Retail Price: 229.99 ECHIIO2 Gigasonic Notebook pro audio recording has never sounded so good, or been this convenient and affordable. Indigo IO offers one stereo 1/8 in. analog input and output on a Type II Cardbus card powered by your notebook computer. It combines this with 24-bit/96kHz converters for the quality you deserve. Also included is a 6 ft. audio cable for RCA or 1/4 in. connections. A unique feature of the Indigo IO is the use of "virtual" outputs. Indigo IO appears to software as if it has eight separate outputs, which are digitally mixed down to the physical outputs using Indigo IO's "console" software and its on-board DSP. This makes Indigo IO compatible with all popular multi-track software. And, with Echo's "multi-client" drivers, more than one application (such as an editor and a software synth) can be playing back through Indigo IO at the same time. Features ? Hardware Features 1 stereo 1/8 in. analog input 1 stereo 1/8 in. analog output Supports full duplex 2 channel in, 2 channel out operation High quality headphone amp Analog volume control knob for output Supports true 24 bit, 96 kHz audio 100 MHz 24 bit Motorola DSP Powered by your notebook computer Includes 6 foot adapter cable for RCA and 1/4 in. connections Type II Cardbus slot required Software Features Software console for monitoring, metering, and setting levels Built-in digital mixer provides near-zero latency monitoring Supports Windows Me/2000/XP and Macintosh OS X Supports pro audio software (WDM Kernel Streaming, ASIO, GSIF, and CoreAudio) 8 "Virtual Outputs" - run multiple applications at the same time Low-latency drivers Specifications ? Analog Input 1 stereo 1/8 in. connector Frequency Response: 10Hz-20kHz, ?.5dB Dynamic Range: >109dB A-weighted THD+n at -3dbfs, 1kHz sine wave: <0.0014% A-weighted Crosstalk at -3dbfs, 1kHz sine wave: <0.0005% A-weighted Nominal Input Level: -10dBV Maximum Input level: +7.2 dBu Input Impedance: 10KOhm Analog Output 1 stereo 1/8 in. connector Frequency Response: 10Hz-20kHz, ?.5dB Dynamic Range: >109dB A-weighted THD+n at -3dbfs, 1kHz sine wave: <0.0013% A-weighted Nominal Output Level: -10dBV Maximum Output level: +6.3 dBu General Converter Specs 128x Oversampling converters 24 bit data resolution maintained throughout signal path Multiple sampling rates supported: 32k, 44.1k, 48k, 88.2k, 96k General On-board 24-bit Motorola DSP for mixing and monitoring Headphone amp with volume control Host Interface Bus mastering CardBus host interface

M-Audio DMP3 Microphone Preamp Price: 159.00 Retail Price: 199.00 9900-40758-00 Gigasonic Based on the M-Audio preamp technology that won Pro Audio Review's highest accolades, the DMP3's amazing 20Hz to 100kHz frequency response makes it ideal for today's 96k recording work. You also get exceptional dynamic range to capture all the nuances of your music—not to mention an unbelievable 66dB of gain. And the classic VU meters are just one indication of the soul you'll find in the DMP3's sound. Whether you use it live or in the studio, the DMP3 2-channel microphone/instrument preamp is a piece of gear destined to be integral in defining your sound. Features ? 2 independent preamp channels, each featuring: - mic input (balanced XLR) - high impedance instrument inputs (1/4? - high and low gain range controls for up to 66dB of gain - VU meter and clip LED to aid in optimizing levels - low-cut filters for removing unwanted rumble and hum - gain control - phase reverse switch - professional line output (balanced/unbalanced 1/4?TRS) +48V phantom power Specifications ? All specs taken at minimum gain unless otherwise stated: frequency response: 20Hz ?80kHz, +/-0.5dB @ max gain SNR: -120dB, A-weighted, 20Hz to 20kHz THD+N: 0.00035% (-109dB), 20Hz to 20kHz, @ +13.6dBu input max input: +14.6dBu max output: +27.5dBu input impedance: 3k Ohms balanced EIN: -128dBm @ 600 Ohms, max gain gain range: 13.5dB to 46.5dB, low gain range 39.5dB to 72.5dB, high gain range low-cut filter: -3dB @ 72Hz (18dB/Octave)

Audix OM5 Dynamic Hypercardioid Microphone Price: 159.00 Retail Price: 360.00 AUDIOM5 Gigasonic The Audix OM5 is a truly remarkable performance vocal microphone, has a super high-output mic with natural, undistorted sound. The OM-5 does not sacrifice sonic quality or feedback rejection to achieve its high levels of gain. The OM-5 is a Dynamic hypercardioid and features high output with gentle presence rise and smooth proximity response. VLM (very low mass) capsule design offers unmatched noise & feedback rejection. Exceptional 48Hz-19kHz frequency response, 144db SPL handling, durable zinc alloy construction, electronically cut blast filter with black E-coat finish. Comes with carry pouch and nylon mic clip. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored for clarity and presence making it easier for the vocals to be heard both in the mains and monitors. By employing Audix's VLM (very low mass) capsule technology, the OM5 has exceptional transient response. An extremely tight and uniformly controlled hypercardioid pattern helps to isolate the vocals from the rest of the instruments on stage. The OM5 is comfortable to hold, durable, and manufactured with extremely tight tolerances. The result is an unparalleled consistency in sound and performance at a very affordable price. Features ? High output with gentle presence rise and smooth proximity response VLM equipped offers unmatched noise & feedback rejection Exceptional frequency response Durable zinc alloy construction, electronically cut blast filter with black E-coat finish Clear and accurate vocal reproduction Handles high SPL without distortion Low handling noise Provides exceptional gain before feedback Provides maximum vocal isolation on stage Dent resistant spring steel grill Specifications ? Transducer VLM Type B , Dynamic Polar Pattern Hypercardioid Frequency Response 48 Hz - 19 kHz Maximum Input Sound Level not specified by manufacturer Power Requirements None Dynamic, Requires No Phantom or Battery Power Output Jitter 200 Ohms Output Connectors XLR-3M Type Dimensions 6.78 x 1.88" (172.2 x 47.8mm) Weight 10.8 oz. (307 g)

M-Audio Firewire Audiophile Audio/MIDI Interface Price: 159.00 Retail Price: 299.00 9900-40733-00 Gigasonic FireWire Audiophile is a compact, FireWire-compatible audio/MIDI interface that takes the heritage of M-Audio's award-winning Audiophile line to the next level. 4 x 6 audio I/O combines with powerful on-board mixing in a mobile package that's perfect for live performance, home recording, and digital DJ work. FireWire Audiophile even has AC-3 and DTS pass through for surround sound playback. Stereo headphone output with A/B switching between transferable sources allows precuing for DJs and mobile musician and the assignable aux bus is perfect for creating committed headphone mixes and effect sends. You also get zero-latency hardware direct monitoring, ultra-low latency ASIO software direct monitoring, and 1 x 1 MIDI I/O. Features Low-latency ASIO software direct monitoring Momentary switch for A/Bing two software-assignable headphone sources or switching ASIO monitoring on/off 1 x 1 16-channels MIDI I/O Power on/off switch with indicator LED Powered via FireWire bus* or included DC power supply Two convenient high-bandwidth FireWire ports Rugged steel construction Supports GSIF 2.0 standard Requires 6-pin connection Frequency response: 20Hz-40kHz +/-0.40dB, 96kHz sample rate Dynamic range: 108dB A-weighted Signal-to-noise: 106dB A-weighted Specifications PC: Pentium III 500 MHz or higher; 128 MB RAM Windows 2000 (SP3)/Windows XP (SP1) DirectX 8.1 or higher 6-pin FireWire port or adapt MAC: Macintosh G3* 500 MHz or higher w/ OS 9.2.2, 128 MB RAM; G4* 500MHz w/ OS 10.1.5 or OS 10.2.6 or greater, 256 MB RAM (OSX) * G3/G4 accelerator cards not supported; native FireWire ports required

Steinberg Groove Agent 2 Virtual Drummer (EDU) Price: 150.00 Retail Price: 299.99 502013866 Gigasonic Replete with dozens of fresh, up-to the-minute styles and a battery of quality new drum sounds, Groove Agent 2 offers a raft of the latest drum grooves and styles within the comfortable confines of modern DAW environments supporting the VST, DXi, Rewire or AU plug-in formats. Groove Agent 2 comes with 50% more musical styles and drum kits. The 27 new styles offer an array of the latest grooves in diverse flavors currently in demand such as ultra-slick RnB, Bristol Trip Hop, Old Skool HipHop, Retro Rock, roof-raising Punk and grinding Grunge grooves. Providing the kerosene for the 27 explosive new styles are the 9 new drum kits. Other kit highlights include painstakingly recreated retro drum synths, ultra-hip boisterous lofi drums, a diamond-hard metal kit as well as added percussive sounds. Added output busses with up to 8 stereo outputs now available within the virtual mixer of the host application are other feature added refinements. It’s also possible to bypass the internal Groove Agent 2 sample playback engine and to use Groove Agent as a MIDI player that triggers external samples. The new solo button for every group makes it easier to quickly focus on one group of sounds while tuning and mixing. Groove Agent 2 also offers a new Save to MIDI file"Feature, which stores Groove Agent's rhythm output to a MIDI file for detailed editing, regardless of the DAW application hosting Groove Agent 2. Features Over 70 musical Styles (each with their own Drum Style patterns), programmed by top musicians 25 complexity levels in each style, including fills and half tempo feel variations Combine any style with any drum kit instantly Several unique drum kits plus percussion and a range of electronic drum sounds 24-bit drum sounds, most of them recorded via analog tape Separate dry and wet (ambience) samples and 8 stereo outputs and the facility to send room to one separate channel User-configurable drum kits, including tweaking of sounds Combine any musical style with any preset kit Fine-tune the overall feel with shuffle and Humanize controls Record Groove Agent beats to MIDI track with Cubase and Nuendo or export Groove combinations to a MIDI file for further editing Sample Engine By pass Groove agents is able to bypass its internal Sound Engine to save Performance New solo button for every group Connects to everything: VST, DXi, AU, Rewire and standalone versions Specifications PC Pentium / Athlon 800 MHz (1.4 GHz or faster recommended) 384MB (512MB recommended) 450 MB free HD space for Contents Windows XP Home or XP Professional Windows MME compatible audio hardware (ASIO compatible audio hardware recommended) Display Resolution 1024 x 768 pixels (1152 x 864 pixels, dual monitor setup recommended) For using Groove Agent 2 as a plug-in, a VST2 or DXi2 compatible Host is required. Steinberg Key and USB component connector required Mac Power Mac G4 867 MHz (Power Mac G5 Dual 1.25 GHz or faster recommended) 384MB (512MB recommended) 450 MB free HD space for Content OS X Version 10.3.3 or higher CoreAudio compatible audio hardware Display Resolution 1024 x 768 pixels (1152 x 864 pixels, dual monitor setup recommended) For using Groove Agent 2 as a plug-in, a VST2 or AU compatible Host is required. Steinberg Key and USB component connector required "

