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Civil War Navy Revolver Silver Engraved Finish
Colt 1851 Navy revolver engraved nickel plated with Lone-star grip, 13 inches long. These replicas are intended for collection, display and decoration only. Although the lock actions on the replica firearms are mechanical functional, these items are completely safe and non-fireable
Price: 52.99


1860 Civil War Revolver Replica - Grey finish
A non-firing copy of the Colt 1860 classic, used extensively in the Civil War. This piece replicates the original in size, weight and appearance, and the parts function much like the original. However, parts cannot be interchanged or the replica made to fire ammunition. The Colt Army Model 1860 was a cap & ball .44-caliber revolver used during the American Civil War. It was favored as a side arm by cavalry, infantry, and artillery troops. More than 200,000 were manufactured from 1860 through 1873. The weapon was a single-action, six-shot weapon accurate up to 75 to 100 yards, where the fixed sights were typically set when manufactured. The rear sight was a notch in the hammer, clearly visible only when the revolver was cocked. The Colt .44-caliber �Army" Model was one of the most widely used revolvers of the Civil War. It was the revolver of choice for officers, artillerymen, and cavalrymen. The Colt .44 had a six-shot, rotating cylinder. It fired a 0.454-inch diameter round lead ball, or a conical projectile, that was propelled by a 30 grain charge of black powder ignited by a brass percussion cap that was struck by the hammer. When fired, balls had a muzzle velocity of about 750 feet per second. Colt model 1860 Civil War Army revolver, 13" long
Price: 58.99


1860 Civil War Revolver Replica - blued finish
A non-firing copy of the Colt 1860 classic, used extensively in the Civil War. This piece replicates the original in size, weight and appearance, and the parts function much like the original. However, parts cannot be interchanged or the replica made to fire ammunition. Colt model 1860 Civil War Navy revolver, 13" long The Colt M1861 Navy cap & ball .36-caliber revolver was a six-shot, single-action, percussion weapon produced by Colt from 1861 until 1873. Like its forerunner, the Colt 1851 Navy Revolver, it saw widespread use in the armies of the American Civil War. While similar in design to the Colt Army Model 1860, the lighter recoil of the M1861 Navy's .36 caliber cartridge was preferred by some cavalry soldiers. Also like the Army revolver, the frame was lugged for a detachable shoulder stock, but very few came with one.
Price: 59.99


1851 Civil War Navy Revolver Replica
Colt 1851 Navy revolver with faux ivory handle and engraving, 13 inches long. Quality work. A non-firing copy of the original Colt. Samuel Colt designed the Colt Revolving Belt Pistol of Naval Caliber between 1847 and 1850-the actual year of introduction. It remained in production until 1873 when revolvers using fixed cartridges came into general use. The designation "Colt 1851 Navy" was applied by collectors, though the popular name "Navy Revolver" is of early origin. The cylinder is engraved. The 36 caliber Navy revolver, at an overall length of 14 inches, weighed 42 ounces and was much lighter than the contemporary .44 Colt revolvers designed to be carried in holsters on either side of a saddle pommel.
Price: 58.99


1860 Enfield Civil War Musketoon Replica Rifle
1860 Enfield Civil War Musketoon Replica Rifle Length: 40 inches, Weight: 5 lbs. Its percussion lock is stamped London Armoury with the royal crown. This 2 band musketoon features 24 inch blued barrel, wood stock with metal ramrod and lanyards for sling (not available). This classic Western rifle replica adds charm to any decor. Use for your theatrical presentation or add to your collection!
Price: 127.79


Armying Dagger Replica
The Arming dagger, the matching Dagger for the Hand-and-a-Half White Shadow Sword (3503-AM), is a useful accessory and a handsome piece in its own right. KEY FEATURES: Authentic styling High-carbon steel blade Scabbard included
Price: 84.99


Barbarian fantasy dagger
This beauty is our Barbarian fantasy dagger. It features a bronze hilt and measures 16 inches long. This is another quality Denix product, made by craftsmen in Spain.
Price: 29.99


Barbarian Fantasy Dagger
DRACULA DAGGER. This handsome fantasy dagger has a beautiful 9.5 polished S curved metal blade and the heavy meal handle features a bat head/winged hilt, 1.5 embossed pommel with silver finish Made in Spain by Denix craftsmen
Price: 29.99


Crestrel Dagger with Scabbard
The companion dagger to the popular Agincourt single-hand sword (3501AM), the Kestrel is an ideal accessory and a handsome piece in its own right. A leather scabbard is provided. The historic Krestrel dagger with scabbard features a blade 10 inches in length and an overall length of 15 inches. Functional Sword Great conversation piece, decorator item or collectible!
Price: 89.99


