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Editorial Reviews From the Back Cover Fall in love with Lucy all over again! Here's everything you love Lucy for, the warmth, wonder and wackiness that has kept audiences doubled over with laughter time and again. These five specially selected episodes, chosen by people like you, have each earned their place as one the The Best of I Love Lucy. Howl with laughter as... Lucy stuffs herself with chocolate in Job Switching (Episode 39) Lucy lights her nose on fire in L.A. At Last! (Episode 114) Lucy tries to tell Ricky that they're expecting a baby in Lucy is Enceinte (Episode 50) Lucy tries to be graceful while learning Ballet in The Ballet (Episode 19) Lucy, Ricky and Fred try to upstage Ethel in Ethel's Home Town(Episode 113) Editorial Reviews Amazon.com This cute movie by William Dear stars John Lithgow as a family man who befriends a Sasquatch (a.k.a. Bigfoot) and brings the friendly monster's oversized, hairy self into his Seattle home. Mayhem and comedy ensue, but things take a heavier turn when a hunter (David Suchet) gets on the creature's trail. Everything hinges on the relationship between Lithgow's character and Harry (the Sasquatch), and that relationship is really quite effective and touching. Don Ameche is a hoot as an old guy who has dreamed of meeting Bigfoot all his life and finally gets the glorious chance. --Tom Keogh Editorial Reviews Amazon.com Think A Summer Place, and you'll probably be humming Max Steiner's wonderfully romantic instrumental theme song, a hand-holding hit in 1959. The movie itself is similarly irresistible, a colorful soap opera about the passions of a pair of dewy-eyed teens and their straying parents. At an island resort in Maine, Sandra Dee and Troy Donahue (the reigning teen idols of the day) fall hard for each other. What they don't know is that her father (Richard Egan) and his mother (Dorothy McGuire), lovers 20 years earlier, have rekindled their affair. Both, inconveniently, have spouses, which is what makes this a soap opera. Lovers of camp will find much to savor in the incredible '50s attitudes, and in the innocence of supervirgin Dee ("Johnny, have you been bad with girls?"). Yet the sincerity of writer-director Delmer Daves, cowriter of An Affair to Remember, comes shining through the corn; and the grown-up affair anticipates The Bridges of Madison County by 30 years. --Robert Horton Editorial Reviews Amazon.com You may be surprised to discover that the director of the Lethal Weapon movies and scary horror flick The Omen, Richard Donner, also produced and directed this classic children's adventure (which, by the way, was written by Donner's screen-wizard friend Steven Spielberg). Then again you may not. The Goonies, like Donner's other movies, is the same story of good versus evil. It has its share of bad guys (the Fratelli brothers and their villainous mother), reluctant-hero good guys (the Walsh bothers and their gang of friends), and lots of corny one-liners. Like in an old-fashioned Hardy Boys or Nancy Drew plot, the Goonies need to solve a problem: a corrupt corporate developer has bought out their neighborhood and plans to flatten all their homes. Luckily, the beloved gang stumbles on a treasure map. In the hopes of finding the treasure to buy back their houses, the Goonies embark on their quest through underground passages, aboard pirate ships, and behind waterfalls. This swashbuckling and rollicking ride was also a great breeding ground for a couple of child actors who went on to enjoy numerous successes in adulthood: Sean Astin (Rudy, Encino Man) and Martha Plimpton (Pecker, 200 Cigarettes). --Samantha Allen Storey Editorial Reviews Amazon.com essential video No one even bothers to argue about it any more--by any standard and international consensus, this is the best movie musical of them all. Its arcane, unlikely milieu is Hollywood during the transition in the late 1920s from silent to sound motion pictures. Its reason for being was producer Arthur Freed's desire to use the catalog of songs he had written with Nacio Herb Brown in the '20s and '30s for various shows and movies. But, ironically, it's now the soundtrack that seems cobbled together from disparate sources, while the movie itself remains seamless. That's thanks to a literate screenplay by Adolph Green and Betty Comden and ebulliant acting and dancing by the young Gene Kelly, Donald O'Connor, and Debbie Reynolds. Jean