Steinberg The Grand 2.0 Virtual Piano Educational Edition Price: 150.00 Retail Price: 299.99 502013741 Gigasonic The Grand is a high-quality virtual concert piano with a breathtakingly- rich and realistic sound, whose tonal precision and outstanding dynamic qualities rival those of a real, quality acoustic concert grand piano. The Grand 2 offers two different concert grand models with ultra dynamic response, hammer-action, sustain- and sostenuto-pedal, free programmable velocity-curves, four characteristics (natural, soft, bright, hard), tempered or concert-tuning, adjustable room portion, surround reverb and a performance Eco-mode for underpowered computers. Features 2 high-end concerto grand models -World-class - featuring absolutely realistic, authentic sound Full length sustain samples, no loops, every key individually sampled in several dynamic levels Unrivalled dynamic response True sustain pedal resonance, damper and hammer feel Complex variation of different sound characteristics, like dynamic response, release behaviour, hammer-action and true string resonances and releases Authentic functionality of sustain and sostenuto pedals Velocity individually adaptable to suit personal playing style and natural response from any keyboard Additional all new concert grand model New Eco Mode available for improved performance, ideal while composing RAMSave support, resulting in low RAM usage and faster project load and save times New noises for more realistic sound - key clicks, pedal sound, Hammer Samples and so on Surround Reverb (2x2 channels) with ability to position the Grand inside a virtual room Improved disk-streaming performance Powered by award winning HALion3 32-Bit Audio Engine Supports all major formats: VST, DXi, AU Rewire Support for easy Pro Tools Integration Standalone version Specifications Mac Power Mac G4 1 Ghz 512 MB RAM 3 GB free HD space for Content OS X Version 10.3.7 or higher CoreAudio compatible audio hardware For using as plug-in, a VST2 or AU compatible Host is required Steinberg Key and USB port required DVD-Rom required for Installation Recommended Power Mac G4 Dual 1.25 GHz or faster 1 GB RAM Windows Pentium / Athlon 1 GHz 512 MB RAM 3 GB free HD space for Content Windows XP Home or XP Professional Windows MME compatible audio hardware For using as plug-in, a VST2 or DXi2 compatible Host is required Steinberg Key and USB port required DVD-Rom required for Installation Recommended Pentium / Athlon 1.4 GHz or faster 1 GB RAM ASIO compatible audio hardware recommended

Line 6 MS1 Echo Park ToneCore Guitar Pedal Price: 149.99 Retail Price: 289.00 99-040-1301 Gigasonic Based on the award-winning DL4 Delay Modeler, Echo Park is loaded with unbelievable sounding models including Analog, Tape, and Digital Delay. Different delay patterns such as slap, ping pong, swell, and sweep can be adjusted with the twist of a knob, and the Mod dial can be tweaked for even more variations. Also features Tap Tempo and stereo ins and outs. Features ? Model Switch - Switching this reconfigures the virtual circuitry inside Echo Park. You get three of the most desired delay sounds on the planet. Tape - This gives you darker tone with each repeat just like a vintage tape-based echo. And you never have to change tapes! Digital - This gives you straight up echoes, with crystal clear digital fidelity. Analog - Designed to give you a vintage analog “bucket brigade?delay sound, with its classic warmth and warble. Trails Switch - Set this on to keep Echo Park’s processing engaged while in bypass, so your echoes smoothly trail away when you kick the effect off. Mix - Turn the knob up (clockwise) for louder echoes, or down for quieter ones. Repeat - You get 1 repeat at the minimum setting, and infinite repeats that swirl around when the knob is all the way up. Time - This knob gives you a range of spacings for your echoes from 53 milliseconds (close together) through 2.2 seconds (way far apart). You can use Tap Tempo to reach Echo Park’s maximum time of 2.5 seconds. Mod - Turn this knob up to get some delicious stereo modulation on your echoes. Each model has its own type of stereo modulation: Analog has Vibrato Digital has Chorus Tape has Wow & Flutter Function Control Knob Normal - your taps are treated as quarter notes, so you hear your echoes coming back at the same speed you tapped the footswitch. Tap eighth note triplet - This setting lets you tap quarter notes, while the echoes come back doing 8th note triplets. Sweet! Tap dotted eighth note - You tap quarter notes, your echoes come back as dotted 8th notes. Slap - This is the place for a speedy slap back echo. The Time knob’s range is automagically changed to be 10 to 150 milliseconds. You can Tap Tempo quarter notes, and get 16th note echoes. Swell - This adds an auto volume swell along with your echoes. Dreamy. Sweep - Add this sweeping filter to the feedback loop of your echoes and you’ll be glad you did! Ducking - The volume of your echoes is “ducked?(reduced) while you’re playing, and increases when you stop. This is handy to avoid mud-tone. Multi 1 - Uses multiple delay “taps?to give you a rhythmic pattern of echoes. Multi 2 - Another multi-tap rhythmic variation. Ping Pong - Alternating left and right taps Reverse - Just like the backwards tape tricks on our favorite albums, this flips your input signal around and sends it back to you in reverse. Use it live, and folks are sure to be impressed. Tap Tempo Put your foot to work and get your echoes in the groove! Using the innovative ToneCore double-action footswitch, you can tap a couple times and have your echoes match your tempo. Whether the effect is active or bypassed, you can tap the footswitch lightly to set delay time. Your first two taps establish the tempo and any additional taps will be averaged in. Any time the Tap Tempo switch is used to alter the delay, the tapped value overrides the current setting of the Time knob. Whenever the Time knob is turned, it overrides the last value entered with the Tap Tempo switch. Echo Park’s indicator light flashes the tempo in green when the effect is ON and amber when the effect is OFF. Speifications ? Time Knob Ranges Normal = 53 ms to 2235 ms 8th-note triplet = 18 ms to 745 ms 8th-note dotted = 40 ms to 1676 ms Slap = 10 ms to 150 ms Tap Tempo Ranges Normal = 40 ms to 2500 ms 8th-note triplet = 13 ms to 833 ms 8th-note dotted = 30 ms to 1875 ms Slap = 10 ms to 625 ms Note About Delay Times All times are in Milliseconds. 1000 ms = 1 second Power Requirements Single 9-Volt Battery, or Line 6 DC-1 9-Volt DC Power Supply (buy it now) Size & Weight Width 3.375 in. Depth 5.625 in. Height 2.875 in. Weight 2 lbs 4 oz

Line 6 ToneCore Verbzilla Effect Pedal Price: 149.99 Retail Price: 289.00 99-040-1901 Gigasonic TVerbzilla pedal brings luscious, studio-grade algorithms right to your pedalboard. This stompbox-sized miracle has 11 amazing reverb models that are considered must-have sounds for any kind of music. Verbzilla delivers everything from classic guitar amp-style spring reverb to dreamy, high-end studio favorites right at the touch of a footswitch! Features ? Model Switch - This switch is used to select from 11 distinctly different types: -- '63 Spring - Based on* a Fender?1963 brown spring reverb head unit. Best known for great surf guitar tone! -- Spring - Based on a studio spring reverb. -- Plate - Based on a studio plate reverb. -- Room - Simulates the acoustic properties of a classic echo chamber that consists mainly of early reflections. -- Chamber - An elongated ambient space such as a hall, stairwell or elevator shaft creates this reverb type. Dreamy. -- Hall - Simulates the sound of a concert hall or large open space with a strong reverb tail. Imagine a gymnasium, performance hall, or cathedral. -- Ducking - Built using a 'Hall' but with a ducking effect. The volume of your reverb is ducked" (reduced) while you're playing, and increases when you stop. This allows for clean musical passages with a touch of reverb that ramps up in volume once you stop playing. -- Octo - Creates a lush, ambient space with a harmonized decay whose harmonic denseness is controlled by the time knob. Use volume swells and prepare to float on a cloud! -- Cave - Surreal cavernous echo chamber. -- Tile - Emulates the acoustic reflections of a tiled room, such as a bathroom with bright early reflections. -- Echo - Just like it says ...echo...echo...echo. Mix - Allows you to control the amount of reverb in your signal from dry to 100% wet. Decay - Controls how quickly the reverb tail fades to silence. Time - Controls the length of pre-delay. This is the amount of delay before the signal hits the reverb chamber. Tone - Allows you to adjust the tonal character of the reverb, giving you the flexibility to go from dark and subtle to bright and splashy. Trails Switch - When switched on, Verbzilla's processing is engaged while in bypass, so reverb smoothly trails away when you kick the effect off. Speifications ? Power Requirements Single 9-volt battery, or optional Line 6 DC-1 9-volt DC power supply Size & Weight: Width: 3.375 in. Depth: 5.625 in. Height: 2.875 in. Weight: 2lbs 4oz"