German WWII Honor Dagger: SS honor dagger
"Meine Ehre Heisst Treue," (My honor is Loyalty) were the words that Adolf Hitler expected his SS Elite to live by, and this replica of the SS Elite Guard Dagger recalls the days of fierce loyalty and military force. KEY FEATURES: brass finish brown finish brass accents MEASUREMENTS: BLADE LENGTH: 8 1/2� HANDLE LENGTH: 5 1/4� OVERALL LENGTH: 13 3/4� WEIGHT: 8oz WEIGHT IN BOX: 1lb 3oz BOX HEIGHT: 14 3/4� BOX WIDTH: 3 1/2�
Price: 19.99


Replica Napoleons Dagger Replica
Napoleon?s dagger was modeled after his ceremonial court sword by Martin Biennais (see Model 4106). The grip is engraved with Napoleon?s profile and his Monogram can be seen on the sheath. This replica by Denix is accurately detailed. The blades of Denix daggers and swords are cast from a metal alloy and cannot be sharpened, making them safe for display in family environments.
Price: 29.99


Roman Dagger: 1st Century Roman Dagger Replica - bronze finish
Roman soldiers were given equipment upon joining a legion, and would have likely been given a dagger of this type. This replica is based on models used in the 1st century B.C., the century in which Julius Ceasar conquered Gaul. Of interest is the scabbard decoration of Romulus and Remus being nursed by a wolf. Roman Dagger, 1st century B.C. bronze finish, 16" long.
Price: 29.99


Roman Dagger: Nickel & Bronze Finish
julias ceasar, Roman soldiers were given equipment upon joining a legion, and would have likely been given a dagger of this type. This replica, decorated in bronze and nickel plating, is based on models used in the 1st century B.C., the century in which Julius Ceasar conquered Gaul. Of interest is the scabbard decoration of Romulus and Remus being nursed by a wolf. Roman Dagger, 1st century B.C. antique nickel and bronze finish. BLADE LENGTH: 10? HANDLE LENGTH: 5? OVERALL LENGTH: 15? WEIGHT: 1lb 1oz WEIGHT IN BOX: 2lb 5oz BOX HEIGHT: 17 1/2? BOX WIDTH: 3?
Price: 34.99


German WWII Honor Dagger: SS Honor Dagger, Victor Lutze
"Meine Ehre Heisst Treue," (My honor is Loyalty) were the words that Adolf Hitler expected his SS Elite to live by, and this replica of the SS Elite Guard Dagger recalls the days of fierce loyalty and military force. KEY FEATURES: brass finish brown finish brass accents MEASUREMENTS: BLADE LENGTH: 8 1/2� HANDLE LENGTH: 5 1/4� OVERALL LENGTH: 13 3/4� WEIGHT: 8oz WEIGHT IN BOX: 1lb 3oz BOX HEIGHT: 14 3/4� BOX WIDTH: 3 1/2�
Price: 29.99


German WWII Daggers: German WWII SS Dagger, 1933 model, 15" long
This replica of a German WWII dagger will appeal to WWII militaria collecters and re-enactors. The blades of Denix daggers and swords are cast from a metal alloy and cannot be sharpened, making them safe for display in family environments. KEY FEATURES: Authentic detailing Wearable Safe - cannot be sharpened MEASUREMENTS: BLADE LENGTH: 8 1/4� HANDLE LENGTH: 5 1/4� OVERALL LENGTH: 13 1/2� WEIGHT: 7oz WEIGHT IN BOX: 1lb 1oz BOX HEIGHT: 14 3/4� BOX WIDTH: 3 3/4�
Price: 29.99


German WWII Daggers
1936 German Chain Dagger This replica of a German WWII dagger will appeal to WWII militaria collecters and re-enactors. The blades of Denix daggers and swords are cast from a metal alloy and cannot be sharpened, making them safe for display in family environments.
Price: 29.99


10" Talon Dagger Replica
Matching the 3500-AM Dagesse, the wickedly-pointed Talon dagger is an ideal accessory and a handsome piece in its own right. A leather sheath is included. KEY FEATURES: High-carbon stainless blade Authentic styling Leather scabbard included.
Price: 84.99


Scottish Regimental Dirk Dagger by Hanwei
The Regimental Dirk, with its integral knife and fork set, was worn from the mid-19th century onwards. The silver mounted versions were favored by officers of militia regiments and pipe majors, though there were many exceptions to this rule. The grips are of stained wood, carved in the customary basket-weave pattern and surmounted by amethyst-hued cairngorms. The 11 1/2 inch blades are fileworked in the traditional scalloped pattern. A suspension loop is provided on the leather-covered scabbard. KEY FEATURES: Athentic styling High-carbon steel blade Great dress item MEASUREMENTS: Blade length: 11 1/2� Handle length: 8 1/2� Overall length: 20� Weight: 15oz Box height: 20� Box width: 2� Thickness: .21
Price: 135.99