Hagen is especially brilliant as the silent-screen star whose speaking voice is so screechy she has to be dubbed for talkies. Kelly codirected with Stanley Donen, and both can take credit for a masterpiece. Musical standouts are "You Were Meant for Me," "Good Morning" and "All I Do Is Dream of You." Visually, the indelible image will always be Kelly sloshing around in puddles while singin' in the rain. That said, this coupling of video with a definitive version of the soundtrack benefits from Rhino's meticulous reconstruction of the material and extensive annotations, which only enhance our grasp of this film and musical legend's gestation. ---Robert Windeler --This text refers to the VHS Tape edition. Editorial Reviews Amazon.com This remake of 1963's The Incredible Journey gets a boost from the voice talent that brings its central characters to life. Don Ameche, Michael J. Fox, and Sally Field are, respectively, the voices of an old dog, a young dog, and a cat, all of whom coexist in a single household. Uneasy housemates at the best of times, they are forced to learn to rely on each other when the family relocates across country and they are left behind. So they set out on foot to find their family and discover their own strengths--both as individuals and as a team--while trekking to catch up with their humans. Well-trained animals and some feisty give-and-take between Fox and Field give this movie its charm, making it decidedly lovable family fare. --Marshall Fine Editorial Reviews Amazon.com The more you know about the Civil War, the more you'll appreciate Gods and Generals and the painstaking attention to detail that Gettysburg writer-director Ronald F. Maxwell has invested in this academically respectable 220-minute historical pageant. In adapting Jeffrey Shaara's 1996 novel (encompassing events of 1861-63, specifically the Virginian battles of Bull Run, Fredericksburg, and Chancellorsville), Maxwell sacrifices depth for scope while focusing on the devoutly religious "Stonewall" Jackson (Stephen Lang), whose Confederate campaigns endear him to Gen. Robert E. Lee (Robert Duvall, giving the film's most subtle performance). Battles are impeccably recreated using 7,500 Civil War re-enactors and sanitized PG-13 violence, their authenticity compromised by tasteful discretion and endless scenes of grandiloquent dialogue. Still, as the first part of a trilogy that ends with The Last Full Measure, this is a superbly crafted, instantly essential film for Civil War study. For all its misguided priorities, Gods and Generals is a noble effort, honoring faith and patriotism with the kind of reverence that has all but vanished from American film ? but provides abundant proof that historical accuracy is no guarantee of great storytelling. --Jeff Shannon --This text refers to the Theatrical Release edition. Product Details Hardcover: 192 pages Publisher: Riverhead Books; (September 2003) ISBN: 1573222615 In-Print Editions: Audio Cassette (Unabridged) | Audio CD (Unabridged) | All Editions Amazon.com Sales Rank: 89,408 From Toysrus.com & Amazon.com From the Manufacturer 3D Edhoras puzzle from Lord of the Rings. This orginal 3 D Puzzle tests you ingenuity and spatial skills. The puzzle includes appro imately 700 pieces. Features: Rugged, water-resistant design with Ultimate Skip Free G-Protection technology for active use Built-in FM/AM/TV/weather-band digital tuner with 51-station preset memory Includes headphones and AC adapter 40 hours playback with 2 AA batteries, works with rechargeable batteries (no batteries included) 2-position automatic volume limiter system (AVLS) conserves batteries Editorial Reviews Amazon.com Never mind the project's odd couple, "He's got a girlfriend; so does she" marketing shuck. This is a musical love affair in all its splendor. Produced by the seemingly chameleonic producer T Bone Burnett (who previously revived traditional bluegrass with spectacular success on O Brother, Where Art Thou?), the septuagenarian legend and his unlikely contemporary foil affectionately court a dozen songs from the Louis Armstrong repertoire with the warmth and natural grace that have been a deceptively effortless Bennett trademark for 50-plus years. The pair kick proceedings off with a playful, irony-free "Exactly Like You," then perform a tender vocal waltz across both the ages and the masterful, sympathetic orchestrations of the late Peter Matz, one of Bennett's longtime collaborators.