Arturia Minimoog V Academic Version Price: 149.99 Retail Price: 249.00 Arturia Gigasonic In 1971 at the NAMM convention, Bob Moog introduces the Minimoog, the very first compact and affordable synthesizer for musicians. With its fat sound and unmatched filters, the Minimoog eventually became responsible for some of the best analog synth bass and lead sounds ever. Later in 2004 at the NAMM show, Arturia launch the minimoog V, a faithful reproduction of the Minimoog. Offering all the features of the original, the software version also brings polyphony, MIDI management, presets, coupled with other advantages of modern tools - behind the control panel are additional functions: a modulation matrix, an arpeggiator and an independent LFO as well as a stereo chorus and a delay. But what about the core of the Minimoog, the sound - Arturia's proprietary technology for emulating analog circuits, the minimoog V offers an unrestrained quality of sound. Sharp filters, aliasing-free oscillators, soft-clipping guarantee you to have the best analog emulation on the market. The minimoog V comes loaded with more than 500 presets made by a selection of talented sound designers. It is certainly an instrument which is going to bring a lot to your musical palette. Features ?Mono/polyphonic stereo synthesizer with up to 32 voices per instrument. ?Combination voice capability ?Soft clipping function ?No aliasing ?0.1Hz-20kHz resolution ?64-bit floating point precision ?Sampling rate: up to 96kHz ?More than 500 presets made by talented sound designers and artists ?MIDI compatible ?3 voltage-controlled oscillators (with 5 waveforms) ?LFO, he 24 dB/oct filter ?Noise generator ?2 ADS(R) envelopes ?VCA, mixer ?Modulation matrix offering up to 6 different connections (12 sources, 32 destinations) Arpeggiator ?Stereo delay ?3-mode chorus ?Xternal audio input ?External oscillator ?Filter modulation input Specifications System Requirements PC : Pentium II 500 MHz, 128 MB of RAM, Windows 9x/2000/ME/XP MAC : G3 500 MHz, 128 MB of RAM, MacOS 9.2.2 or higher, Mac OS X 10.2 or higher ?Sound Card : Any sound card compatible with DirectX, ASIO, SoundManager or CoreAudio A 230-paged paper manual is provided in 3 languages: French, English and Japanese. Copy protection: the installation CD is only required each time you want to import new banks of presets

Alesis MultiMix 8USB Mixer Price: 149.00 Retail Price: 199.00 ALESUSB8 Gigasonic The MULTIMIX 8 USB mixer from Alesis is the most compact, affordable, high-quality mixer with built-in 28-bit digital effects and digital stereo inputs and outputs. The Alesis MultiMix 8USB is an innovative mixer featuring low noise analog electronics and 100 great-sounding 28-bit digital effects. Studio-quality components and effects processing combine with rock-solid construction. The integrated USB Port lets you transfer audio directly between the MultiMix USB mixer and your computer. Plug and play operation under Windows and Mac OS, no drivers required. There is even 4-buss routing and pre- or post-fader aux sends. Such versatility makes MultiMix mixers excel as project studio consoles, computer recording front ends, and live sound mixers. This mixer is perfect for perfect for musicians and engineers needing a portable, flexible mixer with digital effects for sound reinforcement, rehearsals, studio recording, submixing, field recording, and digital audio/video computer workstation mixing. Features Compact, affordable 8-channel analog mixer with USB 4 high-gain mic/line inputs with phantom power, 2 stereo balanced 1/4 line inputs 100 28-bit onboard preset effects including reverbs, delays, chorus, flanging and pitch 3-band EQ per channel Separate 1/4" balanced main and monitor outs, headphone out Integrated USB audio interface, Plug and Play operation under Mac OS X and Windows Steinberg Cubase LE included Easy to attach rackmount ears available Specifications CONTROL Front-panel channels (top down): 4 mic/line channels with 75Hz highpass filter switch and mic/line gain. All channels with 3-band EQ (high shelving at 12kHz, mid bandpass/reject at 2.5kHz, low shelving at 80Hz), aux send A (pre-fader), aux send B (post-fader, onboard or external effects), pan or balance, level. Front-panel other: Effect section with selector plus clip and signal LEDs. Aux return A level, effects/aux return B level. Main out level with 2-track to mix switch. Headphone/control room out level with 2-track to control room switch. Stereo 8-segment LED meters. CONNECTIONS USB 1.1 Stereo input/Output for PC and Mac. All 1/4"" TRS except as noted: Mic in x 4 (XLR), mono line in x 4, stereo line in x 4, aux sends x 2, stereo aux returns x 2, stereo main out, stereo control room out, headphone out. 2-track stereo in and out (RCA). AUDIO SPECS Frequency response: 20Hz¨C22kHz ¡À0.5dB. Dynamic range: >100dB. Distortion: "

Alesis SR16 Stereo Drum Machine Price: 149.00 Retail Price: 269.00 ALESSR16 Gigasonic The Alesis SR-16 is a Classic Drum Machine for Composition, Recording and Accompaniment. Because of the high quality and affordable price, the SR-16?has been used by everyone from songwriters to live performers to remix engineers as their drum machine of choice. It's a useful tool for drummers, guitarists, and any musicians. The SR-16 offers features such as natural drum sounds, a great selection of 233 realistic, both in dry form and sampled with our incomparable digital reverbs. The SR-16 also has many wonderful functions. The Alesis's exclusive Dynamic Articulation?feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances. By utilizing the built in rhythmic variations (with A, B and two Fill sections) for composing complete arrangements, you can create and save your own customized patterns and songs. It comes with 50 preset patterns that were actually played in by top studio drummers, not just programmed and quantized. The advantage of the SR-16 Drum Editor is that it allows you to quickly make changes to your drum sets for use with a sequencer or midi-sequencing program. It's so easy to use that you'll be up-and-running and composing new music in minutes. The SR-16 also provides complete MIDI implementation, a footswitch input, flexible programming and editing features and velocity sensitive pad buttons. Whether you need a songwriting partner or an accompanyist for live performance, turn to the all-time world standard in drum machines: the SR-16. Specifications ? Audio Outputs: 4 (2 stereo pairs) MIDI: In and Out (Out can be set up as THRU) Pads: 12 velocity sensitive (with Dynamic Articulation? Sample/DAC Bit Resolution: 16/18 Sounds: 233 Sounds Accessible via Pads: 12 Sounds Accessible via MIDI: 120 Polyphony: 16-voice Panning: 7-position user programmable Velocity Response: 8 loudness levels via pads, 127 via MIDI Timing Resolution: 96 ppq Time Signature Range: 1-128 beats per pattern Tempo Range: 20-255 bpm Notes/Patterns/Songs: 12,000/400 (200 user, 200 preset)/100 Kits: 50 user, 50 preset MIDI Program Change Response: Kit Sync: MIDI Clock/Song Position Pointer Footswitch Jacks/Functions: 2; start/stop, count/A/B/fill Other Features: Sound stacking, step editing, stereo samples with reverb and ambience Dynamic Articulation: Modulates tone Power: 9 VAC External Transformer, UL and CSA Approved Dimensions (W x H x D): 9.25 x 1.5 x 6.5 in. Weight: 2.5 lbs.

PreSonus BlueMax Stereo Compressor Price: 149.00 Retail Price: 199.95 BLUEMAX Gigasonic The BlueMAX is the world's first affordable stereo analog compressor with preset compression curves tailored for a variety of individual instrument and vocal applications. There is a 'manual' mode that allows control over parameters like attack, release, and ratio. The BlueMAX also features full metering over gain reduction and input/output levels plus a sidechain insert jack for spectral processing. The BlueMAX is truly the easiest way to get world-class dynamics control for any recording or live sound application. Features ? 16 smart" presets (half rack space) also can be adjusted manually with Input, Attack, Ratio, Release and Output level knobs! 15 studio presets: 3 vocal presets, 8 instrument settings, 2 classic stereo settings, 2 special effects: "Squeeze Guitar" and "Pump". Manual mode gives you full control over compression parameters, including: variable input/output; Attack/release times & ratio from 1:1 to 20:1. Onboard metering shows input/output levels & gain reduction. Stereo/mono operation with high gain mono input for plugging instruments in direct. Sidechain input for de-essing, ducking & other forms of spectral processing. Input/Outputs are 1/4" TS unbalanced. Internal power supply (no wall wart!) Power transformer is switchable for international operation via an internal jumper setting. Specifications ? Input Impedance Left : 100K Ohms Impedance Right : 100K Ohms Connectors : Tip-Ring, 1/4"" Gain : -20dB to +40dB Sidechain Sidechain Output Impedance : 51 Ohms Sidechain Input Impedance : 10K Ohms Panel Controls Input : -20dB to +40dB Ratio : 1:1 to 20:1 Attack : 0.01ms to 100ms Release : 10ms to 500ms Output : -20dB to +20dB Meters Metering Input/Output : -24dB to +24dB Metering Gain Reduction : -1dB to -28dB Power Supply Power Supply : Linear, Internal Input : 110/220, Internal Jumper Power : 10 Watts Output Impedance Left/Right : 51 Ohms Connectors : Tip/Ring, 1/4"" Operating Level +4/-10dB Selectable Preset Selections Encoder : 16 Position, Rotary Presets : 15 + Manual Vocal Settings : Hard, Medium, Soft Compression Percussion Settings : Fast Transient, Contour Fretted Settings : Acoustic, Electric, Bass Keyboards : Piano, Synth Brass, Orchestral Effects : ""Squeeze"" Guitar, Dynamic Release ""Pump"" Performance THD : Noise (Unweighted) = 0.02% "