 

War

War is the reciprocal and violent application of force between hostile political entities aimed at bringing about a desired political end-state via armed conflict. In his seminal work, On War, Carl Von Clausewitz calls war the "continuation of political intercourse, carried on with other means."[1] War is an interaction in which two or more militaries have a “struggle of wills”.[2] When qualified as a civil war, it is a dispute inherent to a given society, and its nature is in the conflict over modes of governance rather than sovereignty. War is not considered to be the same as mere occupation, murder or genocide because of the reciprocal nature of the violent struggle, and the organized nature of the units involved.

War is also a cultural entity, and its practice is not linked to any single type of political organisation or society. Rather, as discussed by John Keegan in his “History Of Warfare”, war is a universal phenomenon whose form and scope is defined by the society that wages it. [3] The conduct of war extends along a continuum, from the almost universal tribal warfare that began well before recorded human history, to wars between city states, nations, or empires. A group of combatants and their support is called an army on land, a navy at sea, and air force in the air. Wars may be prosecuted simultaneously in one or more different theatres. Within each theatre, there may be one or more consecutive military campaigns. A military campaign includes not only fighting but also intelligence, troop movements, supplies, propaganda, and other components. Continuous conflict is traditionally called a battle, although this terminology is not always fed to conflicts involving aircraft, missiles or bombs alone, in the absence of ground troops or naval forces.

War is not limited to the human species, as ants engage in massive intra-species conflicts which might be termed warfare. It is theorized that other species also engage in similar behavior, although this is not well documented. [4][5][6]

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[edit] History of war

Main article: History of war

Some believe war has always been with us; others stress the lack of clear evidence that war is not in our prehistoric past, and the fact that many peaceful, non-military societies have and still do exist.


Originally, war likely consisted of small-scale raiding. Since the rise of the state some 5000 years ago, military activity has occurred over much of the globe. The advent of gunpowder and the acceleration of technological advances led to modern warfare.

Since the close of the Vietnam War, the ideas expounded by the Prussian military theorist Carl von Clausewitz (1780-1831) have come to thoroughly permeate American military writing, doctrinal, theoretical, and historical. His book On War, first published (as Vom Kriege) in 1832, was adopted as a key text at the Naval War College in 1976, the Air War College in 1978, the Army War College in 1981. It has always been central at the U.S. Army's School for Advanced Military Studies at Leavenworth (founded in 1983). The U.S. Marine Corps's brilliant little philosophical field manual FMFM 1: Warfighting (1989) is essentially a distillation of On War, and the newer Marine Corps Doctrinal Publications (MCDPs, c.1997) are equally reflective of Clausewitz's basic concepts.*1

This is not the first time Clausewitz has been in fashion. Indeed, On War has been the bible of many thoughtful soldiers ever since Field Marshal Helmuth von Moltke attributed to its guidance his stunning victories in the wars of German unification (1864, 1866, 1870-71). Nor is it the first time that individual American soldiers and military thinkers have been attracted by his ideas: George Patton, Albert Wedemeyer, and—especially—Dwight Eisenhower were intensely interested in what he had to say.

It is, however, the first time that the American armed forces as institutions have turned to Clausewitz. While the philosopher had insisted that war was "simply the expression of politics by other means," the traditional attitude of American soldiers had been that "politics and strategy are radically and fundamentally things apart. Strategy begins where politics end. All that soldiers ask is that once the policy is settled, strategy and command shall be regarded as being in a sphere apart from politics."*2 The sudden acceptability of Clausewitz in the wake of Vietnam is not difficult to account for, for among the major military theorists only Clausewitz seriously struggled with the sort of dilemma that American military leaders faced in the aftermath of their defeat. Clearly, in what had come to be called in scathing terms a "political war," the political and military components of the American war effort had come unstuck. It ran against the grain of America's military men to criticize elected civilian leaders, but it was just as difficult to take the blame upon themselves. Clausewitz's analysis could not have been more relevant:

The more powerful and inspiring the motives for war,... the more closely will the military aims and the political objects of war coincide, and the more military and less political will war appear to be. On the other hand, the less intense the motives, the less will the military element's natural tendency to violence coincide with political directives. As a result, war will be driven further from its natural course, the political object will be more and more at variance with the aim of ideal war, and the conflict will seem increasingly political in character.*3

When people talk, as they often do, about harmful political influence on the management of war, they are not really saying what they mean. Their quarrel should be with the policy itself, not with its influence.