M-Audio Fast Track USB Audio Interface Price: 149.00 Retail Price: 159.00 9900-40863-00 Gigasonic For those of us who make music with GarageBand or with other recording programs, M-Audio Fast Track USB provides you the easiest way to record your guitar with professional results. The included GT Player Express software gives you killer effects so you don't need any other gear to sound great, and plays audio files (AAC/MP3/WAV) that let smash-into along with your desired music at capricious speeds. Fast Track USB has an instrument input for guitar, bass and keyboards, plus a mic input. Today the studio is no longer a place,it's a state of mind.M-Audio mobile audio solutions let you to use laptop or any USB- or FireWire-compatible computer to record and play audio whenever and wherever inspiration strikes.Our mobile audio solutions imply various configurations to suit every need-all with our legendary driver support spanning all popular operating systems and industry standards. Features Easy to connect and use Professional 24-bit/48kHz sound Dynamic microphone input (XLR) with gain control and signal LEDs / Switchable instrument/line input (1/4) Stereo headphone output (1/8") Stereo output jacks (RCA) Level control for headphones and main outputs USB bus-powered Compatible with Garage Band and most other music software USB class-compliant (OS X 10.3.5 and higher) for plug-and-play operation Direct hardware monitoring for synchronized overdubs Mono switch sends input signal equally to left and right channels Includes GT Player Express software: Professional effects Guitar amp and stomp box modeling Plays standard audio files with variable speed playback Standalone operation, ReWire or VST plug-in Specifications General Sample Rates: 44.1k and 48kHz/ Microphone Input Max Input: -2.2dBu (0.6 Vrms), min. gain Signal to Noise Ratio: -100dB @ 48kHz (a-weighted), min. gain Dynamic Range: 100dB @ 48kHz (a-weighted), min. gain THD + N: 0.0053%, 1kHz, -1dBFS @ 48kHz, min. gain Frequency Response: -0.12 / +0.08dB, 22Hz to 22kHz @ 48kHz, min. gain Available Gain: 45 dB Input Impedance: 1M Ohms Input (Guitar setting) Max Input: +3.2dBV (1.5 Vrms) Signal to Noise Ratio: -97dB @ 48kHz (a-weighted) Dynamic Range: 97dB @ 48kHz (a-weighted) THD + N: 0.0049%, 1kHz, -1dBFS @ 48kHz Frequency Response: -0.45 / +0.00dB, 22Hz to 22kHz @ 48kHz Input Impedance: 500K Ohms Input (Line setting) Max Input: +2.3dBV (1.3 Vrms) Signal to Noise Ratio: -98dB @ 48kHz (a-weighted) Dynamic Range: 98dB @ 48kHz (a-weighted) THD + N: 0.0045%, 1kHz, -1dBFS @ 48kHz Frequency Response: -0.35 / +0.01 dB, 22Hz to 22kHz @ 48kHz Input Impedance: 20K Ohms (bal.), 10K Ohms (unbal.) Line Outputs Max Output: +2dBV (1.2 Vrms) Signal to Noise Ratio: -105dB @ 48kHz (a-weighted) Dynamic Range: 105dB @ 48kHz (a-weighted) THD + N: 0.0039%, 1kHz, -1dBFS @ 48kHz Frequency Response: -0.15 / +0.03dB, 22Hz to 22kHz @ 48kHz Crosstalk: -100dB, 1kHz, channel-to-channel Output Impedance: 240 Ohms Headphone Outputs Max Output (@ 32-ohms): -2 dBV (0.8 Vrms) Signal to Noise Ratio: -102dB @ 48kHz (a-weighted) Dynamic Range: 102dB @ 48kHz (a-weighted) THD + N: 0.0395%, 1kHz, -1dBFS @ 48kHz Frequency Response: -0.20 / +0.05dB, 22Hz to 22kHz @ 48kHz Crosstalk: -80dB, 1kHz, channel-to-channel Output Impedance: Less than 1 Ohm Headphone Impedance: 32 to 600 Ohms recommended Compatibility ASIO 2 WDM Kernel Streaming Mac OS X Core Audio Minimum System Requirements(PC) Windows XP Pentium II 350 w/ 64MB RAM Minimum System Requirements(MAC) G3* 300MHz/G4* 350MHz OS X 10.2.8 or greater, 128MB RAM * native USB port required; G3/G4 accelerator cards not supported"

M-Audio Podcast Factory Complete Professional Podcasting Package Price: 149.00 Retail Price: 179.95 9900-41388-00 Gigasonic The function of Podcast Factory is to combine all the hardware and software you need to easily record, edit or publish professional-sounding podcasts. Create sophisticated radio-style fabrications that incorporate speech, music, and sound effects. The included software also processes your MP3 files and automates web publishing of RSS 2.0 feeds. Podcast Factory gives you the professional sound quality and inventive utensils for producing stellar podcasts that make your listeners attract and coming back for more. All over the world in recording studios it has been designed with the same M-Audio technology. Podcast Factory USB Interface: The Podcast Factory professional audio interface brings your computer both microphone and instrument inputs, in addition with headphone and stereo outputs through a simple USB cable. For most popular music softwares like Apple GarageBand, Sony Acid, and Magix Music Maker it can double as a professional audio interface. Broadcast Microphone Included: You can use the microphone attached with the desktop stand for recording broadcast-quality speech and also for professional-sounding podcasts¡ªinstruments. Software Included: Podcast Factory includes all the software you need to record as well as edit all your programs and add music by dragging and dropping loops, in addition to creating and uploading of MP3 files with RSS feeds. Ableton Live Lite 4 included: Ableton Live Lite 4 delivers most of the functionality of Ableton Live 4--the revolutionary, multi-award winning music production result that allows you to impulsively compose, record, remix, improvise and edit your musical ideas in a flawless audio/MIDI environment. Live brings your acoustic, electronic and virtual instruments -- as well as your digital audio recordings and MIDI sequences -- combined in a single interface with incomparable ease of use. Live's multi-award winning elastic audio sequencing lets you record, import, arrange and process multiple audio clips and loops into complete songs regardless of their pitch or tempo -- all in real time while the music continues. You can also change tempo and pitch of audio independently after the fact -- and clip envelopes make endless loop dissimilarities and of course, you can be able to integrate linear tape-style recording together with the loops. Ableton's unique approach to music production extends to a new paradigm in MIDI sequencing and manipulation as well, which gets completed with exclusive virtual instruments. There's also VST and Audio Unit support and a host of effects you can't find anywhere else. As simple to use as it is powerful, Live is a completely unique musical tool that smudges the peculiarity between stage and studio. Where the full version of Ableton Live gives you all of these capabilities across an unlimited number of audio and MIDI tracks, Ableton Live Lite 4 gives four audio tracks and four MIDI track for you to listen music. Live's unique power and efficiency-including resampling gives you a lot of production capability right out of the box. It's so discerning and rousing that you'll be making new music instantly.If you have decided to set free the full power of Ableton Live, your experience and files are utterly portable. Either way, Live lets you focus on what really matters: your music. Features Professional 24-bit/48kHz audio interface with preamp Dynamic broadcast microphone with desk stand Microphone input channel with gain control and signal LEDs Switchable instrument/line input Stereo headphone output Stereo output jacks Level control for headphones and main outputs USB bus-powered for mobile operation USB class-compliant (OS X 10.3.5 and higher) for plug-and-play operation Includes software for recording and editing, adding music and sound effects, and Web posting with RSS feed Includes music loops from a wide variety of genres Easy to connect and use Hardware compatible with most other music software Specifications General Sample rates: 44.1kHz and 48kHz Dimensions: 5.5 in. x 4.25 in. x 1.75 in. (14 x 10.8 x 4.5 cm) Microphone input Max input: -2.2dBu (0.6 Vrms), min. gain Signal-to-noise: -100dB @ 48kHz (A-weighted), min. gain Dynamic range: 100dB @ 48kHz (A-weighted), min. gain THD + N: 0.0053%, 1kHz, -1dBFS @ 48kHz, min. gain Freq response: +0.08 / -0.12dB, 22Hz to 22kHz @ 48kHz, min. gain Available gain: 45dB Input impedance: 1K ohm Input (guitar setting) Max input: +3.2dBV (1.5 Vrms) Signal-to-noise: -97dB @ 48kHz (A-weighted) Dynamic range: 97dB @ 48kHz (A-weighted) THD + N: 0.0049%, 1kHz, -1dBFS @ 48kHz Freq response: +0.00 / -0.45dB, 22Hz to 22kHz @ 48kHz Input impedance: 500K ohms Input (line setting) Max input: +2.3dBV (1.3 Vrms) Signal-to-noise: -98dB @ 48kHz (A-weighted) Dynamic range: 98dB @ 48kHz (A-weighted) THD + N: 0.0045%, 1kHz, -1dBFS @ 48kHz Freq response: +0.01 / -0.35dB, 22Hz to 22kHz @ 48kHz Input impedance: 20K ohms (bal.), 10K ohms (unbal.) Line outputs Max output: +2dBV (1.2 Vrms) Signal-to-NOISE: -105dB @ 48kHz (A-weighted) Dynamic range: 105dB @ 48kHz (A-weighted) THD + N: 0.0039%, 1kHz, -1dBFS @ 48kHz Freq response: +0.03 / -0.15dB, 22Hz to 22kHz @ 48kHz Crosstalk: -100dB, 1kHz, channel-to-channel Output impedance: 240 ohms Headphone outputs Max output: (@ 32-ohms) -2dBV (0.8 Vrms) Signal-to-noise: -102dB @ 48kHz (A-weighted) Dynamic range: 102dB @ 48kHz (A-weighted) THD + N: 0.0395%, 1kHz, -1dBFS @ 48kHz Freq response: +0.05 / -0.20dB, 22Hz to 22kHz @ 48kHz Crosstalk: -80dB, 1kHz, channel-to-channel Output impedance: less than 1 ohm HP impedance: 32 to 600 ohms recommended Compatibility ASIO 2 WDM Kernel streaming Mac OS X Core Audio PC Minimum System Requirements Windows XP (SP1) Pentium III 500 w/ 128 MB RAM Mac Minimum System Requirements G4* 350MHz or better OS X 10.2.8 or greater, 128 MB RAM (* native USB port required; G3/G4 accelerator cards not supported)

Steinberg Virtual Guitarist 2 VST Inst (EDU) Price: 149.00 Retail Price: 249.99 502016620EE Gigasonic Virtual Guitarist 2 is the latest member of Steinberg's Virtual Musician range of products and gives computer-based producers and composers' invaluable tools for generating great acoustic and electric rhythm guitar tracks from scratch, including all keys and difficult chords. Steinberg has produced nothing less than the perfect rhythm guitarist: always in tune, always on time and ready to play almost every conceivable musical genre. Features Absolutely authentic and professional sound - all Virtual Guitarist 2 parts and styles are based on real performances by top studio Guitarists. Vast range of styles suit any present musical style Excellent audio quality - all recordings were engineered on finest analog gear Fast and easy to use - playing Virtual Guitarist 2 is just as easy as playing the keys on your MIDI keyboard! GrooveMatch technology allows for adapting all guitar lines to any existing groove Amp Models and high-quality virtual stomp box effects make VG2 an unequalled tool for creating professional guitar sounds from scratch (/FX section also provided as separate FX plug-in) Compatible to any VST, DXi, AU or ReWire host application under OSX and PC 32 brand new styles plus 56 classics from Virtual Guitarist and "Electric Edition" to suit any present musical style. The new styles have been played by internationally renowned musicians More content: 6.8GB of high-end guitar recordings, including all the styles of Virtual Guitarist 1 and the "Electric Edition" New Part Editor allows in-deep editing of any Part of all Virtual Guitarist 2 Styles - now you can move, delete, mute and transpose each slice of a Part! GrooveMatch technology allows for adapting all guitar lines to any existing groove Three Amp models, four speaker models with selection of mic type and position, guitar specific EQ Stompbox effects such as Wah, Compressor, Fuzz, Tremolo, Chorus, Flanger, Phaser, Reverb and Delay MIDI Learn now supported for most editing knobs

M-Audio USB Midisport 4x4 MIDI Interface Price: 149.00 Retail Price: 249.00 9900-40713-00 Gigasonic The MIDISport 4x4 is a multi-port MIDI interface used for USB-equipped PC and Mac computers. MIDIS Port’s high-speed USB (Universal Serial Bus) connection to the computer guarantees reliable, immediate MIDI transfers. Installation is a breeze? no computer disassembly, no jumpers to set, no I/O Addresses, IRQs, or DMA channels to configure! Expansion Is just as easy? just plug in additional MIDISPORT units for more MIDI ports. Features 4-in, 4-out MIDI Interface (64x64 MIDI channels) High-speed connection to USB-equipped PC or Apple computers MIDI-activity indicators for each port Self-powered - Requires no external power supply Comes with 6' USB cable Includes OMS drivers for Mac OS 8.6 and above on CD Windows 98 compatible True Plug-and-Play installation requires no IRQ, I/O Address, or DMA channel setup Compact size Lifetime Warranty Specifications USB (Universal Serial Bus) is a standard interface port on desktop and laptop computers. All recent PC computers provide USB ports, plus Apple iMac, iBook, Powerbook, G3 and G4. USB supports the connection of up to 127 devices simultaneously. USB device installation requires no tools. Everything remains external to the computer and therefore no computer disassembly is required. The USB port is compact in size- It is therefore a "small miracle" for both portable and desktop computer users.

M-Audio Delta 44 Audio Card Price: 149.00 Retail Price: 199.00 9900-40757-00 Gigasonic The Delta 44 offers the same features and high performance as the Delta 66, but is designed for the person who does not require S/PDIF digital I/O. The Delta 44 features the same 24-bit 96kHz converter section that makes the Delta 66 the envy of the audio card community. And like the Delta 66, the Delta 44's breakout box handles 4 balanced or unbalanced, +4dB or -10dB signal level analog inputs and outputs. Also included is the Delta control panel software, which configures the card and controls digital mixing and routing. 36-bit Embedded DSP All Delta cards contain a 36-bit embedded DSP enabling a software-driven patchbay/router for all analog and digital I/O—all with extremely fast throughput for low-latency software monitoring. A single unified control panel provides settings for clock and sample rates, buffer sizes, individual signal levels for every input and output, adjustable +4dBu/-10dBV pad conrols and digital I/O control on up to four installed Delta cards. All controls are also easily accessible through most professional audio software applications for seamless integration and operation. Features ? 4 x 4 24-bit/96kHz full-duplex audio interface 4 x 4 analog I/O software controlled 36-bit internal DSP digital mixing/routing software configurable for +4dBu and -10dBV signal levels zero-latency monitoring greatly expandable with Omni i/o Apple G5 compatible includes Maximum Audio Tools software bundle Specifications ? frequency response: 48kHz sample rate input: +/-0.3 dB, 22Hz to 22kHz output: +/-0.2 dB, 22Hz to 22kHz 96kHz sample rate: input: +/-0.4 dB, 22Hz to 40kHz output: +/-0.3 dB, 22Hz to 40kHz dynamic range: 103dB (A-weighted) (D/A) 99dB (A-weighted) (A/D) THD: < 0.002% (D/A) 0.0023% (A/D) size/weight: 5-1/8?x 7/8?x 5-3/8? 0.8 lbs. Minimum System Requirements(PC) Windows 98SE / Me / 2000 (SP4) / XP / 2003 For 96kHz operation: Pentium III 500mHz w/ 128MB RAM For 48kHz operation: Pentium II 400 w/ 64MB RAM Minimum System Requirements(MAC) G3/G4* 500MHz OS 9.2.2, 128MB RAM; OS X 10.1.5, 10.2.6 or greater, 256MB RAM OMS 2.3.8 for MIDI under OS 9.2.2 * G3/G4 accelerator cards not supported; OS 10.3 required for Dolby Digital and DTS pass-through with Apple DVD Playe

M-Audio Studio Pro 4 Speaker Price: 149.00 Retail Price: 199.00 9900-40792-00 Gigasonic M-Audio reference monitors are used by top recording engineers and producers in studios around the world. The StudioPro 4s offer that same standard of audio fidelity right to your desktop. Custom-tuned cabinets, optimized speaker design and advanced crossover technology combine with generous built-in amplification to deliver the best sound you can get in monitors this size. M-Audio's proprietary OptImage wave guide technology also improves stereo definition. Complete with magnetic shielding for desktop use, StudioPro 4s deliver great audio experiences from your music, games and DVDs Recording engineers and producers in music studios around the world rely on M-Audio reference monitors to insure that their mixes are accurate. Now you can have high-quality stereo reference monitoring. The Studio Pro 4 gives you full-fidelity stereo monitoring today with two crisp-sounding LX4 satellite monitors, MAC & PC Compatible. Features Brings high-fidelity to desktop monitoring Perfect for desktop music, games and DVDs 4 in. low frequency drivers 1 in. high-frequency drivers Advanced crossover design OptImage wave guide technology improves imaging Front-panel volume control 1/8 in. stereo headphone jack Mid-cut switch optimizes tuning 18 watts per channel Custom tuned cabinet Specifications HF driver: 1 in. mylar cone with OptImage dispersion-controlled wave guide LF driver: 4 in. coated paper cone Dynamic power: 18 watts/channel Dynamic range: >95dB Crossover frequency: 2.8Khz Signal-to-noise ratio: >90dB (typical, A-weighted) SPL: 101.5 dB Input impedance: 20k ohms balanced, 10K ohms unbalanced Input connectors: RCA Attenuation: mid-cut switch

DigiTech The Weapon X-Series Pedal Price: 149.00 Retail Price: 199.00 DIGIXASDD Gigasonic The Weapon-- Seven radically different signature tones from Dan Donegan of the brand “Disturbed? These sounds are so unique that DigiTech had to put them into a Limited-Edition X-Series pedal. Dan Donegan of the multi-platinum band Disturbed asked DigiTech to help him recreate his studio tones for his live performances. The results was The Weapon? The result was The Weapon. Digitech's Production Modeling technology reproduces seven of Dan's unique tones from songs like "Mistress" and "Stupify." And they're just a click away, whenever you need a distinctive tone! If you're a Disturbed fan or just want to add some awesome tones to your effects arsenal, it's time to pack The Weapon. This Pedal also has wonderful additional effects include Sitar Simulator, Pitch Shift, Distortion, Reverb and more. The Weapon is easy to use on stage or in the studio. The Weapon offers two separate outputs: one for your amp and a second CIT compensated mixer output for recording. So don't sit around wishing for killer guitar tones. Get The Weapon and unleash its awesome sounds! Features ? Seven signature Dan Donegan tones, each incredibly distinctive Effects include Sitar Simulator, Pitch Shift, Distortion, Reverb, and more Amp and CIT?mixer outputs Custom artist pedal gig bag Authentic Dan Donegan guitar pick DigiTech pedal power supply included Specifications ? Controls: Level, Control 1, Control 2,Type, On/Off Pedal Jacks: - Input - Out 1 (Mono), Out 2 - Input Impedance: 1 MOhms - Output Impedance: 100 Ohms Power Supply: 9V Alkaline Dry Battery Power Consumption: - 4.8Watts (w/ PS200R power supply) - Battery Life: Approximately 4 hours (with continuous usage) Dimensions (L x W x H): 4-15/16 x 3-1/8 x 2-1/8 in. Weight: 1.38 lbs. Power Supply: PS200R - 120 (120V ~ 60Hz)