Vom Kriege (IPA[fɔm ˈkʁiːgə]) is a book on war and military strategy by Prussian general Carl von Clausewitz, written mostly after the Napoleonic wars, between 1816 and 1830, and published posthumously by his wife in 1832. It has been translated into English several times as On War. On War is actually an unfinished work; Clausewitz had set about revising his accumulated manuscripts in 1827, but did not live to finish the task. His wife eventually compiled all the work and the final two chapters Clausewitz never finished.

On War is one of the first books on modern military strategy. This is mainly due to Clausewitz' integration of politics and social and economic issues as some of the most important factors in deciding the outcomes of a war. It is one of the most important treatises on strategy ever written, and is prescribed at various military academies to this day.

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[edit] History

Carl von Clausewitz was a Prussian officer among those baffled by how the armies of the French Revolution and Napoleon had changed the nature of war through their ability to motivate the populace and thus unleash war on a greater scale than had previously been the case in Europe. Clausewitz was well educated and had a strong interest in art, science, and education, but he was a professional soldier who spent a considerable part of his life fighting against Napoleon. There is no doubt that the insights he gained from his experiences, combined with a solid grasp of European history, provided much of the raw material for the book. On War represents the compilation of his most cogent observations.

Note: Clausewitz states that Napoleon's tactics were not revolutionary at all and that Napoleonic Warfare did not change anything greatly in military history. The technology of weaponry for the most part remained static, and new strategies weren't developed, but rather Napoleon refurbished old ones, mixing them into one grand strategy.

[edit] Synopsis

The book contains a wealth of historical examples used to illustrate its various concepts. Frederick II of Prussia (the Great) figures prominently for having made very efficient use of the limited forces at his disposal. Napoleon also is a central figure.

Among many strands of thought, three stand out as essential to Clausewitz' concept:

  • War must never be seen as a purpose to itself, but as a means of physically forcing one's will on an opponent ("War is not merely a political act, but also a real political instrument, a continuation of political commerce, a carrying out of the same by other means."[1]).
  • The military objectives in war that support one's political objectives fall into two broad types: "war to achieve limited aims" and war to "disarm” the enemy: “to render [him] politically helpless or militarily impotent."
  • The course of war will tend to favor the party employing more force and resources (a notion extended by Germany's leaders in World War One into "total war"—the pursuit of complete military victory regardless of the political consequences).

Military strategy is a national defence policy implemented by military organisations to pursue desired strategic goals.[1] Derived from the Greek strategos, strategy when it appeared in use during the 18th century[2], was seen in its narrow sense as the "art of the general"[3], 'the art of arrangement' of troops.[4] Military strategy deals with the planning and conduct of campaigns, the movement and disposition of forces, and the deception of the enemy. The father of modern strategic study, Carl von Clausewitz, defined military strategy as "the employment of battles to gain the end of war." Liddell Hart's definition put less emphasis on battles, defining strategy as "the art of distributing and applying military means to fulfil the ends of policy" Hence, both gave the pre-eminence to political aims over military goals, ensuring civilian control of the military.

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[edit] Fundamentals

"You must not fight too often with one enemy, or you will teach him all your art of war." Napoleon Bonaparte

Military strategy is the plan and execution of the contest between very large groups of armed adversaries. It involves each opponent's diplomatic, informational, military, and economic resources wielded against the other's resources to gain supremacy or reduce the opponent's will to fight. It is a principle tool to secure the national interest. A contemporary military strategy is developed via military science. [5] It is as old as society itself. It is a subdiscipline of warfare and of foreign policy. In comparison, grand strategy is that strategy of the largest of organizations which are currently the nation state, confederation, or international alliances. Military strategy has its origins before the Battle of the Ten Kings and will endure through the space age. It is larger in perspective than military tactics which is the disposition and maneuver of units on a particular sea or battlefield.[6]

[edit] Background

Military strategy in the 19th century was still viewed as one of a trivium of "arts" or "sciences" that govern the conduct of warfare; the others being tactics, the execution of plans and manœuvering of forces in battle, and logistics, the maintenance of an army. The view had prevailed since the Roman times, and the borderline between strategy and tactics at this time was blurred, and sometimes categorization of a decision is a matter of almost personal opinion. Carnot, during the French Revolutionary Wars thought it simply involved concentration of troops.[7]

The Battle of Siffin, illustration from a 19th century manuscript by Muhammad Rafi Bazil.

Strategy and tactics are closely related and exist on the same continuum.

 

 

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