DigiTech Crossroads Eric Clapton Guitar Pedal Price: 149.00 Retail Price: 199.00 DIGIXASEC Gigasonic DigiTech and Eric Clapton have worked together to recreate his most famous tones in the Crossroads Artist Series pedal. Applying the new Production Modeling technology, everything from Eric's speaker cabs to the recording engineer's magic come together to give you the sound of Slowhand himself. The Production Modeling technology was designed to help reproduce the studio and live sounds and effects of an artist as heard on their recordings. This includes modeling the speaker cabinets, microphones with their placement, pre/post effects, and the recording engineer's magic all in one unit. Features include 7 signature Clapton tones: "Badge" from Goodbye, "Crossroads" from Wheels of Fire and Live at the Fillmore, "Sunshine of Your Love" from Disraeli Gears, "Layla" from Layla and Other Assorted Love Songs, "Lay Down Sally" from Slowhand, "Layla" from Unplugged, and "Reptile" from Reptile. Features ? New DigiTech Production Modeling technology accurately models seven signature Eric Clapton tones Eric's legendary Sunshine of Your Love "woman tone" Raw "Crossroads" blues captured live Embracing stereo spectrum of a swirling rotary speaker The acoustic intimacy of "Layla" Unplugged The enduring warmth of "Reptile" Separate amp and mixer outputs Custom artist pedal gig bag and pick DigiTech pedal power supply Specifications ? "Sunshine of Your Love" Eric achieved his now infamous "woman tone" by running his amps as hot and loud as possible, rolling back the tone control on his SG and engaging his wah-wah to a fixed position. "Crossroads" A pivotal moment in Eric's career, "Crossroads" was penned by Robert Johnson, Eric's most important guitar influence. Its electrified delta blues form evolved from Eric's days with the Bluesbreakers. "Badge" Eric used a rotating organ speaker for the swirling guitar breaks between the verse and chorus. This sound was achieved by overdriving the amplifier within the rotary speaker and by strategically placing 2 microphones around the rotating speakers and panning their signals into a stereo field. "Layla" (Acoustic) A pivotal moment in Eric's career was his live acoustic performance on the MTV television series "Unplugged." This setting transforms your electric guitar signal into Eric's vintage acoustic heard on this performance. "Lay Down Sally" is a country style shuffle featuring Eric and George Terry in a counterpoint guitar duet. "Layla" Eric's most recognized guitar riff and song feature him on "Brownie," his Fender Strat guitar, through a tweed Fender Champ amplifier. "Reptile," Eric's title track on his 2001 release "Reptile" features a classic Gibson L-5 jazz guitar played through his custom Cornell tweed combo. Some chorusing and reverb were added during mixdown. A portion of the proceeds from the sale of this pedal is being donated to Crossroads Centre, an International Centre of Excellence for the treatment of alcohol, drugs and other addictive disorders.

Alesis MicroVerb4 Preset/programmable Signal Processor Price: 149.00 Retail Price: 249.00 ALESMICROV4 Gigasonic The MicroVerb4™ is designed to provide a wide variety of great-sounding, easy-to-use effects for small studios, engineers and performing musicians. The key to MicroVerb 4's power is in its simplicity. It offers 200 programs that include everything from high-quality reverb, delay, chorus and flange to exciting multieffects and more. To customize your programs, two front panel knobs allow for quick, easy, user-storable edits, or use its MIDI inputs for control over program changes and modulation. You can then save your edited programs in the 100-space user program bank. Even though it's affordable and easy to use, the MicroVerb 4 offers the superb audio quality that you should expect from every Alesis processor. Features Frequency Response: 20Hz-20kHz +1/-3 dB Dynamic Range: 90dB Harmonic Distortion: .02 @ 1kHz @ 0dBV A/D-D/A Conversions: Conversion Scheme- 18-bit Delta Sigma, Processor Speed- 3 Million instructions per second, Processor Memory- 64K x 16 bit, Sampling Frequency- 46.875kHz Inputs: Number of Channels- 2, Nominal Level +4dBV, Maximum Level +20dBV, Impedance 1M per channel in stereo Outputs: Number of channels- 2, Matrixed Stereo, Maximum Level +14dBV (Effect), +20dBV (Direct), Impedance 220ohms Front Panel: Controls- Input Level, Mix Level, Output Level, Program Selection, Edit A, Edit B, Indicators- LED Display, Dual LED Meters Rear Panel: Input Left and Right 1/4 inch Output Left and Right 1/4 inch Footswitch 1/4 inch Stereo MIDI In / MIDI Out / Thru Power- 5.5mm Barrel Jack Power Requirements: 9 VAC, 5 Volt Amps external Transformer, UL and CSA Approved Dimensions: (W x H x D) 19 x 1.75 x 4 in. Weight: 2.6 lbs.

RME Digi 9652 EXB Expansion board for Hammerfall Lite DIGI 9636 Price: 139.00 Retail Price: 169.00 RMEDIGI9652EXB Gigasonic The optional Expansion Board turns the DIGI9636 into a fully equipped DIGI9652. Package contents include board, flat (ribbon) cable and EPROM. The Windows driver supports both cards, so no new installation is necessary. 1 x ADAT digital I/O, expands the Light to 3 x ADAT digital I/O 1 x Word clock I/O (BNC) with Lock indicator

Edirol PC-50 MIDI Controller Price: 139.00 Retail Price: 185.00 PC-50 Gigasonic 49 premium full-size, velocity-sensitive keys designed to fit perfectly on your desk. The PC-50 offers the best value for music labs and simple home studios. The PC-50 is specifically built to offer you exactly what most people are looking for; a well-built expressive MIDI controller that is easy to setup and easier to use. Expressive Response through Research and Development The PC-50 has a new keyboard mechanism built with the latest technology taken from Roland’s 30 years of synth development. The new keyboard mechanism is specifically designed to offer a wide dynamic range with incredible subtlety. The re-designed keys are more rounded for a better response to the players touch, particularly in glissandi. The new key assembly also reduces mechanical noise and eliminates vertical shake in the key stroke. In order to adapt to every player, the PC-50 includes 4 different velocity curves and 3 different levels of sensitivity allowing the user to find the exact match to their own playing style. The PC-50 can also output “fixed?velocity selectable from 1-127, providing practical input for percussion programming. No need to make extra room! The PC-50’s chassis is only slightly larger than the actual controls, saving you valuable space on your desktop. It also offers convenient access to all of the ports from the left side of the device, including; USB, MIDI OUT, Hold Pedal, and Expression Pedal. This allows the PC-50 to sit directly in front of a monitor or laptop computer without wasting desktop space for cable connections. Solving the Power Problem The PC-50 can be used with or without a computer. When used with a computer, the PC-50 can draw power and send MIDI over the USB port, allowing you to reduce the clutter of having another device to plug into your power strip. The PC-50 can also draw power from an optional AC Adapter or from 4 AA batteries, allowing you to use the PC-50 anywhere, with or without the computer. Features ? High Quality Keyboard Mechanism 12 Selectable Velocity Curves 3 Digit 7-segment LED and Rotary Encoder Pitch Bender / Modulation Lever Convenient Access to Connections on Side Panel Sustain & Expression Pedal Ports MIDI Out Port 3 Ways of Power Supply (USB-Bus/Battery/AC Adaptor) USB powered Specifications ? System Requirements PC Operating System: Windows XP/2000 /Me/98 Computer: Windows-compatible computer equipped with a USB port CPU/Clock: Intel Pentium, or Intel compatible Processor 400 MHz or higher Memory (RAM):128 MB or more Mac Operating System : Mac OS X v10.2 or later, Mac OS 9.x Computer: USB ready Apple Macintosh CPU/Clock: PowerPC G3/400 MHz or higher Memory: 128 MB or more

Steinberg CUBASE SE3 Software Price: 139.00 Retail Price: 199.00 cubase-se-3 Gigasonic Steinberg Cubase SE3 offers a budget-priced music production system for composing, recording, editing and mixing your music. Using professional audio technologies, Cubase SE3 features a 32-bit floating point audio engine, 24-bit/96 kHz recording, unlimited MIDI tracks and automatic plug-in compensation throughout the entire signal path. A plethora of audio and MIDI features, powerful editors and a complete set of effect plug-ins round off the impressive feature set. And with Cubase SE3, you're using a system that's compatible with all current Cubase products used in professional studios around the world. Features 48 Audio tracks and unlimited MIDI tracks Professional 24/96 recording Up to 16 VST instrument slots 5 insert effects and 8 send effects per channel VST System Link and ReWire 2-compatible VST audio and MIDI plug-ins included Video thumbnail track for building your own video soundtracks Technology and user interface based on award-winning music production software Cubase SX3/SL3 NEW in Cubase SE3: New VST 2.3 audio engine Fully automatic delay compensation for plug-ins Enhanced user interface (same look and feel" as Cubase SX3) Platform-specific performance optimizations Improved Hitpoint detection for tempo adjustments of audio loops Drag & Drop of MIDI tracks directly into the Project Window Extended Track Inspector with improved track parameter access Many editing and workflow enhancements Specifications MacintoshPower Mac G4 867 MHz 384 MB RAM Mac OS X Version 10.3 or 10.4 Display Resolution 1024 x 768 pixels CoreAudio compatible audio hardware DVD-ROM drive USB component port for copy protection key Internet Connection required for upgrade license authorization Windows Pentium / Athlon 800 MHz 384 MB RAM Windows XP Home or XP Professional Display resolution 1024 x 768 pixels ASIO compatible audio hardware recommended DVD-ROM drive USB component port for copy protection key Internet Connection required for upgrade license authorization "

M-Audio Mobile Pre USB Audio Interface with Preamp Price: 139.00 Retail Price: 179.00 9900-40764-00 Gigasonic The flagship of the MIDISPORT line, the USB MIDISPORT 8x8/s, is a powerhouse with features and bandwidth to burn. The MIDISPORT 8x8/s may also be connected to the "legacy" serial ports of older computers in addition to being a gateway to the high speed and massive channel capacity that USB offers. The main reason to choose this Rock-solid drivers have the ability to run multiple units concurrently on both Apple Computer and PC, full SMPTE implementation. Add to that stand-alone MIDI patchbay operation, a MIDI cable tester, and an easy-to-read front panel design, and it's easy to see why the MIDISPORT 8x8/s is the most sought after multi-port MIDI interface on the market today. features 8 x 8 MIDI interface in 19 rack unit 128 discrete MIDI input and output channels Operates as an 8-preset standalone MIDI patch bay without computer Legacy serial port for compatibility with serial PCs Reads/writes popular LTC SMPTE formats Supports SMPTE offset via control panel software (included) Converts LTC to MTC to sync any MIDI Time Code-compatible software Selectable “flywheel" Regenerates damaged SMPTE code Performs “jam sync" in all modes Specifications Compatibility MME OMS Mac OS X Core MIDI Minimum System Requirements(PC) Windows 98SE / Me / 2000 (SP4) / XP (SP1) Minimum System Requirements(MAC) OS 9.2.2 with OMS 2.3.8 (included) OS X 10.1.5 or greater OMS 2.3.8 (included) for MIDI under OS 9.2.2 "

M-Audio iControl MIDI Transport Controller Price: 139.00 Retail Price: 179.00 99004072900 Gigasonic The M-Audio's iControl is a tactile control surface for Apple's GarageBand audio manipulation software. Dedicated transport buttons and jog wheel put record and playback functions at your fingertips. The control surface functions using banks of 8 tracks, and additional tracks can be accessed by a simple button push. The 8 rotary encoders are easily assigned to track functions like volume and pan, or to parameters for effects such as GarageBand's EQ or any other AU plug-in. The iControl is USB bus-powered and no additional power adapter is required. A class compliant driver means easy installation and the unit is automatically recognized by GarageBand. An additional MIDI jack allows users to connect MIDI keyboards and other devices to their Macs. iControl puts you in complete creative flow with your GarageBand experience. Features ?/td> Works with any Apple computer with GarageBand 2.0.1 8 endless rotary encoders assignable to control volume, pan, aux bus sends, or effects 7 mode buttons assign encoders to control tracks or effects 8 sets of Mute, Solo, and Record-enable buttons +/- buttons assign the group of eight encoders to additional banks of eight tracks or effect parameters Master volume fader Dedicated transport buttons: Play, Stop, Record, Fast Forward, Rewind, Rewind to Start, and Project Cycle on/off Jog wheel for easy song positioning Option button for future enhancements USB bus-powered - no power adapter required Additional 5-pin MIDI input jack for control by external MIDI keyboard Class-compliant driver Automatically recognized by GarageBand for easy setup Another one of the main features of the iControl control surface is a bank of controls for 8 tracks at a time. These include dedicated buttons for solo, mute and record, as well as 8 rotary encoders that users can easily assign to control volume and pan. Pressing the up/down buttons assigns the 8 sets of track controls to the higher or lower groupings of tracks. The controls on the left side of the iControl front panel assign the rotary encoder functionality. In Volume or Pan mode, they function in a one-per-channel configuration, for up to eight channels at a time. For the remaining modes, the user selects the desired track via the bank of 8 Select buttons, and the rotary controllers will then function as multiple controls of the selected mode. Selecting Generator, for example, instantly provides tactile control over 8 parameters of the track's Generator instrument. Additional mode buttons allow assignments to a track¹s channel strip, EQ, Effect 1 and Effect 2. When the assigned function has more than 8 parameters, the up/down buttons allow shifts through the full range of parameters. The rotary controls also work in conjunction with any assigned AU plug-in. The iControl control surface communicates with your Mac and GarageBand via a single USB connector. Users can also connect a traditional MIDI keyboard to the 5-pin MIDI input to play any GarageBand instruments. The unit is USB bus-powered, class-compliant and automatically recognized by GarageBand for extremely easy integration. There is also an Option button for extending functionality, further demonstrating the level of M-Audio's commitment to this market. The iControl control surface will also be supported in upcoming updates of Logic Express 7 and Logic Pro 7 to provide an easy and seamless upgrade path for GarageBand users who are ready to graduate to a more advanced audio production tool. The iControl control surface requires GarageBand 2.0.1

Propellerhead ReBirth 2.0 by Techno Micro Composer Price: 139.00 Retail Price: 229.00 99-101-0001 Gigasonic The ReBirth 2.0 is an instrument that includes two synthesisers and two drum machines. The ReBirth is inspired by the legendary TR-808, TB-303 and TR-909, originally created by Roland Corporation. Their unique sounds and visual images have been reborn through digital simulation by Propellerhead software. Also it includes distortion units, PCF, compressor, shuffle an digital delay. All the quirks and subtle qualities of analogue synths, coupled with the convenience of modern computers: a minimum of cables, integration with your sequencer software, complete front panel automation, real-time audio streaming and much more. Features Total integration with Steinberg Cubase VST 2.0 Rewire up to eighteen individual audio channels direct to VST Make your own drummachines (Mods) Various alternative drum machines available for free Two bass line synthesiser, two drum machines Multi-input distortion box, delay, compressor and PCF Accent, Slide and Snappy like the original Mixer section with panning, level, effect and distortion Audio quality - 16 bit, 44.1kHz output Stereo Export of stereo AIFF or Wave audio files MIDI Clock synchronisation to external hardware Specifications Minimum System Requirements: Processor 100 MHz or higher Windows 95/98/NT 16MB RAM 16-Bit Windows compliant sound card 256 colours at 640 x 480 pixels graphics card CD-ROM drive Microsoft DirectX Macintosh Mac OS 7.5.3 Processor 66 MHz or higher 15MB free disk space CD-ROM drive OMS 2.2 or higher (included), Apple Soundmanager 3.2.1 or higher (included)

M-Audio Oxygen 8 v2 USB MIDI Controller Price: 139.00 Retail Price: 179.00 9900-41392-10 Gigasonic The Oxygen 8 v2 is an updated version of the mobile MIDI controller that started the mobile studio revolution. You get a fully functional MIDI keyboard with great action, plus eight MIDI-assignable knobs to control any MIDI parameters you desire in your hardware or software. It's perfect for composing on the go or performing live bass lines and pads, firing samples, or triggering audio and/or visual effects. New features include full MIDI message support, plus 6 transport controls that can be reassigned to any MIDI parameter. The Oxygen 8 v2 also offers 10 non-volatile memory locations and is compatible with our free Enigma software for computer-based storage, retrieval and management of an unlimited number of patches. Total MIDI Control MIDI isn't just about triggering notes—and the Oxygen series has what it takes to access all those deep parameters in your software and hardware so you can get the most out of them. Map the eight knobs to any synth parameters you want to program or perform with—or to mixer controls like volume, panning and effects send. Assign the buttons to trigger samples and anything else that is MIDI-programmable. Assignment is simple, yet has the power to let you delve as deep as you want. Each controller can map to just about any applicable parameter in the MIDI spec, including independent channel addressing for each. The possibilities are limited only by your imagination. Easy Programming Oxygen controllers feature dedicated front-panel function buttons to easily access common operations like preset, program or channel up/down, octave up/down, and transpose up/down. Use the Controller Mute button to prevent parameters from jumping when you change them, then press Snapshot to transmit all current settings. The Advanced Function button allows the keyboard to serve as a data-entry device for controller assignment and similar setup functions. The front-panel 3-segment LCD gives you the information you need for programming parameters at a glance. 10 non-volatile memory locations instantly save and recall your favorite presets—and you can manage an entire preset library on your computer via SysEx dumps and the free Enigma software editor/librarian for PC and Mac. Free Enigma Editor/Librarian Software Download Enigma—a powerful software editor/librarian for Mac and PC that lets you easily program, store and load setups for M-Audio and Evolution USB MIDI controllers. Enigma includes a huge library of files for your favorite VST plug-ins, instruments and host apps. Programming is as simple as dragging the software parameter you want to control onto the graphic representation of the controller on your screen. With Enigma, your library of controller presets is virtually unlimited. Mobile Operation The original Oxygen8 defined a new era of mobile keyboard controllers—and now there's an entire line to choose from. The entire Oxygen series is extremely compact and lightweight and all models are powered directly from your computer's USB bus. Choose the size that's best for your needs, then take your music anywhere you want to go. Features ? 25-note velocity-sensitive synth-action keyboard with USB MIDI interface 8 fully assignable MIDI controller knobs 6 transport buttons also assignable to any MIDI parameter Assignable pitch bend and modulation wheels Octave up/down; transpose up/down Preset/MIDI channel/program change up/down 5 top-panel function buttons plus additional programming functions on keybed 3-segment LED screen USB 1.1 upstream (Type B) port Sustain pedal jack MIDI Out jack Powered via USB or optional power supply Class-compliant with Windows XP and Mac OS X 10 non-volatile memories Memory dump via Sys Ex Compatible with free Enigma librarian/editor for storing and organizing setups All controllers fully programmable to MIDI controller number All controllers fully programmable to MIDI channel Controller mute function mutes controller output to avoid parameter jumps Snapshot function transmits all current controller settings On/off switch Weighs only 4 lbs. Includes Ableton Live Lite 4 music production software so you can make music right away Specifications ? PC Requirements Available USB Port DirectX 9.0b or higher Windows XP (SP1) or higher Windows 98, Me, NT, or 2000 not supported Macintosh Requirements Native USB Port Mac OS X 10.2.8 w/ 256 MB RAM, OS X 10.3.4 or greater w/ 512 MB RAM Dimensions: 15.8 x 9.8 x 2.9 in.

Alesis Photon 25 USB/MIDI Controller Keyboard Price: 139.00 Retail Price: 249.00 ALESPHOTON25 Gigasonic The Alesis Photon 25 keyboard features 40 immediately accessible controls including 12 knobs with 3 active layers and a 25-key, velocity-sensitive keyboard. The Photon 25 is optimized for controlling and manipulating software via USB. The Photon X25 combines USB/MIDI control and recording in one product. Because of the unique features such as the revolutionary Alesis Axyz controller dome and ten 360-degree endless knobs, users will have powerful MIDI control of all their software plug-ins. The Photon 25 has many advanced features include 24-Bit, 44.1/48 kHz Audio with balanced stereo audio inputs and outputs, and great feeling, full-size Pitch and Modulation wheels, and an LCD screen with dedicated encoder for fast and easy set-up. Features Forty immediately accessible controls Twelve knobs with three active layers 25-key, velocity-sensitive keyboard Great-feeling, super-high-resolution knobs X/Y Joystick to control Pitch Bend/Modulation or other parameters 4-Character LED display Easy template placement for virtual instruments and digital audio workstations Twenty editable, storable configurations Three-way power: USB Bus Power, External adapter (Optional), or 4 C" size batteries (Optional) Windows XP and Mac OSX ready Specifications 25 Note, full size, semi-weighted keyboard MIDI In/Out USB 1.1 25 full-sized keys (+/- 5 octaves) 12 assignable control knobs with 3 selectable layers 2-axis joystick Large, bright 4-character LED display Overlays for different applications MIDI I/O Sustain and Expression pedal inputs USB, Battery, or 9VAC power Dimensions: 18"x 9.5"x 3.5"(W x L x D) "

DigiTech BP200 Bass Processor Pedal Price: 129.99 Retail Price: 199.00 DIGIBP200 Gigasonic The DigiTech BP200 is a wonderful Bass Modeling Processor designed for bass guitar. Th e DigiTech BP200 is powered by AudioDNA?DSP processing, which provides 16 bass amp and stompbox models and a host of other effects (22 total) for creating your own signature sound. The BP200 has other cool features include cabinet modeling, a fretless simulator, 24 Bit A/D/A converters, 9 fully programmable effects at a time, 6-character alpha numeric display, headphone output, fully programmable chromatic tuner, 40 user and 40 factory presets, rhythm trainer (30 patterns), Jam-a-Long input, and built-in expression pedal. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters giving you the flexibility to create the exact sound you are looking for. The 6 character alpha-numeric display and 3 knob matrix based user interface ensure simple, straight forward editing functions. The Rhythm Trainer is an attractive tool for polishing up your timing with your choice of different tempo, patterns and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. Features ?/td> Full featured bass amp modeling processor Includes both bass amplifier and stompbox models Cabinet modeling Fretless simulator 24-bit A/D/A converters 9 fully programmable effects at a time 6-character alphanumeric display Headphone output Fully programmable Chromatic tuner 40 user/40 factory presets Rhythm trainer (30 patterns) Simple knob/matrix interface Stereo TRS output Jam-A-Long input Built-in expression pedal Rugged cast aluminum chassis Effects List Fretless simulator Wah Compressor 3-band EQ Noise gate Auto swell Chorus Flanger Phaser Vibrato Pitch shift Detune Whammy?/span> Octavider Synth Talk?/span> Envelope filter Analog delay Ping pong delay Reverb

DigiTech RP200A Guitar Processor Price: 129.99 Retail Price: 199.00 DIGIRP200A Gigasonic The DigiTech RP200A Artist Amp Modeling Multi-Effects Processor features brand new presets created by today's hottest players. The RP200A uses our AudioDNA?super chip to offering you the tones of the greatest vintage and modern Amps ever made, acoustic guitar simulation, and a host of programmable effects (up to 11 simultaneously). The Rhythm Trainer is a great tool for improving your timing with your choice of different patterns, tempo, and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters providing the flexibility to create the exact sound you're looking for. The 6 character alpha-numeric display and 3 knob-matrix based user interface provide simple, straight forward editing functions. By utilizing the built-in drum machine, ideal for perfecting your choice of different patterns, tempo, and level control. Features ?/td> Power supply included Expression Pedal 6-Character Alpha Numberic Display 2 More Effects (YaYa & SynthTalk) 1/8 in. Stereo TRS Jam-A-Long input Amp Modeling Cabinet/Mic Modeling Pickup Modeling 12 Effects At Once Fully Programmable 24-bit A/D D/A Rhythm Trainer 30 patterns Stereo Output Chromatic Tuner 40 User/40 Factory Memories Effects Amp Modeling Acoustic Modeling Compression Wah Pickup Modeling Cabinet Modeling Mic Placement Modeling 3-Band EQ Noise Gate Auto Swell Chorus Flanger Phaser Tremolo Panner Vibrato Rotary Speaker YaYa AutoYa SynthTalk Envelope Filter Detuner Pitch Shifter Whammy Digital Delay Analog Delay Ping Pong Delay Specifications ?/td> Guitar Input: 1/4" Mono Output: 1/4" Stereo TRS Headphone: 1/8" Stereo TRS Jam-a-Long: 1/8" Stereo TRS A/D Converter: 24-bit Delta Sigma D/A Converter: 24-bit Simultaneous effects: Up to 12 Rhythm Trainer: 30 Patterns Memory Capacity: 40 User/40 Factory Dimensions (H x W x D): 2.25 x 10 x 8.5 in. Unit Weight: 3.0 lbs.

Echo Mia MIDI PC Digital Audio Interface Price: 129.00 Retail Price: 159.00 ECHMM2 Gigasonic If you're serious about digital audio, you shouldn't settle for anything less than a truly professional audio interface.... and now with Mia MIDI you don't have to. Mia MIDI offers a pair of balanced 1/4 in. analog inputs and outputs and operates at the +4dBu levels used by pro-audio gear. It combines this with 24-bit/96kHz converters and 106 dB of dynamic range for the quality your recordings deserve. Also included is an S/PDIF digital audio interface for connecting to other digital audio equipment, and MIDI input/output jacks on a custom molded cable. A unique feature of Mia MIDI is the use of "virtual" outputs. Mia MIDI appears to software as if it has eight separate outputs, which are digitally mixed down to the physical outputs using Mia MIDI's "console" software and its on-board DSP. This makes Mia MIDI compatible with all popular multi-track software. And, with Echo's "multi-client" drivers, more than one application (such as an editor and software synth) can be playing back through Mia MIDI at the same time. Please note that the MIDI functions of Mia MIDI only work under Windows ME/2000/XP(WDM) and Mac OS X. Features Hardware Features 2 balanced 1/4 in. analog inputs with 106dB (A-weighted) dynamic range 2 balanced 1/4 in. analog outputs with 106dB (A-weighted) dynamic range MIDI in/out 24-bit coaxial S/PDIF digital I/O Supports full duplex 4 channel in, 4 channel out operation. PCI bus mastering interface +4dBu or -10dBv analog I/O on each analog channel Software Features Software console for monitoring, metering, and setting levels Built-in digital mixer provides near-zero latency monitoring Driver support for Windows 95/98/Me/2000/XP and Macintosh OS 8/9/X Support for WDM, ASIO and GSIF 8 "Virtual Outputs" Low-latency drivers Compatible with all popular recording products Specifications Analog Input 2 Balanced (differential) TRS connectors Accepts unbalanced signals Frequency Response: 15Hz-22kHz, ?0.25dB (plot) Linearity: -120dBFS-0dBFS, ?0.8dB (plot) Dynamic Range: 106dB A-weighted THD+n:

Audix D2 Dynamic Drum Microphone Price: 129.00 Retail Price: 219.00 AUDID2 Gigasonic The Audix D2 Dynamic Instrument Microphone is an American made instrument microphone designed for live and studio performance. This microphone is designed to fill the specific needs of artists and engineers for both studio and live applications. The D2 features a true hypercardioid pick-up pattern and a frequency response of 44Hz - 18kHz, the D2 is an ideal choice for rack toms, floor toms, congas, and other instruments requiring low frequency reproduction. Each microphone consists of a VLM (very low mass) capsule housed in a precision-machined lightweight aluminum body. The compact size, in conjunction with the newly designed D-vice gooseneck clip, allows for quick and easy set up a perfect mic placement. Don't compromise the sound of your drums. Features ? Hyper-Cardioid Polar Pattern The hyper-cardioid polar pattern is effective in eliminating noise and ambiance at the off-axis sections of the microphone. Contoured Mid-Bass Frequency Response The D2 features a frequency response of 44Hz to 18kHz. A mid-range bump accentuates the tonal response of floor toms, congas and more, the natural low frequency roll-off reduces noise. High SPL Handling The D2 can accurately handle signals with sound pressure levels registering at 144dB. Transient peaks are reproduced without distortion due to overload. Specifications ? Transducer Dynamic VLM Type B (Transformerless) Polar Pattern Hypercardioid Frequency Response 44Hz to 18kHz Dynamic Range (Typical) not specified by manufacturer Signal-to-Noise Ratio not specified by manufacturer Maximum Input Sound Level 144dB Power Requirements Dynamic Transducer - no external power required Output Jitter 250 Ohms Output Connectors 3-pin XLR male Pad No Low Frequency Roll-Off Natural roll-off at 44Hz not switchable Dimensions not specified by manufacturer Weight 1 lbs

M-Audio Evolution X-Session USB Control Surface Price: 129.00 Retail Price: 149.00 9900-40851-00 Gigasonic The digital DJ revolution has arrived—and Evolution's X-Session puts you in the center of the action with total control over today's hottest music software. X-Session from M-Audio has a classic full-size cross fader for cutting and scratching, 16 assignable rotary controllers for pitch-shifting, 10 assignable buttons for triggering loops, tweaking Delay/EQ/Filter/Distortion/Flange, digital effects ,grooves and killing tracks plus stacks more cutting-edge features which will take your DJing into the future. X-Session even comes with Ableton Live XS and Arturia Storm XS for a complete, powerful digital DJ experience right out of the box. This USB controller also provides finger-tip control for a whole host of popular software plug-ins and virtual instruments, eliminating the frustrations of trying to use a mouse. Fast and precise control is provided by the 16 fully assignable high resolution controllers. Each of these controllers can be assigned to a different MIDI channel which means that multiple plug-ins can be controlled on separate channels. Synths and modules can also be controlled via the standard MIDI Out socket. X-Session has 10 memory locations for storing your settings. These are non-volatile too, so everything is saved even when the unit is powered off. Features ?/td> Scratch and mix using the full-size crossfader Trigger loops and digital effects with 10 assignable buttons Tweak Delay/EQ/Filter/Distortion/Flanger and pitch-shift using 16 assignable rotary controllers Perfect for real-time control of software plug-ins and virtual instruments Kill tracks then slam them back in at the touch of a button with the unique controller mute function which allows you to mute the output of all controllers, position them to the new value you want, then slam them back into the mix. Independent channel assign for each controller Provides USB to MIDI interface with standard MIDI OUT socket USB Class compliant (USB cable plus PC and Mac drivers included) No drivers required in Windows XP or Mac OSX For use with PC, Mac or other MIDI hardware 10 memory locations for storing your settings PC librarian software included Specifications ?/td> Controllers Requirements PC/Mac or MIDI hardware with USB or MIDI In. Software Requirements Pentium II 400MHz 128Mb RAM, USB socket, Windows 98/ME/2000/XP, soundcard compatible with DirectX, ASIO, Sound Manager, CoreAudio or MME. iMac, Power Mac G3 or better with USB running OS9/OSX. Arturia Storm XS, OSX only. X-Session powered by USB (cable included) or 9V DC, 250-300mA centre positive adaptor (not included). Dimensions: 29 x 13 x 5 cm

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